Ricmaap Roporss and Oscan Hamenstein 2nd in association with Letawe Havwaro and Jostua Logan present A Musical Play SOUTH PACIFIC Music by RICHARD RODGERS Lyrics by OSCAR HAMMERSTEIN 2nd Book by OSCAR HAMMERSTEIN 2nd and JOSHUA LOGAN ‘Adapted from JAMES A. MICHENER'S Politzer Prize-Winning “TALES OF THE SOUTH PACIFIC” Book snd Musical Number: Seaged by JOSHUA LOGAN Seany and Lighting by Jo Monezivan Cesrumes by Mover Marjeal Dinero Saxvarons Dats uota Orebevmations by Rosent Rustaut Bevwert VOCAL SCORE (Edited by Dr. Acsear Sinamay) PRICE Paper Bound 330 Cloth Bound. $1200First performance at the Majestic Theatre, New York April 7, 1949 SOUTH PACIFIC Cast of Characters NGANA.. JEROME. HENRY... ENSIGN NELLIE FORBUSH. EMILE ps BECQUE.... BLOODY MARY. BLOODY MARY'S ASS] ABNER. . an STEWPOT..... LUTHER BILLIS. PROFESSOR... LT. JOSEPH CABLE, U.S.M.C. CAPT, GEORGE BRACKETT, $ CMDR. WILLIAM HARBISON, U.S.N.... YEOMAN HERBERT QUALE. SGT. KENNETH JOHNSON. SEABEE RICHARD WEST... SEABEE MORTON WISE. SEAMAN TOM O’BRIEN....... RADIO OPERATOR BOB McCAFFREY MARINE CPL. HAMILTON STEEVES. STAFF SGT. THOMAS HASSINGER. SEAMAN JAMES HAYES....... LT. GENEVIEVE MARSHALL. . ENSIGN DINAH MURPHY... ENSIGN JANET MacGREGOR. ENSIGN CORA MacRAE....... ENSIGN SUE YAEGER.... ENSIGN LISA MINELLI. .. : ENSIGN CONNIE WALEWSKA. . ENSIGN PAMELA WHITMORE. . ENSIGN BESSIE NOONAN. Islanders, Sailors, Marines, Officers: 4 Barsaza Luna or { Micnazt pe Leow Nom pz Lrow ee Ricnaap Sirvena Many Martin Ezio Pinza Juanita Hate, Musa Wriztams ‘ARCHIE SAVAGE Hear Stare Myron McConsice Frep Sabor? Winttam Tasseat Matin Wouron -Hanver Srernans Atan Guusent Tnomas Gueason Drexnison Easrmaa Hever Mica oe. Bueh Doren «Birr McGuies Joe Hawtnonve Jack Fontan Bra Tien Jacquexive Fismaz Rosrw Lows Hazana Scmuscot -Brrta St. Jomn J cvsetvtesesDow Farzows Mary Aan Reeve, Chia Yu, Eugene Smith, Richard Loo, William Ferguson‘The action of the play takes place on two islands in the South Pacific dur- ing the recent war. There is a week's lapse of time between the wo acts.TABLE OF CONTENTS ACT I Ovanreas..... Oreetso “Drrm-Mot Mone Unpan Scave A Cocerran Orrnanst Tex Scan Comminem Twn Souroqurs Unsors Taovosr Leracoueriow To “Sous Ewemurres Evan” Sous Encnanrep Evewino 1 . Encona: “Sows Exemaxrm> EVENING" 20. ce. cso. Finaurrro—Scave [ se Busopr Maar : Teens ts Norman” Lie A Das, Mase arm Loorsiiane Baus Ha’ Cava Haans “Baer Ha't Cramer ov Semen (Company Sereet) Coneaser Sramer (Coatinuation) Tue Gonna Wasm Trar Maw Riowt Ours Mr Harn Naus's Encons: U'x Gora Wage Trar Mase Riomt Our-a Mr Hata Leraopverion To: "Soven Excrurrem Evanino” Reraust: "Soun Encnanre Evewina” Lwrxopucrion To: “I's in Love Wire s Wowoanret Ger” Tw tw Love Wire a Wonpearve Gur... : Excons: "I'a wy Love Wren 4 Wowpsnrut Gu Leraoouerion: Scawe 7 Gmus’ Razuuse or “Baur Hat Youxoxs Tran SrixoTiay Rameun: “Tuc 1 Love Wren 4 Woworsrt Gur" Tas ws How Ir Fen, . Ewtta's Ewcons of “I'M Goxtea Wate Tat Maw Riowt Ovr-a My Hat Fieaus Aer U ACT II Ewre’sct Omena Act I Exqtanes o” Liat Harve Tate. Iwcroeran (Arran “Haver Tau”) Howey Bux ao Cansrone Tavour You've Got To Be Iscrpaxrat Brivos.-- Ts Neanex Was Minens.-. 