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Golden Heavy Body Acrylic
Golden Heavy Body Acrylic
Golden Heavy Body Acrylic
Titanate Yellow C.P. Cadmium Hansa Bismuth C.P. Cadmium Primary Yellow Hansa Yellow
Yellow Primrose Yellow Light Vanadate Yellow Yellow Light Medium
S.1 H S.7 H O S.3 H F O S.9 H S.7 H S.2 H F S.3 H F
Hansa Yellow C.P. Cadmium Cadmium Yellow Aureolin Hue Nickel Indian Quinacridone
Opaque Yellow Medium Medium Hue Azo Yellow Yellow Hue Nickel Azo Gold
S.4 H F O S.7 H O S.4 H F S.3 H S.6 H F O S.4 H F O S.7 H F O
Quinacridone C.P. Cadmium Diarylide C.P. Cadmium Transparent Vat Orange Pyrrole Orange
Burnt Orange Yellow Dark Yellow Orange Pyrrole Orange
S.7 H F S.7 H S.6 H F S.5 H O S.5 H F S.5 H F S.5 H F
C.P. Cadmium Pyrrole Red Quinacridone Naphthol Red Pyrrole Red C.P. Cadmium Cadmium Red
Red Light Light Red Light Light Red Medium Medium Hue
S.9 H O S.8 H F S.7 H S.5 H F S.5 H F O S.5 H O S.5 H O
C.P. Cadmium Pyrrole Red Primary Light Magenta Naphthol Red Quinacridone Alizarin Crimson
Red Dark Dark Magenta Medium Red Hue
S.5 H S.5 H S.5 H F S.5 H S.5 H F O S.5 H F S.9 H F O
Medium Violet Light Violet Ultramarine Dioxazine Smalt Hue Ultramarine Light Ultramarine
Violet Purple Blue Blue
S.5 H S.5 H S.5 H F S.3 H F O S.3 H S.5 H F O S.5 H
Cobalt Blue Cobalt Blue Cerulean Blue, Anthriquinone Prussian Blue Phthalo Blue Phthalo Blue
Hue Chromium Blue Hue (Red Shade) (Green Shade)
S.5 H F O S.5 H S.5 H F O S.5 H F S.5 H F S.5 H F S.5 H F O
Use the legend for availability of colours in various media types:
H Heavy Body Colours F Fluid Colours O OPEN Colours
Primary Cyan Cerulean Blue Manganese Blue Azurite Hue Cobalt Teal Light Turquoise Turquoise
Deep Hue (Phthalo) (Phthalo)
S.3 H F S.5 H F S.5 H F O S.3 H S.5 H F S.5 H S.5 H F
Cobalt Turquoise Phthalo Green Viridian Green Phthalo Green Permanent Cobalt Green Hookers Green
(Blue Shade) Hue (Yellow Shade) Green Light Hue
S.5 H F S.5 H F O S.5 H F O S.5 H F S.4 H F S.5 H S.5 H
Jenkins Green Sap Green Terre Verte Chromium Oxide Chromium Oxide Cobalt Titanate Light Green
Hue Hue Green Dark Green Green (Blue Shade)
S.5 H F O S.5 H F O S.5 H S.3 H S.3 H F O S.3 H S.6 H
Light Green Green Gold Titan Buff Naples Yellow Yellow Ochre Yellow Oxide Transparent
(Yellow Shade) Hue Yellow Iron Oxide
S.6 H S.6 H F O S.5 H F O S.5 H F O S.5 H F O S.5 H F S.5 H F
Raw Sienna Mars Yellow Transparent Red Oxide Violet Oxide Burnt Sienna Transparent
Red Iron Oxide Brown Iron Oxide
S.5 H F O S.1 H S.5 H F O S.1 H F O S.1 H F S.1 H F O S.5 H
Burnt Umber Burnt Umber Raw Umber Vandyke Brown Carbon Black Mars Black Bone Black
Light Hue
S.1 H F S.1 H O S.1 H F O S.5 H F O S.5 H F O S.5 H S.5 H F O
Neutral Grey Neutral Grey Neutral Grey Neutral Grey Neutral Grey Neutral Grey Neutral Grey
(N2) (N3) (N4) (N5) (N6) (N7) (N8)
S.1 H S.1 H S.1 H S.1 H S.1 H S.1 H S.1 H
Heavy Body Acrylic Colours
.. 145 Colors; Largest range available
Each Heavy Body color is formulated differently depending on the nature of the pigment. Colors that tolerate higher
pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading
dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents,
therefore the gloss of each color will be different.
Golden decided not to add the flattening agents typically added to acrylic paints to unify the product's finish. Each pig-
ment is made to its own level of matte or gloss depending upon its own unique nature. Golden also decided not to add
opacifiers to the colors (use of opacifiers is critical for coverage of house paints, yet it is also the reason that house colors
tend to be quite subdued compared to professional artist colors). These decisions allowed the colors to retain their clearest
and cleanest quality, especially when used in washes or glazes. It is always possible to add matting agents and other
whitening materials to the product, but once added, it is impossible to take them away. The HB line of acrylics contains no
additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments.
All Heavy Body acrylic tubes and tubs have hand-painted packaging. Actual hand-painted swatches on product packaging
show artists the true visual qualities of the Golden paint including color brilliance, level of transparency or opacity and
degree of surface reflectance: gloss, satin or matte
It is quite evident when looking at the handpainted color chart that colors in the HB line do differ in gloss. For example,
the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or
Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the
same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors.
Without the need for opacifiers Golden can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different
in their ability to cover and in their clarity when mixing.