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  • The Infant Paganini by Edward Mollenhauer

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    Márton Leveles
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    The document is a musical score titled "The Infant Paganini Fantasia". It contains musical notation for violin and piano, including measures, time signatures, key signatures, dynamics, and other musical markings. The piece consists of multiple sections that alternate between the violin and piano parts and vary in tempo, including an opening Andante section and an Allegro section marked by triplet rhythms.

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    The Infant Paganini by Edward Mollenhauer - Copy

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    The document is a musical score titled "The Infant Paganini Fantasia". It contains musical notation for violin and piano, including measures, time signatures, key signatures, dynamics, and other musical markings. The piece consists of multiple sections that alternate between the violin and piano parts and vary in tempo, including an opening Andante section and an Allegro section marked by triplet rhythms.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    28 views5 pages

    The Infant Paganini by Edward Mollenhauer

    Uploaded by

    Márton Leveles
    The document is a musical score titled "The Infant Paganini Fantasia". It contains musical notation for violin and piano, including measures, time signatures, key signatures, dynamics, and other musical markings. The piece consists of multiple sections that alternate between the violin and piano parts and vary in tempo, including an opening Andante section and an Allegro section marked by triplet rhythms.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 5

    The

    Infant Paganini
    Fantasia
    Edward Mollenhauer

         
                          
    Andante

     
    2 1 2 1
    0 4 0 0

                   
    Violin

                                 


    

       
                    
               
    Piano 

      
                    
       
    0
    12 4
    2 0 2


    0

       
                       
          
                      

       
                

     
    0 0
    20 4 4 4
    0 2 1 1 2 0
    4

     
    2 0

           
                             


         
              
      
        
     
     
    0 0
    29


    0 1

           
          
    2

        
     
         
      
    
    Allegro 3  
                 
                     
      
    33

            
          

     

     

           
             

                         


                   

      
                                 
            
         
    37 1
    2

     
    0

                       
                             
                
                                          
             


             
          
        
        
    3

            
    0 3

      
    42

     
    4

      
    4

             
      
    0 2


    1

         
    4

       
                     
                 
      
     

    2
                
      
     
     
     
     
     
     
     
     
     
     
     

    46

           
         
        
    1 1 2 1

     
    1

     
      

     

    

    

    

    

     

           
                                
     
    + left hand pizzicato
    49

                              

        
                        
                   

                        
                
           
    3 3


    52

         
              
          
    0 4 1 2 1

      
               
        

                            
            
            
    55

          
            

         
    1 1 2 1 1

      
      

    

    

    

    

        

    3
                                           
       
        
    58


    1

                    
          
      
                
        

      
                          
    Allegro

                
    61 3

          
           

     

     

          
            
                         
       
     

             
      

                                 
         
         
    65 1
    2

     
    0

                    
                         
      
         

          
                                    
        

        

            
         
    0

              
    70

     
    0

           
    4

       
                          
      
                
                       
                          

     rit.

        

    4
                           

      
    76 Andante 1
    2 2

                        
                               
    

        

                      
               
    

       
                       

    0 0 0 0
    87
    1 2

    
                                      
       
       
                 
               

         
           
       
    0 0 0
    98 2

             


               
    0

     
         
           
      
    violinworker 06/2019

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