Snapshot Traveller #273 (January 2022)

Monthly Newsletter of the International Society for Travel Writing

CALLS FOR ESSAYS:

- Poetics of Travelling Self: Discursive Formations and Purposiveness of Travel (31 Jan)

CALLS FOR CONFERENCE PAPERS:

- Modern Travel, Modern Landscapes (28 Jan)

- Fantastic Geographies: Conference of the Association for Research in the Fantastic (28 Feb)
- Joint Atlantic Seminar for the History of East Asian Science, Technology, and Medicine (1 Feb)

RECENT PUBLICATIONS:

- Worlds of Knowledge in Women's Travel Writing, edited by James Uden

- A Thing of Beauty: Travels in Mythical and Modern Greece by Peter Fiennes
- The Border - A Journey… by Erika Fatland 

FREE ONLINE EVENTS:

- Read It Wild - readings and conversations with nature writers (29 Jan)
- Food, identity and difference in travel writing from Muslim South Asia (23 Feb)

REGULAR VENUES:

A li nk t o R egul ar Venues i s provi ded in t he si debar of the Snapshot bl og on t he C TWS

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CALLS FOR ESSAYS

Poetics of Travelling Self: Discursive Formations and Purposiveness of Travel

Deadline: 31 Jan

The heterogenous character of protean form of travel writing—letters, journals, logbooks, diaries, memoir,
journalistic pieces, guidebooks, confessional narratives, accounts of seafaring voyages, literary picaresque
narratives, scientific explorations, artists’ escapades, ventures of urban flâneurs, self-exiled wanderers, and
fiction—resists easy demarcation. Its heterogeneity lies in the revisionary stance brought about in each narrative
through the distinguishing figure of the traveller, mode of narration, means of mapping, or redefining of the
landscape. Right from antiquity to medieval, modern to postmodern times, travel narratives have showcased
relevance despite premature announcements or off-the-mark assessments of their ‘death.’ Witnessing a
renaissance in the late twentieth century, travel writings continue to be written in ever increasing numbers in the
twenty-first century and engage critical attention across disciplines.

Travel writing fosters self-fashioning through the curation of a persona with experiential outlook who presents
the world to her readers. This mode of subjective perception and a detached analytical voice threading along in
the narrative melds facts with the imaginary to create literary composition with varied manifestations. A genre
that quintessentially encounters the other also gives rise to the discursive formations of the other perceived
through the gaze of traveler. The embeddedness of gaze, individual and/or collective, in a certain cultural
ideology not only helps in evaluating one’s own context but also works to construct epistemological narratives
of what is perceived as foreign, resulting in the intertwining of micro with macro history. Crosscurrents of
representing actual or fictional travel narratives, while creating space for cross-cultural fertilization, often
involve involuntary expeditions into the unknown. Slave narratives, refugee narratives, exile narratives among
others reveal a complex motif of travel caused by forces external to the subject. In these accounts of journey
beyond, home is the seminal anchor that provides a threshold for theoretical underpinnings relevant to diaspora,
migration, and displacement.

The poetics of the travelling self is a subject of curiosity since the beginning of Homo sapiens’ story right from
the time when they dispersed out of Africa. The motifs of journey, be it inner or outer, along with their
motivation and purpose have certainly been diverse: exploratory, survival, religious, commercial, exploitative,
scientific, or professional. Documented through time and space, these motifs corroborate the descriptive with the
affective to profoundly shape the history of the world as we know it. If, at one level, they raise extensive
questions related to privileged mobility, dynamics of geopolitical boundaries, and economic structures then at
another level, they probe explicit issues of neo-imperialism, along with the perpetuation, reinforcement, and
reproduction of prevailing ideologies of Empire. The inviting simplicity and intrinsic complexity of travel
literature allows for scrutiny on multiple scales—insightfully teasing out political and historical hegemonies
enmeshed with racial, class, gender, and power dynamics. In recent years, disability studies too have made
major inroads into this genre. Moreover, in conjunction with new digital media, characterized as mobility turn in
Arts as well as Humanities and more generally in Social Sciences, enquiry into travel literature takes precedence
and acts as a crucial optic to make sense of new configurations of power, subjectivity, relationality, and the
globalized world alike. Critical engagement with travel writing yields a fruitful site for the analysis of social,
historical, economic, political, and cultural issues underpinning contemporary state of affairs. In the context of
Covid-19 pandemic here, ‘vaccine passport’ emerges as an interesting phenomenon to study vis-à-vis travel
writing. Critical engagement with travel writing yields a fruitful site to study issues in the contemporary
scenario by way of interdisciplinary analysis involving philosophy, sociology, history, anthropology, literary
studies, economics, political science, rhetoric, media and cultural studies, and linguistics among others.

