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Lawrentian VOL. CXLI NO. 6
Lawrentian VOL. CXLI NO. 6
Lawrentian VOL. CXLI NO. 6
THE
VOL. CXLI NO. 6 Appleton, Wisconsin February 18, 2022
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COVID-19
Staff Writer ticle headlines, questioned Curator of the Wriston Art choose their own top 10 fa-
______________________
word choices, left annotations Center Gallery and Museum vorite speakers and reduce
ON CAMPUS
Multidisciplinary art- in the margins, erased certain Studies Interdisciplinary that list to a top three. Flesh-
ist Alexandra Bell delivered lines, changed photo selec- Area Program Director, was man added that the commit-
her Convocation address to- tions and adjusted the sec- the individual who originally tee liked the idea of hosting
day, Friday, Feb. 18, at 12:30 tion layout. For example, in recommended Bell as the an artist for this year because Weekly updates on the status of
p.m. in the Lawrence Memo-
rial Chapel. The event was
“A Teenager with Promise,” Convocation speaker, and it has been a while since Law- COVID-19 at Lawrence
Bell edited a story about Of- she worked closely with Bell rence invited an artist as the
livestreamed with limited ficer Darren Wilson’s shoot- to put this exhibition on view Convocation speaker.
seating as part of Lawrence’s ing of Michael Brown Jr., at Lawrence. Zinsli hopes “I personally was moved
annual convocation series, which led to Brown’s death. that attendees will view Bell’s by Bell’s work in recognizing
which is meant to gather the The original front page pres- work in the gallery after the the media coverage that was
campus community to learn ents both people’s stories, Convocation in order to con- in front of my eyes,” Flesh- TOTAL ACTIVE
from an invited speaker.
President Laurie Carter led a
but Bell transformed it into nect her speech to the art- man said, “and then to see CASES CASES:
presenting only Brown Jr.’s works which inspired it. them after she deconstructed
Q&A session immediately af- large graduation picture and The Public Events Com- them, it gave me more tools
ter the Convocation. changed the headline to “A mittee solicits nominations to recognize what anti-racist
LU: LU:
Bell, who holds a bache- Teenager with Promise.” This for Convocation speakers work is.” 337 32
lor’s degree in interdisciplin- new headline contrasts the from community members, Fleshman said that in-
ary studies in the humanities original subtitle of the article, students, staff and faculty ev- viting Bell is a great oppor-
and a master’s degree in jour- Appleton: Appleton:
which describes Brown as ery Fall Term. The members tunity as Lawrence works
nalism, is best known for her “A Teenager Grappling with of the committee review the harder to be an anti-racist
21,195 150
“Counternarratives” series. Problems and Promise.” list, learn about nominees institution. She hopes that at-
The exhibit consists of en-
larged versions of front pages
By transforming the
front pages of the New York
and make the final decision.
According to Associate Pro-
tendees walk away from the
Convocation with methods
We are in:
of the New York Times, which
Bell has edited for effect.
Times, Bell investigates and
deconstructs narratives, im-
fessor of Chemistry and the
Chair of the Public Events
for identifying biases in the
dominant narratives and con-
YELLOW LIGHT
As part of Convocation, ages and information percep- Committee Allison Fleshman, sidering how they might be
four pieces from “Counter- tion in mainstream media. the committee received about suppressing narratives that
Moderate Enhanced
narratives” - “A Teenager The original front pages and 40 to 60 suggestions and de- should shine through. Risk Precautions
with Promise,” “Olympic Bell’s rearranged pages are cided on Bell as the Convoca- Likewise, Zinsli hopes
Threat,” “Gang Leader” and
“Charlottesville” - will be on
put on view side by side, pro-
viding viewers with a direct
tion speaker over a year ago.
According to Fleshman,
attendees gain awareness of
Bell and the work she does.
Masking required indoors, KN95
display in the Wriston Art comparison. Her “Counter- the committee is interested in She believes that conver- or double masking recommended;
Center Gallery until Friday,
Mar. 11. The gallery hours are
narratives” series explores identifying active dialogues sation about media is very weekly surveillance testing; keycard
the tension between domi- that are ongoing at Lawrence important now, as people
10 p.m. to 4 p.m. from Tues- nant narratives and marginal and on a national level and should be thoughtful about
access for building entry; in-person
day to Friday and 12 p.m. to experiences, according to then inviting someone who the information they get and co-curricular activities resume.
