Professional Documents
Culture Documents
Contemporary Art: Pin On Woven Fabric of The Philippines
Contemporary Art: Pin On Woven Fabric of The Philippines
for him to be allowed to marry her. The two got married on July 4, 1946, and had six children.
Salinta Monon had to manage the farm after her husband died in the 1970s.
Cultural histories from which the artist/s derive ideas and inspiration to create the artwork
At a young age, she was already exposed to weaving as her mother was also a weaver. She used
to watch her mother weave ikat, a traditional abaca fabric, and at the age of 12, she learned how
Loom
Warp
Abaca
Sharp
Scissors
Shuttles
Shed Sticks
Tapestry Needle
Fabric
legacy and indigenous skills and techniques in abaca weaving to the younger generation through
the School of Living Tradition in Brgy. Bitaug, Bansalan, Davao del Sur.
Purpose of the Artwork and Importance of such Artwork:
The art of weaving is a profound metaphor for understanding the workings of the universe and
our place in it. Through the physical process of weaving, we gain a better understanding of this
world and how we as human beings are woven into it. We are bound to our bodies with the
fragile threads of earth. It represents our culture, indigenous and native life that w inherit that
Sources:
https://bansalan.gov.ph/a-weave-to-honor-the-life-of-salinta-monon/
Shahani, Lili Ramos (28 August 2014). "Weaving dreams". GMA News. Retrieved 25 October
2017.
"Official Calendar". Official Gazette of the Republic of the Philippines. Retrieved 23 October
2017.
Tacio, Henrylito (4 October 2014). "The last Bagobo weaver remembered". Edge Davao.
Tobias, Maricris Jan. "Salinta Monon". National Commission for Culture and the Arts. Archived
Gita-Carlos, Ruth Abbey (21 January 2021). "Duterte sets special year to honor textile weaver