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2 from A Star Is Born

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SHALLOW
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for 2-part voices

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with optional SoundPax and SoundTrax CD*

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Performance time: approx. 3:30
Arranged by Words and Music by

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
ALAN BILLINGSLEY LADY GAGA, MARK RONSON,
ANTHONY ROSSOMANDO,
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and ANDREW WYATT

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Easy folk rock (q = ca. 96)

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  E‹

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 
D/F© G5 C

      
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PIANO mf

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G D5 E‹ D/F© G5

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       O
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  opt. SOLO mf
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Tell me some - thin’, girl,

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* Also available for S.A.T.B. (47869) and 3-part mixed (47870). SoundTrax CD available (47872).
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eg

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SoundPax available (47873) - includes score and set of parts for Cello (opt. synthesizer), Guitar, Bass, and Drumset.
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© 2019 WARNER-BARHAM MUSIC LLC (BMI), WARNER-OLIVE MUSIC LLC (ASCAP), SONY/ATV SONGS (BMI),
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HOUSE OF GAGA PUBLISHING LLC (BMI), IMAGEM MUSIC BV (BUMA), SONGS OF ZELIG (BMI),
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DOWNTOWN DMP SONGS (BMI), DOWNTOWN DLJ SONGS (ASCAP) and CONCORD MUSIC PUBLISHING LLC (BMI)
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All Rights on behalf of WARNER-BARHAM MUSIC LLC (BMI) Administered by SONGS OF UNIVERSAL, INC. (BMI)
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All Rights on behalf of WARNER-OLIVE MUSIC, LLC (ASCAP) Administered by UNIVERSAL MUSIC GROUP (ASCAP)
All Rights on behalf of SONY/ATV SONGS (BMI) and HOUSE OF GAGA PUBLISHING LLC (BMI)
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Administered by SONY/ATV MUSIC PUBLISHING LLC 424 Church Street, Suite 1200, Nashville, TN 37219
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All Rights on behalf of IMAGEM MUSIC BV (BUMA) and SONGS OF ZELIG (BMI) Administered by SONGS OF IMAGEM MUSIC (BMI)
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All Rights on behalf of DOWNTOWN DMP SONGS (BMI) and DOWNTOWN DLJ SONGS (ASCAP)
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Administered by DOWNTOWN MUSIC PUBLISHING LLC (PRS)

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Exclusive Print Rights on behalf of WARNER-BARHAM MUSIC, LLC (BMI) and WARNER-OLIVE MUSIC, LLC (ASCAP)
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Administered by ALFRED MUSIC

This Arrangement © 2019 WARNER-BARHAM MUSIC LLC (BMI), WARNER-OLIVE MUSIC LLC (ASCAP), SONY/ATV SONGS (BMI),
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HOUSE OF GAGA PUBLISHING LLC (BMI), IMAGEM MUSIC BV (BUMA), SONGS OF ZELIG (BMI),
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DOWNTOWN DMP SONGS (BMI), DOWNTOWN DLJ SONGS (ASCAP) and CONCORD MUSIC PUBLISHING LLC (BMI)
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All Rights Reserved. Printed in USA.

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Sole Selling Agent for This Arrangement: Alfred Music

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To purchase a full-length performance recording of this piece, go to alfred.com/downloads

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47871
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3

 

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9

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are you hap - py in this mod - ern world,
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C G D5 3
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or do you need

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qE u


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
(end solo)
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Is there some - thin’ else you’re search - in’ for?

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C G D5 3
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ALL (unison)
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I’m fall - in’.

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  

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
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 

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In all the good times I find my - self a long - in’

 C

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 
G D5

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for change. And in the bad times I

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fear my - self.
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 

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opt. SOLO mf

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Tell me some - thin’, boy,

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 PR   

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aren’t you tir - ed try’n to

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 C 
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   

VI
3

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or do you need more?

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  
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(end solo)
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      

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Ain’t it hard keep - in’ it so hard - core?

EV

 C
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 

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     
PART I
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I’m fall - in’. In all the good times I

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
      
PART II

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mf
   
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   

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I’m fall - in’. In all the good times I

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find my - self long - in’ for change.

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find my - self long - in’ for change.

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G5 D5 E‹ D/F© G

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   
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And in the bad times I fear my - self.

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And in the bad times I fear my - self.

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 C  
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  f     

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I’m off the deep end, watch as I dive in.
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I’m off the deep end, watch as I dive in.

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
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   

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I’ll nev - er meet the ground.

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I’ll nev - er meet the ground.
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47

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Crash through the sur - face where they can’t hurt us. We’re
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Crash through the sur - face where they can’t hurt us. We’re
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      

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   
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PR

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far from the shal - low now.
 
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PR
I

far from the shal - low now.

IE
EV


G D E‹

    

EV
   
PR

      

y
EW

   

EV
PR

PeR
I



c l
IE
EV

as
 

EV
n
PR

PR

h
EW
IE

  O
EV


51
mf

           

VI
uE r
EW


PR

PPR
VI

W
IE

In the sha - ha, shal - low.

  
e w



mf


IE
EV

es
         


EW

EV
PR

EirW

PR
In the sha - ha, shal - low.
I

e
EV

 
qE u

A‹7 A‹7/G D/F©

VI

       

PR

      
EW

s i
PR

mf
U v

 PR
R
I

IE
EV

    
EV
We
PR
re

PR

W
IE

    
IE
EV

53

           
EW

EV
al PR
P

EW

PR
I

eg

W
EV

In the sha - ha, sha - la - la - la - low.

 
 

I


IE
EV

         


L W

EV
PR

EW
IE

In the sha - ha, sha - la - la - la - low.