4 p.m. on Saturdays and Sun- Bell’s website. has a good perspective on consider the sources of infor-
days. Beth Zinsli, an assis- that dialogue to campus. The mation.
*data reported as of Feb. 16
In the “Counternarra-
Goosepimples
By Madeleine Corum
Song of the Week: Happier tive metal. It was soft, reliable, the speaker.
When You’re Gone sturdy. I leaned against it, let On Saturday afternoon, I got
Last Thursday I went for it hold me. Above, the highest chills lying alone on the floor of
a walk. I picked up a rock by branches would sway and gently my room. I closed my eyes and
the base of the metal staircase knock those of the next tree over. spread my arms out wide on my
beneath Warch, and carried it
through the woods. I hummed
In this way we listened to them
speak to each other.
carpet.
It’s not easy, it’s not easy, By Celeste Reyes
along to the song in my head- That afternoon, I spent half homelessness at home.
phones, stepping gingerly over an hour trying to figure out how On Sunday I watched a
the packed snow that was grad- to get the sound to come out of movie with my mom. She told me
ually freezing into ice. When my friend’s computer instead of about the interviews she watched
I made it to the footbridge, I the projector I have mounted on with the sound designer and the
stepped to the railing, and hur- the ceiling of my room. My room- director. How they only spent two
tled the rock down onto the layer mate usually handles that kind of days shooting on a green screen,
of ice covering the river as hard thing, but he was out of town. and the rest of it was incredible
as I could. A few small shards That day it was just my friend real-life sets. I wrapped a blan-
flew up, but the ice didn’t break. and I, trying to get the Star Trek ket around myself and ate a dark
Instead, the rock skittered half- theme loud enough before we chocolate bar. I couldn’t decide
heartedly a couple feet from started the episode. Later after if I liked the movie or not, but I
impact. I smiled to myself, and dinner, I followed him into the kept watching.
kept walking. living room, where we wrapped On Monday, I woke up early
Later that night I had din- ourselves in blankets and rested like I do every week, and I went
ner with my friends. One of them our heads on each other’s shoul- to the gym. I listened to the new
taught us a new card game, the ders while we finished the two album during my workout, and
name of which I can’t remember. episode story arc. then I took my Covid test. On the
I sat on the couch and watched I went to my friend’s house way back, I saw your reflection
them dealing, slamming their that night. They gave me a little in the glass, suddenly standing
cards onto the table and sending box of sea-salt caramel choco- behind me. We looked right past
up roars of laughter. They kept lates, and I doodled in red pen each other.
starting a new round, and I kept on a sticky note. When I was My life is bracing for your
staying to play again. ready, I sat on their couch and hug. You pass me to unplug your
On Friday morning I went we screamed and cried and phone. Hallelujah.
for another walk. I followed my laughed with each other. When When I got home I took a
friend through the snow covered I came home almost three hours long shower. I went to class, and
woods, straining my legs to get later, my roommates were mak- I ate three full meals. That night,
up slippery hills, grabbing onto ing crepes in the kitchen. They I finished the movie with my
branches to steady myself. At the cooked me one and I filled it with mom, and I went to my SAASHA
top of one of the hills, we each peanut butter and honey and cin- meeting like I do every week. I
wrapped our arms around a tree namon. I ate it at the counter and went to sleep early after starting
and pressed our ears to it. A soft listened to them talk about their a new book, and just like that, I
thump came through, ringing night. Some jazz song I can’t survived Valentine’s Day.
through the wood like conduc- remember floated gently out of
Weekly Crossword
By Kelly Foy
By Grace Reyes
6 FEATURES February 18, 2022
THE LAWRENTIAN
Nayla Brunnbauer’s
Reading Red: A Movies, Movies,
Glimpse of Dyslexia Movies
Taylor Yakey-Hughes her schooling journey.
