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Collective Behaviour:: 1. Spontaneous and Episodic
Collective Behaviour:: 1. Spontaneous and Episodic
The kinds of activities engaged in by sizable but loosely organized groups of people is called
collective behaviour. Episodes of collective behaviour tend to be quite unplanned, which may
be resulted from an experience shared by the members of the group that generates a sense of
common interest and identity. The familiarity of the group’s structure is the main source of the
frequent impulsiveness of collective behaviour.
2. Unstable:
It tends to be short-lived as long as the center of attraction exists. It has no stable goals, values
and expectations like institutionalized behaviour.
3. Unstructured:
It has not set rules or procedures to follow like a regular and routine behaviour. Generally, it is
loosely structured.
4. Unpredictable:
The direction and outcome of such behaviour cannot be foretold.
5. Irrational:
Usually such behaviour is guided by unreasoning, beliefs, hopes, fears and hatreds. In such
situations, decisions are not generally made on the basis of logical or rational discussion.
6. Emotional:
Sometimes such behaviour is emotional and based on considerable personal interaction.
7. Non-traditional:
It is non-traditional in the sense that it is not clearly defined according to any culturally
established norms and values. In such situations, conventional guidelines and formal authority
fail to afford any direction for social action.
Crowd Behaviour:
Definition:
The actions or conduct of a group of people who gather together temporarily while their
attention is focused on the same object or event. Such behavior may differ depending on the
nature of the crowd. For example, an audience tends to be relatively passive (smiling, laughing,
applauding), whereas a street or milling crowd normally moves without apparent aim and a
mob may act violently.
2. Conventional Crowd:
A conventional crowd is a collection of people who gather for a particular purpose. They might
be attending a movie, a play, a concert, or a lecture. Goode (1992) again thinks that
conventional crowds do not really act out collective behavior; as their name advocates, their
behavior is very conventional and thus relatively structured.
3. Expressive Crowd:
An expressive crowd is a collection of people who gather mainly to be excited and to express
one or more emotions. Examples include a religious revival, a political rally for a contender, and
events like Mardi Gras. Goode (1992, p. 23) points out that the main purpose of expressive
crowds is belonging to the crowd itself. Crowd activity for its members is an end in itself, not
just a means. In conventional crowds, the audience wants to watch the movie or hear the
lecture; being part of the audience is secondary or unrelated. In expressive crowds, the
audience also wants to be a member of the crowd, and participate in crowd behavior—to
scream, shout, cheer, clap, and stomp their feet.
4. Acting Crowd:
As its name implies, an acting crowd goes one important step away from an expressive crowd
by behaving in violent or other destructive behavior such as looting. A mob—an intensely
emotional crowd that commits or is ready to commit violent behavior—is a primary example of
an acting crowd. Many films and novels about the Wild West in U.S. history depict mobs
lynching cattle and horse rustlers without giving them the benefit of a trial. Beginning after the
Reconstruction period following the Civil War, lynch mobs in the South and elsewhere hanged
or otherwise murdered several thousand people, most of them African Americans, in what
would now be regarded as hate crimes.
5. Protest Crowd:
As recognized by Clark McPhail and Ronald T. Wohlstein (1983), a fifth type of crowd is the
protest crowd. As its name again implies, a protest crowd is a collection of people who gather
to protest a political, social, cultural, or economic issue. The gatherings of people who
participate in a sit-in, demonstration, march, or rally are all examples of protest crowds.
Audience:
Audience is defined as an individual's or a group of persons' reception and perception of a
culture product and products of communicative actions. Audience refers to a group of
individuals attending to a common media. Audience receive communication from the same
source but are not active participants and do not communicate with each other. Audience
Segmentation can drive speedier product development, and the decisions are made safer.
Audience and audience studies are used to draw attention to the methods used by media
corporations to develop audiences of readers, listeners and viewers with the objective of selling
access to this audience to advertisers. Audience studies is about culture effects. Audience
theory developed within academic literary theory and cultural studies
Mob:
By definition, mob is a disorderly, emotionally indicted crowd whose members engage in, or are
ready to engage in, violence against a specific target—a person, a category of people, or
physical property. Whereas the term crowd Opens in new window is often seen as impartial,
the term mob often has negative connotations. The word mob comes from the Latin term
mobile vulgus, which means “excitable crowd” (Drury 2002).
The hallmark of the mob is its emotion (Lofland, 1981). Early accounts of mobs argued that
individuals in mobs were so overwhelmed by their emotions that they could no longer control
their actions. Unless the situation is scattered, the mob becomes volatile, unpredictable, and
capable of violent action.
Riots:
A riot is a relatively spontaneous eruption of violence by a large group of people. The term riot
sounds very negative, and some scholars have used terms like urban revolt or urban uprising to
refer to the riots that many U.S. cities endured during the 1960s. However, most collective
behavior scholars continue to use the term riot without necessarily implying anything bad or
good about this form of collective behavior, and we use riot here in that same spirit.
