A The Way Up - Part One Pat Metheny & Lyle Mays

q = 121.5

         

   
Mallets        
A-7 F^7 Bb^7 A-7 A-/B F^7 A-7 Bb^7

               
       
    
Piano
      

  

  

       


7

Guitars             

Mallets                                 

E-7 F^7 G A-7 D-7 E-7 Bb^7/F

   

  
  
   

  
 
   
 

    
 
 
 
Piano

   
       
      
Copyright © 2004 Pat Meth Corp. / Lyle Mays Inc.
2

13 B

        
Guitars

           


Synth      

                           
Mallets
  

F^7 C/E D Bb^7/D A-/C G/B B Eb^7/Bb F2 G2

            

 
   

  

       

Piano

 
    
 
 
    
    
 3
 
18
     
   
 

               
Guitars        

 
       
       

     
Synth     
 

 
Bbm^7/D F/A G/B Eb/G D-7 C-/Eb D-/F Ab^7 Bb^7 Db^7

  
 

 
  
          
 
    
Piano

     


  
  
 
            
    
 
4

23     C

      

                 
Guitars
 

             

     


   
Synth     


         

Mallets

C
Eb/G Bb/D F/A C/E D-/F Eb^7/G Gsus C^7 C-7 Eb^7

   
      
  
     
     
  

Piano
     
       
 
  
  
      

 5

D
          
29

           


Guitars         

       

     
     
          

Synth           

           
 

Mallets    

D
D-7 A-7 F-7 Ab^7 Ab^7 F/A F/ACadd9/E E-7 E-7/D C^#11
  
        
          

   
   
 
   

Piano

         
   
 
       
6
    
35 Guitar Solo

Guitars           

             
Synth 


            
Mallets
 
E-7 A2 F^7#11 A2 F^7#11 G2

 
   
 
   
 
   
Piano           
 
          




E
 
47

Guitars                       

                      
Synth 
E-7 D-9 E-7 F^7 Asus A7 D-7

    
 
      

          
Piano
        


    
            
 7

 F
                   
54

Guitars  

                  
Synth 
E-7 C/E F^7 G6 F/A G/B Bb^7 A-7 E-7/G F^7

      

     
            
   
 
     
   
 
Piano


 
 
       
         


G
60
       
Guitars  
  
       
Synth     


     
               
Mallets


Asus A7 D-7 E-7 F#- D/F# D-7sus4

  

 


  
 
           
Piano   

 
    
       
8
66

                                           
 
Mallets
   
D/F# F/A

 

 
 
 

    
 
    
Piano   


  
     
  

72 H
 
                      
                  
Mallets
                        
   
D/F# D-7sus4

   
   
   


      

     
Piano


  


        
 9
78 I

                                   
     

Mallets
           
D/F# D-7sus4 ID/F#

 
 
     
  
 
 
Piano    

         

83

     
 
Mallets     
     
                        
 
D-7sus4 D/F#

 

 
   
 
   
  
 
   

Piano

 
  
       
 
10

89 J Guitar Solo
Guitars       

       
                           
Mallets
               
  
D-7sus4 D/F# D-9

     
 
     
Piano        

        


94

                  

           
Mallets 
     

   
 
   
Piano      
 


 
   
 
 

 11
100 K
Mallets                                             
G/B


           
Piano

 
 
  


  
     

106

                        
Mallets                  
Eb/G

         

  
 

Piano    
 

 
 

 
111

                
    
Mallets 

 
F^7#11

        

 
     


   
Piano   



  
  
     
12
117 L
Mallets                                                 
L
         
Piano

 
 
  
 


 
    


    
M
123
       
Mallets               
                         
Gb/Bb
        
Piano

  
 


   

  



127
              
Mallets                                                    
                           B-7
 
     
 
   
 

   

Piano
 
  
   
 13
131
               
Mallets                                                      
                        G^7/B
 
          


   
 


Piano
    


  
135
               
Mallets                                                    
 
                        C-7
        
 
 
 

   

Piano
    


  
N
139
               
Mallets                                       
   
N

 
C/Ab

 
 
 
 




Piano
    

 

14

143
              
Mallets                                                    
                                   
A-7 Db/F

    
   
 

Piano
    
   


147
              
Mallets                                                    
                                   
D^7#11 G/B

     
 
 
 
 

Piano
  
   
 


151               
Mallets                                                  
                     
Ebaug/G E^7#11

 



 


Piano
   
 
 
  
  
 

 15
155                
Mallets                                    
                     
D-13

     
 
 
 

Piano
 
 
  
   
 


159               
Mallets   
                                               

    
   
Piano
    

 
 
 

16

163 O
Guitars                          

Synth                        
       
Mallets                          
            

    
D-7 Db^7 C-7 G-/Bb Ab^7


       
      
      
       
Piano
     

 



168

Guitars  
                              

Synth                                

G-7 C9 F-7 G-7 Eb/G Ab^7 C/E F-7 Bb/D Bb-/Db

  

        
  

        
   
    
Piano  

     

         
 
 17

173

Guitars  
                                 

                 
Synth                 

 

  
Bb^7 Bb-7 Ab^7 Eb/G Ab-7 Bsus E^7
 
    
 
    
         
     
     
  
  
     
Piano
  
   
 
    

                            
178

     

      
Guitars
 

   
 
                  
Synth 


     
Ebsus Eb7b9 Ab-7 Db9 C7(#9) B^7 Bb-7 G-7 D-7 A-7 C/E
  
 
  
  
 
     
           
 
       
  
Piano
            
    
18
  
183
        
              

Guitars

                    


Mallets       
 

       

F-7 Eb/G Ab-7 Gb9/Bb Bb9 Ab7/C Db-7 D^7 B/D# C^7/E
   

 
         
       
    
  
   
Piano

 
 
    



       
  
 
188 P
                19
                    
  
Guitars
      

 
       

                          
Synth


  
      

Mallets
    

     

  
          
D/F# G-7 F/A Bb^7 Csus Db^7 C-7 B9(#11) Bb-7
      
 
   
       

  

           
   
Piano
 

 
          
  


194
                 
Guitars         
                 
Synth        

    
  
Eb-7 Ab7 Db^7 C-7 F-7 Db/B

   
 


    
  
       
       

    
Piano         
 
   

 
        