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Module - 5: Indian Painting
Module - 5: Indian Painting
Indian Painting
A.1. Excavations at various places of Indusvally civilization and Madhy Pradesh showed the earliest
specimens of creative painting in India.
2. Both Brahoananical and Buddist literature refer the paintings of various types and techniques.
For example, lepyachitras, Lekhachitras and Dhulit chirtas.
3. The earliest and most important wall paintings (frescoes) are found in the Buddists rock-cuts
caves of Ajanta in the western Deccan.
Many other south Indian temple such Brihadeshwara temple at Tanjavur are decorated with
wall paintings on themes from epics and mythology.
4. The wall ceilings and columns of the cave walls of the halls depict scenes from Jataka tales
and Buddist themes other Themes include flora and fauna and animal figures.
2. What changes are taken place after 13th century A.D. in the Indian Art ?
A. 1. From 13th century onewards, the Turkish sultans of northern India brought with them important
features of Persian court culture.
2. In the 15th and 16th centuries illustrated manscripts of persian influence were produced.
3. The interaction of Indian painters with persian tradition resulted in the synthesis of two styles
in the works of 16th century.
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4. During the early sultanate period, significant contribution to the art of painting was made by
the Jain community to the art of painting was made by the Jain community of western India.
5. The art of textual illustration got a new look under the Mughals Akbar and his successors
brought revolutionary changes to painting and sensual illustrations.
6. During Jahangir's period Artists began to use vibrant colours such as pecock blue and red
and were able to give three dimensional effect. However withdrawl of rayal patrorage to
painting under Auranzeb led to the dispersal of artists to different places in the country.
7. The rise of Bhakti movement in India in the 15th and 16th centuries also inspired illustrative
texts on the themes of vishnava devotional cult.
4. Describe kalighat painting . What are the subjects in Kalighat paintings and why are
these paintings popular.
A. 1. Kalighat is a bazar near the Kalitemple in Kolkata.
2. Patva peinter's from rural Bengal came and settled in Klalighat to make images of Gods and
goddesses in the early 19th century.
3. These paintings on paper made with water colours comprise clear sweeping line drawing
using bright colours and clear background.
4. Subjects are images of Kali, Lakshmi, Krishna, Ganesha Siva and other gods and goddesses.
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5. In this process artists developed new forms of expression and effectively portray a wide
range of subjects commenting on social life of Bengal.
6. The genre derived much inspiration from the introduction of photography, western style
Theartical performances the rise of babu culture in Bengal as a result of inpact of British
colonial and administrative system.
7. Based on their preexisting models of Hindu deities, the artistist created a whole repertoire of
images, courtesans, actresses, heroins, Pompus babu and conceited dandies, resplendent in
their fancy attire and hairstyles smoking pipes and play sitar.
2. Decorative designs on floor are made for auspicious occations. These designs are called
decorative paintings.
5. They are produced by village women with earthen colours and finished in black lines.
6. Drawing in Mahubani pictures are very conceptual. No pretence is there to describe the
figures accurately, visually they are the images that speak in lines and colours.
7. One can identify the camunity to which the painting belogns from the colour that are used in
them.
A.1. The artistic expression of Indian people is not limited to painting on eanvas or paperonly.
Decorative painting on walls of homes even in rural areas is a common sight.
2. Rangoli or decorative designs on floor are made for auspicious occations and pujas is common
sight. It is passed from one generation to the other.
3. These designs are called rangoli in the North, alpana in Bengal, aipan in Ultaranchal, Ragavalli
in Karnataka, Kollam in TamilNadu and mendana in Madhy Pradesh.
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5. Adorning walls of houses and huts is also an old tradition.
5. This art is mainly related to decorating temple interior with painted cloth panels.
1. What are the various types of paintings refer in Brahminical and Buddist literature ?
4. The wall ceilings and columns of the cavewalls of the hall depict scenes from Jataka stories.
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3. Explain the art of painting was made by the Jain community of western India.
1. During the early sultanate period significant contribution to the art of painting was made by the
Jainscriptures were presented to temple libraries.
3. These manuscripts depected the lives and deeds of of Jain Tirthankaras.
4. The art of Textual illustration got a new look under the Mughals.
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7. Write about Bengal school of Arts ?
A.1. Rabindranath Tagore, Abanindranath Tagore, E.B. Havell and Ananda Kumtish. Ki,ara swamy
played an important role in the emergence of the Bengal school of Art.
2. These are decorative paintings on floors and walls of 'gond' and 'kol' Tribes homas and places
of worship.
5. Generally they are in the form of geometric patterns like squares, triangles and circles.
5. The rise of babu culture in Bengal as a result of the impact of British colonial they are diversed.
A.1. Simple subjects of daily life have been crafted with delicate design which gives expression to
the creativity of the Indian artisans.