Terminology nonetheless, riots have been part of American history since the colonial period,
when colonists often rioted regarding “taxation without representation” and other issues
(Rubenstein, 1970). Between 75 and 100 such riots are estimated to have occurred between
1641 and 1759. Once war broke out with England, several dozen more riots occurred as part of
the colonists’ use of violence in the American Revolution. Riots continued after the new nation
began, as farmers facing debts often rioted against state militia. The famous Shays’s Rebellion,
discussed in many U.S. history books, began with a riot of hundreds of people in Springfield,
Massachusetts.
Propaganda:
Propaganda is the more or less methodical effort to manipulate other people’s beliefs,
attitudes, or actions by means of symbols (words, gestures, banners, monuments, music,
clothing, insignia, hairstyles, designs on coins and postage stamps, and so forth). Slowness and
a relatively heavy emphasis on handling distinguish propaganda from casual conversation or the
free and easy discussion of ideas. Propagandists have a specified goal or set of goals. To achieve
these, they deliberately select facts, arguments, and displays of symbols and present them in
ways they think will have the most influence. To maximize effect, they may omit or distort
pertinent facts or simply lie, and they may try to divert the attention of the reactors (the people
they are trying to sway) from everything but their own propaganda.
Techniques of Propaganda:
Though propaganda techniques can be utilised by bad actors on the world stage, these same
concepts can be utilized by individuals in their interactive relationships. Regardless of how
propaganda is employed, these common techniques are used to manipulate others to act or
respond in the way that the propagandist desires.
1. Bandwagon:
The desire to fit in with peers has long been recognized as a powerful force in society.
Propagandists can exploit this yearning by using the bandwagon technique to appeal to the
public. This common propaganda technique is used to convince the public to think, speak, or
act in a particular way simply because others are. The public is invited to “jump on the
bandwagon” and not be left behind or left out as the rest of society engages in what they
perceive to be correct behavior.
2. Snob Appeal:
In an attempt to appeal to the general public’s desire to belong to society’s high class,
propagandists can use snob appeal as a selling technique. This technique involves encouraging
the public to behave in ways that are agreeable to the propagandists and serve their purposes.
In order for this technique to be successful, propagandists have to first position themselves as
having a product, idea or opinion that is worthy of elite status. Many publicists in charge of
public relations for companies employ a similar technique as a way to sustain the perception
that the business creates and sells high-quality goods.
3. Vague Terms:
Propagandists sometimes achieve their goal of waving public opinion simply by using empty
words. When employing this technique, propagandists will deliberately use vague terms meant
to entice. Examination of the terms, however, can reveal that they offer no real definition or
commitment to meaning. The goal of this type of propaganda can be to offer generalities that
incite audiences to expend their energy on interpretation rather than critiquing.
4. Loaded Words:
Words have power when it comes to public relations, and it’s no surprise that many
propagandists use a technique involving loaded words to sway public opinion. When
attempting to convince the public to act, propagandists may use excessively positive words or
those with acceptable associations. If the goal is to hinder action, propagandists can select
words that are highly negative to communicate with the public such as those that inspire fear,
anger, or doubt. A simple and effective means of loaded words usage is the act of name-calling,
which many political groups have used to disparage opposition, quell dissent. and scapegoat
groups of people.
5. Transfer:
Propagandists may attempt to join two unrelated concepts or items in an effort to push what
they’re selling to the public. With the technique of transfer, propagandists conjure up either
positive or negative images, connect them to an unrelated concept or item, and try to move the
public to act. Commonly, propagandists can associate the glory or virtue of a historical event
with their product or the action that they want the public to take. Conversely, transfer can also
be employed as a means to encourage the public to not take an action, lest they suffer a
disagreeable fate.
6. Unreliable Testimonial:
Propaganda can pivot on the ability of an unrelated person to successfully sell an idea, opinion,
product, or action. In modern day advertising, companies may enlist celebrities to help sell their
products as part of their public relations efforts. Oftentimes, these celebrities don’t have any
personal experience with the products or background with the science applied to create them,
but their testimonial can increase sales simply because they provide a recognizable and
sometimes trustworthy face to the public. Viewers of this type of propaganda put their faith in
the endorsement rather than judging the product, idea, or company on its own merits.
References:
http://sociologyindex.com/audience_and_audience_studies.htm. (n.d.).
https://dictionary.apa.org/crowd-behavior. (n.d.).
https://gspm.online.gwu.edu/blog/public-relations-and-propaganda-techniques/. (n.d.).
https://ifioque.com/social-psychology/mob. (n.d.).
https://pressbooks.howardcc.edu/soci101/chapter/21-1-types-of-collective-behavior/. (n.d.).
https://www.britannica.com/science/collective-behaviour. (n.d.).
https://www.yourarticlelibrary.com/sociology/collective-behavior/7-essential-characteristics-of-crowd-
behaviour/31284. (n.d.).
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