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Speech and Stage Arts - Module 1
Speech and Stage Arts - Module 1
Speech and Stage Arts - Module 1
LEARNING OBJECTIVES:
1. Identify basic communication concepts and principles
2. Imbibe the purpose of communication through slogan synthesis
3. Demonstrate understanding of basic communication concepts and principles in speech preparation
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SPEECH AND STAGE ARTS
Channels (verbal, nonverbal, etc.) - the specific mechanism (“pipeline”) used to
transmit the message
Environment (part of context) - that which surrounds and provides a basis for the
meaning of a message:
Physical(surroundings)
Temporal (point in time)
Relational (the existing relationship between communicators - friends, stra
ngers, etc.)
Cultural (language and behaviour community the communicator(s) come from)
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SPEECH AND STAGE ARTS
The beginning of the communication process involves the sender creating an idea th
at they plan to send to another person or group of people. Essentially, they're pl
anning the overall subject matter or information they want to transmit.
Once the sender develops an idea, they translate it into a form that can be transm
itted to someone else. This means they transform the thoughts of the information t
hey want to send into a certain format. For example, if you are writing a letter,
you'll translate your idea into words. The message can also be nonverbal, oral or
symbolic.
Next, the sender decides how the message will be sent. This involves selecting the
most suitable medium for the message they're relaying. Some communication mediums
include speaking, writing, electronic transmission or nonverbal communication. If
you're communicating at work, make sure to select the proper and most professional
channel of communication.
After the medium is chosen, the message then begins the process of transmission. T
he exact process of this will depend on the selected medium. In order for the mess
age to be properly sent, the sender should have selected the appropriate medium.
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SPEECH AND STAGE ARTS
Next, the message is received by the recipient. This step in the communication pro
cess is done by hearing the message, seeing it, feeling it or another form of rece
ption.
The receiver then decodes the sender's message. In other words, they interpret it
and convert it into a thought. After they've done this, they analyze the message a
nd attempt to understand it. The communication process is performed effectively wh
en the sender and receiver have the same meaning for the transmitted message.
Lastly, unless it's a one-way communication, the receiver will provide feedback in
the form of a reply to the original sender of the message. Feedback provides the r
ecipient with the ability to ensure the sender that their message was properly rec
eived and interpreted. Between two people, this is two-way communication.
Here are some tips to consider to improve your communication skills and the commun
ication process overall:
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SPEECH AND STAGE ARTS
Consider your body language: If you're communicating through a different med
ium, it's important to be mindful of your body language. In addition, be awa
re of the body language of the person you're communicating with, as well.
Maintain eye contact: It's also important to make contact with the person or
group you're communicating with. This will show that you're actively listeni
ng to who you're communicating with.
Clarify your message if needed: If the recipient of your message is unclear
about what you're trying to say, it's important to clarify your message. Thi
s will help them to better understand you.
Types of Communication
We communicate with one another on many different levels. Because we do not have d
irect access to the thoughts and feelings of other people, we must rely on communi
cation to convey messages to one another. There is more to communication than simp
ly using language to speak to one another. Communication exists on a number of lev
els and in variety of forms.
1. Verbal Communication
Verbal communication refers to the use of symbols in the form of spoken words to t
ransmit messages. Verbal communication is complicated by the fact that language is
arbitrary, meaning that words change over time; ambiguous, meaning that many words
lack clear-cut meanings; and abstract, meaning that words are not the phenomena to
which they refer. Thus, miscommunication occurs when the meaning we attach to a wo
rd changes with time, when a word lacks a clear-cut, precise meaning or when words
are used that are too general. For example, the word "love" is a very imprecise te
rm; one person's definition of love may differ substantially from another person's.
2. Nonverbal Communication
Nonverbal communication refers to the use of symbols other than words to transmit
messages. It includes gestures, body language, how we utter words, aspects of our
environment that influence meaning and objects such as jewelry, furniture and clot
hing that send people messages about ourselves. Research suggests that nonverbal c
ommunication constitutes anywhere between 65 and 93 percent of all human communica
tion. Just like words, nonverbal symbols are ambiguous. What is a polite gesture t
o one person may be considered rude by another person. Certain forms of nonverbal
communication may also have different meanings in different cultures. For example,
direct eye contact is appropriate in U.S. society but considered disrespectful in
many Asian countries.
3. Intrapersonal Communication
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4. Interpersonal Communication
5. Public Communication
6. Mass Communication
Mass communication refers to any type of media that is used to communicate with ma
ss audiences. Examples of mass media include books, television, radios, films, com
puter technologies, magazines and newspapers. Although mass communication does inc
lude certain computer technologies, it does not include technologies like email th
at are used to communicate one-on-one with someone. Mass communication is responsi
ble for giving us views of events, issues and people from cultures that differ fro
m ours. It enables us to learn what is going on in distant places in the world and
lets us learn the viewpoints of people and cultures with whom we do not have direc
t contact.