Staff Writer While the film may have start-
____________________________
ed as a school project, Brunnbauer
Surrounded by supportive explained to her audience how it
friends and fans, Nayla Brunnbauer, evolved into a way to make herself Levi Homman Johnny agrees to do so, and what first supporting cast are notably valuable
a sophomore at Lawrence University, proud, to show that while she is open Staff Writer begins as ambivalence and annoy- additions as well, and help Johnny
hosted a screening of her short film, about her dyslexia with those around _____________________________ ance towards Jesse becomes a believ- and Jesse feel fleshed out as char-
Reading Red: A Glimpse of Dyslexia, her, she also wants people to know C’mon C’mon, 2021, directed by ably strong and loving bond between acters.
in Cloak Theater on Saturday night. that her dyslexia is only one part of Mike Mills, 4.5/5 Stars uncle and nephew. Mills sometimes gets side-
The film starred Nayla Brunnbauer as who she is. Additionally, she hopes to Caring for a child is one of the One of the film’s biggest tracked; there are times at which
herself, a dyslexic student struggling further educate others on what dys- most emotional, tiresome, enlight- strengths, as well as one of its most the central relationship between
to read a sentence on a board. Other lexia is and what it’s like, stating, “I ening, grueling and fulfilling tasks obvious stylistic choices, is its black- Johnny and Jesse takes a backseat
characters included students Nihan had the privilege of getting diagnosed anyone can undertake. It’s a skill that and-white color grading. This visual to explore some bigger ideas that
Baysal as the Professor and Emma when I was nine. A lot of dyslexics has to be learned through trial and choice is well-suited for the confi- overstay their welcome. For a few
Nolte as the embodiment of Dyslexia. and neurodivergents don’t get that error, through fear and acceptance. dently nostalgic and romanticized scenes, the story seems interested in
The film opens with the voice luxury.” She shared how her film did It’s a joyous experience of teaching aura of the story and is complimented exploring Viv and Johnny’s relation-
of Dyslexia attempting to read a sen- what she set out to do, making her feel someone else how to live and learn- by cinematography choices that high- ship with their deceased mother, but
tence on a whiteboard as the Professor proud as a film student, and realizing ing how to live in the process. Mike light wide views of cityscapes and a the thread is soon lost. There are
tells Nayla that she is reading the the joys that come with the happy Mills’ most recent directorial effort, focus on natural-feeling lighting set- also a few moments throughout that
board incorrectly. We, the audience, mistakes of the filmmaking process. the thoughtful and polished C’mon ups. As the plot progresses and Viv’s use clips from Johnny’s radio inter-
see what she sees, and share her agony When asked what she was most C’mon, understands the struggles husband needs continued attention, views to examine the experience of
when the word she is attempting to proud of, Brunnbauer shared two key and successes of parenting unlike Viv makes the choice to allow Jesse youth in America, but these segments
read transforms into another word as moments in her film. The first was any other film in recent memory, and to travel with Johnny’s radio crew are too short to bring up any real
a shade of red. As the film progresses, the moment when the word her char- executes its ideas with grace, nuance to New York and later New Orleans. questions, and fail to thematically
Dyslexia continues to speak for Nayla, acter is trying to read changes from and understated style. Each element Both cities are affectionately shot, connect themselves back to the two
until she speaks for herself, simply “become” to “because,” the words of the film is elegantly constructed, creating a picturesque love letter to main characters. While these stabs
uttering “What” as she is given back transforming into a shade of red. and the cast’s clear dedication and travel and urban life. at larger concepts are perhaps a little
her paper covered in red ink. “[Dyslexics] will look at things and passion for the script shines through What rests at the film’s emo- out of place, they add to a decora-
Brunnbauer was an excellent film see things [a certain way.] And every- in an aesthetically pleasing and emo- tional core, and the main reason for tive thematic wallpaper, and help the
host to those who were able to attend one’s like ‘That’s wrong.’ [. . .] Then tionally warm final product. its success, is the cast. Child actors world of the film feel genuine and
the screening, answering questions suddenly it switches to exactly what The film’s entry point to explor- that give even passable performances lived-in, making it hard to fault Mills
before and after the film and offering they said it is.” Finally, Brunnbauer is ing these ideas is its protagonist are few and far between, and Norman for making the attempt.
