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Ei Jibon Review Enajori
Ei Jibon Review Enajori
The name of the movie itself depicts the content. “Srimanta Sankardeva” is the latest addition to
the Assamese feature film industry, after “Basundhara” by Hiren Borah. The Assamese film
industry was really waiting for such a vast production and a breakthrough. ‘Srimanta
Sankardeva’I s based on the life and works of the greatest legend of Assam of all times. At a time
when Assamese film industry has been passing through a depressed era, the producer must be
appreciated for this great effort in bringing the life and works of this great saint to silver screen.
No doubt, it’s an act of gallantry. It requires courage, prowess, patience, aptitude, vast knowledge
and of course, the passion to attempt a movie like ‘Srimanta Sankardeva’. But more than anything
else, it requires the confidence in dealing with the subject matter, the belief to attempt a character
like Shankardeva which is considered as an absolute no-no in the industry. This is absolutely a
noble effort by the producer.
Now back to the screen, one can hardly believe that this film is based on a deep research over
years. We expected something new, a life sketch of Srimanta Shankardeva which is yet
unexplored through this movie. The story described in the movie is well known to all, it did not
require any deep research. When a feature film is made it should be considered as a full fledged
cinema only, not a type of documentary. But Srimanta Shankardeva lost its feature film image
with its documentary touch. Too much monotonous dialogues, poor make up, lack of natural
acting skills by few characters badly affected the movie. Moreover many of the incidents in his
life such as crossing the river Brahmaputra, fight with bull have been described through Khersuti
only. If it could be represented through real affects then that would be a gem to this movie.
Through a vast production like Srimanta Shankardeva, we definitely can expect these. But we
should appreciate the costume designing as well as music, though music was based on few
Borgeets by Shankardeva. Background scores were nicely composed.
In acting field, Malaya Goswami as Khersuti was simply superb in her role. Dilip Baruah as adult
Sankardeva was impressive, but Aditya Sankar Hazarika as young Sankardeva could have given
us some better performance. Prithiraj Rabha as Koch King Naranarayana excelled.
One can understand that the 120 years of life can’t be portrayed in a feature film easily. It’s really
a gargantuan task. But Paran Barbaruah and Surjya Hazarika should definitely be appreciated for
this humble effort.
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After such a long time a nice album with such beautiful lyrics has come up. Dr. Amal Saikia must
be appreciated for this effort. Thumbs up to Pratul Borah and Gupta Borthakur for their
compositions and of course, to the whole team too.