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STiner
STiner
The Start Right document on nursery education (Ball 1994) laid down that
‘play is the serious work of childhood’. In a time when play is regarded as
any pre-prepared activity used as a learning tool to predetermine an
outcome (the ‘learn as you play’ model), Steiner education takes the view
that this deprives the child of the freshness and nourishment of freely
chosen, open-ended play, that really creative play is unpredictable and has
endless outcomes.
Children still live in a dreamy world full of feeling and their own feelings are
still unconscious, which is why they can imitate. Through this imitation of
the world around them they can learn from life. The play is thus continually
moving and creative, and with endless educational content. The following is
an example of this open-ended play from my kindergarten in Cambridge:
Ike had built a van. He was a builder. There were two seats in the van and
the children were keen to join him. Owen got his tools and shared the
driving. They had piled up chairs to sit on (vans are higher than cars) and
the front of the van was a bent screen across which they had balanced a
plank, the steering wheel (a slice of round log) was placed on it, and there
was a brake, accelerator etc. made of wooden blocks. Ami wanted a ride to
the safari park, and kindly Owen made space for her. They ‘drove’ this van
to the park, and then needed binoculars to see the animals. Ike and Ami
fetched paper and string, and made binoculars which they took back to the
van, which Owen had been looking after. By this time, other children,
interested in the play, had joined them. Owen directed them into becoming
animals in the park, and they had to build pens to keep them separate.
Another child decided to feed the animals, and put conkers into bowls,
pushing the bowls with care under the screens which ‘penned’ the animals.
This play lasted for around an hour, continually growing and changing as
children joined, and during this time the adults sat at the table preparing
the snack and observing. There was no need to interfere, guide or lead this
play in any direction, as the teachers’ work is to observe the children and
the play, not to continually interrupt to ask questions or ‘tick’ responses; the
creative process is interfered with as little as possible. In socio-dramatic
play:
Children who show the greatest capacities for social
make-believe play also display more imagination and
have less aggression. They also have a greater ability to
use language for speaking and understanding others,
show more empathy and are able to see things from the
perspective of the other; and show less signs of fear,
sadness and fatigue.
(Klugman and Smilansky 1990: 35)
There are many different forms of play:
_ socio-dramatic play
_ solitary play
_ exploratory play