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Sas Module 2 Elements of Literature
Sas Module 2 Elements of Literature
Student Module #2
Name: _________________________________________________________________ Class number: _______
Section: ____________ Schedule: ________________________________________ Date: ________________
Productivity Tip: Work during your peak productivity. Pay attention to when you are most alert during
the day or even the night.
A. LESSON PREVIEW/REVIEW
1) Introduction
Take a minute and imagine building a house. What are some of the things that you
would absolutely have to include in order to make a house? Some of those non-negotiable elements
are a roof, walls, a kitchen, and a bathroom. If you didn't have these elements, you wouldn't have a
house. Heck, you might not even have a building!
A literary element's definition is similar. Literary elements are the things that all literature—
whether it's a news article, a book, or a poem—absolutely must have. In this module, we will learn
the nine elements of literature.
B. MAIN LESSON
1) Activity 2: Content Notes
Literary elements are the fundamental building blocks of writing, and they play an important
role in helping us write, read, and understand literature.
1. LANGUAGE
The most important literary element is language. Language is defined as a system of communicating
ideas and feelings through signs, sounds, gestures, and/or marks. Language is the way we share
ideas with one another, whether it's through speech, text, or even performance!
2. PLOT
The plot of a work is defined as the sequence of events that occurs from the first line to the last. In
other words, the plot is what happens in a story.
• Beginning/Exposition: This is the very beginning of a story. During the exposition, authors
usually introduce the major characters and settings to the reader.
• Conflict: Just like in real life, the conflict of a story is the problem that the main characters must
tackle.
• Rising Action: Rising action is literally everything that happens in a story that leads up to the
climax of the plot. Usually this involves facing and conquering minor conflicts, which is what
keeps the plot moving forward. More importantly, writers use rising action to build tension that
comes to a head during the plot's climax.
• Climax: The climax is the part of the story where the characters finally must face and solve the
major conflict. This is the "peak" of the plot where all the tension of the rising action finally comes
to a head. You can usually identify the climax by figuring out which part of the story is the
moment where the hero will either succeed or totally fail.
• Falling Action: Falling action is everything that happens after the book's climax but before the
resolution. This is where writers tie up any loose ends and start bringing the book's action to a
close.
• Resolution/Denouement: This is the conclusion of a story. But just because it's called a
"resolution" doesn't mean every single issue is resolved happily—or even satisfactorily.
3. MOOD
The mood is defined as the emotion or feeling that readers get from reading the words on a page.
4. SETTING
Setting is defined simply as the time and location in which the story takes place.
5. THEMES
Sometimes theme is described as the main idea of a work...but more accurately, themes
are any ideas that appear repeatedly throughout a text.
6. Point of View
Point of view is the perspective from which the story is told. It helps us better understand the
characters in a story.
• First person: This is told by one of the characters of the story from their perspective. You can
easily identify first-person points of view by looking for first-person pronouns, like "I," "you," and
"my."
• Second person: second-person point of view happens when the audience is made a character
in the story. In this instance, the narrator uses second person pronouns, like "you" and "your."
• Third person limited: this is when the narrator is removed from the story and tells it from an
outside perspective. To do this, the narrator uses pronouns like "he," "she," and "they" to refer
to the characters in the story. In a third person limited point of view, this narrator focuses on
the story as it surrounds one character
• Third person omniscient: in this point of view, the narrator still uses third-person
pronouns...but instead of being limited to one character, the narrator can always tell readers
what’s happening with all characters. It's almost like the narrator is God: they can see all, hear
all, and explain all!
7. NARRATOR
All literature has a narrator, even if that narrator isn't named or an active part of the plot. The same
is true for the narrator of a book or poem, too. The narrator helps make sense of the plot for the
reader. It's their job to explain, describe, and even dramatically reveal plot points to the audience.
8. CONFLICT
A conflict is the central struggle that motivates the characters and leads to a work's climax.
Generally, conflict occurs between the protagonist, or hero, and the antagonist, or villain...but it can
also exist between secondary characters, man and nature, social structures, or even between the
hero and his own mind.
9. CHARACTERS
A piece of literature must have at least one character, which can be a person, an object, or an animal.
• The protagonist of a work is its main character.
• Antagonists, on the other hand, are the characters that oppose the protagonist in some way.