several re-showings for different audi- proud of her film’s ending, saying, “[. Johnny (Joaquin Phoenix), a radio rises to match Phoenix, who gives Sentimental and triumphantly
ence members. She explained how the . .] The wide shots [and] when you get journalist traveling with a small one of the best performances in his touching, C’mon C’mon arguably
original prompt came from her film the board and everyone in it, it’s just crew interviewing kids around the already impressive career. The well- exceeds Mills’ last successful outing
studies class in the fall term, where so eerie.” country. The plot’s inciting incident written dialogue between the two 20th Century Women and takes him
she chose both to introduce herself As Brunnbauer continues her is a call from Johnny’s sister Viv feels incredibly natural, and the shift a step further towards carving out a
but also to pick a color to focus on, journey as a filmmaker, she hopes (Gaby Hoffmann), who asks him if in their relationship throughout feels distinct and personal style in film-
red. “My papers were always covered to continue to educate people about he can look after her nine-year-old realistic and earned, an attribute that making. C’mon C’mon is available to
in red ink […] a sea of red,” shares dyslexia. If her future audiences are son Jesse (Woody Norman) in Los the film would undoubtedly fail with- rent on digital platforms right now.
Brunnbauer. Red became a symbol of as engaged and anticipated as this one Angeles while she cares for her men- out. Hoffman and the rest of the
factors out of her control throughout was, the future looks bright indeed. tally unstable husband in Oakland.
I stood naked in Memorial Hall so you wouldn't have to. This is what I learned.
Jorja Springer of Beatles songs playing as the pro- small smiles and glances my way as The last session of figure model- ventionally attractive, but you are the
Staff Writer fessor showed them how to analyze I sat nervously poised in a chair in ing was extremely comfortable. Some thing the Greeks would live for. You
________________________ my shoulders and hips. No, I don’t the corner. The poses got longer but people remembered my name, and the are on your way to the proportions of
want a coffee, thank you. Yes, I’m easier. I requested a song, and some- work was simpler as I lounged across a prehistoric Venus figurine.
The first time you stand nude
comfortable. No, I don’t need a break. one complimented my taste in music. the foam blocks provided and relaxed It could have been my worst
in front of your fellow Lawrentians,
Beyond these pleasantries I am just I received friendly remarks, like “I against the sheet covering them. The nightmare, and the first time kind
you might feel a bit awkward. Don’t
there to stand and occasionally sit, tried figure modeling and it was so time allowance had expanded to of was. But every time I was able to
worry, so did I. No amount of self-
to be viewed and talked about. I am bad” and “My friend models, and I allow the class to develop the intrica- go back into that room and drop the
love, body positivity, extroversion or
not a part of the class, just a demon- admire it a lot.” They are short and cies of the figure. Shape and weight robe, it got a little bit better. The
deep breathing will prepare you for
stration for their viewing pleasure. I quickly spoken during my breaks, but become accompanied by value. There result did more for me than any body-
your first session as a figure model.
am the live experiment, the unassem- they consoled me in my moments is a moment when someone draws positivity campaign could have hoped
And if you are lacking in any of those
bled project, meant to be dissected. of vulnerability. I left the session to you where you can look into a piece of to accomplish. Even though I still
categories? Forget it. As someone who
I walked to my first class of the day resounding thanks as papers bearing paper as though it were a mirror. You might not love myself, I can recognize
has struggled with body image for
analyzing each moment I made eye my figure got pinned to the wall. They can recognize that this two-dimen- the potential for beauty in myself. I
most of my life, there was nothing
contact with a student. Is it so weird now contained shape and weight, dis- sional work resembles you entirely. know that other people could look at
more defeating than standing in front
to stare back? To perceive in turn? played for critique by the rest of the Beyond that, you can recognize it as my figure and find the art inherent in
of my peers and baring it all. Their
My first figure modeling session and class. It is a unique experience to be art. You become art. That power is it. And that is worth the little panic I
contemplative stares drilled holes in
my figure has not even been formed. able to see exactly how others per- only amplified when you look at that feel every time someone at Lawrence
my skin as they bantered amongst
I am just a floating head, a lacklus- ceive you without needing to interpret art and recognize the curve of your mentions that they have, in fact, seen
each other, unaware of my struggle.
ter spine, and some delicately placed vague descriptors. There is physical stomach, the dips in your hips, the me naked. I am not recommending
In this moment, I wondered if I had
appendages. evidence for your existence and the sculpt of your legs and even the fram- that everyone should decide to figure
misjudged what I could withstand in
The second time was much bet- manner in which others know you ing of your bangs. Maybe you take up model, but if you have ever considered
the name of $14 an hour.
ter. I was greeted by chaste hellos, exist. a bit more space than is seen as con- it, let me encourage you to go for it.
