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G MTC Beginners Guide
G MTC Beginners Guide
Gospel Piano
Section 1 - "Getting Started"
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Chapter 1
The Notes On The Piano
(The Letter System)
All the finger keys on the piano produce sounds respectively when
depressed and that's why they are called notes.
If you look closely at the keyboard layout of the piano below, you can see
"dozens" of notes -- black and white:
Did I just say dozens? Oh, yes! Notes on the keyboard layout come in
dozens (groups of twelve) also known as octaves:
…and in each dozen are five black notes and seven white notes:
1 2 3 4 5
1 2 3 4 5 6 7
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So, it doesn't really matter the number of notes on your piano -- it's only
twelve unique notes -- five of them are black notes and seven of them are
white notes.
Attention: These dozens are associated with a musical term known as the
octave. If you can know this, that a collection of twelve unique musical
notes is an octave, then you should be proud of yourself.
The white notes (seven of them) are named using the first seven Roman
alphabets:
A, B, C, D, E, F, and G
Check it out:
You see! Music is a language and you start by learning your ABCs. ;)
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...and before every collection of two black notes, there's a white note
named C right before it:
...and before every collection of three black notes, there's a white note
named F right before it:
F F F F F F
This makes it easy to recall the notes. As long as you can see groups of
black notes (whether two or three), you can recall C and F on the keyboard.
Once you can recall C and F on the keyboard, you are already making
progress. All you have to do is to fill-in the blank spaces:
Between C and F:
C, _, _, F
...there are two blank spaces:
C ?? ?? F
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…which are D and E respectively:
D is after C:
C D
E is before F:
E F
Between F and C:
F, _, _, _, C
...there are three blank spaces:
F ?? ?? ?? C
G is after F:
F G A B C
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A is in between F and C:
F A C
B is before C:
B C
1 2 3 4 5
1 2 3 4 5 6 7
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"Oh! We Forgot The Black Notes..."
The names of the black notes are derived from the white notes and you are
going to find sharps and flats in their names.
C#
D#
F#
G#
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A#
Bb
Ab
Gb
Eb
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The black note behind D is called Db:
Db
As you should have noticed, the black notes have two names -- a sharp
name and a flat name -- and the names come from the white notes around
it.
This is C# or Db:
Db
C#
C D
This is D# or Eb:
Eb
D#
D E
This is F# or Gb:
Gb
F#
F G
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This is G# or Ab:
Ab
G#
G A
This is A# or Bb:
Bb
A#
A B
Db Eb Gb Ab Bb
Db Eb Ab Bb
C# D# F# G# A#
...and here are all the notes on the piano using the letter system:
Db Eb Gb Ab Bb
Db Eb Ab Bb
C# D# F# G# A#
C D E F G A B C
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Chapter 2
The C Major Scale
(The Number System)
The term scale in music is gotten from scala which means ladder or
staircase.
Db Eb Ab Bb
C D E F G A B C
...in a succession (one after the other), that's the C major scale.
This is pretty much like walking up and down a staircase or ladder that
starts and ends on C. If you've been around the choir, you probably must
have heard people warm up to singing with stuff like:
do re mi fa sol la ti do
Now, that's the major scale.
Db Eb Ab Bb
C D E F G A B C
1 2 3 4 5 6 7 1
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C is the 1
D is the 2
E is the 3
F is the 4
G is the 5
A is the 6
B is the 7
C is still the 1
With the numbers, we don't have to use alphabets all the time. We can just
say "3" and that's E or we say "2-5-1" and that's "D-G-C."
As a gospel pianist, you need to know your numbers by heart and be able
to recall them when needed.
The thumb
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...and they are numbered as follows:
The thumb is 1
Now, keep in mind that the numbers are the same for each hand. Hence,
the thumb will always be 1 in each hand.
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2 4
Here's the RIGHT hand fingering of the C major
scale: 5
1
CD E FGABC RIGHT
1 2 3 1 23 4 5
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While ascending on the right hand, it's "123-12345" and while descending,
we just reverse it to "54321-321." On the left hand, we're doing the
opposite. We're ascending with "54321-321" and descending with the "123-
12345."
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Chapter 3
"How To Play
One-Finger Melodies"
Now that you've learned the C major scale, it's time for us to put it to work
by playing a few melodies that I'm sure you'll be happy to learn.