20 Arux Exats's Sovo Tax Taex Orr: Scena 5 Commmomicaion Esrastisaas Communication Dconmisuan. Ortaariow Atuouton. IsermenraL Feats Usruuo Ext Mowe : aretully Taughe,Overture Music by RICHARD RODGERS and Otear Hammerstein tots Sted ighe fora Countees of Wester Hemspere eons pyr a en ALE HIGHS REST ED oc ludiog puolie performance for profit Any artingement sr adapuation “of this composition without the esasent cf the owner tk am infringement of e=oyritttas fie Se ! aa = = Za SF. = =He ax — ..f3 fa7ma 4 ‘ns 7 i 7 INS wee EVE | SS!6 a ane 7 FeS TS EE |S SSVery broad ) fi a vy ai 13 No. 2 Opening Words by Music by: OSCAR HAMMERST! ni RICHARD RODGERS Sem; I 1 —— ew 1 ima [fok SP DA thatique i 2 oe = P ge $3 see ae TN@ casa et sno Ze cs Z { S = pour - qui —_ “Lo La wie est bel - le, Di-tes- mat est Di- tes - moi Chere ma - d’moi - ee poco rit [Osa m Eateue-quwparccesque sak = me? remMusic Under Scene Nellie and Emile) No.3 Cue NELLIE 9 snes desutifed dere Allegretto aN ud A Cockeyed Optimist Cue NELLIE: They att do vven ot the fleet hospital. Con anima ion Ser. em | Piano )| = 1 fers get evety cloud Ive ev-er seem they ) - = T have heard peo-ple rant and rave and That we're done and we might as well be dead2 poco rit © woe. ae Ts falling on ats “Pace And husent verey far to fll 4 + 5 But ev ‘ry whip-puor - will Ts sell = Sing me a Ss sr 4- > esses bill And telling me it just ain't q ay 4 I say life is just a bowl — + pear more in- “es £ ~___ z= tel-li-gent and smaFT—————— ut Tm stuck (like a dupe thing called hope, And19 (Dialogue) i IF . The Scene Continues No. 5 (Nellie and Emile) ue EMILE: Whee were gow Penning aieey from? Lento espressivo ate ———; ; ms SBLLIB: sm Poe ft oling vt a a WTmeteren EE snTwin Soliloquies Cae VELLIE few Muderato ® sewuie WindrhwLfecl Livirgon a hilkside, Looking an_o-ceany ly T dil aa fay ai pid vam} we ef oe a > cs 3 uve a ee ——e Beau-ti-fal and stiT—=——— This is what [ need, This is what Tve lorged fur, | 1 Sas , £ ae 7 ® veuuie =r ——S> Sa We are not a - like. ed Prob-a- bly 1 bure him. He's « culturedFrenchman, Int” a 1 iiy {4® Allegro 2 NPtue = Wonder why I feel Jit Peery afd jump-y! Tam like a school-girl, \l 7 eMILe 4 Poco rit tempo Waiting for a dance. Can Task her Sow? 1 *Ratike © school-boy! ‘cota voce Slowly What will be her an-swer? Do I 2s = & wttacea sutito22 No.7 Piano | Unspoken Thoughts Moderato wider dialogueIntroduction To a No.S e : ° Some Enchanted Evening we EMILE spread at nly Moderato _ n oe suet i ii a Piano i ° NELLIE: “Wes, wal” Some Enchanted Evening No. 9 Slowly with expression SSILE | Sume enechanteed eve -miEF= You may see a stran-ger,— — wy | —— Piano é \ —= 7 7 That some-where you'll see her Some en - chant - ed Some une may i} ati al al rs2 ——— will singin = Who can_ex- plain it Who cua tell yuu why? 2 (ot —_—— \ - tents ely ad logabs , | <_—Wise men Jd tre prege, multo kate ad i = Sume ens chant- ed eve» nin —~ When you find your true love, — When you feel her call you ai ottArd make hee your own, Or all through your ero v4 alte expr, = = z = S — 76 Once you have found her, Nev-er let her go. Once you have found her, = Mp‘ guiedimo EgoEncore: Some Enchanted Evening 23 No. 10 Slowly with expression Pita Some en-chant-ed eve _, Pipa fnd our toe love a Pom Piano = ———— “2 aesFinaletto - Scene I No. dt ue NASA Mus chats feu aust Allegretto NGaNa a:¢ JEROME ibis ten mul pour-qnd Piano 4 4 pour quoi Chere ma + tmot poco rit Est-ce-que —par-ce-que vous maitre? tT A utsceaBloody Mary de Allegro aus a a == —- == T