2. Every state of India can boast of same unique creation which is special to the region.
4. Srinagar is famous for carpets, namdar, silk and walnut wood furniture.
5. Andhra Pradesh is famous for Bidri work and Pocham palli saries. Tamil nadu is well known
for bronz selpture and kanjeevaram silk saries. Mysore in famous for silk, sandal wood items
and kerala for ivory carvings.
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10. What are the differences between warlipaintings and kalighat painting.
Wasli Painitng Kalighat Painting
1. Wasli paintings belong to Maharastra 1. Kalghat Painting belongs to kali temple in Kolkata.
2. They are made on floor. 2. They made on paper.
3. Write colour and rice paste 3. Water colours are used.
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17. How many types of earthen colours are used in Madubani paitings ?
25. What in the name of the Bazaar near Kali temple in Kolkata ?
7. By using Peacock blue artists were able to give .............. effects to paintings.
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9. .............. of Raja Ravivarma became highly popular.
10. .............. was developed under Fracis Newton Souza in Bombay.
11. .............. emerged under Debi prasad, Roy chowdary and K.C.S. Paniker.
V. Multiple Choise
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12. Santhi niketan
13. Francis newton souza
14. Alpana
15. Mithili Painting.
16. Bihar
17. 4 types of earthen colours
18. Kalam - brush or Pen; Kari - technique
19. Srikalahasti
20. Tribal painting from Maharstra
21. 'Gond' and 'kol' - techique
22. Tribal women
23. White colour and Rice Paste, Vegitable glve
24. Squares, triangles and circles
25. Kalighat
26. Water colours
27. Simple objects crafted with delicate design
28. Kashmiri showls.
29. Carpets, namdar, Silk, walnut wood furniture.
30. Andhra Pradesh
31. Assam
32. Bankura, Terrekota
IV 1. Wall paintings 2. Rocks
3. Jains 4. book illumination individual
5. Wall Paintings 6. Beautiful illustrations
7. Three dimentional 8. Miniature
9. Oil Painting 10. Progressive Artist
11. Madras school of fine arts.
V. 1. B 2. A 3. A 4. B 5. C
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5.2 Performing Arts - Music, dance and Drama
A.1. Performing arts always have been integral aspects of Indian culture.
2. Initially, these art forms were used to patronage religious and social ideas.
3. The religious and other teachings of Indian preachers reached the masses through the enacting
of dreamas in which music and dance were incorporated.
4. They are the performing arts. They remained important sources of education for the masses.
5. Slowly and gradually, such art forms also became sources of entertainnment and recreation.
6. Over the centuries art forms have developed into multidimensional disciplines, incorporating
various spiritual, psychological, philosophical and aesthetic values.
2. Describe the development of Indian music during vedic era and the medival period.
A. 1. The earlist tradiction of Indian music may be traced to 'sama veda' which contained the slokes
that were put to music.
2. The earliest text dealing exclusively with performing arts is 'Bharata's' 'Natyasastra' (Complied
between 2nd century B.C. and second century A.d) which has six chapters on music.
3. Another major text is 'Matanga's' 'Brihaddesi' complied between 8th and 9th century A.D. In
this work ragas were first named and discussed at great length.
4. Sangeeth Ratnakara written by sarangadeva in the 13th century mentions 264 ragas.
5. In the 12th century only, Jayadeva produced the most brilliant Raga Kavya - Geeta Govindam.
6. Similarly in the medival period the sufi and Bhakti saints encouraged music. Qwwalis were
sung in khanquas and devotional music like Keerthanas and bhajans became popular with
Bhakti saints.
7. During the medival period Indianclassical music was broadly devided into two - Hindustani
and carnatic music.
A.1. The origin of Hindustani classical music may be traced back to the period of the Delhi sultanate
and Amir khusrav (1253-1325 A.D.).
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2. Amirkhusrav encouraged the practice of 'Tabala and sitar'.
3. He introduced many Ragas.
4. Differnt styles of Hindustani music are called gharanas. Gharanas refer to heraditary likages of
musicians.
5. Gnaranas refer to heriditary linkages of musiciens which represent the core of the style and
distinguish them from one the other. The Gharanas works in guru - shishya parampara. Some
famous gharanas are Gwalior Gharana, Kirana Gharana and Jaipur Gharana.
A. 1. The golden period of carnetic music was in between 1700 A.D. and 1850 A.D.
2. Carnatic music collectively attributed to three composer - They wre thyagaraja, Syamasastry
and Muttvswamy Dikshitar.
