Professional Documents
Culture Documents
Culture and Communalism
Culture and Communalism
Culture and Communalism
Author(s): K. N. Panikar
Source: Social Scientist , Mar. - Apr., 1993, Vol. 21, No. 3/4 (Mar. - Apr., 1993), pp. 24-31
Published by: Social Scientist
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its very soul. With us every action in life, individual, social or politi-
cal is a command of religion ... we are what our religion has made us . .
. and so with us culture is but a product of our all-comprehensive reli-
gion, a part of its body and not distinguishable from it.'
What logically follows in Golwalkar's analysis is the construction
of a national religion and national culture. The 'all-comprehensive
religion' of the Indian nation is Hinduism, of which the national cul-
ture is a product. Golwalkar affirmed this as follows: 'In Hindustan,
the land of the Hindu, lives and should live the Hindu nation ... con-
sequently only those movements are truly "national" as aim at rebuild-
ing, revitalising, and emancipating from its present stupor, the Hindu
nation.... All those posing to be partriots and wilfully indulging in a
course of action detrimental to the Hindu nation are traitors and ene-
mies, or to take a more charitable view . . . mere simpletons, misguided
ignorant fools.'
Golwalkar was laying down the 'true' character of a national
movement at a time when the anti-colonial national movement was
locked in a continuous struggle against British imperialism. Dismissing
anti-colonial nationalism as negative, Golwalkar sought to construct
the idea of Hindu cultural nationalism by tracing a 'logical' connection
between culture, religion and nation. Hindu communalism was not
known for anti-colonial patriotism; but was always eager for compro-
mise and collaboration with British imperialism. Not surprisingly,
therefore, anti-colonial nationalism, in Hindu communal discourse,
was nothing but pseudo-nationalism and its protagonists were pseudo-
nationalists. Incidentally, the first to earn this distinction was
Mahatma Gandhi who was so described by V.D. Savarkar, the high
priest of Hindu nationalism.
Golwalkar's effort to conceptualise a culturally specific nationalism
was ahistorical. Apart from the fallacy of treating religion and cul-
ture as synonymous (despite their connection they were quite distinct
from each other), he overlooked the dynamics of the historical evolu-
tion of Indian society and focused on the Hindu religion as the guiding
force of Indian nationhood. Predictably non-Hindus had no place in the
nation he envisaged: 'Non-Hindu peoples in Hindustan must either
adopt the Hindu culture and language, must learn to respect and hold
in reverence Hindu religion, must entertain no idea but those of glorifi-
cation of the Hindu race and culture ... they must cease to be foreigners
or may stay in the country wholly subordinated to the Hindu nation,
claiming nothing, deserving no privileges, far less any preferential
treatment, not even citizen rights.' The lesson of the Jews of Germany
under Hitler that Golwalkar held out to non-Hindus was quite omi-
nous.
ing the cultural content of Indian nationalism. Also, its popular strug-
gles did not witness an integration of political and cultural struggles.
Therefore, what Indian nationalism represented beyond anti-
colonialism was left vague and uncertain. Despite this debility, anti-
colonial nationalism was not essentially negative, as argued by
Golwalkar. It had a modern political perspective comprehended
within its three important political ideas-democracy, secularism and
civil liberties. While rejecting anti-colonial nationalism, Golwalkar
was also rejecting these political principles.
The Hindutva movement has inherited, adopted and elaborated
these ideas of cultural nationalism as propounded by Golwalkar and
has sought to implement them as a political programme. The leaders
of the Sangh Parivar have articulated it in different ways both in
words and in action: cautiously by Advani, subtly by Vajpayee, crudely
by Uma Bharati and vulgarly by Ritambhara. While justifying the
BJP's attempts to integrate religion and politics, Vajpayee has
recently asked in his usual rhetoric-'Should politics be irreligious?'
In the vocabulary of the Sangh Parivar nation would easily substitute
for politics, thereby making Hindu rashtra a legitimate political
ideal.
Much before the BJP had made Hindu cultural nationalism its main
plank, its predecessors-the Hindu Maha Sabha and the Jana Sangh-
had adopted a similar political posture, though without success. They
has also patterned their political programme for the attainment of a
Hindu rashtra. Yet, they did not have the same success as the BJP in
appealing to the imagination of the people.
There are indeed several historical con)unctures which have made
the BJP's advance possible during the last few years. One of the deci-
sive factors, however, was the innovative invocation of cultural sym-
bols which helped to create a sense of identity among the Hindus with
the Hindutva programme and thus make them either participants or
supporters of communal politics.
Although appropriation of cultural symbols and their deployment
for political mobilisation has become particularly effective only in
the recent past, the members of the Sangh Parivar had initiated the
process much earlier. For instance, in 1963 the RSS took the initiative
to celebrate the birth centenary of Vivekananda and to build a memo-
rial for him at Kanyakumari. The Tamilnadu government had initia-
lly refused permission for the memorial, presumably due to the opposi-
tion of local Christians. The RSS was then able to project the memorial
as a 'national' cause and managed to get the support of 235 members of
parliament. These MPs, needless to say, did not subscribe to the ideo-
logy of the RSS; yet, given the place of Vivekananda in national life,
they had no option but to support the project. The Tamilnadu govern-
ment was eventually pressurised to give permission. The RSS went on
to build the memorial and a Vivekananda Kendra at Kanyakumari.
and influenced their consciousness. But for them Ram Sila Puja would
not have acquired a mass character, the Rath Yatra would not have
become a 'national' event and the vandalism of December 6 at
Ayodhya would not have been possible.