EXERCISE 1
Directions: Choose the letter of the correct answer.
1. The main character. A. antagonist
2. The story’s time and place. B. climax
3. The sequence of events in a story. C. conflict
4. The one that opposes the main character. D. mood
5. The perspective from which the story is told. E. plot
6. Part of the story which creates tension and suspense. F. point of view
7. Any ideas that appear repeatedly throughout a text. G. protagonist
8. The emotion or feeling that readers get from reading H. rising action
the words on a page.
9. The central struggle that motivates the characters and I. setting
leads to a work's climax.
10. Part of the story where the characters finally must ‘J. themes
face and solve the major conflict.
EXERCISE 2
Directions: Read each passage of the following passages and identify the narrators’ point of view.
Shade in the appropriate bubble.
a) first-person c) third-person limited
b) second-person d) third-person omniscient
We stared at the Bubblegum Fortress from the mouth of the Cotton Candy Woods. The gumdrop
soldiers were scurrying atop their sugar-coated ramparts. I wouldn't be surprised if someone had
tipped them off. Chet Eagle approached me and said, "What now, Commander Candy?" I thought
about it for a second. "Well, they get better prepared with each passing second, so let's attack now."
Chet Eagle bowed and said, "As you wish, Commander Candy."
__________4. To Make French Toast: First, take out a skillet to cook and turn the stove on low. Second,
you will melt the butter in the pan and stir it with a spatula. Third, beat the eggs. Fourth, lay the
bread, white or wheat, on both sides in the eggs. Fifth, sit the bread on top of butter for 30 seconds
and then turn over. Now you have a slice of French toast, repeat. a) first-person b) second-person
c) third-person objective d) third-person limited e) third-person omniscient
__________5. “Do you love candy?” I asked my friend Roxis. I always make friends with other people.
__________6. “You should just go somewhere. You ruined our relationship, and I don’t want to talk to
you anymore,” Bertha said to Mitchell as he begged her for forgiveness, “But, Bertha, you are the
best girl in the world. You make my dreams come true.” Bertha ignored his pleas.
__________8. Some dark night Shelly said, “I hate squirrels,” but really she loved them. Carol said,
“They smell,” but really, she loved them too. Both of them thought that squirrels were pretty cute.
__________10. When I went to the store, I witnessed a girl crying on the street and I took a closer look
and saw it was my friend. I walked to where she was and asked her what was wrong. She said,
“Family problems.” Being a good friend, I told her to call me later if she wanted to talk about it.
TITLE:
Beginning/
Exposition
Rising Action:
Climax:
Falling
action:
Resolution/
Denouement:
Criteria 4 3 2 1
All information Most of the Some of the Only few of the
Content presented is complete information presented information presented information presented
(40%) and correct. is complete and is complete and is complete and correct.
correct. correct.
Organizes and develops Develops and Develops and Ideas are not ordered.
ideas in a clear and organizes clear ideas. organizes simple ideas.
coherent manner. Idea and details are There is somehow an
Organization
There is a good flow of sequential and order of main idea and
(30%)
ideas from topic appropriate. details or sequence.
sentence and details or
sequence.
No errors in agreement, Few errors in Some errors in Many errors in
number, tense, spelling, agreement, number, agreement, number, agreement, number,
Mechanics
punctuation and tense, and minor errors tense, and few errors in tense, spelling,
(20%)
capitalization. in spelling, punctuation spelling, punctuation punctuation and
and capitalization. and capitalization. capitalization.
Neatness The final output is very The final output is neat. The final output is neat The final output is not
(10%) neat. to some extent. neat.
C. LESSON WRAP-UP
1) Activity 6: Thinking about Learning
A. Work Tracker
You are done with this session! Let’s track your progress. Shade the session number you just
completed.
_________________________________________________________________________________________________
Are there questions/clarifications you want to ask with your teacher? _________________________
_________________________________________________________________________________________________
FAQs
1. Do poems have plots?
Yes! They tend to be a little less dense, but even poems have things that happen in them.
KEY TO CORRECTIONS
EXERCISE 1
1. G 6. H
2. I 7. J
3. E 8. D
4. A 9. C
5. F 10. B
EXERCISE 2
1. D 6. D
2. C 7. C
3. A 8. D
4. B 9. A
5. A 10. A
EXERCISE 3
Answers may vary.