3. Purandaradasa was another great composer of carnatic music
4. Thyagaraja is revered both as a saint and an artist and espitomises the essences of carnatic
music.
5. The composition of these sangeeth murthies are called kritis. They are devotional in nature.
6. Flute, veena, nadaswaram, mridangam, ghatam are some of the instruments to accompany
carnatic music.
5. What were the changes taken place in Indian music, during British rule ?
A.1. Besides classical music India has a rich legacy of folk or popular music.
2. This music represents the emotions of the masses.
3. Folk songs have their meening or message.
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4. They often describe historical events and important rituals.
A.1. The important dance forms in India 1. Kathak 2. Manipuri 3. Bharatanatyam 4. Odissi
5. Mohini attam 6. Kathakali.
3. Yakshagana, a form of Kathakali in Kerala, tells us stories of Ramayana and Maha bharata,
where as kathak and manipuri are mostly related to the stories of Krishna and his leela.
A.1. Natya sastra is one of the greatest texts written in the field of drama and other performing arts.
4. Bharatha created the plays known as 'Asura Parajaya' and Amrit 'Manthanam'.
5. He mentioned that the Nat (male artist), and Nati (female artist)
8. Thus we find that the drama achieved a agreat level of perfection during the age of Bharatha.
A.1. In the ancient period till the 10th century, the language of the educated, was sanskrit. So
dramas were performed mostly in this language.
2. However characters belonging to lower classes and women were made to speak prakrit.
3. Kautilya's Artha sastra, vatsyan's kamasutra, Kalidas' Abhijnan sakuntalam were all written in
snaskrit.
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4. Prakrit plays became popular by the 10th century.
5. Vidyapati who lived some time during the 14th century was an important dramatist.
He introduced Hindi and other regional languages in the form of songs.
6. The drama later developed, two types- the classic for intellectuals and subtle nuances of
dramaic traits for common people.
10. What were the changes taken place in drama during British rule ?
A.1. In the 18th century a theatre was established in calculta by an English man.
2. English drama, especially by shakespeare, influenced. Indian drama.
3. The stages evolved by educated Indians were different from traditional open air theatres.
4. A Parsi company founded in Bombay showed that the theatre could be used for commercial
purposes.
5. Dramas began to depict tragedies, comedies and complexities of urban life.
6. Another aspect which influenced performing arts was the adaptian of folk forms to classic
forms.
2. What are the names of various forms of famous folk music ? What is theam in them ?
A.1. Mand - Rajastani folk music - Based on events in life.
2. Bhatiali - Bengali folk music - It in also based on life.
3. Gulraj - Kashmiri folk music - Usually a folk lore.
4. Pandyani - Madhya pradesh folk music is a narrative.
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3. Name 5 famous dancers and their dance forms ?
A. 1. Pandit Briju Maharaj - Kathak form
2. Swapna Sundari - Kuchipudi dance form
3. Kilucharan Mehapatra - Odissi
4. Dr. Padmasubramanyam - Bharatha natyam
5. Madhavi Mugdal - Odissi
6. Pandit Gopikrishna - Kathak.
4. What changes are taken place in the past few decades in the status of performers ?
A. 1. In the past few decades the status of dance as well as its performers has changed.
2. Young people from respectable families have started learning dance to enrich their personal
qualities.
3. In some schools, colleges and universities seperate departments have been established for
imparting training in dance.
4. Several renowned classical dancers have been awarded national awards.
5. What are the differences in between classical Dramas and folk dramas ?
A. Classic Dramas Folk Dramas
1. Intricacies of theme spon taneous and extemper in nature
2. Sanskrit is the language Local dialect was used.
3. These are for intellectual class These are for common people.
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7. What is the present scenario of performing Arts ?
A.1. Presently all the three forms are flourshing in the country.
2. Several inistitutions like various branches of Gandharve Maha vidyalaya and Prayag sangeeth
samiti have been imparting training in classical music and dance for more that 50 years.
3. Music conferences, baithaks, lectures, demonsitrations are being organised and musicians,
music scholars, music teachers and music critics are trying to popularise music and dance.
4. Various agencies like Indian council of cultural relations (ICCR) and the ministry of Human
resource development continuously propagate all these art forms by giving grants, scholarships
and fellowships to renowned artists as well as to young artists by arranging exchange programmes
in the field of Indian music and dance, drama.
8. How does the develooment of human personality take place by the Art forms? or
A.1. These art forms music, Danced and Drama create a pleasant atmosphere.
2. The people in volved in these art forms can attain balance and peace of mind, self-restraint
and love for all. Negative feelings vanish.
3. The knowledge and prectice of these art forms help in the development of one's personality.
5. What were the adoptions of Indian music with the influence of western music.
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IV. Fill in the blanks
1. ..............book is eartiest text dealing with performing arts.