PR
EV


G D E‹

  
I

     
EV

             
PR

PR

W
IE


IE
EV

  
P

 
W

EV
PR

EW

PR

47871
EW
VI
 P
I
E

EV
PR

PR

W
IE
9

  

IE
EV
 
55
         
EW

EV
 
PR

PR

W
IE
In the sha - ha, shal - low. We’re
  


IE
EV
            

EW

EV
PR

PR
I

In the sha - ha, shal - low. We’re

IE
EV

 A‹7
   
A‹7/G D/F©

EV
      
PR

y
      
EW

 

EV
PR

PeR

I

c l
IE
EV

  

as


EV
n
PR

PR

h
EW
IE

     
O
EV

57

       

VI
uE r
EW

PR

PPR
VI

W
IE

far from the shal - low now.


        
e w

 

IE
EV

es



EW

EV
PR

EirW

PR
I

far from the shal - low now.

e
EV

  
G D E‹
qE u
VI

       
   
PR

   
EW

  
s i
PR

  
U v

PR
R

  
I

IE
EV

   
EV
We
PR
re

PR

W
IE

  with building intensity

60

     
IE
EV

            
EW

EV
al PR
P

EW

PR
I

eg

W
EV

Oh ah. Ah ha


      
I


IE
EV

     


   
L W

EV
PR

EW
IE

PR

Oh ah. Ah ha


EV

B‹ D A
I

                
EV

           

PR

  
W

PR


W
IE

    
with building intensity

       
IE
EV

    
P

       
W

   
EV
PR

EW

PR

47871
EW
VI
 P
I
E

EV
PR

PR

W
IE
10

 

IE
EV
cresc.
 
63

         
EW

 

EV
PR

PR

W
IE
oh ah ha.

   

IE
EV

cresc.

       
EW

EV

PR

PR
I

oh ah ha.

IE
EV


E‹ B‹ D

EV
               
PR

       

y
EW

EV

PR

W


PeR
I

 

c l
IE
EV

         

as
   

EV
   

n
   
PR

   
PR

h
EW
IE

  
O 67
EV

66
f
       

VI
uE r
EW


PR

PPR
VI

W
IE

I’m off the deep end,



e w

f
 

IE
EV

es
      


EW

EV
PR

EirW

I’m off the deep end,

PR
I

e
EV


A A‹

           

qE u
VI




PR

EW

s i
PR

f

U v

PR
R
I

IE
EV

        
EV

        
We
PR


re

 
PR

W
IE

   
68

        
IE

    
EV
EW

EV
al PR
P

EW

watch as I dive in. I’ll nev - er meet the ground.


PR


I

eg



W
EV

         
I

     


IE
EV
L W

EV
PR

watch as I dive in. I’ll nev - er meet the ground.

EW
IE

 D/F©
PR

G D

EV

    
I


EV

 
PR


W

PR


W
IE

  
IE
EV

 
W


EV


PR

EW

PR

47871
EW
VI
 P
I
E

EV
PR

PR

W
IE
11

 

IE
EV
70

           
EW

EV

PR

PR

W
IE
Crash through the sur - face




IE
EV
          


EW

EV
PR

PR
I

Crash through the sur - face

IE
EV


E‹ A‹

          

EV
         
PR

y
       
EW

EV
PR

W
mf f
 

PeR
I

c l
IE
EV

          

as
EV
 

n

PR

       
W

  PR

h
EW
IE

72

O       
EV

         

VI
uE r
EW

PR

PPR
VI

where they can’t hurt us. We’re far from the shal - low now.


W
IE



  
e w

      

IE

EV

      
es


EW

EV
PR

EirW

where they can’t hurt us. We’re far from the shal - low now.

PR
I


e
EV

D/F© G D

      
       
qE u
VI

      
PR

EW

s i
PR

 
U v

 PR
R
I


IE

  
EV

 
   
EV

 
We
PR
re

 
PR

W
IE


74 75

             
driving to the end
 
IE
EV


EW

EV
al PR
P

EW

In the sha - ha, shal - low.

 
PR


I


eg

  
W
EV

           
I


IE
EV
L W

EV
PR

In the sha - ha, shal - low.

EW
IE


E‹ A‹7 A‹7/G D/F© D

   
PR

        

EV

             
I
EV
PR


PR

 
driving to the end


W

 
IE

          
IE
EV

    
P

     
W

EV
PR

EW

PR

47871
EW
VI
 P
I
E

EV
PR

PR

W
IE
12

  

IE
EV
 
77

        
EW

  

EV
PR

PR

W
IE

In the sha - ha, sha - la - la - la - low.

 
 

IE
EV
         


EW

EV
PR

W
In the sha - ha, sha - la - la - la - low.

PR
I

IE
EV

G D/F© E‹

        
      

EV
      
PR

y
EW

EV
PR

W
    

PeR
I

   

c l
IE
EV

   

as
   

EV
   

n
PR

  PR

h


EW
IE


79

         
 O
  
EV

VI
uE r
EW

PR

 
In the sha - ha, shal - low. We’re
 
 PPR  
VI

       

W
 
IE


e w

IE
EV

es
EW

EV
In the sha - ha, shal - low. We’re
PR


A‹7 A‹7/G D/F© D
 
EirW

           PR
I

      
e
EV

 
qE u
VI
PR

  
EW

 
s i


PR

   
W

   
U v

   PR
R


I

  
IE
EV

     
EV
We
PR


re

81

      
PR

W
IE

IE
EV

 
far from the shal - low now.
EW

EV

        
al


PR
P

EW


PR
I

eg

W
EV

IE
EV

far from the shal - low now.

 
L W

G D/F© E‹
EV

    
PR

   
        
EW
IE

       
PR


EV


I


EV

  
PR

    
W

   
PR

        
W
IE

IE
EV

P
W

EV
PR

EW

PR

47871
EW
VI