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DVD
MASTERING
ARPEGGIOS 3
× × × × THE ULTIMATE DVD GUIDE! × × × ×
A DELUXE CRASH COURSE IN GUITAR THEORY!

FOR SERIOUSLY SERIOUS GUITARISTS
MASTERING ARPEGGIOS 3
× MASTERING ARPEGGIOS 3 ×
A DELUXE CRASH COURSE IN GUITAR THEORY!
CHAPTER 1
Review of the Primary Triad and Seventh-chord Arpeggio Qualities
FIGURES 1-5
CHAPTER 2
G Major Seven and Minor Major-seven Arpeggios in Positions
FIGURES 6-83
CHAPTER 3
G Major Seven Flat-five and Sharp-five Arpeggios in Positions
FIGURES 84-137
CHAPTER 4
G Dominant Seven Flat-five and Sharp-five Arpeggios in Positions
FIGURES 138-169
CHAPTER 5
G Dominant Seven Sus4 Arpeggios in Positions
FIGURES 170-190
CHAPTER 6
Two-notes-per-string Patterns
FIGURES 191-198
CHAPTER 7
E Harmonic Minor Diatonic Seventh-chord Arpeggios
FIGURES 199-213
CHAPTER 8
E Melodic Minor Diatonic Seventh-chord Arpeggios
FIGURES 214-228
CHAPTER 9
Interval Patterns
FIGURES 229-232
CHAPTER 10
Bonus! Classical Performance Piece
FIGURE 233
MMAAS STTEERRI N
I NGGAARRPPEEGGGGI OI OS S3 3
CHAPTER 1
Chapter 1
Review of the Primary Triad
and Seventh-chord Arpeggio Qualities
FIGURES 1-5
Review of the Primary Triad and Seventh-chord Arpeggio Qualities

FIGURE 1 the four primary triad arpeggio qualities, played up and down one string
G Gm Gdim G
3 3 3 3 3 3 3 3
0 4 7 0 4 7 0 3 7 0 3 7 0 3 6 0 3 6 0 4 7 0 4 7
Gaug G
3 3 3 3
0 4 8 0 4 8 0 4 7 0 4 7 0
FIGURE 2 same arpeggios, with the octave root note included

G Gm Gdim G
3 3 3 3 3 3 3 3
0 4 7 12 7 4 0 3 7 12 7 3 0 3 6 12 6 3 0 4 7 12 7 4
Gaug G
3 3 3 3
0 4 8 12 8 4 0 4 7 12 7 4 0
FIGURE 3 same arpeggios, played in a single position, minus the octave root note
G Gm Gdim G Gaug G
3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 2 2 3 3 4 4 3 3
4 4 3 3 3 3 4 4 4 4 4 4
5 5 5 5 5 5 5 5 5 5 5 5 5
FIGURE 4 the five primary seventh-chord arpeggios, in descending order of brightness
Gmaj7 G7 Gm7 Gm7 5
0 4 7 11 12 11 7 4 0 4 7 10 12 10 7 4 0 3 7 10 12 10 7 3 0 3 6 10 12 10 6 3
Gdim7 Gmaj7
0 3 6 9 12 9 6 3 0 4 7 11 12 11 7 4 0
FIGURE 5 same arpeggios, played in position, minus the octave root note
Gmaj7 G7 Gm7 Gm7 5 Gdim7 Gmaj7
2 2 1 1 1 1 1 1 0 0 2 2
3 3 3 3 3 3 2 2 2 2 3 3
4 4 4 4 3 3 3 3 3 3 4 4
5 5 5 5 5 5 5 5 5 5 5 5 5
CHAPTER 2
G Major Seven and Minor Major-seven
Arpeggios in Positions
Chapter 2 FIGURES 6-83
G Major Seven and Minor Major-seven Arpeggios in Positions

FIGURE 6 Gmaj7 and Gm(maj7) arpeggios, played up and down one string
Gmaj7 Gm(maj7) Gmaj7
0 4 7 11 12 11 7 4 0 3 7 11 12 11 7 3 0 4 7 11 12 11 7 4 0
2 2 2 2 2 2
3 3 3 3 3 3
4 4 3 3 4 4
5 5 5 5 5 5 5
FIGURE 8 Gmaj7 and Gm(maj7) arpeggios in two octaves, fourth position

Gmaj7 Gm(maj7)
3 7 3 3 6 3
7 7 7 7
4 7 7 4 3 7 7 3
4 5 5 4 4 5
5 5 5
3 7 7 3 6
3 7 3 3 6 3
7 7 7 7
4 7 7 4 3 7 7 3
5 4 4 5 5 4 4 5 5 4
5 5 5 5 5
6 3 7 7 3 6 6 3
FIGURE 9 same pattern, minus the top note

3 3
7 7 7 7
4 7 7 4 3 7 7 3
4 5 5 4 4 5 5 4
5 5 5 5
3 7 7 3 6 6 3
FIGURE 10 same pattern, minus the bottom note
3 7 3 3 6 3
7 7 7 7
4 7 7 4 3 7 7 3
4 5 5 4 4 5 5 4
5 5 5 5
7 6 7
FIGURE 11 eight-note "alternate-picking cell" on the A, D and G strings

4 7 4 4 7 4 3 7 3 3 7 3
4 5 5 4 4 5 5 4 4 5 5 4 4 5 5 4
5 5 5 5 5
FIGURE 12 same pattern, starting on the top note

7 4 4 7 4 4 7 3 3 7 3 3 7
5 4 4 5 5 4 4 5 5 4 4 5 5 4 4 5
5 5 5 5
FIGURE 13 six-note triplet variation

3 3 3 3 3 3 3 3
4 4 3 3
4 5 5 4 4 5 5 4 4 5 5 4 4 5 5 4
5 5 5 5 5

3 3 3 3 3 3 3 3
4 4 3 3 4
5 4 4 5 5 4 4 5 5 4 4 5 5 4 4 5
5 5 5 5
FIGURE 15 Gmaj7 and Gm(maj7) arpeggios in two octaves, sixth position
7 6
7 8 8 7 7 8 8 7
7 7 7 7
5 9 9 5 5 8 8 5
5 9 9 5 5 9 9 5
7 6 7
FIGURE 16 eight-note "alternate-picking cell" on the bottom three strings

5 9 5 5 9 5 5 8 5 5 8 5
5 9 9 5 5 9 9 5 5 9 9 5 5 9 9 5
7 7 6 6 7

9 5 5 9 5 5 8 5 5 8 5 5 9
9 5 5 9 9 5 5 9 9 5 5 9 9 5 5 9
7 7 6 6
FIGURE 18 six-note variation

3 3 3 3 3 3 3 3
5 5 5 5
5 9 9 5 5 9 9 5 5 9 9 5 5 9 9 5
7 7 6 6 7

3 3 3 3 3 3 3 3
5 5 5 5 5
9 5 5 9 9 5 5 9 9 5 5 9 9 5 5 9
7 7 6 6
FIGURE 20 higher triplet variation, on the A and D strings only
3 3 3 3 3 3 3 3
9 5 5 9 5 5 8 5 5 8 5 5 9
9 5 9 9 5 9 9 5 9 9 5 9
FIGURE 21 same pattern, starting on the bottom note

3 3 3 3 3 3 3 3
5 9 5 5 9 5 5 8 5 5 8 5
5 9 9 5 9 9 5 9 9 5 9 9 5
FIGURE 22 Gmaj7 and Gm(maj7) arpeggios in two octaves, seventh position

Gmaj7 Gm(maj7)
7 10 7 6 10 6
7 8 8 7 7 8 8 7
7 7 7 7
9 9 8
9 10 10 9 9 10
7 10 10 6 10
7 10 7 6 10 6
7 8 8 7 7 8 8 7
7 7 7 7
8 9 9 8 8
10 9 9 10 10 9 9 10 10 9
10 7 10 10 6 10 10 7

7 6
7 8 8 7 7 8 8 7
7 7 7 7
9 9 8 8
9 10 10 9 9 10 10 9
7 10 10 6 10 10 7
7 10 7 6 10 6
7 8 8 7 7 8 8 7
7 7 7 7
9 9 8 8
9 10 10 9 9 10 10 9
10 10 10
FIGURE 25 six-note "alternate-picking cell" on the top two strings

3 3 3 3 3 3 3 3
7 10 7 7 10 7 6 10 6 6 10 6
7 8 8 7 8 8 7 8 8 7 8 8 7

3 3 3 3 3 3 3 3
10 7 7 10 7 7 10 6 6 10 6 6 10
8 7 8 8 7 8 8 7 8 8 7 8
FIGURE 27 16th-note variation, descending only (four-note "cell")

