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Hands on
PROGRAM

24/01 weoresorv
2018

P ANO
tR0il
REGISTRATION
[9,[[
oPENING sEssloN: welcometo Hands on PIANo 2018
09,30 ,o5o Onofr€ ' TACEI ROOM: OECA AUOITORIUM

Luk Va - Arfttl. R*ar.h ln and ihrou8h plano playlnr: p€rsonal e,@€rlen.es ln .ases and .ofien
10,30
cHArR:roreesarerdocotrera RooM: DECAAUDITORIUM

11,30 l{
PAINEL: Doente, lnv€sdrador, plankta - C. G6llru, L Plpa, A- T€lles, L FEu€lredo
12,00
CHAIR: H.I.NA MATINhO ROOM: DECAAUOITORIUM

13,00

1&00
14:00_ Pablo vrdor Marqurn. da tonse6: c audro santorot work for 14:00_ Patr.ra R.Jas. l1le spanrsh xeyboard $nda at the end of rhe
solo Prano: sene of unny h "Draldr.a " styl6 13rh.entury.Thr* unpubllsh.d$ndasof lGa F.trerysehr,n

14:30_ Lara Madh. La .omparacr6n ertre pafrnuras omo desaflo pa6

14:SO_ Mdrejus Baza6s. Gydrsy Lrgd "ftud.sfor prano" Bookr:
.llntarpret.:. .aso de s.arlatly su s.nata K.446
.onubunon ro a .on.ept of w6atrl. pranln. Preeshg n.w

1s:00_ \1nr.rus Gomes. um prano brasr.rro

ls:'ur_M anuel M da rrlta: conf u. n.ras sonoras: lrtefrdtu alrdad

nacrona en a musl.a para plano de compodbr.s d. cona Rka

16,30 Ana Ten.s - Apresehtacao da Edicro de Preridios de Fre bs B€hco

l7:00 CHAIR: lorse 9lsado corcra

RtcrrAL:rnerh'p..ob.a('ab.ra("dopar.ananrso poruguAs

RtcllAL:r.6alan.r.G,aft.ando.on.lp'ano.Grafiasnoonv.n('onal.(.nr.ronposnoF(n.r'.ano(

18,00 RooM: cccl AUDITC,RIUM CHAIR: shaoLhg

AndrasF.lp. Molano Rr r. A1.'15.ta'Bofp ano frrrlr ofrh..a, yrknnfrh..ntury

Hel.n Gallo. Pranovrruodwrodav: a paEdrsmshrft?

REcrraL: Pedre P€rerra

19,00
CHAIR: B.nnl ROOM: DECA AU DITORIU M
^lronso
20,00
,@na s6. Fllm: throush thls loo[ng ela$' (2010). conf€rene: corp6 (...a po€tl. @talogue) - a ma]or pole.l almlng
21,30 tomr& pBlble and lmposslbl€ rMlutlons of ih€ performlng body
cHArR: Fran.r*o Monterb ROOM: CCCIAUDITORIUM
 rtlh
Hands on
pnocnlv 2018
25/01 rxunsorv
P ANO
FR(lTI
REGISTRATION
09n0

Ara T€llB: lmanafli. d€ D.bus3y n. milie p.rtuB6. p.E pi.no do sa.. xx Carle. Lama w'*.hop: B.andln&
09,30 M.rldlng .nd 4 Managmmt
CHAIR: Fau$o Nd.s ROOM: CCCIAUDITORIUM
l-uli Plpa: S€rchlng for an 6dlng to M@rt'. F.ni.ry ln D mlnor, ( 397
10,30 CHAIR:Givanooa agna
.HA|R: Affinr. Brn.ti ROOM: CCCI AUDITORIUM ROOM: ESTdOIO DE SOM
AlfoM Bendi & Barnardo santG - ape*rtatro da editro: !'Baert.las' e'Tena e va a96as" de
11,30

EatoAla*ldldou: ModsnGrekcmpGers
12,00
CHAIR:b b. aisnad ROOM: CCCIAUoITORIUM
I ,r
13,00 BREAK

1&00
CHAIR: Ana Te 16

L$0- Pablo G6nar Aba G and xerstin

L$0_ Magda Mayas. 'Thnsmiring a
lhbnins" and'Mamorv piaca"
sch*aa.'claBin roial: timbl6 and lantat

L:50_ Allan ouaft Manhas. coftenp.mry ls o_ Gehano Mayer. roao oomingG

wriationsforpiano ap.dag€6 apptua.h Bombmpi/s piano pedagqy: co6idedt a
MdualyloGotanyetinfi uentia piano nathod
1s30_ salwdor Mene za63ozr. t nei6nde
hiparinntumento al satoi.io da la
ls{o_ rcna Ho anda. Teendo re ac66: ls:ao_ xiu Tun8 Poon. Parfohing ifte(uhural
"t6nsonizaci6n'o la expa6i6n de lo pGible
Perioman.e dG P69Tudos ! 4e9da Brum music olrhe chin6e di6p.m
en la intarpdaci6n lid.digna del rcpedo o

15do_Ma anaMiguel, PauloMadaRodriguas

and Heena Rod gues. LookiB at music,
sciencaand aduetionthmushthe pianeop.