As:
...the:
deer:
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...pan-:
...-teth:
...for:
...the:
...wa-:
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...-ter:
So:
...my:
…soul:
...lon-:
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...-geth:
...af-:
...-ter:
...You:
...-ou:
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You:
...a-:
...-lone:
...are:
...my:
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...heart's:
...de-:
...si-:
...-ire:
...And:
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...I:
...long:
...to:
...wor-:
...ship:
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...You:
Thank:
...you:
...Lord:
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thank:
you:
...Lord:
...thank:
...you:
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Lord:
I:
...just:
...want:
...to:
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...thank:
...you:
...Lord:
For:
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...you:
...are:
...great:
...you:
...do:
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...mi-:
...-ra-:
...-cles:
...so:
...great:
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There:
...is:
...no:
...one:
...else:
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...like:
...you:
There:
...is:
...no:
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...one:
...else:
...like:
...you:
For:
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...you:
...are:
...great:
...you:
...do:
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...mi-:
...-ra-:
...-cles:
...so:
...great:
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There:
...is:
...no:
...one:
...else:
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...like:
...you:
There:
...is:
...no:
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...one:
...else:
...like:
...you:
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Song #4 - "Anointing Fall On Me"
A-:
...-noin-:
...-ting:
...fall:
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...on:
...me:
A-:
...-noin-:
...-ting:
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...fall:
...on:
...me:
Let:
...the:
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...po-:
...-wer:
...of:
...the:
...Ho-:
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...-ly:
...Ghost:
...fall:
...on:
...me:
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A-:
...-noin-:
...-ting:
...fa:
…-ll:
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...on:
...me:
You:
...are:
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Way:
...ma-:
...-ker:
...mi-:
...-ra-:
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...cle:
...wor-:
...-ker:
...pro-:
...-mise:
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...kee-:
...-per:
Light:
...in:
...the:
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...dark-:
...-ness:
My:
...God:
...that:
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...is:
....who:
...You:
...are:
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Section 2 - "Keeping It Up"
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Chapter 4
Diatonic
Chords
When a collection of related notes are played together, a chord is formed.
Diatonic chords are chords that are formed using the notes of the major
scale and using the C major scale that we already covered, you can form
diatonic chords.
Yes! It's so easy to form a diatonic chord if you can remember your C major
scale:
All you have to do is to stack three notes together using what I call the pick-
skip technique and I'll show you this technique and how you can form
chords with it.
C D E F G A B C
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For example, we can pick C:
C E
C E G
...and altogether we have three notes stacked together (C, E, and G) and
that's a chord --very easy to form!
C D E F G A B C
...and we're just picking and skipping scale tones until we have three notes
stacked.
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"Here Are The Seven Diatonic Chords..."
There are seven unique tones in the C major scale and each of them is the
foundation of a unique chord.
Starting from C (aka - "the 1") and using the pick-skip technique:
C D E F G A B C D E F G
[
C E G
Starting from D (aka - "the 2") and using the pick-skip technique:
C D E F G A B C D E F G
[
D F A
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Starting from E (aka - "the 3") and using the pick-skip technique:
C D E F G A B C D E F G
[
E G B
Starting from F (aka - "the 4") and using the pick-skip technique:
C D E F G A B C D E F G
[
F A C
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Starting from G (aka - "the 5") and using the pick-skip technique:
C D E F G A B C D E F G
[
G B D
Starting from A (aka - "the 6") and using the pick-skip technique:
C D E F G A B C D E F G
[
A C E
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Starting from B (aka - "the 7") and using the pick-skip technique:
C D E F G A B C D E F G
[
B D F
The 1-chord:
C E G
The 2-chord:
D F A
The 3-chord:
E G B
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The 4-chord:
F A C
The 5-chord:
G B D
The 6-chord:
A C E
The 7-chord:
B D F
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So, instead of saying "the 1-chord" you can also call it the "C major chord"
because all primary chords in the major key are major chords.
So, we have three primary chords (or major chords) in the major key:
C E G
F A C
G B D
They are known as primary chords because they have the same quality
(major quality) with the key unlike the other chords in the key that have
minor and diminished quality as you're going to learn.
Out of all the chords in the major key, the 1-chord, 4-chord, and 5-chord
share the same quality with the key and are considered to be the primary
chords.
The other chords differ in quality from the major key and are categorized as
secondary chords.
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"What About The
Secondary Chords..."
