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Observing Learning and Teaching in Second Language Classroom
Observing Learning and Teaching in Second Language Classroom
Nadja Adlin
Shyta Teah
I WONDER
Teah
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> Production &the use of
authentic
materials
OBSERVATION
SCHEMES
Shyta
What is Observation Scheme?
experienced ones.
CLASSROOM
COMPARISONS:
TEACHER-STUDENT
INTERACTION
Study The Interpretations of Categories
used in COLT!
Errors Feedback on Errors
Are there any errors in language When students make errors, do
of either the teacher or the they receive feedback? From
students? whom?
T: OK, we finished the book - we finished in the book Unit 1, 2, 3. Finished. Workbook 1, 2, 3. So,
today we're going to start with Unit 4. Don't take your books yet, don't take your books. In 1, 2, 3 we
worked in what tense? What tense did we work on? OK?
S: Past
S: Did
T: Did (writes on board '1 - 2 - 3 Past'). Unit 4, Unit 4, we're going to work in the present, present
progressive, present continuous -- OK? You don't know what it is?
CLASSROOM A: STRUCTURE-
BASED APPROACH
Students in this classroom are 15 years old French-speakers
S: Yes
S: Little bit
T: A little bit.
S: ..............
T: Eh?
S: e - n - g
T: i - n - g
S: Yes.
T: What does that mean, present continuous? You don't know? OK, fine. What are you doing, Paul?
S: Rien [nothing].
T: Nothing?
CLASSROOM A: STRUCTURE-
BASED APPROACH
Students in this classroom are 15 years old French-speakers
S: Rien -- nothing.
T: You're doing something -- Are, are you listening to me? Are you talking with Marc? What are you
doing?
S: No, no -- uh -- listen -- uh --
T: Eh?
S: to you.
CLASSROOM A: STRUCTURE-
BASED APPROACH
Students in this classroom are 15 years old French-speakers
S: Yes.
T: Oh. (writes *what are you doing? I'm listening to you*on the board).
S: Je -- [I ... ].
S: Yes.
T: You're playing with your eraser (writes *I'm playing with my eraser* on the board). Would you
close the door please, Bernard? Claude, what is he doing?
CLASSROOM A: STRUCTURE-
BASED APPROACH
Students in this classroom are 15 years old French-speakers
T: He is closing the door (writes *He's closing the door* on the board). What are you doing, Mario?
Observation (Classroom A)
Errors
Very few on the part of the teacher.
The speech does have some peculiar characteristics typical of this
type of teaching (example: the questions in statement form - often
asked with dramatic rising intonation *You don't know what it is*
Students don't make too many errors
Students say very little and what they say is usually limited in the
lesson.
Feedback on Errors:
Yes, whenever students do make errors, the teacher reacts.
Observation (Classroom A)
Genuine Questions
Yes, there are few genuine questions but they are almost related to
classroom management.
No questions from students.
Display Questions
Yes, almost all of the teacher's questions are of this type.
The students sometimes interpret display questions as genuine
questions (T: What are you doing, Paul? S: Nothing).
The teacher wants students to produce a sentence - any sentence - in
the 'present continuous' but the student worries that he's about to get
in trouble and asserts that he is doing 'nothing'.
This shows teacher's pragmatic intent can be misinterpreted by the
students.
Observation (Classroom A)
Negotiation for Meaning
Very little.
Learners no need to paraphrase or request for clarifications
No opportunity to determine the direction of the discourse.
Teacher focused only on the formal aspects of the learners' language.
Efforts goes into getting students to produce a sentence with the
present continuous form of the verb.
Metalinguistic Comments
Yes, this is how the teacher begins the lesson and less the students
know what really matters!
CLASSROOM B: A
COMMUNICATIVE
APPROACH
CLASSROOM B: A
COMMUNICATIVE APPROACH
Students in this classroom are 10 years old French-speakers
S: Stings me.
T: Do you get stung often? Does that happen often? The bee stinging many times?
S: Yeah.
T: Often? (Teacher turns to students who aren't paying attention) OK. Sandra and Benoit, you may
begin working on a research project, hey? (Teacher turns her attention back to *what bugs me*)
T: Ah! She borrows your clothes? When you're older, you may appreciate it because you can switch
clothes, maybe. (Turns to check another student's written work) Melanie, this is yours, I will check
-- OK. It's good.
S: It bugs me when i'm sick and my brother doesn't help me -- my -- my brother, 'cause he -- me -.
T: OK. You know -- when (inaudible) sick, you're sick at home in bed and you say, oh, to your
brother or your sister: < Would you please get me a drink of water? > -- < Ah! Drop dead! > you
know, < Go play in the traffic > You know, it's not very nice, Martin!
S: It bugs me to have --
T: Every day? Ah! Doesn't your bro -- (inaudible) his bicycle? Could his brother lend his bicycle?
Uh, your brother doesn't have a bicycle?
T: Ah, well. Talk to your mom and dad about it. Maybe negotiate a new bicycle for your brother.
S: (inaudible)
T: He has a new bicycle. But his brother needs a new one too.