Scholars are invited to explore how travel writings make and remake us and our world through and beyond
following themes:

 Travel writing as Life Writing

 Wanderlust and economy of desire
 Dynamics of exclusion
 Democratization of travel and mass tourism
 Travel writing as means of worldmaking
 Travel writing and thanatourism
  Memory Studies and travel writing
 Tradition of travel writing in non-western world
 Food and travel
 Pedagogical approaches to travel writing
 Motif of travel in Bildungsroman genre
 Travel as a theme in Science Fiction and popular fiction
 Formation/crisis of identity
 Autobiographical travel narratives: phenomenology of experience
 Travel writing in Cultural Studies
 Travel writing and Medical Humanities
 Theories of affect in relation to travel writing
 Travel blogs, vlogs, and visual culture
 Philosophical travelogues
 Significance of religion in travel writing
 Travel journalism
 Travel writing and imagined geography/cartography
 Ecocritical approaches to travel writing
 Travel writing and cosmopolitanism

Submissions:

Only complete papers will be considered for publication. The papers need to be submitted according to the
guidelines of the MLA 8th edition. You are welcome to submit full length papers (3,500–10,000 words) along
with a 150 words abstract and list of keywords. Please read the submission guidelines before making the
submission – http://ellids.com/author-guidelines/
submission-guidelines/. Please feel free to email any queries to – editors@ellids.com.

Please make all submissions via the form: https://forms.gle/c4tN4M1JdJCKXLgr7

Website – http://ellids.com/

Facebook – https://www.facebook.com/journal.llids/

from cfp - theory https://ift.tt/3nBqWrq

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CALLS FOR CONFERENCE PAPERS

Modern Travel, Modern Landscapes

Deadline: 28 Jan

Connections and Exchanges in Europe c. 1850-1950

6th and 7th July 2022, University of Durham 

Travel was central to shaping identity in Europe between the mid-nineteenth and mid-twentieth century.
Representations of place, as well as personal, cultural and institutional connections, informed and structured
travel at this time. Travellers within Europe and from outside shaped an understanding of what Europe was and
is in a global, imperial context. As Kate Hill has put it, “under the influence of technological and colonial
change, spaces, narratives themselves, and cultural encounters all took on a greater measure of flux as the
nineteenth century progressed. The provisional nature of the modern categories of home and away were forged
in the nineteenth century”.

This conference calls for papers on travel in this period, especially travel writing which considers landscape and
modernity as key themes. Considering travel narratives, both published and private, as well as other texts,
images and sources, allows us to consider these historical connections in greater detail, while taking travel as a
practice, together with the structuring themes of landscape and modernity, will enrich our understanding of
European history in the period.

Modern Travel, Modern Landscapes looks to engage with a rich diversity of subjects including but not limited
to: history and history of science, geography and natural sciences, art history and visual culture (photography
and film), as well as architecture and urban studies. We are particularly interested in understanding how travel
and landscape can be perceived and experienced  by an individual. As such, we encourage submissions which
explore not only physical travel, but also ‘armchair travel’ through the consumption of the representations of
place. We will consider broadly four main themes:

- Identities

Identities are formed by travel and travel is influenced by identities. In modern Europe, the identity of the
traveller, as well as those they travel with, are crucial for thinking about who can travel and where. We welcome
submissions that consider these identities of travel, as well as the forms their depictions of travel take and how
connections are - or are not - made.

How does a traveller identify with a place and with travelling?

Who can travel and where? Who can choose their travel?

Who claims authority to speak about the place travelled to and through?

How is Europe represented by travellers from the rest of the world?

How does the traveller respond? How can hidden or marginalised actors be included?

- Infrastructure

Travellers need ways of getting to places and their forms of travel affect their representations of place. However,
infrastructure is more than transport and we encourage submissions which take a broad approach to discussing
the way in which travel was structured and communicated.

