Distance Glauco

Venier
Norma Winstone

  
intro B♭- E♭-/B♭
Voice 


         
           
Piano

      
Ending ad libitum

   
B♭- E♭-/B♭

  
3

Vo.
 
 
Pf.   
                  
 


A

   
B♭- E♭-/B♭

                
5

Vo.

Turn ing in heights of in vi si ble air, in the

There are no signs, in the di stance that lies, in bet


          
Where are the signs?


            
Pf.

 
F   / A B♭-
  
7

   
Vo.

di stance love birds fly,

ween us, how can we

       
          

Pf.

    
G♭
 
B♭- B♭-/A E♭/G

       
9

Vo.

high from their spot, down through the trees,

know, where to go, a ny one's guess,

               
      
Pf.
2
D♭/F C♯-/E E♭- F  
     
11

Vo.
      
ri ding the breeze as they fall.
trust less and less as we know.

            
    
what

Pf.

simile
B

  
B♭- B♭-/A♭ E♭/G
              
13

Vo.

Like weight less wand er ers, keep ing our hopes a

               
There is a ci ty of un fa thomed streets, be

Pf.

G♭maj C- /F F  
       
15

Vo.
   
live on ly the way to sur

               
low. Where it is best, not to

Pf.

E♭- B♭-/D♭

17

           
Vo.

vive, to sur vive to be

               
go, not to know, keep our

Pf.



C-  C- /F F  
 

19

  
Vo.


here now.

            
    


di stance.

Pf.

Go to Intro
for the Ending
 3
solos
   
D- G-/D A /C♯ D-

21

Vo.

   
Pf.


   
D- D-/C♯ G/B B♭ F/A E♯-/G♯ G- A  

25

Vo.

   
Pf.


   
D- D-/C G/B B♭maj E- /A A  

29

Vo.

   
Pf.


Go to A

   
G- D-/F E-  E- /A A  

33

Vo.

   
Pf.