o — to Blood - y Ma-ry is) the girl Her skin Is tensder as Bre aag gto > V4 Ma-ry is the girl” I love. ten-der as— Di- Mag-gio's glove, F je bare Blood - y Mu-ty is the gil T, love. Now ain't that Her skin is tensder as — Di-Mag-gio's glove. Now ain't that > 4 Fa MARY. “a, he, Aasa Warning Cue Many Cue MARY : = Pe tee tel rats, 2 a 2 z chew. ing nuts, Andshe don't use L I , aA a z x Se in dont! ain't that too damn bad? - =>Dance ue MARY. She move wien ke rhin a te eee33No th There Is Nothin’ Like A Dame ® allegro Piano } bai be te (be) = Le on 7p p> PR Tee We got sun-light on the stenves £E = 5 —— SS SSS —S | wand, We got mocn-light on the sea, We gut man gues and ba -as JOKNSON na-nas We can pick right off tree, We got vul- ley bull and —_— —_ — BILLS. aL. ping pong And a lot of dan-dy games What aint we west, aint. got dames We get a Cer? Oo Or= @O NCCAFFERY STEWPOT, pack ag - es from home, We get mov. ivs, we get shows, We get, rest-less, we feel blue, We feel lonely and, in brief "_ We 2 — a —eames aise > ; = ; poehees from our skipsper And ad - vice frum Tokk- yw Ruse, We get ws ry kind of feel -ing but the feel-ing of re - liek We feel leteters doused wid hanegry as the ALL quate poi-fume, We get wolf felt When he SILLS get? You. know cama well! Teel? upaWe don't feel gud! zy — eo recity a We got cothin’ to put on a ean white Lots of things in life are beautiful, but i ude What we need is what there ain't no substi There ts une particular thing that is cothing PA whatsoever inany wy, shape or furm like any37 i) mothe in’ like dame, ——— | name That is ane ys thin like ine- 2 Aut Noth int like the —sil-hou-ette of af = z Thre is abesuclute-ly nothsin’ like the frame Si pT nviagh she OP Niiead Biceao on, fogs whestle melidy —_. \ ea 2 eee 2 Tid whistle) . i | jeje tetera je ie = eee \F = sj Se Ly coh Cue STEWPOT: Hey con hae Pore: . _ _ . er =: —— ——— es; So sup. pose a pletely free from 2 suetWaste of time to - 7 things that they have sc carrey att Be thank-fal forthe things they've got! _ ss |That 3 y= thin’ like 2 ees aumiToves: = a ie ee There are ro 2 pez TEXOKS fe = = And eotheint books like a pochise, crete | = ops sitoxes TENORS Thereare no rinks like 4 dame, Ard re hain’ thinks Ukea2 ® Es hee sanrtoxt _ Noth-in’ acts Uke a lume 4 TENORS Aub Or at tracts like @ dame. There ain't a xe == — Ss @ : — thieg that’s wrong with = any man here That cant. be Ly woeman = ly,aLoooy Many ThereNo. 1s Mary «nd Lootellan i i Pianw | 3 te | Fe sewing: CABLE: “fo, fm Evin 60" MARY! Alig Luetlant Bm ww, —= | ¥ sin a a sn be | Mm be sy 0m get Lauuehon and go vem (More Lento misteriose 03 .tbebetean peetaen “Teletesy ~“see2eap48 = = x = = Cae MARY. FT hear teand cull gous estou Cues BILLIS. “she ie t Bop eet Bali Hai Muderato Mos! people live on a 2 aeOne where dey know dey would = ve Youll hear it call yeu7 —— - wae Ss = wage Come «= way” Bee Hai win whis-per Oa de wind OF de seas sre it Your spe-cial is - lund! me, Come ty ———__ —_—= —_— tg le ve = =e = t fre Wer own apes cial open four wn ape stan i. a es Weer = len - = = Fs 7 ie? . tu, ee va a; o o &+ side And —— = os os t= = 1 > Youll find me Where de vty Meets desea, sUSte am "1, For special =—="" _ SSS = aS S| oD —= a = = Come te mel" Buel thei pes wl tet | = ‘ Ba tiae ® = = = 3 — re = ™ F Hei Bali Hs} Some day you'll rr stick - int oo = = a at Pum a luw-fly-int cloud ———— You'll hear me call youy ase | = = =~ = > = = = Oy 4 = [cise =_tal_thrwugh de sun - shine, Sweet cel clear as can = 7 = = —_ .