S: Yes!
S: My brother.
S: (inaudible)
S: (inaudible) bicycle.
CLASSROOM B: A
COMMUNICATIVE APPROACH
Students in this classroom are 10 years old French-speakers
S: March 23.
T: His birthday?
S: Yeah!
S: Fourteen.
T: Fourteen. Well, why don't you tell your brother that when he takes your bikes you will take his
bike? And he may have more scratches than he figures for. OK?
Observation (Classroom B)
Errors
Students make errors.
Teacher says some odd things sometimes.
Teacher's speech contains incomplete sentences, simplified ways of
speaking, and an informal speech style.
Feedback on Errors:
Sometimes teacher repeats what the student has said with the
correct form (for example: 'he bugzz me' - emphasizing the third
person singular ending),
The correction is not consistent or intrusive as the focus is primarily
on letting students express their meanings.
Observation (Classroom B)
Genuine Questions
Almost all of the teacher's questions are focused on getting
information from the students.
The students are not asking questions in this exchange.
The students sometimes intervene to change the direction of the
conversation.
Display Questions
No display questions happened during this observation BECAUSE
there is a focus on meaning rather than on accuracy in grammatical
form.
Observation (Classroom B)
Negotiation for Meaning
Yes, from the teacher's side, especially in the long exchange about
who has a bicycle.
Metalinguistic Comments
No metalinguistic comments happened during this observation.
SUMMARY OF T-S INTERACTION
Classroom A
The focus is on form (i.e grammar)
The purpose of interaction is to practice the present
continuous.
Although the teacher uses real classroom events and some
humor to accomplish this there is no real interest in what
students are doing.
Teacher is only highlighting their ability to say what they
are doing, using the correct verb form.
There is primary focus on correct grammar, display
questions, and error correction.
SUMMARY OF T-S INTERACTION
Classroom B
The focus is on meaning, conversational interaction, and
genuine questions.
There are some brief references to grammatical accuracy
when the teacher feels it is neccessary.
Classroom A + B
Australia.
to draw.
The Description of Transcript
"S1 is describing a picture for S2 to draw. They are sitting at a table,
separated by a small barrier, so that they can see each other's faces
and hands (when they gesture), but not each other's picture. The
flying a kite and a girl holding his hand. The stick figures are
S1: And o-on the right, there is a [tree]. It's a-a, the ki , the kite is up. (Points up in the air) This is
the kite. (Points up again) This is the kite (Points yet again) And the [tree] is up there.
S1: Huh?
S1: Huh?
S1: Yeah, the kite is u-, the kite is up and the [tree] is down. (Points directions)
COMMUNICATIVE TASK A:
PICTURE DESCRIPTION
S1 is from Hong Kong, S2 is from Somalia
S1: Huh?
S1: Feel?
S1: No, it's not the fell down. No, it's jut at the bottom.
S1: Yes.
S1: Yes.
Feedback on Errors:
There is no error correction in terms of form as the learners struggle
to understand each other's meaning.
Observation (Communicative Task A)
Genuine Questions
Yes, there are many genuine questions.
S2 asks most of these questions because she needs to get the
information from S1 in order to draw the picture.
S1 also asks some genuine questions and there are almost always to
ask for clarification.
Display Questions
There are no display questions because S1 and S2 are engaged in a
real communication-gap exchange.
S2 cannot see the picture that S1 is describing.
Therefore, all the questions asked are genuine questions.
Observation (Communicative Task A)
Negotiation for Meaning
Yes, indeed! Both learners are trying hard to understand each other,
even though they often fail to do so.
This involves many comprehension questions and clarification
requests, as well as repetitions of each other's utterances, often with
emphasis, trying to understand what the other learner has just said.
Metalinguistic Comments
No metalinguistic comments happened during this observation.
COMMUNICATIVE
TASK B: JIGSAW
The Description of Transcript
1. The transcript is of two students in Grade 7 French immersion
classroom.
they display all the pictures in sequence and write the story they have
just told. Telling the story requires the use of a number of reflexive
verbs in French. In the third person, the form se is placed between the
subject and the finite verb. Thus elle se leve (she gets up) and elle se
souveniet (she remembers) are correct. The learners are called Dara
(D) and Nina (N). In the transcript, incorrect uses of the reflexive
D: Elle. [She']
D: Elle se souvient, non, Elle souvient qu'elle a un ... une pratique de chorale, alors elle se leve.
[She remembers, no. She remembers that she has a choir practice so she gets up]
D: Elle souvient ... ahh, elle se souvient ... Elle souvient ... Elle so souvient, no [She remembers ...
ahh, she remembers .... She remembers ... She remembers, no]
D: Elle souvient qu' elle doit aller au band ... ? [She remembers that she has to go to band]
N: Chorale. [Choir]
D: Chorale. [Choir]
N: Tout a coup elle souvient que' elle ... doit aller a la chorale [All of a sudden she remembers that
she has to go to choir]
COMMUNICATIVE TASK B:
JIGSAW
The transcript is of two students in Grade 7 French immersion classroom.