10 7 10 7 10 7 10 7 10 6 10 6 10 6 10 6 10
8 7 8 7 8 7 8 7 8 7 8 7 8 7 8 7
FIGURE 28 Gmaj7 and Gm(maj7) arpeggios in two octaves, ninth position

10 10
12 12 11 11
1112 12 11 11 12 12 11
9 12 12 9 8 12 12 8
9 10 10 9 9 10 10 9
10 10 10
FIGURE 29 eight-note "alternate picking cell" on the bottom three strings
9 12 9 9 12 9 8 12 8 8 12 8
9 10 10 9 9 10 10 9 9 10 10 9 9 10 10 9
10 10 10 10 10

12 9 9 12 9 9 12 8 8 12 8 8 12
10 9 9 10 10 9 9 10 10 9 9 10 10 9 9 10
10 10 10 10

3 3 3 3 3 3 3 3
9 9 8 8
9 10 10 9 9 10 10 9 9 10 10 9 9 10 10 9
10 10 10 10 10

Gm(maj7) Gmaj7
3 3 3 3 3 3 3 3
9 9 8 8 9
10 9 9 10 10 9 9 10 10 9 9 10 10 9 9 10
10 10 10 10

11 11 11 11
9 12 12 9 9 12 12 9 8 12 12 8 8 12 12 8
9 10 10 9 10 10 9 10 10 9 10 10 9
11 11 11 11 11
12 9 9 12 12 9 9 12 12 8 8 12 12 8 8 12
10 9 10 10 9 10 10 9 10 10 9 10
FIGURE 35 six-note variation, using only the notes on the A and D strings
3 3 3 3 3 3 3 3
9 12 9 9 12 9 8 12 8 8 12 8
9 10 10 9 10 10 9 10 10 9 10 10 9

3 3 3 3 3 3 3 3
12 9 9 12 9 9 12 8 8 12 8 8 12
10 9 10 10 9 10 10 9 10 10 9 10
FIGURE 37 higher eight-note cell on the A, D and G strings

11 12 11 11 12 11 11 12 11 11 12 11
9 12 12 9 9 12 12 9 8 12 12 8 8 12 12 8
10 10 10 10 10
FIGURE 38 same pattern, starting on the top note (not demonstrated in video)
12 11 11 12 11 11 12 11 11 12 11 11 12
12 9 9 12 12 9 9 12 12 8 8 12 12 8 8 12
10 10 10 10
3 3 3 3 3 3 3 3
11 11 11 11
9 12 12 9 9 12 12 9 8 12 12 8 8 12 12 8
10 10 10 10 10

3 3 3 3 3 3 3 3
11 11 11 11 11
12 9 9 12 12 9 9 12 12 8 8 12 12 8 8 12
10 10 10 10
FIGURE 41 higher variation, using only the notes on the D and G strings
3 3 3 3 3 3 3 3
11 12 11 11 12 11 11 12 11 11 12 11
9 12 12 9 12 12 8 12 12 8 12 12 9

3 3 3 3 3 3 3 3
12 11 11 12 11 11 12 11 11 12 11 11 12
12 9 12 12 9 12 12 8 12 12 8 12
FIGURE 43 Gmaj7 and Gm(maj7) arpeggios in two octaves, 11th position

Gmaj7 Gm(maj7)
10 14 10 10 14 10
12 12 11 11
11 12 12 11 11 12 12 11
12 12 12
10 14 14 10 10 13
10 14 14 10 14
Gmaj7 Gmaj7
10 14 10 10 14 10
12 12 11 11
11 12 12 11 11 12 12 11
12 12 12 12 12
13 10 10 14 14 10 10 13 13 10
14 10 14 14 10 14 14 10

10 10
12 12 11 11
1112 12 11 11 12 12 11
12 12 12 12
10 14 14 10 10 13 13 10
10 14 14 10 14 14 10

10 14 10 10 14 10
12 12 11 11
11 12 12 11 11 12 12 11
12 12 12 12
10 14 14 10 10 13 13 10
14 14 14

12 12 12 12
10 14 14 10 10 14 14 10 10 13 13 10 10 13 13 10
10 14 14 10 14 14 10 14 14 10 14 14 10

12 12 12 12 12
14 10 10 14 14 10 10 14 13 10 10 13 13 10 10 13
14 10 14 14 10 14 14 10 14 14 10 14
FIGURE 48 six-note variation, using only the notes on the bottom two strings
3 3 3 3 3 3 3 3
10 14 10 10 14 10 10 13 10 10 13 10
10 14 14 10 14 14 10 14 14 10 14 14 10

3 3 3 3 3 3 3 3
14 10 10 14 10 10 13 10 10 13 10 10 14
14 10 14 14 10 14 14 10 14 14 10 14
FIGURE 50 higher variation on the bottom three strings

3 3 3 3 3 3 3 3
12 12 12 12
10 14 14 10 10 14 14 10 10 13 13 10 10 13 13 10
14 14 14 14 14

3 3 3 3 3 3 3 3
12 12 12 12 12
14 10 10 14 14 10 10 14 13 10 10 13 13 10 10 13
14 14 14 14

Gmaj7 Gm(maj7)
14 15 14 14 15 14
15 15 15 15
12 16 16 12 12 15 15 12
12 16 16 12 12 16
14 14 13
14 15 15 14 15
14 15 14 14 15 14
15 15 15 15
12 16 16 12 12 15 15 12
16 12 12 16 16 12 12 16 16 12
13 14 14 13 13
15 14 15 15 14 15 15 14

14 14
15 15 15 15
12 16 16 12 12 15 15 12
12 16 16 12 12 16 16 12
14 14 13 13
14 15 15 14 15 15 14

14 15 14 14 15 14
15 15 15 15
12 16 16 12 12 15 15 12
12 16 16 12 12 16 16 12
14 14 13 13
15 15 15
FIGURE 55 same complete shape, shifted down 12 frets and one octave, to first position
Gmaj7 Gm(maj7)
2 3 2 2 3 2
3 3 3 3
0 4 4 0 0 3 3 0
0 4 4 0 0 4
2 2 1
2 3 3 2 3
2 3 2 2 3 2
3 3 3 3
0 4 4 0 0 3 3 0
4 0 0 4 4 0 0 4 4 0
1 2 2 1 1
3 2 3 3 2 3 3 2
2 2
3 3 3 3
0 4 4 0 0 3 3 0
0 4 4 0 0 4 4 0
2 2 1 1
2 3 3 2 3 3 2

2 3 2 2 3 2
3 3 3 3
0 4 4 0 0 3 3 0
0 4 4 0 0 4 4 0
2 2 1 1
3 3 3

0 4 0 0 4 0 0 3 0 0 3 0
0 4 4 0 0 4 4 0 0 4 4 0 0 4 4 0
2 2 1 1 2

4 0 0 4 0 0 3 0 0 3 0 0 4
4 0 0 4 4 0 0 4 4 0 0 4 4 0 0 4
2 2 1 1
FIGURE 60 same pattern, one octave and 12 frets higher, in 13th position
16 12 12 16 12 12 15 12 12 15 12 12 16
16 12 12 16 16 12 12 16 16 12 12 16 16 12 12 16
14 14 13 13
12 16 12 12 16 12 12 15 12 12 15 12
12 16 16 12 12 16 16 12 12 16 16 12 12 16 16 12
14 14 13 13 14

3 3 3 3 3 3 3 3
12 12 12 12
12 16 16 12 12 16 16 12 12 16 16 12 12 16 16 12
14 14 13 13 14

3 3 3 3 3 3 3 3
12 12 12 12 12
16 12 12 16 16 12 12 16 16 12 12 16 16 12 12 16
14 14 13 13
FIGURE 64 same pattern, shifted down 12 frets and one octave, to first position
3 3 3 3 3 3 3 3
0 0 0 0 0
4 0 0 4 4 0 0 4 4 0 0 4 4 0 0 4
2 2 1 1

3 3 3 3 3 3 3 3
0 0 0 0
0 4 4 0 0 4 4 0 0 4 4 0 0 4 4 0
2 2 1 1 2
FIGURE 66 higher six-note pattern, on the D and G strings only
3 3 3 3 3 3 3 3
0 4 0 0 4 0 0 3 0 0 3 0
0 4 4 0 4 4 0 4 4 0 4 4 0

3 3 3 3 3 3 3 3
4 0 0 4 0 0 3 0 0 3 0 0 4
4 0 4 4 0 4 4 0 4 4 0 4
Gmay7 Gm(maj7) Gmaj7
3 3 3 3 3 3 3 3
16 12 12 16 12 12 15 12 12 15 12 12 16
16 12 16 16 12 16 16 12 16 16 12 16

