Professional Documents
Culture Documents
Bsba Iii Art Appreciation Syllabus
Bsba Iii Art Appreciation Syllabus
1
Page
sustainability
LAVERNE C. TARUBAL, MAED, MPM LUISITO I. ASIA, MEM ADELIA R. ROADILLA, PhD, RGC
Faculty Member Head, Academic Programs and Student Services Director
Graduates take an active role in the promotion and fulfillment
of various advocacies (educational, social and environmental)
for the advancement of community welfare.
Course Plan
PUAD 20093- Public Fiscal Administration
Week Topic Learning Outcomes Methodology Resources Assessment
1 Introduction to PUP Students can define the Lecture PUP Student Handbook Online
PUP Philosophy, Mission, fundamental knowledge Recitation
Vision, Strategies about the university and Discussion CHED Memorandum Order No. 17 Series of 2017
Introduction to CPSPA the college where they are
2
Philosophy, Objectives, and enrolled in. pup.edu.ph
Page
Job Targets
LAVERNE C. TARUBAL, MAED, MPM LUISITO I. ASIA, MEM ADELIA R. ROADILLA, PhD, RGC
Faculty Member Head, Academic Programs and Student Services Director
Course content, Video
requirements, and Presentation of
expectations Topics
Teleconferencing
via Zoom Meeting
& Google
Classroom
2-3 Introduction to Arts At the end of the module, Modular Approach Online Resources Google
Overview of Art the students should be https://www.youtube.com/watch?v=haK0NWqjBfY Classroom
Appreciation able to: Self-paced https://www.youtube.com/watch?v=wNNtqpEAMQQ Discussion
Art, Art History, and understand the Learning https://www.youtube.com/watch?v=LMZHqWXA1kw Forum
Humanities concepts of art, art Powerpoint Video Discussion and
Functions and Nature of history and Consolidation
Arts humanities
Assumptions of Arts Differentiate forms
Different Forms of Arts and kinds of art
Classifications of Arts Grasp the
underlying
assumptions of arts
Realize the
significance of art
in one’s daily life
4-5 Subject and Form of Arts At the end of the module, Modular Approach Online Resources Layout Design
Subject of Arts the students should be https://www.slideshare.net/janril/subject-and-content-of-arts Making of
Forms of Arts able to: Self-paced https://www.youtube.com/watch?v=izmu-hLeaTQ Interpreted
Content of Arts Differentiate Learning https://www.youtube.com/watch?v=iI-40IrxX0s Chosen
Sources and Kinds of representational https://www.youtube.com/watch?v=9f8tEj-YtSg Artworks
Subjects of Arts art and non- Powerpoint
representational
art
Discuss an
artwork's subject
3
and content
Page
Prepared by: Recommending Approval: Approved by:
LAVERNE C. TARUBAL, MAED, MPM LUISITO I. ASIA, MEM ADELIA R. ROADILLA, PhD, RGC
Faculty Member Head, Academic Programs and Student Services Director
Define sources of
subject and kinds
of subject of arts
Identify an art's
content in terms of
its factual
meaning,
conventional
meaning and
subjective
meaning
6 Philosophy of Art At the end of the module, Lecture Powerpoint Presentation Reflective
Art, beauty and Aesthetics the students should be https://drive.google.com/file/d/1MIkG5UkgaGayo- Journal
Art Judgment and Aesthetic able to: Discussion OgusO8H98v2AJGvIPn/view?usp=drive_web&authuser=0
Judgement Understand the
Art as mimesis different concepts Video
Art as representation of aesthetics, Presentation of
Art for Art’s Sake beauty and taste Topics
art as Functional Describe the
different notions of Teleconferencing
arts according to via Google Meet
various & Google
philosophers Classroom
Realize the value
of arts in daily life
especially
aesthetic sense,
judgment and
artistic judgment
7 The Art Production Process At the end of the module, Modular Approach Online Resources Online Quiz
Artists and Artisans the students should be https://www.youtube.com/watch?v=WcZZfnLW9G0 (via Google
Managers, Curators, able to: Self-paced https://www.youtube.com/watch?v=QlQixwpbJI0 Forms)
Buyers and Art Dealers Identify the Learning https://www.youtube.com/watch?v=kUoUTcIrgbM
Production Process medium of various Powerpoint Presentation
Medium, Technique, and forms of arts
4
Approaches in Arts Define an artist's
Page
GAMABA National Artists or artisan's
LAVERNE C. TARUBAL, MAED, MPM LUISITO I. ASIA, MEM ADELIA R. ROADILLA, PhD, RGC