The strategy of building up these front organisations has been
guided by local circumstances. For instance, in Kerala, where a large
number of village temples were in a stage of decay, renovation commit-
tees have been used as a ploy to attract the believers to the fold of the
Sangh Parivar. The meetings of these committees, accompanied by kir-
tans, religious discourses and semi-political speeches, were effective
platforms for the propaganda of Hindutva. Those who participated in
them for purely religious reasons were soon turned into supporters of
Hindu communal politics.
A major support base of Hindutva is the network of schools orga-
nised throughout the country. It is difficult to ascertain the exact num-
ber of these schools. For, in each state and region they have different
nomenclatures and controlling bodies. Some of the common names of the
schools are Saraswati Shishu Mandir, Vidya Bharati, Gyan Bharati
and Gita Vidyalaya. One recent estimate places the number of these
schools at 10,000, which may well be much below the actual mark.
The curriculum of these schools follows the guidelines laid down by
the education departments of each state. Yet, they have enough lee-
way to mould the attitude of the students through extracurricular
activities and additional readings for moral education. The Parivar's
publishing houses like Sanskar Bharati Prakashan and Bharatiya
Siksha Samiti produces books for these schools. In the schools of
Rajasthan two series of books are used-Sanskar Saurab and Naithik
Siksha. Much before the M.P. and U.P. governments took steps to
rewrite textbooks these books were in circulation, imparting to in young
minds Hindu religious consciousness and communal ideology. The focus
of these books is religious and their message communal. Extracts from
Hindu scriptures, stories from Hindu mythology and the heroism of
Hindu kings against Muslim rulers are their main content.
The front cover of Sanskar Saurab has a picture of greater India
with a goddess holding Bhagawat dwaja and leaning on a lion. At the
back is a particularly muscular Sri Ram with bow and arrow placed
above the proposed mandir at Ayodhya.
Inside the book there are several boxes highlighting extracts
designed to ensure the Hindu identity. One of them reads as follows-
'We are Hindus and Hindustan is ours. We are its original inhabitants
and we have been living here from the beginning. Earlier we used to
call it Aryavarth. Now it is Bharat. The people of Bharat are the
children of Bharat.'
In Sanskar Saurab no. 3, meant for students of class five, one of the
lessons is on the karseva of 30 October 1990. It narrates the martyrdom
of two youths from Rajasthan, the Kothari brothers, in the cause of the
Virodhi Andolan and theatre groups like Jana Natya Manch and
Nishant, has not gone much beyond the projection of the composite cul-
ture of the past. Its impact has been very limited. What is immedi-
ately required is an all-out effort to expand the secular cultural space.
It can be achieved only through a vigorous movement which would
strive for a secular ethos through cultural endeavour, contending with
and seeking to replace the fast advancing communal ethos. The move-
ment should aim to organise, on a large scale, an institutional infras-
tructure of newspapers, audio-visual production centres, theatre
groups, music societies, local history associations, publishing houses,
environmental groups, literacy activity and so on. In other words, fora
for alternative secular activity should be made available to the
people. These organisations should be supplemented by a chain of local
cultural committees in villages, mohallas, districts, etc., which would
form the nodal points of dissemination of secular culture. These com-
mittees would be the media through which the secular cultural work
of organisations would reach out to the people.
The local cultural committees suggested above are distinct in pur-
pose and function from the defence and relief committees which have
sprung up in different parts of the country after 6 December. The latter
have either prevented riots as in Bhiwandi and Sonapur, or contained
violence as in Aligarh and in certain localities of Bombay. The former
is envisioned to discharge an entirely different function, namely, creat-
ing an alternate sphere of secular activity at the local level. It is
through local nuclei that Hindu communalism has built up its cultural
and ideological hegemony. Its political power is firmly rooted in the
undertakings of the local units of its cultural organisations. Contending
with communalism, therefore, has to begin at these grassroot levels.
The possible tendency of such a quest is to become reactive in character.
Instead it should grow independent of and distinct from the existing
communal endeavour. In other words, the vision of the activists of
local cultural committees should not be confined to anti-communalism,
but positive secularism.
The assumption behind this proposition is that secularism, to be
meaningful in a multi-religious society like India, has to be a social
reality and not purely a political principle. Yet, it cannot become so
without an organic connection between secular politics and secular cul-
ture. Hindutva has succeeded in establishing the connection between
communal politics and communally constructed culture. If 'the light of
knowledge is to be brought to this benighted land' and 'strike your
thunderbolt on the prison wall around Faith', to borrow Rabindranath
Tagore's eloquent words, the secular movement has to build a social
consciousness through the terrain of culture.