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om/library/classiNo.18
cal-music/ *)

"THE SEASONS"
4. April ("Snowdrop") ВРЕМЕНА ГОДА
Music by P.Tchaikovsky 4. Апрель ("Подснежник")
Arr. for guitar by J.Bream
П.Чайковский
Переложение Д.Брима

 *)  
Allegretto con moto un poco rubato

    3     
  0 1   2  0  0   02          02   

0 4

   30    00
1 0 _ 4 0 2
1 3

 3 1    1  
Andrey Nosov's Guitar School... Only the Best Materials...

 1

dolce cresc. poco

  
4 2 2 1 3      
        0   43           
VII

  
_ 

          
2  2

0 3


3 2 2 0

 
1 1

 
4
   1
 
1

9                          
III V


VII V

       
   
V
2 4 2

  
4 3 2 4

       
4  4 4  4

  


  
2




   
2 3
3


2
_3 _ 2
2 3 3 1 _1
3 0 1
   



      16 II 
     
1. 2.

  
                          
14 4
17 I 1

 
4

     


 
0 0
3 

    
4 3 0
3 1
_


2 2 _ 4
2 2 2 2 2
1 


     VII  
            
        
4


         
 1 2 

   
2

                      
3 VII 1


0 1 2 0 3
2 2 3 2
  

    
0 1   
0   0 

 con grazia  
1 1 2 0
2 4 4
1 1
4 3 3 3

2
2     
       VII  
_

 1 
                   
 2 3   
4
2 1  1 2 

             
2
3 VII 1

   
1 2 1 2 3

  
0 0
  2 2 3   2

 
0   0 


   
0  0 
4 4
1 1
3 3

)
* From A.Nosov's archives of sheet music
https://www.guitarnosov.com
 2
  4 
  
_

     
   
   
1 2

                   
2 4


1 

    
1 2 1 4
3 0

   
2  2 0 4 

    
  
 0 1 3  


0 2 0 1 3
1 1 1 _ 3 2 0 3


2 3 3 4 1 1
 0  0
   
  
 

 0     0    0   0 3 
VII VII


Andrey Nosov's Guitar School... Only the Best Materials...

0   
    2
  2 4  2 3 
  3        0 1   2  3  2  3     1    1 
II _

 2 _2 4  2  0    
 4

3  3 
1 4 1 4 2

 
4 4
  2

   
        VII 
      
                       
4

 
a tempo  1 2 
rit.

 
II


2


3 VII 1

     
3

 
1 2


35


0 0
 2 2 3   2


0

   
4 

    
1  0 


   
3 3  0 
4 4
1 1
2 3 3
_ 0
2 2 2


   4  4 
_2

       
   
          
2


1

        
2

 
1 

 
38 1 2 4

 
3 0 1

       
2  2 0 4 

   
  
 0 1 3  


0 2 0 1 3
1 1 1 _ 3 2 0 3


2 3 3 4 1 1
 0  0
   
  
 

         
 II

  
       
III VII III

                 
4


1 4 1

    
4 4

    
3

       
0 3 0


3 3
3 _ 0 0


2 _ 3 _
_2 4 4 2 _2
4 2 _2
2 3 2 2 3
1 2 1 2 1 2 1 2

 

   
  
 II

   
       3    3   4  0    3  4  0    3  001    2   1 0 1 2

III
4 4 49 I 4 0 48 4
1

   24  2 2 2   2  4 2 4 
3 3 1 1 1 1

3 3 
2 2
3


    Ossia     V       
**)

       


       
III

 
4

 
           
4


3 1 4

    
3 0 1 4
3 1 1
1 3 3 0
1  2


4 3 2 2
4 2 3
2 4 2 3

cresc.

2
   
                       

VI _
4 3

                     
1

    
4 4   
V  
 2 4 1
1   1 


1 3 1


3 

  
3  2  2 3 3


2 4 2 2
4
 4 3
4
0 0
morendo poco a poco

 
  
                            
59 

 
 
Andrey Nosov's Guitar School... Only the Best Materials...

V V _
4 4

  
  1

  
1 1

 
  0 4 0 0
1

 
2 2 1 0


4 3 4 3 3 2
4 4  3



**)

1 
Ossia


     
3
 
1 4
2 3

cresc.

SCHEME OF COMPOSITION *)
Step One: 0st (Pickup Measure) to 16th measure inclusive (measure numbers are shown in figures in the boxes).
Step Two: transition to the 9st measure and from the 9st measure to the 14nd measure inclusive.
Step Three: transition to the 17st measure and from the 17st measure to the 38nd measure inclusive.
Step Four: transition to the 35st measure and from the 35st measure to the 48nd measure inclusive.
Step Five: transition to the 1th measure and from the 1th measure to the 14nd measure inclusive.
Step Six: transition to the 49th measure and from the 49th measure until the end.
Let me also remind you that according to the rules of notation,
the measure numbers are shown in the beginning of the measures.

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