I can clearly remember the mix
Kenneth Peñaherrera-Quiroz... ing the president alone lead the process, in an Hung Nguyen... protection equipment and quarantining or
attempt to make the process easier and more isolating active cases.
continued from page 1 efficient.
continued from page 1
Q: What would you most like to ac-
to run for LUCC President? In addition, Peñaherrera-Quiroz will en- procedure, LUCC’s operations and the role of complish during your tenure as presi-
A: Peñaherrera-Quiroz believes that force training for all student organizations to LUCC in the student body, which ultimately dent? How will you achieve this?
LUCC could further improve its public rela- help ensure that the student body can have the led him to run for the president position. A: Nguyen will re-examine the role of
tions, and he wants to seek direct feedback best experience. Q: How would you describe your Public Relations (PR) in the Cabinet, poten-
from the student body in order to better meet Q: What would you most like to ac- platform? tially adding more positions for PR and com-
the needs of the students. Peñaherrera-Quiroz complish during your tenure as presi- A: Nguyen mentioned two key princi- municating with the PR Secretary regarding
also thinks that his numerous connections on dent? How will you achieve this? ples: simplifying the procedures in LUCC and what information, such as meeting minutes,
campus would allow him to excel in decision- A: In addition to implementing a bet- understanding concerns from both the stu- can be shared with the student body to in-
making and problem-solving. ter training process for student organizations dent body and the administration. crease transparency.
“I ultimately decided to run not because and class representatives, Peñaherrera-Quiroz LUCC’s operations, such as requesting Besides that, Nguyen will organize bond-
I believe I am the best possible candidate, also wants to increase volunteer opportunities student organization funds, are often encum- ing activities within LUCC to help form inter-
but rather I believe I have a capability to deal on campus and have a conversation with the bered by the legislation and procedures, Nyu- personal connections among class representa-
with a larger scale of things and pick the best student body regarding the lack of student gen said. In response to this situation, Nguyen tives beyond the professional level.
students in my cabinet,” Peñaherrera-Quiroz employees as well as career resources on cam- seeks to ensure all student organizations can “Last year, because of COVID restriction
said. pus. receive their funds equitably with more acces- codes, we were online, we didn’t have that
Q: How would you describe your “We have to realize that students have sibility to LUCC. kind of mentality... that we feel that we are a
platform? way more power than we think we do,” Peña- In addition, while continuing to address part of a team,” Nguyen said. “So some more
A: Gathering from his background ex- herrera-Quiroz said. “And I want the students issues surrounding student worker wages, en- bonding activities or some way of connecting
perience as an international as well as a first- to understand that with LUCC, not only will vironmental justice and diversity, Nguyen em- class reps together.”
generation student, Peñaherrera-Quiroz’s they have a voice in the student government, phasized that LUCC should also consider the In addition, Nguyen wants to collaborate
platform is service for all the student body. but also they will have a voice within the Board limitations for the administration. According with The Lawrentian for greater communica-
For example, Peñaherrera-Quiroz will have of Trustees and bigger echelons, whether it is to Nguyen, Lawrence administration has ex- tion with students, streamline the finance and
all cabinet members participate in student going to be achieved through conversations or perienced a staff pay cut due to the decrease recognition procedures and develop closer
organization re-recognition, rather than hav- activities.” in finances as a result of COVID-19 and its connections between class representatives
related costs, including purchasing personal and the student body.
Suburbs and cars or people and the planet: A mutually exclusive choice
Nathan Wall to centuries of stolen labor and dis- no city in the United States does - it neighborhood of Overtown, also ing problems that fuel climate change
Staff Writer crimination, own roughly 90% less forces residents, especially disabled or known as “the Harlem of the South,” and systemic racism. We need to build
__________________________ wealth than the average white fam- elderly ones, to rely on personal auto- and it was far from the only one. walkable, affordable urban metro
ily. When white people flee to the mobiles, which contributes to carbon In order to address the climate areas, stop expanding highways and
If you drive outside of the city
suburbs, the investments in urban emissions. Urban lower Manhattan crisis, we need to build out our public encourage density. Repealing apart-
limits of most major American metro
metro areas also flee, leaving blight emits about half as much as suburban transit system and end the rule that ment bans and single-family only zon-
areas, including New York City,
and poverty in their wake, and those Montclair, N.J. To perfectly illustrate allows only 20% of our Highway Trust ing would go a long way to help this,
Seattle or Milwaukee, you’ll go from
who are left are pushed out through how bad car culture is for use of Fund to be used on transit projects. as well as housing the homeless. We
seeing busy downtowns, public and
either gentrification, like in Seattle, or space, Florence, Italy, a walkable city Public transit moves people from place should also densify and desegregate
low-income housing and intercon-
natural disasters, like when Hurricane of almost 400,000 is smaller than a to place far more efficiently, reducing our living spaces.