Levels of Communication
1. Verbal Level
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Although this is perhaps the most apparent level of human communication, people ca
n spend a lifetime trying to master it.
There are multiple definitions for most words, and few of us hold the exact same m
eaning for each word.
Different words evoke different images, memories, and meaning for different people.
To communicate effectively on the verbal level, select the “right” words and us
age for the context of the conversation (including moral, religious, ethnic and r
eligious differences). Be clear and concise. When possible, formulate your though
ts to avoid rambling. This is an art in itself.
Visual cues like eye contact, gestures, movements, stances, breathing, posture, an
d facial expressions influence how we feel and communicate.
When used with integrity, techniques like “matching and mirroring” people’s pos
ture and gestures (and certain words too) can increase their receptivity of your m
essage.
The sound of our voice, including the tone, range, volume, and speed affects how o
ur messages are received and interpreted by others.
For example, fast talkers will find it beneficial to slow their speech when speaki
ng to a thoughtful, introverted person or risk being unheard.
Also, how we enunciate, inflect, and place emphasis on certain words affects how o
thers interpret the meaning of what we say.
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SPEECH AND STAGE ARTS
4.Emotional Level of Communication
Few people appreciate how our emotional states affect what we communicate and how
the message is interpreted by the recipient.
Are you more receptive to someone who is positive and life-affirming or one who is
negative and critical? Enthusiastic or boring?
The speaker’s emotions put the recipient in a particular state of mind and influe
nce how the listener interprets what is said.
Also called the psychic level, this level of communication encompasses a vast rang
e of unseen factors including a person’s level of consciousness, the frequency or
harmonics of the message, and other subtle energies.
Communication Models
Aristotle Model of Communication
Aristotle was the first to take an initiative and design the communication model
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SPEECH AND STAGE ARTS
In this model, the speaker plays a key role in communication. He is the one who takes complete
charge of the communication. The sender first prepares a content which he does by carefully putting
his thoughts in words with an objective of influencing the listeners or the recipients, who would then
respond in the sender’s desired way. No points in guessing that the content has to be very impressive
in this model for the audience or the receivers to get convinced. The model says that the speaker
communicates in such a way that the listeners get influenced and responds accordingly.
Scenario:
One will definitely purchase the mobile handset from that store where the sales man gives an
impressive demo of the mobile. It depends on the sales man what to speak and how to speak in a
manner to influence the listeners so that they respond to him in a way he actually wants i.e., purchase
the handset and increase his billing.
BERLO’s Model of Communication
Berlo’s model of communication takes into account the emotional aspect of the message. Berlo’s
model of communication operates on the SMCR model. In the SMCR model
S - Stands for Source
M – Message
C – Channel
R – Receiver
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SPEECH AND STAGE ARTS
S – Source
The source in other words also called the sender is the one from whom the thought
originates. He is the one who transfers the information to the receiver after carefully
putting his thoughts into words.
Content- Content is actually the matter or the script of the conversation. It is in simpler words,
the backbone of any communication.
Element- The speech must be coupled with lots of hand movements, gestures, postures,
facial expressions, body movements to capture the attention of the listeners and
make the speech impressive.
Treatment- Treatment is actually the way one treats his message and is conveys to the
listeners. One must understand how to present his message so that the message
is conveyed in the most accurate form.
Structure- A message cannot be expressed in one go. It has to be properly
structured in order to convey the message in the most desired form.
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SPEECH AND STAGE ARTS
Code- Your body movements, your language, your expressions, your gestures are actually the
codes of the message and have to be accurate otherwise the message gets distorted and the
recipient will never be able to decode the correct information
C – Channel
All the five senses are the channels which help human beings to communicate with each other.
R – Receiver
When the message reaches the receiver, he tries to understand what the listener actually wants to
convey and then responds accordingly. This is also called as decoding. The receiver should be on the
same platform as the speaker for smooth flow of information and better understanding of the message.
He should possess good communication skills to understand what the speaker is trying to convey. He
should have the right attitude to understand the message in a positive way. His knowledge should also
be at part with the listener and must know about the subject. He should also be from the same social
and cultural background just like the speaker.
Shannon and Weaver model simply proposes that a message actually originates from the person who
gets the thought or has the information. The sender is also called the Source of information or the
Information Source. The information then gets transmitted from the brain to the mouth and comes out
as a signal which then reaches the recipient after joining hands with several noises and other
disturbances. The recipient then further passes on the message to its final destination or other minds
of other individuals.