3 3 3 3 3 3 3 3
12 16 12 12 16 12 12 15 12 12 15 12
12 16 16 12 16 16 12 16 16 12 16 16 12
FIGURE 70 higher variation on the D, G and B strings

3 3 3 3 3 3 3 3
15 15 15 15
12 16 16 12 12 16 16 12 12 15 15 12 12 15 15 12
16 16 16 16 16
3 3 3 3 3 3 3 3
15 15 15 15 15
16 12 12 16 16 12 12 16 15 12 12 15 15 12 12 15
16 16 16 16
FIGURE 72 same pattern, one octave and 12 frets lower, in first position
3 3 3 3 3 3 3 3
3 3 3 3 3
4 0 0 4 4 0 0 4 3 0 0 3 3 0 0 3
4 4 4 4

3 3 3 3 3 3 3 3
3 3 3 3
0 4 4 0 0 4 4 0 0 3 3 0 0 3 3 0
4 4 4 4 4

Gmaj7 Gm(maj7)
14 15 14 14 15 14
15 15 15 15
16 16 15 15
16 17 17 16 16 17 17
14 17 17 14 13 17
14 15 15 14 15
14 15 14 14 15 14
15 15 15 15
16 16 15 15
16 16 17 17 16 16 17 17 16
17 13 14 17 17 14 13 17 17 13
15 14 15 15 14 15 15 14
FIGURE 75 same pattern, one octave and 12 frets lower, in second position
Gmaj7 Gm(maj7)
2 3 2 2 3 2
3 3 3 3
4 4 3 3
4 5 5 4 4 5 5
2 5 5 2 1 5
2 3 3 2 3
2 3 2 2 3 2
3 3 3 3
4 4 3 3
4 4 5 5 4 4 5 5 4
5 1 2 5 5 2 1 5 5 1
3 2 3 3 2 3 3 2
FIGURE 76 eight-note "alternating picking cell" on the bottom three strings

4 4 4 4
2 5 5 2 2 5 5 2 1 5 5 1 1 5 5 1
2 3 3 2 3 3 2 3 3 2 3 3 2

4 4 4 4 4
5 2 2 5 5 2 2 5 5 1 1 5 5 1 1 5
3 2 3 3 2 3 3 2 3 3 2 3
16 16 16 16 16
17 14 14 17 17 14 14 17 17 13 13 17 17 13 13 17
15 14 15 15 14 15 15 14 15 15 14 15
16 16 16 16
14 17 17 14 14 17 17 14 13 17 17 13 13 17 17 13
14 15 15 14 15 15 14 15 15 14 15 15 14
FIGURE 80 slightly higher pattern, starting on the second note

16 17 16 16 17 16 16 17 16 16 17 16
14 17 17 14 14 17 17 14 13 17 17 13 13 17 17 13
15 15 15 15 15

17 16 16 17 16 16 17 16 16 17 16 16 17
17 14 14 17 17 14 14 17 17 13 13 17 17 13 13 17
15 15 15 15
5 4 4 5 4 4 5 4 4 5 4 4 5
5 2 2 5 5 2 2 5 5 1 1 5 5 1 1 5
3 3 3 3

4 5 4 4 5 4 4 5 4 4 5 4
2 5 5 2 2 5 5 2 1 5 5 1 1 5 5 1
3 3 3 3 3
CHAPTER 3
G Major Seven Flat-five and
Sharp-five Arpeggios in Positions
Chapter 3
FIGURES 84-137
G Major Seven Flat-five and Sharp-five Arpeggios in Positions

FIGURE 84 Gmaj7, Gmaj7b5 and Gmaj7#5 arpeggios, played up and down one string
Gmaj7 Gmaj7b5
0 4 7 11 12 11 7 4 0 4 7 11 12 11 7 4 0 4 6 11 12 11 6 4 0 4 6 11 12 11 6 4
Gmaj7 Gmaj7 #5 Gmaj7
0 4 7 1112 11 7 4 0 4 7 11 12 11 7 4 0 4 8 11 12 11 8 4 0 4 8 11 12 11 8 4 0
FIGURE 85 same arpeggios, played in position (minus the octave root note)
Gmaj7 Gmaj7b5 Gmaj7 Gmaj7 #5 Gmaj7
2 2 2 2 2 2 2 2 2
3 3 2 2 3 3 4 4 3
4 4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5 5
FIGURE 86 Gmaj7, Gmaj7b5 and Gmaj7#5 arpeggios in two octaves, fourth position
Gmaj7 Gmaj7b5
3 7 3 3 7 3
7 7 7 7
4 7 7 4 4 6 6 4
4 5 5 4 4 5
5 5 4
3 7 7 3 7
3 7 3 3 7 3
7 7 4 7 7 4
4 7 7 4 4 4
5 4 4 5 5 4 4 5 5 4
4 5 5 6 6
7 3 7 7 3 7 7 3
Gmaj7 Gmaj7b5
3 3
7 7 7 7
4 7 7 4 4 6 6 4
4 5 5 4 4 5 5 4
5 5 4 4
3 7 7 3 7 7
3 3
7 7 4 7 7 4
4 7 7 4 4 4
4 5 5 4 4 5 5 4
5 5 6 6
3 7 7 3 7 7 3

Gmaj7 Gmaj7b5
3 7 3 3 7 3
7 7 7 7
4 7 7 4 4 6 6 4
4 5 5 4 4 5 5 4
5 5 4 4
7 7
3 7 3 3 7 3
7 7 4 7 7 4
4 7 7 4 4 4
4 5 5 4 4 5 5 4
5 5 6 6
7 7 7

Gmaj7 Gmaj7b5
4 7 4 4 7 4 4 6 4 4 6 4
4 5 5 4 4 5 5 4 4 5 5 4 4 5 5 4
5 5 4 4
4 7 4 4 7 4 4 8 4 4 8 4
4 5 5 4 4 5 5 4 4 5 5 4 4 5 5 4
5 5 6 6 5
Gmaj7 Gmaj7b5
7 4 4 7 4 4 6 4 4 6 4 4
5 4 4 5 5 4 4 5 5 4 4 5 5 4 4 5
5 5 4 4
Gmaj7 Gmaj7 #5
7 4 4 7 4 4 8 4 4 8 4 4 7
5 4 4 5 5 4 4 5 5 4 4 5 5 4 4 5
5 5 6 6

Gmaj7 Gmaj7b5
3 3 3 3 3 3 3 3
4 4 4 4
4 5 5 4 4 5 5 4 4 5 5 4 4 5 5 4
5 5 4 4

3 3 3 3 3 3 3 3
4 4 4 4
4 5 5 4 4 5 5 4 4 5 5 4 4 5 5 4
5 5 6 6 5

Gmaj7 Gmaj7b5
3 3 3 3 3 3 3 3
4 4 4 4
5 4 4 5 5 4 4 5 5 4 4 5 5 4 4 5
5 5 4 4
3 3 3 3 3 3 3 3
4 4 4 4 4
5 4 4 5 5 4 4 5 5 4 4 5 5 4 4 5
5 5 6 6
FIGURE 93 Gmaj7, Gmaj7b5 and Gmaj7#5 arpeggios in two octaves, sixth position
Gmaj7 Gmaj7b5
7 7
7 8 8 7 7 8 8 7
7 7 6 6
5 9 9 5 5 9 9 5
5 9 9 5 4 9 9 4
7 7
7 7
7 8 8 7 7 8 8 7
7 7 8 8
5 9 9 5 5 9 9 5
5 9 9 5 6 9 9 6
7 7 7
FIGURE 94 Gmaj7, Gmaj7b5 and Gmaj7#5 arpeggios in two octaves, seventh position
Gmaj7 Gmaj7b5
7 10 7 7 9 7
7 8 8 7 7 8 8 7
7 7 6 6
9 9 9
9 10 10 9 9 10
7 10 9 7 9
7 10 7 7 11 7
7 8 8 7 7 8 8 7
7 7 8 8
9 9 9 9 9
10 9 9 10 10 9 9 10 10 9
9 7 10 10 7 11 11 7

Gmaj7 Gmaj7b5
7 7
7 8 8 7 7 8 8 7
7 7 6 6
9 9 9 9
9 10 10 9 9 10 10 9
7 10 10 7 9 9
7 7
7 8 8 7 7 8 8 7
7 7 8 8
9 9 9 9
9 10 10 9 9 10 10 9
7 10 10 7 11 11 7