Faculty Member Head, Academic Programs and Student Services Director
Events/Exhibits/Managing medium and
Audiences technique
Define the role of
curators,
managers, buyers,
collectors and art
dealers
Differentiate and
artist's and
artisan's approach
toward a particular
medium
Identify National
artists and their
works
8 Principles of Design and Image At the end of the module, Lecture Powerpoint presentation Art Critiquing
Reading the students should be Presentation of Online Resources & Digital
Unity able to: Topics https://www.youtube.com/watch?v=Ce9BAG8Lc5g Photo
Variation Identify the different https://www.youtube.com/watch?v=rFRNsQIoUoA
Rhythm principles of design Teleconferencing
Balance Define and via Google Meet
Emphasis translate principles & Google
Subordination of design in an Classroom
Rule of the Thirds artwork
Semiotic Plane Create an artwork
Iconic Plane depicting the
Contextual Plane various principles
of design
9 Elements of Art and Transcreation At the end of the module, Video Online Resources Online Quiz
Visual, Auditory, and the students should be Presentation of https://www.youtube.com/watch?v=u-RbelBvDwM (via Google
Combined Arts able to: Topics https://www.youtube.com/watch?v=CeVr4V7ajjk Forms)
Performance Art Analyze the various https://www.youtube.com/watch?v=LANBe-FJIkY
5
Grafitti elements present in Self-paced Powerpoint presentation
Page
Poetry Learning
LAVERNE C. TARUBAL, MAED, MPM LUISITO I. ASIA, MEM ADELIA R. ROADILLA, PhD, RGC
Faculty Member Head, Academic Programs and Student Services Director
Performance visual, auditory,
Performance Art and combined arts
Digital arts Determine
Music to Text dominant elements
Text to Dance used in hybrid or
Dance to Visual modified art
expressions
Determine the
factors influencing
artists such as the
use of distortion,
transformation,
appropriation in an
experimental or
hybrid art
expression
10-13 Art and Music History At the end of the module, Group Discussion Online Resources Group Video
Cave Art, Egyptian and the students should be Group Reporting Group Video presentations Presentation
Greek Arts able to: Group Powerpoint presentations
Roman and Medieval Arts Discuss the
Chinese Arts underlying history
Japanese Arts and philosophy of
Renaissance and the era or
Mannerism movement in
Baroque and Rococo relation to arts
Ne-classic Arts Classify various art
Romantic Arts movements by
Realistic Arts citing their
important
Impressionism Artworks
characteristics such
Post-Impressionism
as historical
Neo-Impressionism background,
Symbolic Artworks influential factors,
Fauvism and events and
6
Expressionism persons, and
Page
Cubism prevalent artists
LAVERNE C. TARUBAL, MAED, MPM LUISITO I. ASIA, MEM ADELIA R. ROADILLA, PhD, RGC
Faculty Member Head, Academic Programs and Student Services Director
Futurism and art styles,
Dadaism forms and medium
Surrealism Cite important
Constructivism characteristics in
Optical Art and Popular Art an artwork based
Minimalism on the era
Conceptual Art movement
Photo-realism Identify the various
Installation Art (Body Art, genres in music
Earth and Land, Make interpretation
Performance Art) of the different
Modern Arts musical genres
Contemporary Arts Translate sound or
Instrumental Music music into a new
form and in a new
Baroque Music
context
Classical Music
Romantic Music
Modern Music
Contemporary Music
***MIDTERM EXAMINATION***
14 Artmaking/Soulmaking At the end of the module, Modular Approach Powerpoint Presentation Crafting of
Crafting images the students should be Online resources Images,
Crafting stories able to: Self-paced Stories,
Crafting instruments Develop artistic Learning Instruments
Creating performances potentials through
Seven Da Vincian soulmaking Video
Principles Enhance sensitivity Presentation of
Narratives and Appropriation and awareness Topics
Object Appropriation toward their
Content environment
Style Extend to the
Motif appropriation immediate
7
Subject appropriation community
Page
Prepared by: Recommending Approval: Approved by:
LAVERNE C. TARUBAL, MAED, MPM LUISITO I. ASIA, MEM ADELIA R. ROADILLA, PhD, RGC
Faculty Member Head, Academic Programs and Student Services Director
artworks as a form