¥ s If you try, You'll find me Where dv e = 7 Meets de Hero am Your spe-cidl is-land! Cometo me, Come to Ee > auOPid mossv Yow er nt heart — You'll hear it call you “Come a = way, Come a way Ze £° 5S 2 = Se eRe CF TPT rrr1elEN Z a= @ -wn as tt wy am) a 4 wl “$l : x) ~ wi tH whis- per 3 = =F F Ni r = = = & o SSS s a = = =p Ee UE ewer tr prt? é St SS P= bees , . is - land! Come to me, Come to me!” "a fn the Eu Furs production wnging 1 omied here53 No. 16 Cable Hears “Bali Ha’i” Winking: SRACKETT. “Mayds we'tt ye on ths ear yt” Cae ae pen ip eps Moderate a Le -r Ties og oh Hap wen) e Peay Z, cun Ped, feed upiet® Stree,56 aL ¥ Change Of Scene No. 17 (Company Street) Tempo di Blues pe ee pane) = voll)— 7 g = {oF FF OF, P sempre —_—., — — E | = SSS wr or oe: 7 toe aR Sa Fe yh ——— SSS = = = i: woe we WF D.C. chimge “of 5e.38 Company Street No. 19 Continuation) tise reenters aod exis Listesso tempo net ee ee ee ov — véll pe ee eee — vel a SS 13080 I'm Gonna Wash That Man Right Out-a My Hair No. 19 Nellie and Nurses) les SBLLLES “Things Like ote angen erery diy 4 Allegretto seuue a | ‘ meer a ae wash that man right out-a my hairr— I'm gon- na wash that man right = ¥ = oo = — Tn gon-na wash that man right outea my halre \f SS = = ‘Spoeny Got the picture! = sendhim on kis wa—————" ei a2 22 : \ = that man righta — ve : Sa = wat my arms. Cin gunna wave that man right cut - a my arms.e [in gon na ! ! ‘ : wave that man right cut. a omy arms, + © seuie cimes SS = Don't try to patch it up, Tear it up, tear it upt pet FTP EEF ae = Te NELLIE ints SELLE tl tp ok a Wash him out, dry himout, Push himout, fly himuut, Cancel him and lot him Fl" F ae FLTSSS get Yea, sis - ter! Tm gun- na wash that man right ww 1 £,Da lira SSS = = = = = Sse out-a my hair, {'mgon-na wash that man right out - a my hair,— I'm gon-na iiti. »finligi Jt. ¥ + + NRLLE wash that man right out hair And. sendhim on his way! If the writin sift ififis ih, - ¥ cS = - @ (hed) oye you Mf you fly on sep'- rate beame, stand man dont un- der - ? t t pit peel5 7 z = oe SS is = SS Moke a change, Rie that man right off your range Frei? 37 4 4 a $4 = = = Rub himout-a the roll call— And drum him out-a your ea y= Se 5 = == oan © If you laugh at dif-f'rent com-ict— If you rout for dif - rent NELLIE, DINAH, JANET aS Waste no time, Weep nu more, Show him what the dour is teams, fortea . seuute SSS = = Rub hin cut-a the roll call acd drum him out-a your dreams! ¥ s ® Allegro GIRLS: cant light a fire— when the wood’s all wel —— cant make a but-ter- fly —— You can't) fix an 2 ALL, = = " egg when it ain't quite guod-— Ard you can't fix a man when he's a = see65 Neue i; Ee : SS © wrong! You cant put back a pet-al when it fulls frum a 4s 2 = & 2 flow-er, Or sweeten up a fel-ler when he starts tura-ing sour!D Ride it= Grats: If his ~ oF re > © Slow as before eyes get dull and fish-y— When you luck for glints and gleams, 7) Waste no time- Make a switch. Drop him in the near-est ditch — ———— ——. Pgte|) Sree proFlt vie ¥ mtre ak = SSS pate see yy = SS Z ——— t or hot on = hot Peta! washed that man right out = « Towent an’ washed that man right - * bes = SS out 4 my hairy P went an’ sashed that man right *