How do different types of travel affect travel narratives?

Who is a tourist and does it matter? How can we diversify the idea of infrastructure?

How are travellers influenced by existing discourses?

What is the relationship between infrastructure and landscape?

- Time and temporalities

Time may not be at the heart of travel writing, but it does present itself in a number of different ways. There are
a number of ways to read time and temporality in travel writing, encapsulating notions of history, encountered in
the environment, or even in terms of progression. We welcome submissions that explore how travellers
experienced, perceived, and considered temporalities and in turn, informed their audiences back at home.

How has time been represented, coded and understood by travellers? 

How do travellers and/or travellees apply meaning to time and temporality?

To what extent can we consider temporality to be a dimension of travel experience?

How did encroaching modernity shape ideas of time?

How was time experienced in different spaces and environments?

- Borders and frontiers

A number of different borders and frontiers were crossed by travellers, which not only played into the travellers’
cultural identity and perception of the self, but also fed into the wider understanding of the society and cultures
they were encountering. We welcome discussions that explore physical boundaries and frontiers, for example
geopolitical and military, but also encourage submissions discussing racial, gender, and sexual frontiers or that
focus on how economic, linguistic, national and aesthetic borders were negotiated. 

What different frontiers exist?

How did frontiers influence identities?

When, where, and how were frontiers challenged, faced, and crossed?

Did they create new tensions or categories?

Are frontiers in opposition to one another?

Please send an abstract of up to 300 words and a short biography of no more than 100 words to Jana
Hunter and Christian Drury (mtml2022@gmail.com) by Friday 28th January 2022.

Contact Info: 

Christian Drury and Jana Hunter

Durham University/University of Oxford

Contact Email: mtml2022@gmail.com

URL: https://mtml2022.wordpress.com/call-for-papers/

*********

Fantastic Geographies: 13th Annual Conference of the Association for Research in the Fantastic

Deadline: 28 Feb

(Gesellschaft für Fantastikforschung) TU Dortmund University (Dortmund, Germany)

(22-24 September 2022)

There is a theory that says if anyone ever figures out exactly what the universe is for

and why it is there, it will disappear on the spot and be replaced by something even

more bizarre and incomprehensible. - There is another theory according to which this

has already happened.

With his world-famous novel The Hitchhiker's Guide to the Galaxy, Douglas Adams has

shown that there is so much more 'out there' than humans – or Arthur Dent – can imagine.

Earth is, after all, only one within a universe of planets, and even here humans have not yet

explored all of the depths, the caves, and the deepest forests. Fantasy takes advantage of these

voids and fills them with the uncanny and the marvellous, the scary and the hopeful – the

possibilities are almost endless. However, what all of these voids have in common is that they

can be located, even if this is as vague as somewhere.

Every fantasy genre, across every medium, has its own mechanisms and rules by which these

geographies are constructed, whether through description and imagination or computergenerated landscapes.
Distances must be bridged, means of transportation must be found,

chartered, or hijacked, rituals must be performed – all in order to discover, enter, or leave a

particular place. Here, it is important to note where this place is located and whether the
fantastic geography extends, supplements, contests, or even replaces reality.

In this context, cartography plays a special role: historically, cartographers incorporated

monsters into their elaborate maps in order to fill previously unexplored geographic blind

spots or to discourage other explorers from seeking out these places. Today, detailed maps of

secondary worlds are an integral part of many fantasy books. Furthermore, fans and

professionals industriously produce artworks and maps of these worlds or even transfer them

into other contexts when adapting them into computer or board games.

Meanwhile, people can reside in multiple virtual and imagined realities as well as spaces

simultaneously, projecting their image and voice across vast distances. This also raises

philosophical questions about the construction of fantastic spaces: have we already come to

the point where we know too much about our universe and are now confronted with

something even more bizarre? What happens to our bodies and identities when they are

transferred into these abstract spaces?

We invite papers on all forms and genres of the fantastic and their engagement with

geography in both a narrow and broader sense, whether they deal with literature, comics, film,

television, music, video and board games, or (live) role-playing games (German or English).