of service learning
Characterize and
define narratives,
appropriation,
borrowings, and
ownership of the
artists or any
agency in the art
world
Contextualize
classical notable
works into a certain
issue, either on a
personal or societal
view
Develop students’
artistic ability in any
form they would
like to appropriate
an art
15 Textile Arts and Philippine At the end of the module, Video Powerpoint Presentation Discussion
Traditional Crafts, Symbols, and the students should be Presentation of Online resources Forum
Motifs able to: Topics
Soul, Dreams and Analyze how line is
Imagination inTextile Arts interpreted and Teleconferencing
Decorative motifs and used in traditional via Google Meet
symbols, classification crafts & Google
Tnalak Process Develop ability in Classroom
Tnalak and T’boli Art manipulating the
Dagmay elements of art
Pis-yabit Seputangan Inaul Document changes
Torogan and the shifting
Ifugao Bale environment in
Bahay Kubo spaces, texture,
8
Bahay na Bato sound, and fusion
Page
Prepared by: Recommending Approval: Approved by:
LAVERNE C. TARUBAL, MAED, MPM LUISITO I. ASIA, MEM ADELIA R. ROADILLA, PhD, RGC
Faculty Member Head, Academic Programs and Student Services Director
Other Philippine Indigenous of various elements
houses of arts
Determine the
implications of soul
and space for the
society
Characterize how
Filipinos use space
to determine its
implications for
their identities,
history, religion,
philosophy
16 Symmetry Art and Improvised At the end of the module, Modular Approach Powerpoint Presentation Group Video
Artforms the students should be Online resources on Sound
Okir/Ukkil able to: Self-paced Improvisation
Contact-body improvisation Discuss the Learning or Theatre
Sound Improvisation concept of Okir in Arts
Theatre improvisation relation to Islamic Presentation
Solving improvisational Art and determine
challenges its cultural value
Define
improvisation and
utilize body as
basic tool in
expression and
communication
Strengthen initiative
and artistic
sensibilities
17 Indigenous Art At the end of the module, Lecture Powerpoint Presentation Online Quiz
Muslim Art the students should be Online resources (via Microsoft
9
Christian Art able to: Discussion Forms)
Page
Prepared by: Recommending Approval: Approved by:
LAVERNE C. TARUBAL, MAED, MPM LUISITO I. ASIA, MEM ADELIA R. ROADILLA, PhD, RGC
Faculty Member Head, Academic Programs and Student Services Director
Contemporary Philippine Trace and Video
Arts summarize the Presentation of
Practice and Movement development of the Topics
arts, art
appreciation and Teleconferencing
aesthetics in via Google Meet
contemporary art & Google
practice Classroom
Appreciate better
the history and
development of
Philippine arts
***FINAL EXAMINATION***
10
(Midterm Grade + Final Term Grade) / 2 = FINAL
Page
GRADE
LAVERNE C. TARUBAL, MAED, MPM LUISITO I. ASIA, MEM ADELIA R. ROADILLA, PhD, RGC
Faculty Member Head, Academic Programs and Student Services Director
Classroom Policy
Students are expected to enter the virtual classroom/videoconferencing platform at least five minutes before the scheduled time of video conference.
Always be on MUTE unless you are permitted to speak.
Videos must always be ON in respect to the instructor and classmates
Raise your hand if you want to talk.
You can use the chat bar to ask questions.
NO TO INTELLECTUAL DISHONESTY. Do not plagiarize (by just doing copy paste of articles). Cite your sources (using APA 5 th of 6th Edition citation). Plagiarism
would be ground zero points in grading written exams and outputs. Attached with your written output should be a copy of plagiarism result (you can use free
plagiarism test online).
Consultation Time
Consultation may be done 15 minutes before the start of the class or 15 minutes before the end of the class.
LAVERNE C. TARUBAL, MAED, MPM Asso. Prof. MARICEL F. DE CHAVEZ LUISITO I. ASIA, MEM
Faculty Member Head, Academic Programs
Asst. Prof. ABEL L. PELANDIANA
11
Asst. Prof. GILBERTO L. OLICIA
Page
Committee on Instructional Materials
LAVERNE C. TARUBAL, MAED, MPM LUISITO I. ASIA, MEM ADELIA R. ROADILLA, PhD, RGC
Faculty Member Head, Academic Programs and Student Services Director