Gmaj7 Gmaj7b5
7 10 7 7 9 7
7 8 8 7 7 8 8 7
7 7 6 6
9 9 9 9
9 10 10 9 9 10 10 9
10 9
7 10 7 7 11 7
7 8 8 7 7 8 8 7
7 7 8 8
9 9 9 9
9 10 10 9 9 10 10 9
10 11 10

Gmaj7 Gmaj7b5
3 3 3 3 3 3 3 3
7 10 7 7 10 7 7 9 7 7 9 7
7 8 8 7 8 8 7 8 8 7 8 8
3 3 3 3 3 3 3 3
7 10 7 7 10 7 7 11 7 7 11 7
7 8 8 7 8 8 7 8 8 7 8 8 7

Gmaj7 Gmaj7b5
3 3 3 3 3 3 3 3
10 7 7 10 7 7 9 7 7 9 7 7
8 7 8 8 7 8 8 7 8 8 7 8
3 3 3 3 3 3 3 3
10 7 7 10 7 7 11 7 7 11 7 7 10
8 7 8 8 7 8 8 7 8 8 7 8

Gmaj7 Gmaj7b5
10 7 10 7 10 7 10 7 9 7 9 7 9 7 9 7
8 7 8 7 8 7 8 7 8 7 8 7 8 7 8 7
10 7 10 7 10 7 10 7 11 7 11 7 11 7 11 7 10
8 7 8 7 8 7 8 7 8 7 8 7 8 7 8 7
FIGURE 100 Gmaj7, Gmaj7b5 and Gmaj7#5 arpeggios in two octaves, ninth position
Gmaj7 Gmaj7b5
10 9
12 12 12 12
11 12 12 11 11 12 12 11
9 12 12 9 9 11 11 9
9 10 10 9 9 10 10 9
10 9
10 11
12 12 12 12
1112 12 11 11 12 12 11
9 12 12 9 9 13 13 9
9 10 10 9 9 10 10 9
10 11 10
Gmaj7 Gmaj7b5
9 12 9 9 12 9 9 11 9 9 11 9
9 10 10 9 9 10 10 9 9 10 10 9 9 10 10 9
10 10 9 9
9 12 9 9 12 9 9 13 9 9 13 9
9 10 10 9 9 10 10 9 9 10 10 9 9 10 10 9
10 10 11 11 10

Gmaj7 Gmaj7b5
12 9 9 12 9 9 11 9 9 11 9 9
10 9 9 10 10 9 9 10 10 9 9 10 10 9 9 10
10 10 9 9
12 9 9 12 9 9 13 9 9 13 9 9 12
10 9 9 10 10 9 9 10 10 9 9 10 10 9 9 10
10 10 11 11

Gmaj7 Gmaj7b5
3 3 3 3 3 3 3 3
9 9 9 9
9 10 10 9 9 10 10 9 9 10 10 9 9 10 10 9
10 10 9 9

3 3 3 3 3 3 3 3
9 9 9 9
9 10 10 9 9 10 10 9 9 10 10 9 9 10 10 9
10 10 11 11 10
Gmaj7 Gmaj7b5
3 3 3 3 3 3 3 3
9 9 9 9
10 9 9 10 10 9 9 10 10 9 9 10 10 9 9 10
10 10 9 9

3 3 3 3 3 3 3 3
9 9 9 9 9
10 9 9 10 10 9 9 10 10 9 9 10 10 9 9 10
10 10 11 11

Gmaj7 Gmaj7b5
11 11 11 11
9 12 12 9 9 12 12 9 9 11 11 9 9 11 11 9
9 10 10 9 10 10 9 10 10 9 10 10
11 11 11 11
9 12 12 9 9 12 12 9 9 13 13 9 9 13 13 9
9 10 10 9 10 10 9 10 10 9 10 10 9

Gmaj7 Gmaj7b5
11 11 11 11
12 9 9 12 12 9 9 12 11 9 9 11 11 9 9 11
10 9 10 10 9 10 10 9 10 10 9 10
11 11 11 11 11
12 9 9 12 12 9 9 12 13 9 9 13 13 9 9 13
10 9 10 10 9 10 10 9 10 10 9 10
Gmaj7 Gmaj7b5
3 3 3 3 3 3 3 3
9 12 9 9 12 9 9 11 9 9 11 9
9 10 10 9 10 10 9 10 10 9 10 10

3 3 3 3 3 3 3 3
9 12 9 9 12 9 9 13 9 9 13 9
9 10 10 9 10 10 9 10 10 9 10 10 9

Gmaj7 Gmaj7b5
3 3 3 3 3 3 3 3
12 9 9 12 9 9 11 9 9 11 9 9
10 9 10 10 9 10 10 9 10 10 9 10

3 3 3 3 3 3 3 3
12 9 9 12 9 9 13 9 9 13 9 9 12
10 9 10 10 9 10 10 9 10 10 9 10
Gmaj7 Gmaj7b5
11 12 11 11 12 11 11 12 11 11 12 11
9 12 12 9 9 12 12 9 9 11 11 9 9 11 11 9
10 10 10 10
11 12 11 11 12 11 11 12 11 11 12 11
9 12 12 9 9 12 12 9 9 13 13 9 9 13 13 9
10 10 10 10 10

Gmaj7 Gmaj7b5
12 11 11 12 11 11 12 11 11 12 11 11
12 9 9 12 12 9 9 12 11 9 9 11 11 9 9 11
10 10 10 10
12 11 11 12 11 11 12 11 11 12 11 11 12
12 9 9 12 12 9 9 12 13 9 9 13 13 9 9 13
10 10 10 10

Gmaj7 Gmaj7b5
3 3 3 3 3 3 3 3
11 11 11 11
9 12 12 9 9 12 12 9 9 11 11 9 9 11 11 9
10 10 10 10
3 3 3 3 3 3 3 3
11 11 11 11
9 12 12 9 9 12 12 9 9 13 13 9 9 13 13 9
10 10 10 10 10

Gmaj7 Gmaj7b5
3 3 3 3 3 3 3 3
11 11 11 11
12 9 9 12 12 9 9 12 11 9 9 11 11 9 9 11
10 10 10 10
3 3 3 3 3 3 3 3
11 11 11 11 11
12 9 9 12 12 9 9 12 13 9 9 13 13 9 9 13
10 10 10 10
Gmaj7 Gmaj7b5
3 3 3 3 3 3 3 3
11 12 11 11 12 11 11 12 11 11 12 11
9 12 12 9 12 12 9 11 11 9 11 11
3 3 3 3 3 3 3 3
11 12 11 11 12 11 11 12 11 11 12 11
9 12 12 9 12 12 9 13 13 9 13 13 9
Gmaj7 Gmaj7b5
3 3 3 3 3 3 3 3
12 11 11 12 11 11 12 11 11 12 11 11
12 9 12 12 9 12 11 9 11 11 9 11
3 3 3 3 3 3 3 3
12 11 11 12 11 11 12 11 11 12 11 11 12
12 9 12 12 9 12 13 9 13 13 9 13
FIGURE 115 Gmaj7, Gmaj7b5 and Gmaj7#5 arpeggios in two octaves, 11th position
Gmaj7 Gmaj7b5
10 14 10 9 14 9
12 12 12 12
11 12 12 11 11 12 12 11
12 12 11
10 14 14 10 10 14
10 14 14 9 14
10 1410 11 14 11
12 12 12 12
1112 12 11 11 12 12 11
11 12 12 13 13
1410 1014 14 10 10 14 14 10
1410 14 14 11 14 14 10

Gmaj7 Gmaj7b5
10 9
12 12 12 12
11 12 12 11 11 12 12 11
12 12 11 11
10 14 14 10 10 14 14 10
10 14 14 9 14 14
10 11
12 12 12 12
1112 12 11 11 12 12 11
12 12 13 13
10 14 14 10 10 14 14 10
10 14 14 11 14 14 10

Gmaj7 Gmaj7b5
10 14 10 9 14 9
12 12 12 12
11 12 12 11 11 12 12 11
12 12 11 11
10 14 14 10 10 14 14 10
14 14
10 14 10 11 14 11
12 12 12 12
1112 12 11 11 12 12 11
12 12 13 13
10 14 14 10 10 14 14 10
14 14 14
Gmaj7 Gmaj7b5
12 12 11 11
10 14 14 10 10 14 14 10 10 14 14 10 10 14 14 10
10 14 14 10 14 14 9 14 14 9 14 14
12 12 13 13
10 14 14 10 10 14 14 10 10 14 14 10 10 14 14 10
10 14 14 10 14 14 11 14 14 11 14 14 10