In the open track, any paper on the fantastic can be submitted. However, we especially

welcome topics such as:

- Construction and rules of fantastic geographies of any kind

- Geography and different forms of the fantastic (SciFi, Horror, Fairy Tales, Urban Fantasy,
- etc.)
- Representation of different geographies and cartography (e.g. metropolis, fairy tale forest,
- outer space), also as an artistic achievement
- Historiography of fantastic geography
- Abstract, digital and imaginary spaces
- fantastic geographies in children’s literature and Young Adult Fiction
- Geographies of the body
- Gender, sexuality, ethnicity, disabilities, aging, and geography
- Adaptation theory and translatology in fantastic geographies
- Ludology and Geography
- Geography as a palimpsest or heterotopia
- Fantastic sensescapes (soundscapes, smellscapes, etc.)
- Ecology and environmentalism
- Displacement and Emplacement
- Exploration as a practice
- Geography and Transportation

Abstracts (300 words, in German or in English) for twenty-minute papers, together with a

short biography (150 words), should be submitted to gff2022@tu-dortmund.de by 28 Feb

2022. You can find all current information about our conference on our website:

www.gff2022.wixsite.com/tudortmund.

PhD students can apply for one of the travel grants the Association for Research in the
Fantastic awards (200€). If you are interested, please indicate this when submitting your

abstract.

Conference organising team: Kristin Aubel, Christian Lenz, Sarah Neef

More information: https://gff2022.wixsite.com/tudortmund/call-for-papers-1

*********

Joint Atlantic Seminar for the History of East Asian Science, Technology, and Medicine

Deadline: 1 Feb

The Joint Atlantic Seminar for the History of East Asian Science, Technology, and Medicine (JAS-EASTM)
seeks to inspire a tradition of collegiality among historians of science, technology, and medicine in East Asia
who are based along the eastern seaboard of North America (Canada and the United States). Bringing together
scholars at various stages of their careers, this seminar offers junior colleagues (graduate students and recent
PhDs), in particular, an opportunity to present and receive feedback on their work in a friendly and supportive
setting.

The inaugural conference was hosted by Johns Hopkins University and held online in Spring 2021. Because of
continued concerns over the COVID-19 pandemic, we will once again be convening virtually for our Spring
2022 meeting.

JAS-EASTM 2022 will be held online from the afternoon of Thursday, May 5, to the evening of Friday,
May 6. The conference will be made up of panels for the discussion of pre-circulated papers, a keynote address,
a topical roundtable, and opportunities to meet and chat with fellow scholars in small groups.

Graduate students and recent PhDs who would like to present a paper should submit proposals (involving
principally an abstract of no more than 250 words) here: https://forms.gle/6S6LFaQqriETM6j89.
While priority will be given to junior scholars from the North American Atlantic coast, the online nature of this
conference allows us to more easily include those located beyond this region, and we welcome submissions
from these scholars too.

The deadline for submitting proposals is Tuesday, February 1. Notifications will be sent out by Tuesday,
March 1.

Presenters are expected to submit papers of up to 2,500 words by two weeks before the conference on Thursday,
April 21. These papers will be made available to those who register for the conference.

JAS-EASTM 2022 is generously sponsored by the Science and Technology in Asia seminar series of
the Harvard University Asia Center.
For all inquiries, please contact the organizers at jas.eastm.2022@gmail.com.

More information: https://projects.iq.harvard.edu/jas-eastm

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RECENT PUBLICATIONS

Worlds of Knowledge in Women's Travel Writing, edited by James Uden - Ilex Series (Harvard
University, Center for Hellenic Studies) ISBN: 9780674260566. 250 PAGES, Paperback, £15.95

Available 11/02/2022
Worlds of Knowledge in Women's Travel Writing rediscovers the works of a wide range of authors from
the eighteenth to the twentieth century. A stowaway on a voyage circumnavigating the globe; a
nineteenth-century visitor to schools in Japan; an Indian activist undertaking a pilgrimage to Iraq-these
are some of the women whose experiences come to life in this volume.  Worlds of Knowledge explores
travel writing as a genre for communicating information about other cultures and for testing
assumptions about the nature and extent of women's expertise. The book challenges the frequent focus
in travel studies on English-language texts by exploring works in French and Urdu as well as English
and focusing on journeys to France, Spain, Turkey, Iran, Iraq, India, Ethiopia, Japan, Australia, and the
Falkland Islands. Written by experts in a wide range of fields, this interdisciplinary volume sheds new
light on the range, innovation, and erudition of travel narratives by women.