2. Jayadeva produced .............. the Raga Kavya.
3. The most famous musician of Akbars court was ..............
4. Hindustani musicians belong to ..............
5. The writings of three composers in carnatic music are called ..............
6. Muslims sing .............. or mournful songs during Muharram.
7. In Assam people celebrate most of the harvesting season through ..............
8. .............. Dance came to be performed in royal court in medival tims.
9. .............. community meantioned in Bharat's book.
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5. Harsha charitra was written by ....... ( )
a) Kalidasa b) Bhana Bhatt c) Jayasankar Prasad d) Madhusudhan
Answers :
III.
1. Samaveda 2. Bhrihaddesi
3. Tansen 4. Tyagaraj
5. Violin or clarinet 6. Nritta, nritya, natya
7. Asura parajaya, Amritmadhnam.
8. Kalidasa 9. Khathak
10. Andhra Pradesh 11. Vidya pati
12. Gandharva Maha vidyalaya, Prayag samiti.
IV.
1. Natya sastra 2. Geeta govindam
3. Baiju bavara 4. Gharana
5. Kritis 6. Sojkhawani
7. Bihu dance 8. Kathak
9. Sai loosh
V. A, B, C, D, C
VI. 1. C 2. B 3. B 4. C 5. B
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5.3 Indian Achitecture
I. Essay Questions (5 Marks)
A.1. Indian architecture was born as soon as the early cave man began to build his own shelter to
live in.
2. Man first began to create and fix his own shelter to protect himself from wild animals and
nature.
3. With the artistic faculties of man awakened in the search for larger and better sheltered space,
he began to build, with inherent aesthetic sense, shetters that seemed pleasing eye.
4. Thus emerged architecture, a confulence needs imagination, materials, skills, tools, space,
capacities of the buliders and capabilities of workers.
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3. Write about the construction of Buddist stupas ?
A.1. Buddistic stupas were built at places where Budda's remains were preserred.
2. At the major sites where important events in Budda's life took place.
5. The third was built at saranath where he gave his first sermon.
7. Stupas were built of huge mounds of mud, enclosed in carefully burnt small standard bricks.
3. Akbar built forts at Agra and Fathepur sikri these buildings reflect the grandeur of the mighty
Mughal empire.
4. The Tajmahal, the tomb of shajahan's wife, is built in marble and relfects all the architectural
features that were developed during Mughal period.
5. The red fort and Jama Masjid also important constructions under Mughals.
A.1. In Delhi the Austrian architect, stein, designed the India International centre.
2. Raj Rawal designed the SCOPE complex and Jawahar vyapar Bhavan in Delhi.
3. By using indigenous building material like sand stone for construction and also combises steps
and open spaces from the plazas of Rome. An Example of this in the CIET building in Delhi.
5. Charles correa from Mumbai is resposible for the L.I.C. Building in connaught place, Delhi.
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6. What are the differences in between Harappan archtecture and modern architectuse ?
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3. These caves hold Buddist viharas, chaityas as well as mandapas and pillered temples of
Hindu gods and goddess.
A. 1. In north and eastern India magnificient temples were also constructed and the style followed
by them is reffered Nagara style.
2. Most of them consisted of the Sikhara (spiralroofs), The garbhagariha (Sanctum) and the
mandap (Pillered hall).
3. There are beautiful engravings of calligraphy both in Mosque and on the tower.
A.1. Orissa has some of the most beautiful temples such as Lingaraja temple built by the Ganga
rulers.
2. Mukteswara temple at Bhubaneswar and the Jagannath temple at puri are also famous.
3. The sun temple in Kanark was built in 13th century by the eastern Ganga ruler Narasimha
Deva I.
2. The sun temple at Konark was built by eastern Ganga ruler Narasimha Deva I.
2. One of the remarkable feature was existence of a well planned drainage system. What does it
indicate ?
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4. Where was the world's first broze sculpture found.
14. With the arrival of .............. during 13th century came a new technique of architecture.
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V. Multiple Choise
a) 10 b) 3 c) 7 d) 2
4. The drainage system in residential parts of city was existed during this century ( )
a) 1st century b) 10 B.C c) 5th century d) 3rd century B.C.
7. ............ was Greek ambassedor who visited Chandra Gupta Maurya's court ( )
a) Vascodagama b) Meghstanese c) Alexander d) Khushru
E. Maharastra ( )
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Answers :
III.
5. Gaya 6. Chaityas
13. Puri
IV
1. Dhamma 2. Jataka
V. 1. B 2. C 3. A 4. D 5. D 6. A 7.B 8. C
VI . E, C, D, B
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