Gmaj7 Gmaj7b5
12 12 11 11
14 10 10 14 14 10 10 14 14 10 10 14 14 10 10 14
14 10 14 14 10 14 14 9 14 14 9 14
12 12 13 13 12
14 10 10 14 14 10 10 14 14 10 10 14 14 10 10 14
14 10 14 14 10 14 14 11 14 14 11 14
FIGURE 120 six-note variation, using only the notes on the bottom two strings
Gmaj7 Gmaj7b5
3 3 3 3 3 3 3 3
10 14 10 10 14 10 10 14 10 10 14 10
10 14 14 10 14 14 9 14 14 9 14 14

3 3 3 3 3 3 3 3
10 14 10 10 14 10 10 14 10 10 14 10
10 14 14 10 14 14 11 14 14 11 14 14 10

Gmaj7 Gmaj7b5
3 3 3 3 3 3 3 3
14 10 10 14 10 10 14 10 10 14 10 10
14 10 14 14 10 14 14 9 14 14 9 14

3 3 3 3 3 3 3 3
14 10 10 14 10 10 14 10 10 14 10 10 14
14 10 14 14 10 14 14 11 14 14 11 14
FIGURE 122 higher variation on the bottom three strings
Gmaj7 Gmaj7b5
3 3 3 3 3 3 3 3
12 12 11 11
10 14 14 10 10 14 14 10 10 14 14 10 10 14 14 10
14 14 14 14

3 3 3 3 3 3 3 3
12 12 13 13
10 14 14 10 10 14 14 10 10 14 14 10 10 14 14 10
14 14 14 14 14

Gmaj7 Gmaj7b5
3 3 3 3 3 3 3 3
12 12 11 11
14 10 10 14 14 10 10 14 14 10 10 14 14 10 10 14
14 14 14 14

3 3 3 3 3 3 3 3
12 12 13 13 12
14 10 10 14 14 10 10 14 14 10 10 14 14 10 10 14
14 14 14 14
FIGURE 124 Gmaj7, Gmaj7b5 and Gmaj7#5 arpeggios in two octaves, 13th position
Gmaj7 Gmaj7b5
14 15 14 14 15 14
15 15 14 14
12 16 16 12 12 16 16 12
12 16 16 12 11 16
14 14 14
14 15 15 14 15
14 15 14 14 15 14
15 15 16 16
12 16 16 12 12 16 16 12
16 11 1216 16 12 13 16 16 13
14 14 14 14 14
1514 15 15 14 15 15 14

Gmaj7 Gmaj7b5
14 14
15 15 14 14
12 16 16 12 12 16 16 12
12 16 16 12 11 16 16 11
14 14 14 14
14 15 15 14 15 15
14 14
15 15 16 16
12 16 16 12 12 16 16 12
12 16 16 12 13 16 16 13
14 14 14 14
14 15 15 14 15 15 14

Gmaj7 Gmaj7b5
14 15 14 14 15 14
15 15 14 14
12 16 16 12 12 16 16 12
12 16 16 12 11 16 16 11
14 14 14 14
15 15
14 15 14 14 15 14
15 15 16 16
12 16 16 12 12 16 16 12
12 16 16 12 13 16 16 13
14 14 14 14
15 15 15
FIGURE 127 same shape, shifted down 12 frets and one octave, to first position
Gmaj7 Gmaj7b5
2 3 2 2 3 2
3 3 2 2
0 4 4 0 0 4 4 0
0 4 4 0 4
2 2 2 4
2 3 3 2 3
2 3 2 2 3 2
3 3 4 4
0 4 4 0 0 4 4 0
4 0 4 4 0 1 4 4 1
4 2 2 2 2 2
3 2 3 3 2 3 3 2

Gmaj7 Gmaj7b5
2 2
3 3 2 2
0 4 4 0 0 4 4 0
0 4 4 0 4 4
2 2 2 4 4 2
2 3 3 2 3 3
Gmaj7 Gmaj7
2 2
3 3 4 4
0 4 4 0 0 4 4 0
0 4 4 0 1 4 4 1
2 2 2 2
2 3 3 2 3 3 2

Gmaj7 Gmaj7b5
2 3 2 2 3 2
3 3 2 2
0 4 4 0 0 4 4 0
0 4 4 0 4 4
2 2 2 4 4 2
3 3
2 3 2 2 3 2
3 3 4 4
0 4 4 0 0 4 4 0
0 4 4 0 1 4 4 1
2 2 2 2
3 3 3
FIGURE 130 Gmaj7, Gmaj7b5 and Gmaj7 #5 arpeggios in two octaves, 14th position
Gmaj7 Gmaj7b5
14 15 14 14 15 14
15 15 14 14
16 16 16 16
16 17 17 16 16 17 17
14 17 17 14 14 16
14 15 15 14 15
14 15 14 14 15 14
15 15 16 16
16 16 16 16
16 16 17 17 16 16 17 17 16
16 14 14 17 17 14 14 18 18 14
15 14 15 15 14 15 15 14
Gmaj7 Gmaj7b5
2 3 2 2 3 2
3 3 2 2
4 4 4 4
4 5 5 4 4 5 5
2 5 5 2 2 4
2 3 3 2 3
2 3 2 2 3 2
3 3 4 4
4 4 4 4
4 4 5 5 4 4 5 5 4
4 2 2 5 5 2 2 6 6 2
3 2 3 3 2 3 3 2
FIGURE 132 eight-note "alternating picking cell" on the bottom three strings
Gmaj7 Gmaj7b5
4 4 4 4
2 5 5 2 2 5 5 2 2 4 4 2 2 4 4 2
2 3 3 2 3 3 2 3 3 2 3 3
4 4 4 4
2 5 5 2 2 5 5 2 2 6 6 2 2 6 6 2
2 3 3 2 3 3 2 3 3 2 3 3 2

Gmaj7 Gmaj7b5
4 4 4 4
5 2 2 5 5 2 2 5 4 2 2 4 4 2 2 4
3 2 3 3 2 3 3 2 3 3 2 3
Gmaj7 #5 Gmaj7
4 4 4 4 4
5 2 2 5 5 2 2 5 6 2 2 6 6 2 2 6
3 2 3 3 2 3 3 2 3 3 2 3
Gmaj7 Gmaj7b5
16 16 16 16
17 14 14 17 17 14 14 17 16 14 14 16 16 14 14 16
15 14 15 15 14 15 15 14 15 15 14 15
16 16 16 16 16
17 14 14 17 17 14 14 17 18 14 14 18 18 14 14 18
15 14 15 15 14 15 15 14 15 15 14 15
Gmaj7 Gmaj7b5
16 16 16 16
14 17 17 14 14 17 17 14 14 16 16 14 14 16 16 14
14 15 15 14 15 15 14 15 15 14 15 15
16 16 16 16
14 17 17 14 14 17 17 14 14 18 18 14 14 18 18 14
14 15 15 14 15 15 14 15 15 14 15 15 14
FIGURE 136 slightly higher pattern, starting on the second note

Gmaj7 Gmaj7b5
16 17 16 16 17 16 16 17 16 16 17 16
14 17 17 14 14 17 17 14 14 16 16 14 14 16 16 14
15 15 15 15
16 17 16 16 17 16 16 17 16 16 17 16
14 17 17 14 14 17 17 14 14 18 18 14 14 18 18 14
15 15 15 15 15
Gmaj7 Gmaj7b5
4 5 4 4 5 4 4 5 4 4 5 4
2 5 5 2 2 5 5 2 2 4 4 2 2 4 4 2
3 3 3 3
Gmaj7 Gmaj7 #5
4 5 4 4 5 4 4 5 4 4 5 4
2 5 5 2 2 5 5 2 2 6 6 2 2 6 6 2
3 3 3 3 3
CHAPTER 4
Chapter 4
G Dominant Seven Flat-five and
Sharp-five Arpeggios in Positions
FIGURES 138-169
G Dominant Seven Flat-five and Sharp-five Arpeggios in Positions
FIGURE 138 G7, G7b5 and G7#5 arpeggios, played up and down one string
G7 G7 5
0 4 7 10 12 10 7 4 0 4 7 10 12 10 7 4 0 4 6 10 12 10 6 4 0 4 6 10 12 10 6 4
G7 G7 #5 G7
0 4 7 10 12 10 7 4 0 4 7 10 12 10 7 4 0 4 8 10 12 10 8 4 0 4 8 10 12 10 8 4 0
FIGURE 139 same arpeggios, played in position (minus the octave root note)
G7 G7 5 G7 G7 #5 G7
1 1 1 1 1 1 1 1 1
3 3 2 2 3 3 4 4 3
4 4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5 5
FIGURE 140 G7b5 and Db7b5: same notes