More information & pre-order: https://www.waterstones.com/book/worlds-of-knowledge-in-womens-

travel-writing/james-uden/9780674260566

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A Thing of Beauty: Travels in Mythical and Modern Greece by Peter Fiennes (Oneworld Publications)
ISBN: 9780861540617, 304 pages, Hardback, £18.99

Available now

LONGLISTED FOR THE ANGLO-HELLENIC LEAGUE RUNCIMAN AWARD 2022

'Peter Fiennes's road trip around Greece [is] engagingly described' Mary Beard, TLS

'Fiennes is a brilliant and generous guide through Greece' Observer

What do the Greek myths mean to us today?

It's now a golden age for these tales - they crop up in novels, films and popular culture. But what's the modern
relevance of Theseus, Hera and Pandora? Were these stories ever meant for children? And what's to be seen
now at the places where heroes fought and gods once quarrelled?

Peter Fiennes travels to the sites of some of the most famous Greek myths, on the trail of hope, beauty and a
new way of seeing what we have done to our world. Fiennes walks through landscapes - stunning and spoiled -
on the trail of dancing activists and Arcadian shepherds, finds the 'most beautiful beach in Greece', consults the
Oracle, and loses himself in the cities, remote villages and ruins of this storied land.

More information: https://www.waterstones.com/book/a-thing-of-beauty/peter-fiennes/9780861540617

*********

The Border - A Journey… by Erika Fatland  (author) & Kari Dickson  (translator) Quercus
Publishing ISBN: 9780857057785, 608 pages, Paperback, £12.99

Available Now

"Erika Fatland [is] shaping up to be one of the Nordics' most exciting new travel writers"  National
Geographic

**SHORTLISTED FOR THE STANFORDS DOLMAN TRAVEL BOOK OF THE YEAR 2020**

"A hauntingly lyrical meditation to the contingencies of history"  Wall Street Journal

"[An] impressive mix of history, reportage and travel memoir"  Washington Post

The Border is a book about Russia and Russian history without its author ever entering Russia itself; a
book about being the neighbour of that mighty, expanding empire throughout history. It is a chronicle
of the colourful, exciting, tragic and often unbelievable histories of these bordering nations, their
cultures, their people, their landscapes.

Through her last three documentary books - one about terrorism in Beslan, one about the 2011 terror
attacks in Norway and one about post-Soviet Central Asia - social anthropologist Erika Fatland has
established herself as a sharp observer and an outstanding interviewer at the forefront of Nordic non-
fiction.

More information: https://www.waterstones.com/book/the-border-a-journey-around-russia/erika-

fatland/kari-dickson/9780857057785

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FREE ONLINE EVENTS

Read It Wild - readings and conversations with nature writers

Date and time: Sat, 29 January 2022, 18:00 – 20:00 GMT

Join nature writers Amanda Tuke, Electra Rhodes, Vanessa Wright and Jane V Adams for an event to
celebrate nature writing.

About this event

Sit back and relax while a range of new and established nature writers spin words for you which bring
the wild inside. From a frantic spring and light-filled summer, to autumn scents and winter footprints,
join us for a celebration of diverse nature writing. And you’ll hear what nature writing offers for
published writers, with the opportunity to ask them questions.
This free event is made possible through National Lottery Funding via Arts Council England.
About the event's hosts
Amanda Tuke is a nature writer, botanist and birder based in suburban south London and she is
currently Great North Wood nature-writer-in-residence. She contributes regularly to  Bird Watching
Magazine , the London Wildlife Trust Blog and has written for BBC Countryfile  and Resurgence &
Ecologist Magazines.  Amanda blogs about nature and her freelance nature-writing journey and loves
leading nature-writing workshops.
El Rhodes is an archaeologist who lives in Wales and Wiltshire. Her prose and poetry has been
widely published in a range of anthologies and journals, and she writes a regular column on rural
issues for Spelt Magazine. Her book,  'My Family & Other Folklore',  was recently longlisted for the
Nan Shepherd Prize and is now out on submission. And her coastal South Wales set
novella, ‘Sextet’, recently won the Louise Walters Books P.100 competition.
Vanessa Wright is a nature writer who lives in Hertfordshire and loves the Hebrides. She left
corporate life last year to pursue her passion for wildlife and study for a Masters in Nature and Travel
Writing at Bath Spa University. She has contributed to Bird Watching Magazine and The
Pilgrim, written on behalf of the Hertfordshire & Middlesex Wildlife Trust, and was recently
longlisted for the Yeovil Literary Fiction Prize.
Jane V Adams is a naturalist, photographer and travel and nature writer based in Dorset. She has
written for The Telegraph, BBC Countryfile and BBC Wildlife Magazines, and writes a regular nature
column for The Blackmore Vale Magazine. Recently longlisted for the 2022 New Travel Writer of the
Year Competition, Jane is currently writing a book about nature’s amazing moments, due for
publication in 2023.

