Counter Strike: Global Offensive - Main Theme

Mike Morasky
as played by Splimmie
transcribed by The Flaming Piano
Rubato; start slow then accelerando

 12  = 132
 accel.   
  
      44 

    
 
 
 12

     44 alternate between LH and RH 

    
cresc.    

5   
               
      


       
    
    
        

13

                                          

   
         
       

18
 
              

 6
  
          
  

      
  
 21

       
               

 

                      
    
 

25

 
   
  
   
      

      
    
           
   


29  


   
         
molto rit.
   
               
 
        


32 a tempo
 
         
            
   
 cresc.

         
   

2
34
   
        
 
    
     
 
    
 

      
      
     

   

37

            
 
       
            

        
         
      
    
    
40
  
                 
  
  
     
  

          
              
   
      
43

                         
        

      
       
            
  
        

3
 47
 
                        

        


            
    
    
         
         

53
              
   
         

 
           
         
 

57

                          
        


             
      

     
 

61 rit.

      


 
         
 
 

 
               
  