G7 5 D 7 5
7 9 7 9
6 8 6 8
4 6 4 6
3 5 3 5
2 4 4
3
FIGURE 141 G7, G7b5 and G7#5 arpeggios in two octaves, fourth position
G7 G7 5
3 7 3 3 7 3
6 6 6 6
4 7 7 4 4 6 6 4
3 5 5 3 3 5
5 5 4
3 7 7 3 7
G7 G7 #5 G7
3 7 3 3 7 3
6 6 4 6 6 4
4 7 7 4 4 4
5 3 3 5 5 3 3 5 5 3
4 5 5 6 6
7 3 7 7 3 7 7 3

G7 G7 5
3 3
6 6 6 6
4 7 7 4 4 6 6 4
3 5 5 3 3 5 5 3
5 5 4 4
3 7 7 3 7 7
G7 G7 #5 G7
3 3
6 6 4 6 6 4
4 7 7 4 4 4
3 5 5 3 3 5 5 3
5 5 6 6
3 7 7 3 7 7 3

G7 G7 5
3 7 3 3 7 3
6 6 6 6
4 7 7 4 4 6 6 4
3 5 5 3 3 5 5 3
5 5 4 4
7 7
G7 G7 #5 G7
3 7 3 3 7 3
6 6 4 6 6 4
4 7 7 4 4 4
3 5 5 3 3 5 5 3
5 5 6 6
7 7 7

G7 G7 5
4 7 4 4 7 4 4 6 4 4 6 4
3 5 5 3 3 5 5 3 3 5 5 3 3 5 5 3
5 5 4 4
G7 G7 #5 G7
4 7 4 4 7 4 4 8 4 4 8 4
3 5 5 3 3 5 5 3 3 5 5 3 3 5 5 3
5 5 6 6 5

G7 G7 5
3 3 3 3 3 3 3 3
4 4 4 4
3 5 5 3 3 5 5 3 3 5 5 3 3 5 5 3
5 5 4 4
G7 G7 #5 G7
3 3 3 3 3 3 3 3
4 4 4 4
3 5 5 3 3 5 5 3 3 5 5 3 3 5 5 3
5 5 6 6 5
FIGURE 146 G7, G7b5 and G7#5 arpeggios in two octaves, sixth position
G7 G7 5
7 7
6 8 8 6 6 8 8 6
7 7 6 6
5 9 9 5 5 9 9 5
5 8 8 5 4 8 8 4
7 7
G7 G7 #5 G7
7 7
6 8 8 6 6 8 8 6
7 7 8 8
5 9 9 5 5 9 9 5
5 8 8 5 6 8 8 6
7 7 7
FIGURE 147 G7, G7b5 and G7#5 arpeggios in two octaves, seventh position
G7 G7 5
7 10 7 7 9 7
8 8 8 8
7 10 10 7 6 10 10 6
9 9 9
8 10 10 8 8 10
7 10 10 7 9
G7 G7 #5 G7
7 10 7 7 11 7
8 8 8 8
7 10 10 7 8 10 10 8
9 9 9 9 9
10 8 8 10 10 8 8 10 10 8
9 7 10 10 7 11 11 7
FIGURE148 same pattern, minus the top note

G7 G7 5
7 7
8 8 8 8
7 10 10 7 6 10 10 6
9 9 9 9
8 10 10 8 8 10 10 8
7 10 10 7 9 9
G7 G7 #5 G7
7 7
8 8 8 8
7 10 10 7 8 10 10 8
9 9 9 9
8 10 10 8 8 10 10 8
7 10 10 7 11 11 7

G7 G7 5
3 3 3 3 3 3 3 3
7 10 7 7 10 7 7 9 7 7 9 7
6 8 8 6 8 8 6 8 8 6 8 8
G7 G7 #5 G7
3 3 3 3 3 3 3 3
7 10 7 7 10 7 7 11 7 7 11 7
6 8 8 6 8 8 6 8 8 6 8 8 6

G7 G7 5
3 3 3 3 3 3 3 3
10 7 7 10 7 7 9 7 7 9 7 7
8 6 8 8 6 8 8 6 8 8 6 8
G7 G7 #5 G7
3 3 3 3 3 3 3 3
10 7 7 10 7 7 11 7 7 11 7 7 10
8 6 8 8 6 8 8 6 8 8 6 8

G7 G7 5
10 7 10 7 10 7 10 7 9 7 9 7 9 7 9 7
8 6 8 6 8 6 8 6 8 6 8 6 8 6 8 6
G7 G7 #5 G7
10 7 10 7 10 7 10 7 11 7 11 7 11 7 11 7 10
8 6 8 6 8 6 8 6 8 6 8 6 8 6 8 6
FIGURE 152 G7, G7b5 and G7#5 arpeggios in two octaves, ninth position
G7 G7 5
10 9
12 12 12 12
10 12 12 10 10 12 12 10
9 12 12 9 9 11 11 9
8 10 10 8 8 10 10 8
10 9
G7 G7 #5 G7
10 11
12 12 12 12
10 12 12 10 10 12 12 10
9 12 12 9 9 13 13 9
8 10 10 8 8 10 10 8
10 11 10
G7 G7 5
9 12 9 9 12 9 9 11 9 9 11 9
8 10 10 8 8 10 10 8 8 10 10 8 8 10 10 8
10 10 9 9
G7 G7 #5 G7
9 12 9 9 12 9 9 13 9 9 13 9
8 10 10 8 8 10 10 8 8 10 10 8 8 10 10 8
10 10 11 11 10

G7 G7 5
3 3 3 3 3 3 3 3
9 9 9 9
8 10 10 8 8 10 10 8 8 10 10 8 8 10 10 8
10 10 9 9
G7 G7 #5 G7
3 3 3 3 3 3 3 3
9 9 9 9
8 10 10 8 8 10 10 8 8 10 10 8 8 10 10 8
10 10 11 11 10
G7 G7 5
3 3 3 3 3 3 3 3
9 12 9 9 12 9 9 11 9 9 11 9
8 10 10 8 10 10 8 10 10 8 10 10
G7 G7 #5 G7
3 3 3 3 3 3 3 3
9 12 9 9 12 9 9 13 9 9 13 9
8 10 10 8 10 10 8 10 10 8 10 10 8
G7 G7 5
10 12 10 10 12 10 10 12 10 10 12 10
9 12 12 9 9 12 12 9 9 11 11 9 9 11 11 9
10 10 10 10
G7 G7 #5 G7
10 12 10 10 12 10 10 12 10 10 12 10
9 12 12 9 9 12 12 9 9 13 13 9 9 13 13 9
10 10 10 10 10

G7 G7 5
3 3 3 3 3 3 3 3
10 10 10 10
9 12 12 9 9 12 12 9 9 11 11 9 9 11 11 9
10 10 10 10
G7 G7 #5 G7
3 3 3 3 3 3 3 3
10 10 10 10
9 12 12 9 9 12 12 9 9 13 13 9 9 13 13 9
10 10 10 10 10
G7 G7 5
3 3 3 3 3 3 3 3
10 12 10 10 12 10 10 12 10 10 12 10
9 12 12 9 12 12 9 11 11 9 11 11
G7 G7 #5 G7
3 3 3 3 3 3 3 3
10 12 10 10 12 10 10 12 10 10 12 10
9 12 12 9 12 12 9 13 13 9 13 13 9
FIGURE 159 G7, G7b5 and G7#5 arpeggios in two octaves, 11th position
G7 G7 5
10 13 10 9 13 9
12 12 12 12
10 12 12 10 10 12 12 10
12 12 11
10 14 14 10 10 14
10 13 13 9 13
G7 G7 #5 G7
10 1310 11 13 11
12 12 12 12
1012 12 10 10 12 12 10
11 12 12 13 13
1410 1014 14 10 10 14 14 10
1310 13 13 11 13 13 10