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SPEECH AND STAGE ARTS
Scenario:
Peter is working as Vice president - Marketing with a reputed multinational firm. He is currently
heading Mike who in turn is taking care of a small team. Peter wanted Mike to prepare an exhaustive
report on marketing strategies which can be employed to achieve the goals of the organization. He
also wanted a detailed study on the competitor’s activity by end of the day. While he was speaking,
the company peon interrupted to take the lunch order. Finally, when Mike got the complete
information, he in turn delegated the responsibility to his team members. He tried his level best to
convey what Peter actually expected his team to prepare. At the end of the day, the team did prepare
the report and submitted to Peter but there were few errors which they rectified later on.
This model takes a classic approach to explain the flow of communication. It sugge
sts that communication is a two-way path with the message continually passing betw
een the sender and receiver.
The basis for this model is that the message should be understood between the send
er and receiver. For example, an art professor will not be able to explain past pa
rticiple tense to a group of second standard students.
One part of this model states that the message passes from the sender to the recei
ver, but similarly, when the receiver sends a message back to the sender, then rol
e reversal takes place. The sender becomes the receiver and vice versa.
This model states that two elements are required to send a message that is the sen
der and the receiver, and both of them have to encode and decode the message. This
is crucial for the effectiveness and correct interpretation of the message.
Usually, when information reaches the recipient, he aims to comprehend what the se
nder is trying to convey. If the receiver cannot comprehend or decode the message
sent by the sender, then the entire process of communication is of no use.
Therefore decoding and encoding should be considered as two crucial parameters for
effective communication.
The model emphasizes that communication is not complete until the sender gets feed
back from the receiver. The earlier model of communications used to end when the i
nformation was sent to the receiver.
They followed a unidirectional flow of communication. On the other hand, this mode
l is based on the bidirectional flow of communication in which the sender and rece
iver interchange their roles. Schramm was a firm believer that communication is a
two-way process.
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SPEECH AND STAGE ARTS
Scenario:
You haven't talked to your best friend in a while so you decide to call her on yo
ur drive home from work. You take turns updating each other on your weekend, what
you have planned for the summer, and how members of your respective families are d
oing. When you hang up, you promise to chat again soon. Without knowing it, you've
engaged in a two-way system of communication popularized as the Osgood-Schramm mod
el.
What is Helix?
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SPEECH AND STAGE ARTS
A Helix is nothing but a smooth curve just like a spring which if goes upwards also comes
downwards. The Helical model of communication was designed by Frank Dance keeping the simple
Helix in mind.
According to the Helical model of communication, the process of communication evolves from the
very birth of an individual and continues till the existing moment. All living entities start
communicating from the very first day of their origin. When seeds are planted, they convey the
message to the gardener that they need to be watered daily and should be treated well with fertilizers
and manure. When a plant emerges from the seed it also starts communicating its need for water,
sunlight, manure and fertilizers, thus supporting the Helical model of communication. The same also
applies for animals, birds, fishes and all living creatures.
Scenario 1:
The way the child is communicating to his parents that he is alive,absolutely hale and hearty and
ready to face the challenges of the world. As the child grows up, he cries whenever he is
hungry or expects something from his parents and sometimes simply for his parent’s
attention. It is again a child’s own way of conveying his message to the whole world.
When the same child grows up and starts going to school, he soon interacts with his parents, teachers,
friends in the form of words. Now crying actually gets replaced by words or his speech but one thing
which is common is the process of communication which existed since the child’s birth
Scenario 2:
An individual in his elementary classes learns to pronounce a particular word or react to a
particular situation. It has been observed that even though the child grows up, he continues to
pronounce that particular word in the same way as he did during his growing up days or for that
matter, if the same situation arises again he would under all circumstances react in the same way as he
did in the past. The fear of the child when suddenly the light goes off at night resulting in a complete
blackout is present in his younger days as well as when he grows up.
Child (Day 1) communication evolves
Communication continues
The above example again makes the Helical model of communication clear.According to
the Helical model as the process of communication moves forward it also comes back and is largely
dependant on the past behaviour of the individual. The model believes that communication process is
just like a helix which moves forward as well as comes backward and is dependent on the behaviour
patterns of the past definitely with some modifications and changes. As the child grows up, he does
make slight changes in his past body movements or past pronunciation or facial expressions. He
makes certain changes, modifications in his communication and tries to get rid of the communication
errors. An individual will definitely get less nervous in his teenage days as compared to his childhood
days, thus a slight change in his behaviour.
The Helical model of communication understands communication in a broader perspective
and considers almost all the activities of an individual from day one to till date.It accumulates all the
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activities occurring in the complete span of an individual that affects the process of communication,
which in turn goes forward and also depends on the past activities.
CONNECTING ACTIVITY
Key to Understanding
Direction: After studying each communication model, students will fill in the table below
with the key concepts they have learned during the discussion.
ASSESSMENT TASK
QUIZ thru google form
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SPEECH AND STAGE ARTS
Diaz, Rafaela H. (2005). Speech and oral communication. Philippines: National Book Store
https://www.managementstudyguide.com/communication-models.htm
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