This event is free to attend but prior booking is required. More information and tickets:
https://www.eventbrite.co.uk/e/read-it-wild-readings-and-conversations-with-nature-writers-tickets-
242656721787?aff=ebdssbonlinesearch

*********

Food, identity and difference in travel writing from Muslim South Asia

Date and time: Wed, 23 Feb 2022, 17:00 GMT

This seminar series explores key issues in the migration history studies, presented by established
scholars and early-career researchers.

About this event

Migration History Seminar Series

This event is co-hosted by the Global Diversities and Inequalities Research Centre

‘Human or not, everyone has their own habits and tastes’: Food, Identity and Difference in Travel
Writing from Muslim South Asia

Migration is one of the great facts of human society. Its contribution to the making of the modern
world cannot be overstated. While historical writing in settler societies such as the USA and Canada
has emerged over a long time period, European nations with rich migration histories, such as the UK,
France and Germany, have more latterly recognised the centrality of population movements. There is
great scholarly interest in the field and that will grow now as legacies of imperialism become much
more directly entangled with the lives of immigrants in the countries they have settled.

‘Human or not, everyone has their own habits and tastes’: Food, Identity and Difference in
Travel Writing from Muslim South Asia

That India was experiencing a rise in vigilante-style violence linked to the emotive issues of cow
slaughter and meat consumption came to widespread public attention in 2015. A wave of ‘beef
lynchings’ drew attention to the spread of a ‘food fascism’ directed at Muslims and Dalits. What one
ate – beef or not – was being constructed as a fundamental marker of difference between religious
communities, and caste groups too. In the communal discourse, the protagonists were undifferentiated
and immutable: Hindus and Muslims have always been divided, and perhaps inevitably in conflict,
because one worships the cow, while the other eats it.

As a challenge to this politicised narrative, my paper will explore how food has been employed as a
marker of identity and difference among South Asian Muslims in the modern period. To access more
quotidian experience, the main sources are travel narratives, many of which were written by women
being that they were more occupied with the preparation and serving of food. What these writings
reveal is the ways in which food was used at different historical moments and locations to
differentiate, not just between Hindus and Muslims, but also between coloniser and colonised, men
and women, old nobilities, a new middle class and ‘the poor’, and Muslims of different regions and
locales.

As one woman from Delhi indicated during a debate over ghee aboard a pilgrim ship to Jeddah in the
early 1920s: ‘Human or not, everyone has their own habits and tastes’. In other words, food may be a
universal human experience, but it is also a means of differentiating self and other that is contingent
on history.

Speakers:

Siobhan Lambert-Hurley

Chair:

Professor Don MacRaild

This event will be delivered online via BlackBoard Collaborate. Information on how to join will be
send upon registration.

If you are London Met Staff or student, please use your London Met email address to register.

Please contact the Research and Postgraduate Office if you have any questions about this or any of our
other events - rpo@londonmet.ac.uk.

To receive notifications of future events, please follow the   Research and Postgraduate Office   on
Eventbrite.
The Global Diversities and Inequalities Research Centre  is a home for interdisciplinary and
multidisciplinary scholarship that explores migration, diasporas, nations, regions and localities
through the lenses of diversity and inequality.

This event is free to attend but prior booking is required. More information and tickets:
https://www.eventbrite.co.uk/e/food-identity-and-difference-in-travel-writing-from-muslim-south-asia-
registration-169617792383?aff=ebdssbonlinesearch

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