nected, diverse neighborhoods to see-
Katrina slammed into New Orleans. single highway interchange in Atlanta. both traffic and emissions. On top
ing rows and rows of similar look-
Those communities are then further Electric cars are not a serious of needing expanded and free public There is no other choice. A
ing, single-family houses with mostly
criminalized by law enforcement and long-term solution either. On top transit, we need to create a culture car-friendly city cannot be a carbon-
white, sealed off neighborhoods. This
blamed for their own conditions. of requiring energy and minerals to in which women and queer people friendly city. At a time when climate
is no accident. The suburbs have a
Suburban sprawl has a direct connec- build the cars and batteries, it takes feel safe going out in public, because change is getting worse and worse,
long history of racism — as well as
tion with segregation, police brutality, power, often powered by the burning an unfortunate reality is that women and Black people still face racism in
negative climate and health conse-
wealth inequality and racism. of fossil fuels, to produce the electric- and queer people face a heightened every aspect of public life, including
quences.
Suburbs are also a disaster for the ity that makes the cars run. Even risk of being attacked when outside, housing, we have a choice to make.
The first suburb was Levittown,
environment. Sprawling suburbs are the tires and paint give off emissions especially at night. We need to expand Will we promote sprawling, unafford-
Pa., and it was segregated and uni-
far more car-dependent and inaccessi- that heat the Earth. We need fewer bus and train systems within cities, as able, segregated suburbs that further
form. Black people and Jewish people
ble than dense, urban areas. Suburban vehicles on the streets. The Interstate well as build a high-speed rail system entrench racism and climate change?
were explicitly barred from living
streets are often long, winding and highways, much like the suburbs, also that connects our cities. Affordable Or will we build green, affordable,
there. Although Black people are now
seemingly random, as opposed to uni- have a disturbing and racist histo- housing near transit hubs would also inclusive cities and finally start to
not legally segregated from suburban
form, walkable city streets. When cit- ry. According to NYU Law Professor help to address homelessness. address housing discrimination and
communities, it is much harder for
ies are not walkable and do not have Deborah Archer, the construction of On top of addressing public tran- the climate crisis? The choice is clear,
a Black family to live in the suburbs
a decent public transit system - which I-95 in Florida decimated the Miami sit, we need to also address the hous- whether we make the right one is not.
when the average Black family, due
The opinions expressed in The Lawrentian are those of the students, faculty and community members who wrote them. The
Lawrentian does not endorse any opinions piece except for the staff editorial, which represents a majority of the editorial
board. The Lawrentian welcomes everyone to submit their own opinions. For the full editorial policy and parameters for sub-
mitting articles, please refer to the masthead, which is located on the back of each edition.
12 COMMUNITY February 18, 2022
THE LAWRENTIAN
EDITORIAL POLICY: EDITORIAL BOARD:
Photo Poll
— Editorial policy is Editor-in-Chief:
Molly Ruffing
Jamie Dong determined by the editors.
Incoming Co-Editors-in-Chief:
Staff Photographer Any opinions that appear
Taylor Hughes
unsigned are those of the Alex Freeman
majority of The Lawrentian’s
Team Edward or Team Jacob? Editorial Board. Copy Chief:
Shania Johnson
— Letters to the editor are Incoming Copy Chief:
encouraged. The editors Miri Villerius
“Personally, I was never a fan of the “Bella’s dad. Don’t know his “Even though Jacob is hotter than
series, but from what I’ve heard Alice name and it doesn’t matter Edward, Edward is ultimately less
Cullen is a healthier option than #dilfsupremacy.” terrible of a person.”
either Edward or Jacob.”