POSTER:ros4LuisChacdn Mo6l6. tainfuanciadeF6nz Usn an as ob6s de Gomposib€s.

16,30 Ricardo c.$roy Manue M. Pome

Ple6 R.ttallno: lntredurlone alla .torh del @nerthmo planbd@

17:00
ROOM: DECAAUDITORIUM

18,00

Darcy Hi dab6ndt. Tha Role of sring Piano in abnna Louie's

ruanc.milo Rojas. unejerci.ioda ani ot6slashual asdeschumann
Pmg6nnatic !'Memod6 in an Ancient Gadan!'

18,50

19{lt
REOTAL Oi.tlna Gerllnt
21,30 ROOM: OEC,A AUOITORIUM
 ILlh
Hands on
pnoenala 2018

26/01 FRTDAY
PIANO
tR0I
REGISTRATION
0fir
no-m "EuterF urclled": 2orhentury Porturu.* Dlatu rcl.ndrc hy won.n 6nlo3.R. H.Ln. M.rlnho, Andra v.z P.r.l6,
Art6nlo Sarm.nlo Dlas, B.dardo 5. 03.
CHAIR:98 cam hoROOM: DECAAUDITORIUM

r[il (de Ryder. Prcjed: Nerins the Piano:

Fedl G.rllna Merlnl dl..t dons
.ndeldhlnBrr rlon3

ll, g
c.ra Rer6.a..AfoiMAgAo Do FRoFElsoR
pa6 jmB pranitus: o Arfabdo MBi.ar

tas
l&m ' , "**.
1&m
1.|m-sohdsyrcyid,Thesilemeoai.gol

l*il RooM:Esrlo.ocsoM

1&il & ."'*"*

17,m Ant6nlo Dura6, son. LouEnlo: "o Platu n. 066 PoatLa d. Jor8. d. s.na". piankbs:Mer:o6delrcnd]mieoy

r&m l@E G.m: "c. qu. i. iulJ'

r&il LECIURE.RECIIAL: He'Kyuna & L.I C.I

cHArR. shm rins ROOM: DECAAUDITORIUM

2&m ' Han&on PrANo DINNER

 Ilh
Hands on
pnocnlv 2018
2/Ol snrunorv
P ANO

FR(lTI

l0n0 REGTSTRATTON

10,30

lo::x)_Ha6rbuli.rheusaof aMidiEMc-vids(M.E.v.).hadtohep
pros€s nonito ng
.linician and pianht
vas Ns6: Tenopanas - woEhop
u o_ Madlyn wye6. Exploring pianisb'dpe en..s of n@nart of

11,30 s .-*""*
Mada cu*a Mendez.TheGrcatwa. E aeyfor piano
Vas Ns6r Tenopanas - WoEhop
CHAIR: ro be asigned RooM: DECA AUDIToRIUM

13,00

Ll)0_ olivia Adams and chfttina Tith*ft. The Padaeogi.a !r:00_Bal6n Esbr Navaroant6n. R a. Enudio de cas de'Pr6lud.'
signifiGn.e of Rapetoire By canadian wofren composed For the dela RapsodieEspagnoladeRarel.

L30_luan Fdnci*o taSocuellar. car*e/ni.assonods del anreno

de Prinar concieho pa6Pianoyorquana da chaiko*lq
15:00_ hja sbnoMc. (Ral.o6tding Eady Reordinss: a guida for
hhbri.a ly-inlomad perioman.e

15,30 Crlsdm Gsllng: HN to p6cd@ le$ and leam mrc

CHAIR: AIfONS SENdi ROOM: AUDIT6RIO OO DECA

16,30
The End-

comming soon... HOP 2019

 JJh
Hands on
MAsrERcrAss pnocnlv 2018

PIANO
Fi0I
olt0 REGTSTRATTON

09,fl| O,30

l0: l l0:30

ll:fl| s ***. ll:30

12,O 12,00

13,O 13,00

t&m t&00

1&O l&30

l5:O 15,00

15: l l5:30

t6,m t6J0

17,O 17,00

l8:fl1 l8:30

19: l l9:30

20,m m,00