G7 G7 5
10 9
12 12 12 12
10 12 12 10 10 12 12 10
12 12 11 11
10 14 14 10 10 14 14 10
10 13 13 9 13 13
G7 G7 #5 G7
10 11
12 12 12 12
10 12 12 10 10 12 12 10
12 12 13 13
10 14 14 10 10 14 14 10
10 13 13 11 13 13 10
G7 G7 5
12 12 11 11
10 14 14 10 10 14 14 10 10 14 14 10 10 14 14 10
10 13 13 10 13 13 9 13 13 9 13 13
G7 G7 #5 G7
12 12 13 13
10 14 14 10 10 14 14 10 10 14 14 10 10 14 14 10
10 13 13 10 13 13 11 13 13 11 13 13 10
G7 G7 5
13 15 13 13 15 13
15 15 14 14
12 16 16 12 12 16 16 12
12 15 15 12 11 15
14 14 14
13 15 15 13 15
G7 G7 #5 G7
13 15 13 13 15 13
15 15 16 16
12 16 16 12 12 16 16 12
15 11 1215 15 12 13 15 15 13
14 14 14 14 14
1513 15 15 13 15 15 13
FIGURE 163 same pattern, minus the bottom note and starting on the top
G7 G7 5
15 13 13 15 13 13
15 15 14 14
16 12 12 16 16 12 12 16
15 12 12 15 15 11 11 15
14 14 14 14
15 15
G7 G7 #5 G7
15 13 13 15 13 13 15
15 15 16 16
16 12 12 16 16 12 12 16
15 12 12 15 15 13 13 15
14 14 14 14
15 15
G7 G7 5
1 3 1 1 3 1
3 3 2 2
0 4 4 0 0 4 4 0
0 3 3 0 3
2 2 2 4
1 3 3 1 3
G7 G7 #5 G7
1 3 1 1 3 1
3 3 4 4
0 4 4 0 0 4 4 0
3 0 3 3 0 1 3 3 1
4 2 2 2 2 2
3 1 3 3 1 3 3 1

G7 G7 5
3 1 1 3 1 1
3 3 2 2
4 0 0 4 4 0 0 4
3 0 0 3 3 3
2 2 4 2 2 4
3 3
G& G7 #5 G7
3 1 1 3 1 1 3
3 3 4 4
4 0 0 4 4 0 0 4
3 0 0 3 3 1 1 3
2 2 2 2
3 3
G7 G7 5
13 15 13 13 15 13
15 15 14 14
16 16 16 16
15 17 17 15 15 17 17
14 17 17 14 14 16
13 15 15 13 15
G7 G7 #5 G7
13 15 13 13 15 13
15 15 16 16
16 16 16 16
15 15 17 17 15 15 17 17 15
16 14 14 17 17 14 14 18 18 14
15 13 15 15 13 15 15 13
G7 G7 5
1 3 1 1 3 1
3 3 2 2
4 4 4 4
3 5 5 3 3 5 5
2 5 5 2 2 4
1 3 3 1 3
G7 G7 #5 G7
1 3 1 1 3 1
3 3 4 4
4 4 4 4
3 3 5 5 3 3 5 5 3
4 2 2 5 5 2 2 6 6 2
3 1 3 3 1 3 3 1
G7 G7 5
3 5 3 3 5 3 3 5 3 3 5 3
2 5 5 2 2 5 5 2 2 4 4 2 2 4 4 2
3 3 3 3
G7 G7 #5 G7
3 5 3 3 5 3 3 5 3 3 5 3
2 5 5 2 2 5 5 2 2 6 6 2 2 6 6 2
3 3 3 3 3
FIGURE 169 same pattern, 12 frets and one octave higher, in 14th position, starting on the top note
G7 G7 5
17 15 15 17 15 15 17 15 15 17 15 15
17 14 14 17 17 14 14 17 16 14 14 16 16 14 14 16
15 15 15 15
G7 G7 #5 G7
17 15 15 17 15 15 17 15 15 17 15 15 17
17 14 14 17 17 14 14 17 18 14 14 18 18 14 14 18
15 15 15 15
CHAPTER 5
Chapter 5
FIGURES 170-190

FIGURE 170 G7 and G7sus4 arpeggios, played up and down one string
G7 G7sus4 G7
0 4 7 10 12 10 7 4 0 4 7 10 12 10 7 4 0 5 7 10 12 10 7 5 0 5 7 10 12 10 7 5 0
G7 G7sus4 G7 G7sus4 G7
1 1 1 1 1 1 1 1
3 3 3 3 3 3 3 3
4 4 5 5 4 4 5 5
5 5 5 5 5 5 5 5 5
FIGURE 172 G7 and G7sus4 arpeggios in two octaves, fourth position

G7 G7sus4 G7
3 7 3 3 8 3 3 7 3
6 6 6 6 6 6
4 7 7 4 5 7 7 5 4 7
3 5 5 3 3 5 5 3 3 5
5 5 3 5 5 3 5
3 7 7 3 3 7
G7sus4 G7
3 8 3
6 6
7 4 5 7 7 5
5 3 3 5 5 3
5 3 5 5 3
7 3 3

G7 G7sus4 G7
4 7 4 4 7 4 5 7 5 5 7 5
3 5 5 3 3 5 5 3 3 5 5 3 3 5 5 3
5 5 5 5 5
G7
3 3 G7sus4 3 3 G7
3 3 3 3
4 4 5 5
3 5 5 3 3 5 5 3 3 5 5 3 3 5 5 3
5 5 5 5 5

G7 G7sus4 G7
3 3 3 3
3 3 3 3
4 4 5 5 4
5 3 3 5 5 3 3 5 5 3 3 5 5 3 3 5
5 5 5 5
FIGURE 176 G7 and G7sus4 arpeggios in two octaves, sixth position

G7 G7sus4 G7
7 8
6 8 8 6 6 8 8 6
7 7 5 7 7 5
5 9 9 5 5 5
5 8 8 5 5 8 8 5
7 8 7
FIGURE 177 G7 and G7sus4 arpeggios in two octaves, seventh position

G7 G7sus4
7 10 7 8 10 8
8 8 8 8
7 10 10 7 7 10 10 7
9 9 10
8 10 10 8 8 10
7 10 10 8 10
G7 G7sus4 G7
7 10 7 8 10 8
8 8 8 8
7 10 10 7 7 10 10 7
10 9 9 10 10
10 8 8 10 10 8 8 10 10 8
10 7 10 10 8 10 10 7
G7 G7sus4 G7
3 3 3 3 3 3 3 3
7 10 7 7 10 7 8 10 8 8 10 8
6 8 8 6 8 8 6 8 8 6 8 8 6
FIGURE 179 16th-note variation, starting on the top note, descending only (four-note "cell")
G7 G7sus4 G7
10 7 10 7 10 7 10 7 10 8 10 8 10 8 10 8 10
8 6 8 6 8 6 8 6 8 6 8 6 8 6 8 6
FIGURE 180 G7 and G7sus4 arpeggios in two octaves, ninth position

G7 G7sus4 G7
10 8 10 8
12 12
10 12 12 10 10 12 12 10
9 12 12 9 10 12 12 10
8 10 10 8 8 10 10 8
10 10 10
FIGURE 181 eight-note "alternate-picking cell" cell on the A, D and G strings

G7 G7sus4 G7
10 12 10 10 12 10 10 12 10 10 12 10
9 12 12 9 9 12 12 9 10 12 12 10 10 12 12 10
10 10 10 10 10

G7 G7sus4 G7
3 3 3 3
3 3 3 3
10 10 10 10
9 12 12 9 9 12 12 9 10 12 12 10 10 12 12 10
10 10 10 10 10
FIGURE 183 higher variation on the D and G strings only
G7 G7sus4 G7
3 3 3 3 3 3 3 3
10 12 10 10 12 10 10 12 10 10 12 10
9 12 12 9 12 12 10 12 12 10 12 12 9
FIGURE 184 G7 and G7sus4 arpeggios in two octaves, 11th position

G7 G7sus4
10 13 10 10 13 10
12 12 13 13
10 12 12 10 10 12 12 10
12 12 10 12
10 14 14 10 10
10 13 13 10 13
G7 G7sus4 G7
10 13 10 10 13 10
12 12 13 13
10 12 12 10 10 12 12 10
12 10 12 12 10 12 12 10
10 10 14 14 10 10 10
13 10 13 13 10 13 13 10

G7 G7sus4
13 15 13 13 15 13
12 15 15 12 13 15 15 13
12 12 12 12
12 15 15 12 12 15
14 14 15
13 15 15 13 15
G7 G7sus4 G7
13 15 13 13 15 13
12 15 15 12 13 15 15 13
12 12 12 12
15 12 12 15 15 12 12 15 15 12
15 14 14 15 15
15 13 15 15 13 15 15 13
G7 G7sus4
1 3 1 1 3 1
0 3 3 0 1 3 3 1
0 0 0 0
0 3 3 0 0 3
2 2 3
1 3 3 1 3
G7 G7sus4 G7
1 3 1 1 3 1
0 3 3 0 1 3 3 1
0 0 0 0
3 0 0 3 3 0 0 3 3 0
3 2 2 3 3
3 1 3 3 1 3 3 1

