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Exploration of The Applications of Trigonometric Functions in The World of Music
Exploration of The Applications of Trigonometric Functions in The World of Music
Contents
Introduction...........................................................................................................................................2
Theory...................................................................................................................................................2
Analysis.................................................................................................................................................3
Evaluation..............................................................................................................................................8
Bibliography..........................................................................................................................................9
Introduction
The simplest model of a musical sound is a sine wave. The formula for a basic
trigonometric equation for sine wave, which can also be called as sinusoidal wave, is
presented as:
In this equation, ‘a’ represents the amplitude, ‘b’ represents the period of the function, ‘c’
represents the phase shift, and ‘d’ represents the vertical shift of the graph. In the
trigonometric equation, the amplitude is the maximum height of the graph that is reached
from the x-axis. The period is the distance along the x-axis that is needed for the function to
make one full oscillation. The Figure 1 shown below represents a basic sine graph:
y=sin(x)
There are four properties of sound that we must be aware of before constructing a
sound wave, which are frequency, amplitude, duration, and timbre. In the world of music,
frequency is represented as pitch, amplitude as dynamics, duration as tempo or rhythm, and
timbre as the tone color. Frequency refers to the number of cycles per second of the sound
wave. It is measured in Hertz (Hz), where 1 Hz equals one cycle per period. The musical term
for a frequency is pitch. The higher the frequency, the higher the pitch. The lower the
frequency, the lower the pitch. For the case of a piano, the fundamental frequencies for the
notes on a piano range from 27.5 Hz to 4186 Hz. The next thing that we must look out for is
the amplitude. The amplitude of a sound wave determines its dynamics, which shows how
loud or soft a sound is. The amplitude of a sound wave is shown by the height of the sound
wave. The lower the amplitude, the softer the sound. The higher the amplitude, the louder the
sound. The amplitude is measured in decibels. Decibels are a logarithmic, with a base 10,
ratio of the relative amplitude levels between two sounds. For each decibel change by 10
units, the sound intensity increases by powers of 10. As mentioned previously, musical term
for amplitude is dynamics. There are eight levels of loudness commonly used in music
notation with symbols (from loudest to softest): fff, ff, f, mf, mp, p, pp, ppp. Next property is
the tempo. The tempo determines how fast or slow a music is. Tempo in music is expressed
as the number of beats per minute (BPM). If you see M.M. <note value>=<number> at the
beginning of a piece of music, the number indicates the number of beats per second, and the
note value indicates what type of note equals one beat. The last property is the timbre. Timbre
refers to the tone color of a sound. It is what makes a piano sound different from other
instruments. The sounds with different timbres would have different waves shapes.
Analysis
The diagram above shows a sound wave of a piano from chord A (do you want to use
the word chord or note? What is chord and what is note). The music note “A” produces a sine
graph of y1=sin(880πx), according to the findings from the University of Minnesota. The
sound wave of a different A note (how did you get it? What is different note A?) could be
1
modeled as y2=sin [880π ( x + ¿ ¿. (How do you get this? Why do you need this?)
440
When these two notes are played at the same time (the function will look like: put a diagram.
From the figure 2, it looks like the waves are added together. In math, the addition of sine
graph can be formulated …), two of the sound waves should be added together using the
formula:
This equation is used to see the sound wave that is produced when two different notes
of A is played:
[ (
y1+y2¿ sin ( 880 πx ) +sin 880 π x +
1
440 )]
y1+y2= sin ( 880 πx ) +sin (880 πx+2 π )
1
Since the period of the sine wave is found using the formula: period=b ∙ , the period
4
for the sound wave produced by the chord A would be:
1
period=880 ∙
4
period=440
Therefore, the working above shows that this sound wave of the chord A would
complete 440 cycles every 1 second.
If you want to find out the equation for the sound wave for the chord A with a higher
note, we can double the frequency:
period=440 ∙ 2
period=880
Therefore, this shows that the sound wave for an octave higher chord A will complete
880 cycles every 1 second. As a result, the period of this sound wave will be reduced to half
compared to the original sound wave of the chord A. This is true for higher notes because
higher pitched sounds will have higher frequencies. This is due to the shorter wavelength,
causing the frequencies to increase.
The guitar string rests on the nuts and the bridge of the instrument, defining boundary
conditions, and providing length L for open strings. The length L and reality are the scale
length of the guitar, which differs in physical length, depending on the model of your guitar:
Les Paul’s have a shorter scale length and Stratocasters that has a shorter scale length than
bass guitars. However, I will be using the generic length L because it applies regardless of the
specific string length, which means you can also apply all of this to any fretted note. We the
string is stroked; it begins to vibrate and sets up standing waves on the string, but it can only
vibrate, and a few very specific ways as defined by our boundary conditions. Both of the knot
and bridge form fixed node points on the string not as places where no movement of the
string can occur. Therefore, the only waves that can manifest themselves on the string are
ones that match up to these fixed nodes.
The wavelength of each harmonic on a guitar could be calculated using the following
equation:
2L
λn=
n
In this equation, ‘n’ represents the number of the harmonic we wish to calculate. From
there it is easy to work out the frequency of each harmonic:
V
fn=
λn
In the equation of the frequency of harmonic above, V represents the speed of the
wave. Note that this is not the speed of sound in air but the speed of the wave propagation in
the string, which is derived from the tension and mass per unit length of the string.
V
fn=
2L
n
n
fn=V ∙
2L
vn
fn=
2L
If we assume that the string tension remains constant, not banding strings, diving the
Wiley bar, or applying vibrato of any kind, then ‘V’ should also remain constant. In fact, so
does everything else end the equation. Therefore, if we only change ‘n’, which is the order of
the harmonic, then frequency must be a function of ‘n’. This is shown by the equation:
V
=K
2L
fn=1¿ 100 Hz
fn=2¿ 2 ∙100 Hz
fn=2¿ 200 Hz
This will be followed by: fn=3¿ 300 Hz , and so on. Therefore, the frequency of the nth
harmonic would be:
fn=nf1
The frequency is measured in wave cycles per second and has units of Hz, which is
short for Hertz. The middle note A in guitar has a frequency of 440Hz. Setting the
fundamental frequency to 100Hz: fn=1¿ 110 Hz , the middle note A will be the 4 th harmonic in
the guitar. Also, by setting the length of the string of the guitar to be 1 m, we can calculate
the wavelength of the harmonic:
λ 1=1m
λ1
λn=
n
1
λ 4= m
4
According to the reaction above, the wavelength for the 4 th harmonic, which is the
1
middle note A, will be m.
4
Evaluation
On the other hand, it was interesting to visualize the notes in musical instruments,
including piano and guitar, which were the musical instruments that I had the most time
enjoying playing. It was also interesting to find out that the world of music also had a
connection between physics, since the sine waves were found by a combination of
mathematical methods and the concepts in physics.
Bibliography