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Music - Lesson 3
Music - Lesson 3
Can you imagine life without sound? Without the ability to hear? Would it be
possible for us to live without sound? If you live in outer space, then that
would be the case, since no sound vibrations can travel in there, for there is
no air.
W e h e a r m u s
television, social media, advertisements, church services,
flag ceremonies, birthdays, and other special occasions. Some
might consider the chirping of birds a form of therapeutic
music. The most direct way of “consuming” and appreciating music is to hear and listen to it,
since it is an aural phenomenon. However, it is important to know the difference between
hearing and listening. Hearing is mostly passive- we, humans, hear a lot of sounds
simultaneously without paying attention to them. On the other hand, listening is a process
which actively engages our brains as well as our ears. Merriam-Webster’s Dictionary defines;
listening as: “to pay attention to someone or something in order to hear what is being said,
sung, played, etc.” Together with reading, writing, and speaking, listening is considered to be
one of the four language skills, and music is a language.
Most of the time, we tend to hear but not listen. In educating our students through
music, we are to train them to be active listeners and not just mere hearers of music. The goal
is to enable our students to connect what they listen to in the music to more far-reaching
concepts and ideas. For example, we are listening to march. How can a drumbeat pattern
depict the march? How does the drumbeat relate the movement of the feet? Does the tempo
reflect a military march or a funeral march? These are some sample questions that we,
teachers, should be prepared to formulate and ask our students in the course of their music
listening sessions. When playing a track of music for the class, teachers must guide their
students playing a track of music for the class, teachers must guide their students to identify
music elements, find the meaning and relationship between the sounds, silence, notes,
phrases, sections, and lyrics (if present), and if possible, relate these to other concepts or
subjects, such as color, texture, art mathematics, an event, or a story. This does not require a
lot of time and builds more interest than a typical classroom lecture. It also trains learners to
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keep focus and pay attention. As the continue developing their active listening skills, they
may transfer this skill in other subjects, such as grammar or literature.
5. What is the tempo (speed) of the music? How does it affect the character of the piece?
If it was played or sung slower or faster, how would the character change?
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6. How does the music make me feel? What is its general mood?
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7. Are there chords used in the piece? Are they in major or minor?
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9. How does the melody move? In steps, skips, or leaps? Does it stay in one place?
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10. Are there places where the tonality modulates to a different key? What effect does it
give to the listener?
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12. What is the music’s message? Can I relate it to an idea, thing, animal, person, place,
or event?
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Depending on the nature of the piece of music listened to,
these questions may or may not be applicable. What other
listening questions can you think of?
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sometimes requires several repeats in playing the recording. Also, you need not play
an entire musical piece- you may opt to cut it in places, selecting only important or
specific parts for study. This also ensures that children will not get bored listening to a
long selection, or get tired of waiting for these parts to be heard.
Listening
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Say something about the following musical elements after listening to your
chosen song or piece:
5. What is the overall mood of the piece? Is there a message it wants to convey?
What would it be?
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Find two people who can be your “test students.” They can
be a classmate, a friend, or a relative. Look for a recording
of “Leron, Leron Sinta” that you can listen to. Ask your
“test student” to draw a map of the melodic contour or
sharing of ideas. Afterward, compare and contrast their melodic contour maps.
This is to assess individual listening skills?
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Note: Please use separate sheets of paper for the melodic contour maps. A melodic
contour map shows how pitches on a piece move, either up, down, statically, in leaps,
or steps.
What strategies or alternative activities can be done for classrooms that do not have
any access to the internet or available gadgets that can play music recordings?
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Look at the pictures below. Can you think of any Filipino folk,
traditional, or pop songs appropriate to teach and associate ideas
behind these pictures?
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Song Title: _____________________________________
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