D: [very softly] elle se souvient ... non. [She remembers ... no]
N: non, wait. Tout a coup elle ... se souvient? [no, wait ... all of a sudden she ... remembers?]
D: Elle souvient qu'elle a le chorale. [She remembers that she has choir]
D: Oui. [Yes]
N: pour le chorale ... non, tout a coup elle souvient qu'il y a une pratique de chorale [for choir ... no,
all of a sudden she remembers that there's a choir practice.]
Observation (Communicative Task B)
Errors
Both learners make several grammatical errors, most notably the
repeated failure to produce the reflexive form of the verb se
souvenir.
Feedback on Errors:
There is no actual error correction provided. Neither learner is really
sure what the correct form is.
Observation (Communicative Task B)
Genuine Questions
The questions that are asked are genuine.
The content is language form, but the students are genuinely sharing
information about how to complete the task.
Display Questions
There are no display questions.
The students are actively collaborating to reconstruct the story and
are asking genuine questions of each other.
Observation (Communicative Task B)
Negotiation for Meaning
At this point in the interaction, the students have agreed on the
content of the story.
There is no negotiation of form, that is, more discussion of whether
they are using the correct forms to say what they've agreed they
want to say.
Metalinguistic Comments
Although they are not using words such as 'verbs' or 'pronouns', the
students are talking about language as they focus on trying to find
the right form.
SUMMARY OF s-S INTERACTION
Communication Task 1
The children are focused exclusively on meaning and trying
to understand each other in order to complete the
information-gap activity.
They use comprehension and clarification requests as they
negotiate for meaning.
SUMMARY OF s-S INTERACTION
Communication Task 2
The learners are focused on both form and meaning.
They make several explicit statements about whether they
are using the correct form of the reflexive verb se souvenier
They continuously question the grammatical accuracy of
their use of this form as they continue to discuss the content
of the story.
OBSERVATION
SCHEMES
- corrective feedbacks in the
classroom
- questions in the classroom
Adlin
1.0 CORRECTIVE FEEDBACKS IN CONTENT-BASED
CLASSROOM
EXPLICIT CLARIFICATION
CORRECTION
RECASTS
REQUESTS
METALINGUISTICS
FEEDBACK
ELICITATION REPETITION
The cat runs fastly
Explicit
correction Fastly doesn't exist. 'Fast' does not
Recasts
Teacher’s reformulation of all or Why don’t you like this food?
part of a studentt utterance,
minus the error. Recasts are
generally implicit.
its texture.
How often do you jog?
Clarification Three
requests
Excuse me?
A repetition or a reformulation is required
because of students utterance has been
misunderstood by the teacher or that the
utterance is incorrect in some way.
feedback
yesterday.
-ed
Elicitation
Elicit the correct form from
the students
He’s in the bathroom.
Repetition
'teachers repeats the students’ erronous Bathroom? Bedroom.
utterance and adjust their intonation to
He’s in the bedroom.
highlight the error.
2.0 CORRECTIVE FEEDBACK IN DIFFERENT
INSTRUCTIONAL SETTINGS
JAPAN FRENCH
REPAIR UTTERANCES AFTER CORRECT THEMSELVES IF THE
UPTAKE RECEIVING RECASTS TEACHERS ASK THEM TO
COUNTERBALANCE HYPOTHESIS:
Feedback is more likely to be noticed if learners are oriented in a
direction that is opposite to what they have become accustomed to
3.0 Corrective feedbacks in context
content exchanges
management exchanges
communication exchanges
explicit language-focused
exchanges
Recasts
Explicit corrective
feedback
Display questions:
teacher already knows the answer
Genuine/referrential questions:
teacher may not know the answer
Positive use of display
questions
1. For scaffolding interactions
E.g - T: Palace?
S1: Like castle?
S2: Special place, very good.
T: Castle, special place indeed.
Who usually lives in palaces?
S1:Kings
T: Kings, and queens, princes and princess
2. Waiting time
Finding the right balance of waiting time will result to students
providing fuller answer, enhance their critical thinking skills, expand
their ideas.
Nadja Najwa
What is Ethnology???
The derivation of the Greek word ‘ethnos,’ meaning ‘a people,’ the term
‘ethnology’ in its most general meaning indicates a scholarly interest in how
aggregations of human beings are distinct from each other in terms of
material culture, language, religion, moral ideas, or social institutions.
G. Welz, in International Encyclopedia of the Social & Behavioral Sciences, 2001
Ethnography
A practice concerned with uncovering the origins of
civilisation to a multimethodological disciplined approach
to the exploration of various people’s ways of life and the
determinants of those lifestyles. It is commonly
understood to be both a "qualitative approach to knowing
some sociocultural phenomenon in depth and the
description of the phenomenon."
Don't focus solely focusing on learning or teaching but
also, social cultural, and political realities
Impact on learners' cognitive, linguistic, and social
development.
Ethnographies summaries of ESL classroom
in South Pacific, Canada, Europe
P I X 2 0 05
- E N D
H N O
T A K Y U
UTE
C A PRESENTATION BY: GROUP 1 WEEK 9
LOVE