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  • Waltz From Sleeping Beauty

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    This is the Waltz from Tchaikovsky's ballet Sleeping Beauty. It is in 3/4 time and has a lyrical melody that alternates between solo and full orchestra passages. The waltz features a romantic theme representing the beauty and grace of the princess Aurora as she dances in her dreams.

    Original Description:

    Vals de la Bella Durmiente para 2 flautas

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    This is the Waltz from Tchaikovsky's ballet Sleeping Beauty. It is in 3/4 time and has a lyrical melody that alternates between solo and full orchestra passages. The waltz features a romantic theme representing the beauty and grace of the princess Aurora as she dances in her dreams.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    40 views2 pages

    Waltz From Sleeping Beauty

    Uploaded by

    bea fa
    This is the Waltz from Tchaikovsky's ballet Sleeping Beauty. It is in 3/4 time and has a lyrical melody that alternates between solo and full orchestra passages. The waltz features a romantic theme representing the beauty and grace of the princess Aurora as she dances in her dreams.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Waltz

    from Sleeping Beauty


    Peter Ilich Tchaikovsky

                    

                              


          
              

    9

                           


       
             
    17

                            


      
              
       
      
    
    25

             
              

       
    cresc.



     
              
                    
       
    34


         

                     
      


                     
                 
      
    40



                          
       

        

    BFA


                              
    2 1. 2.

             
    47

       
             

            
    rall.

      


       
             
    54

                          
     


          
              

    62

                           


                    
        
         
     
    70

       
                   

     


             
        
     
    79


     
                 
           

    BFA

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