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Natural Law and Human Rights by Pierre Manent (Review) Paul Seaton
Natural Law and Human Rights by Pierre Manent (Review) Paul Seaton
Paul Seaton
The Review of Metaphysics, Volume 74, Number 2 (Issue No. 294), December
2020, pp. 395-397 (Review)
life. Be that as it may, both sorts of readers, first-time and longtime, will
be intrigued by Manent’s critique of human rights as the prime or sole
criterion of political activity and, more positively, by the sketch he
provides of the elements and structure of practical reasoning, of which
natural law is an essential component.—Paul Seaton, St. Mary’s Seminary
& University
McCOY, Marina Berzins. Image and Argument in Plato’s Republic. Albany: State
University of New York Press, 2020. viii + 355 pp. Cloth, $95.00—This
major study of the Republic combines traditional and original approaches
to illuminate how the dialogue teaches, how it argues, and generally how
it philosophizes. The book covers the entirety of Plato’s Republic (with
emphasis on the earlier sections), finding throughout how Plato’s
characters reason by means of images and how Plato’s readers might do
the same.
An introduction and nine chapters develop the book’s themes and
apply its techniques. Chapter 1, really a methodological introduction,
revisits the old question: Given Plato’s critique of imagery and literary
devices, how should a reader respond to his image-laden writing? But
McCoy seeks to go beyond the standard responses to this question, which
confine Platonic “imagery” to passages formally framed as stories or
announced to be figurative. Myths and anecdotes alone will not do justice
to the way that image-thinking pervades this philosophizing. For McCoy,
image includes the paradigmatic case, the illustrative example, and the
analogy. These are implicated in the Republic’s thinking, too; so image-
thinking encompasses much more of the Republic than treatments of the
old question have assumed.
Images in poetry do stifle philosophizing. The difference in Platonic
imagery, according to McCoy, consists in its inspiring the reader to pursue
images actively and tangle with them in pursuit of philosophical
understanding, rather than to absorb them passively.
In book 1, the significant images are “paradigms” of justice that guide
the thinking of Socrates’ interlocutors. Socrates brings the interlocutors
to reexamine these imaginatively effective sets of assumptions, then
works with Glaucon and Adeimantus to go beyond such paradigmatic
images.
Another species of image guides the positive view that Socrates
develops in response to Glaucon and Adeimantus. The analogy between
city and soul, underappreciated as image and as example of how to think
with images, enmeshes the philosophical reader in meditation on the soul,
how it can be known, and how far a city might resemble a soul. McCoy
joins those interpreters who deny the literal tripartition of the soul in
order to highlight the way in which this analogical argument too amounts
to active image-thinking.