The following chords are the secondary chords in the key of C major:
But we'll be focusing on the 2-chord, 3-chord, and 6-chord because they
are minor chords. There are three minor chords in the major key:
D F A
E G B
A C E
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Chapter 5
Inversion
Of Chords
When we begin to change the order of the notes of a chord, we begin to
create what is called inversions.
C E G
But when we take C (off the bottom) and put it on top (making it the
highest-sounding note) and making E the bottom note:
E G C
It's still the C major chord and it has all the notes (a C, an E, and a G) but
the order of the notes are changed or inverted.
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When we take E (off the bottom of the first inversion chord [E-G-C]):
E G C
…and put it on top (making it the highest-sounding note) and making G the
bottom note:
G C E
Altogether, we have:
C E G
E G C
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G-C-E (second inversion):
G C E
Inversion gives you other convenient ways of playing a chord and adds a
lot of smoothness to your playing as you're going to learn.
Now that we've seen how the concept of inversion works and how to invert
the 1-chord, let's invert the rest of the diatonic chords.
D F A
F A D
A D F
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"Inversion Of The 3-chord..."
E G B
G B E
B E G
F A C
A C F
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C-F-A (second inversion):
C F A
G B D
B D G
D G B
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"Inversion Of The 6-chord..."
A C E
C E A
E A C
Attention: Learning each diatonic chords and inversions will add a lot of
smoothness and variety to your playing.
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Chapter 6
Song
Accompaniment
Before we jump into the accompaniment of songs, it is important to practice
the chords that make up our beginners chordal vocabulary.
1-chord:
C G C E
We are playing the “second inversion of the C major chord” on the right
hand over C on the bass.
2-chord:
D F A D
We are playing the “first inversion of the D minor chord” on the right
hand over D on the bass.
3-chord:
E G B E
We are playing the “first inversion of the E minor chord” on the right
hand over E on the bass.
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4-chord:
F F A C
We are playing the “root position of the F major chord” on the right
hand over F on the bass.
5-chord:
G G B D
We are playing the “root position of the G major chord” on the right
hand over G on the bass.
6-chord:
A A C E
We are playing the “root position of the A minor chord” on the right
hand over A on the bass.
Attention: These are all the chords you’ll find in this song accompaniment
chapter. Learning and memorizing them before proceeding will be of the
greatest possible importance.
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Song #1 - "As The Deer"
C G C E
A A C E
F F A C
...You-ou (5-chord):
G G B D
C G C E
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...heart's desire And I (6-chord):
A A C E
...long to (4-chord):
F F A C
...worship (5-chord):
G G B D
...You (1-chord):
C G C E
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Song #2 - "Thank You Lord"
C G C E
...Lord (6-chord):
A A C E
F F A C
...Lord (5-chord):
G G B D
C G C E
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...Lord (6-chord):
A A C E
F F A C
G G B D
…Lord (1-chord):
C G C E
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Song #3 - "You Deserve The Glory"
G G B D
C G C E
A A C E
F F A C
D F A D
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…you, for you are (5-chord):
G G B D
C G C E
A A C E
F F A C
D F A D
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...else like (5-chord):
G G B D
...you (1-chord):
C G C E
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Song #4 - "Anointing Fall On Me"
Anoin (1-chord):
C G C E
...ting (6-chord):
A A C E
...fall on (4-chord):
F F A C
...me (5-chord):
G G B D
Anoin (1-chord):
C G C E
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...ting (6-chord):
A A C E
...fall on (4-chord):
F F A C
...me (5-chord):
G G B D
C G C E
E G B E
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...Fall on (4-chord):
F F A C
...me (2-chord):
D F A D
Anointing (4-chord):
F F A C
…fall on (5-chord):
G G B D
...me (1-chord):
C G C E
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Song #5 - "Way Maker"
F F A C
C G C E
G G B D
A A C E
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Chapter 7
Final
Words
Dear musician,
I'm happy for you because getting to this page let's me know that you're
serious about learning how to play the piano and I'm glad to get you started
using the rudiments and fundamental ideas I just shared with you.
I know a lot of people (about 80%) will peruse this material but if you're
among the 20% who will follow me step-by-step and apply everything we
covered every inch of the way, you should be playing the melody of a
couple of gospel songs and accompanying them too on the keyboard.
This is just the beginning of the journey for you and if you continue at this
rate, you're definitely going to fulfill your lifelong dream of being a musician
either for your congregation or for personal devotion.
Now, head over to this page and sign up so we can admit you to the
biggest league of gospel musicians on the planet.
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