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Comparison Between Two Chaplin Movies Name of The Student Institution Affiliation Date
Comparison Between Two Chaplin Movies Name of The Student Institution Affiliation Date
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One a.m is a short film created by Charlie Chaplin in 1916. It was a silent film which had
no sound in it. One a.m. is the only film that Charlie played every role alone. The film begins
when a wealthy young man arrives at his house at one a.m morning after a night of drinking. He
struggles a lot to open the handle of the taxi, which is placed on the outside. It is so funny how
he works to pull his hand from the taxi window, which he thought had been stuck.
So arrogantly, Chaplin wipes mucus on his handkerchief on the taxi window, thinking
that his hand is stuck. He was doing all this even without the driver of the taxi reacting. The actor
Charlie Chaplin is an actor that is full of comical and riotous laughs due to his physical comedic
and weird facial and body movements. His plays are entirely featuring him alone, and his wife
doesn't appear and making comical reactions of wealthy returning home drunk and staggering.
Chaplin's prowess of character ability of the oblivious cliche of the first order has branded
himself since his acting days of 1916. His solo movies and clips are entirely in the world, and
After arriving home drunk, the play's setting starts where he tries to fetch the door key.
Chaplin looks so disorderly since the space gives the imagery of slippery rugs, a stable table that
does not remain still, and some alcoholic beverages that lie all over. (1)This setting shows how
Chaplin's level of arrangement or neatness is affected by his drunkness. The slippery rugs try to
bring how dirty he is even though he is wealthy. Acting solely without a wife's character deducts
the prominent character of women not enduring his drunkness behavior which is excessive
beyond repair. This shows how his wife could not survive her character, and now he had to cope
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with his problems alone. The stairs in his house almost gave him a hard time ascending due to
The play had to have a set of stairs to show how drunkness would lame his opportunities
to reach his messy bedroom. We see in the sport so staggering to the extent of not seeing the
stairs, and he looks so disorderly when he is ascending. It is hilarious how he ascends two stairs
and descend three, which makes him take too long to make up to his bedroom. After ascending
to the bedroom, it's so evident that it is too murphy, and it looks hilarious when he tries to climb
into it boring no fruits. A murphy bedroom which has no spreadsheets everything lying on the
bed. The Chaplin bed is a pure mess. It seems that he had no time to make up his bed before
leaving for alcohol. This is disorderly and poor mentally. Chaplin is though he is acting of a
wealthy life. It seems that the play tries to derive the character that has no relation with wealth.
Chaplin's wealth does not make him clean, neat, and principle since we see him so disorganized.
Chaplin is seen having an Orion costume in his silent movie. The clothes look more like a
suit and portray his wealthy character. He has a bow tie and looks like a very well-groomed man.
The play's lighting is also fundamental, which is full interior lighting. He had a
rudimentary approach to camera placement and lighting to focus mainly on the actor. The latter
is Him, and the improvement area is accessible for adjustments at any time. His way of setting
cameras was so tricky, and whenever he was starting his play, he did not have to wait for
technicians. His main objective was to deliver or convey his audience with his actions and
become so emotional through all his performances. He was not concerned too much with the
quality of elaborate or clean photography, lighting, and editing. From his play or one a.m movie,
the lighting is black and white, which has a distinct color that would tell the natural color of his
clothing. The lighting quality is not engaged more than the quality of information relaying on his
behaviors. (2)This is also done when the camera focuses too much on him as an actor more than
Chaplin's focal length lens shows that he did not get away from the camera. Chaplin's one
a.m play shows the trim angle of the cameraman shooting the film. The focal lengths of the
camera of that Chaplin movie one a.m. Appear to be more technical, showing him as roller skate.
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The Great Dictator
The Great Dictator is a comedy film from America released in 1940 by Charlie Chaplin.
Charlie Chaplin was the one who directed and acted the movie, and this film was the first that
In the Film setting, Chaplin portraits himself as a Jewish barber who is mistaken for
being a tyrannical barber. This film gives an overview of life in the country of Romania. The
government had a Dictator who was ruthless Adenoid Hynkel, who had sized powers. He was a
reflection of Adolf Hitler, who had taken all the nation's authorities into his hands. (3)During
World War 1, Chaplin effected the rescue mission of an officer by the name of Schultz. Chaplin
lost memory when the pane in which they were traveling crashed. After the plane crash, he is
taken to hospitals where he stays for almost twenty heard. During this time, he does not realize
that Hynkel, who was ruthless, had become the dictator of Romania. With the help of the
ministers, he was mistreating the Jews. After the extended stay in the hospital, he thought that all
that he had left twenty years back would still be intact. To his surprise, he found that Hynkel
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soldiers had destroyed all the investment he had made. This ends up making his life miserable.
Costuming in this Film depicts that of Adolf Hitler. From the directors of the movie, the
costumes being worn would describe a nation at war. ( 4) The costuming also depicts that of the
military because Chaplin, who plays the role of Hynkel, wears clothes like those of military
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generals. Such costumes were a sign of authority and power.
In the past, most of the films that Chaplin produced had no sound, so the arrival of sound
brought a lot of challenges to him. Despite these challenges, he used sound to develop some of
the film's scenes. For example, in the film where it involves the rumbling of the stomach, he
Petkovic, Danijela. "I believe a cage is a cage, and no one deserves to be put in one":
Animal Liberation in Contemporary Film." AM Journal of Art and Media Studies 25 (2021):
143-155.
Mikes, Anette, and Felicitas Morhart. "Bringing back Charlie Chaplin: Accounting as a
Graham, Cooper C., and Christoph Irmscher, eds. Love and Loss in Hollywood: Florence
Deshon, Max Eastman, and Charlie Chaplin. Indiana University Press, 2021.