G7 G7sus4
13 15 13 13 15 13
15 15 15 15
16 16 17 17
15 17 17 15 15 17 17
14 17 17 14 15 17
13 15 15 13 15
G7 G7sus4 G7
13 15 13 13 15 13
15 15 15 15
16 16 17 17
15 15 17 17 15 15 17 17 15
17 15 14 17 17 14 15 17 17 15
15 13 15 15 13 15 15 13
G7 G7sus4
1 3 1 1 3 1
3 3 3 3
4 4 5 5
3 5 5 3 3 5 5
2 5 5 2 3 5
1 3 3 1 3
G7 G7sus4 G7
1 3 1 1 3 1
3 3 3 3
4 4 5 5
3 3 5 5 3 3 5 5 3
5 3 2 5 5 2 3 5 5 3
3 1 3 3 1 3 3 1
FIGURE 189 four-note "alternate-picking cell" on the top two strings, descending pattern only
G7 G7sus4 G7
7 3 7 3 7 3 7 3 8 3 8 3 8 3 8 3 7
6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3
FIGURE 190 same pattern, 12 frets and one octave higher, in 14th position
G7 G7sus4 G7
19 15 19 15 19 15 19 15 20 15 20 15 20 15 20 15 19
18 15 18 15 18 15 18 15 18 15 18 15 18 15 18 15
CHAPTER 6
Chapter 6
FIGURES 191-198
FIGURE 191 all the "new" arpeggio qualities, two notes per string, starting on the root
Gmaj7 Gm(maj7)
10 14 14 10 10 14
8 12 12 8 8 11
7 11 11 7 7 11
5 9 9 5 5 8
5 9 9 5 5 9
3 7 7 3 3 6
Gmaj7b5
14 10 9 14 14 9
11 8 8 12 12 8
11 7 6 11 11 6
8 5 5 9 9 5
9 5 4 9 9 4
6 3 3 7 7 3
Gmaj7 #5 G7 5
11 14 14 11 9 13
8 12 12 8 8 12
8 11 11 8 6 10
5 9 9 5 5 9
6 9 9 6 4 8
3 7 7 3 3 7
G7 #5
13 9 11 13 13 11
12 8 8 12 12 8
10 6 8 10 10 8
9 5 5 9 9 5
8 4 6 8 8 6
7 3 3 7 7 3
G7sus4
10 13 13 10
8 13 13 8
7 10 10 7
5 10 10 5
5 8 8 5
3 8 8 3 3
FIGURE 192 same thing, starting on the third
Gmaj7 Gm(maj7)
14 15 15 14 14 15
12 15 15 12 11 15
11 12 12 11 11 12
9 12 12 9 8 12
9 10 10 9 9 10
7 10 10 7 6 10
Gmaj7b5
15 14 14 15 15 14
15 11 12 14 14 12
12 11 11 12 12 11
12 8 9 11 11 9
10 9 9 10 10 9
10 6 7 9 9 7
Gmaj7 #5 G7 5
14 15 15 14 13 15
12 16 16 12 12 14
11 12 12 11 10 12
9 13 13 9 9 11
9 10 10 9 8 10
7 11 11 7 7 9
G7 #5
15 13 13 15 15 13
14 12 12 16 16 12
12 10 10 12 12 10
11 9 9 13 13 9
10 8 8 10 10 8
9 7 7 11 11 7
G7sus4
13 15 15 13
13 15 15 13
10 12 12 10
10 12 12 10
8 10 10 8
8 10 10 8 8
FIGURE 193 same thing, starting on the fifth

Gmaj7 Gm(maj7)
15 19 19 15 15 18
15 19 19 15 15 19
12 16 16 12 12 15
12 16 16 12 12 16
10 14 14 10 10 13
10 14 14 10 10 14
Gmaj7b5
18 15 15 19 19 15
19 15 14 19 19 14
15 12 12 16 16 12
16 12 11 16 16 11
13 10 10 14 14 10
14 10 9 14 14 9
Gmaj7 #5 G7 5
15 19 19 15 15 19
16 19 19 16 14 18
12 16 16 12 12 16
13 16 16 13 11 15
10 14 14 10 10 14
11 14 14 11 9 13
G7 #5
19 15 15 19 19 15
18 14 16 18 18 16
16 12 12 16 16 12
15 11 13 15 15 13
14 10 10 14 14 10
13 9 11 13 13 11
G7sus4
15 20 20 15
15 18 18 15
12 17 17 12
12 15 15 12
10 15 15 10
10 13 13 10 10
FIGURE 194 same thing, starting on the seventh

Gmaj7 Gm(maj7)
19 22 2219 18 22
19 20 2019 19 20
16 19 19 16 15 19
16 17 17 16 16 17
14 17 17 14 13 17
14 15 15 14 14 15
Gmaj7b5
22 18 19 21 21 19
20 19 19 20 20 19
19 15 16 18 18 16
17 16 16 17 17 16
17 13 14 16 16 14
15 14 14 15 15 14
Gmaj7 #5 G7 5
19 (19) 19 21
19 20 20 19 18 20
16 20 20 16 16 18
16 17 17 16 15 17
14 18 18 14 14 16
14 15 15 14 13 15
G7 #5
21 19 19 (19)
20 18 18 20 20 18
18 16 16 20 20 16
17 15 15 17 17 15
16 14 14 18 18 14
15 13 13 15 15 13
G7sus4
20 22 22 20
18 20 20 18
17 19 19 17
15 17 17 15
15 17 17 15
13 15 15 13 13 15
FIGURE 195 same patterns, one octave and 12 frets lower

Gmaj7 Gm(maj7)
7 10 10 7 6 10
7 8 8 7 7 8
4 7 7 4 3 7
4 5 5 4 4 5
2 5 5 2 1 5
2 3 3 2 2 3
Gmaj7b5
10 6 7 9 9 7
8 7 7 8 8 7
7 3 4 6 6 4
5 4 4 5 5 4
5 1 2 4 4 2
3 2 2 3 3 2
Gmaj7 #5 G7 5
7 11 11 7 7 9
7 8 8 7 6 8
4 8 8 4 4 6
4 5 5 4 3 5
2 6 6 2 2 4
2 3 3 2 1 3
G7 #5
9 7 7 11 11 7
8 6 6 8 8 6
6 4 4 8 8 4
5 3 3 5 5 3
4 2 2 6 6 2
3 1 1 3 3 1
G7sus4
8 10 10 8
6 8 8 6
5 7 7 5
3 5 5 3
3 5 5 3
1 3 3 1 1 3
FIGURE 196 "climbing and tumbling" run, moving through all six arpeggio qualities
Gmaj7
10 14 14 10
8 12 8 12 12 8 12 8
7 11 7 11 11 7 11 7
5 9 5 9 9 5 9 5
5 9 5 9 9 5 9 5
3 7 7 3
Gm(maj7)
10 14 14 10
8 11 8 11 11 8 11 8
7 11 7 11 11 7 11 7
5 8 5 8 8 5 8 5
5 9 5 9 9 5 9 5
3 6 6 3
Gmaj7b5
9 14 14 9
8 12 8 12 12 8 12 8
6 11 6 11 11 6 11 6
5 9 5 9 9 5 9 5
4 9 4 9 9 4 9 4
3 7 7 3
Gmaj7 #5
11 14 14 11
8 12 8 12 12 8 12 8
8 11 8 11 11 8 11 8
5 9 5 9 9 5 9 5
6 9 6 9 9 6 9 6
3 7 7 3
G7 5
9 13 13 9
8 12 8 12 12 8 12 8
6 10 6 10 10 6 10 6
5 9 5 9 9 5 9 5
4 8 4 8 8 4 8 4
3 7 7 3
G7 #5
11 13 13 11
8 12 8 12 12 8 12 8
8 10 8 10 10 8 10 8
5 9 5 9 9 5 9 5
6 8 6 8 8 6 9 6
3 7 7 3
G7sus4
10 13 13 10
8 13 8 13 13 8 13 8
7 10 7 10 10 7 10 7
5 10 5 10 10 5 10 5
5 8 5 8 8 5 8 5
3 8 8 3 3
FIGURE 197 triplet variation on the same pattern

Gmaj7 3
3 3
3
3 3 3
3 3 3
3 3
10 10 14 10 14 10 10
8 8 12 8 12 12 12 12 8 12
7 7 11 7 11 11
5 5 9 5 9 9
5 9 5 9 9
3 7
3 Gm(maj7) 3
3 3 3 3
3 3 3
3 3 3
8 8
11 11 7 11 7 7
9 9 5 9 5 5 5 5 8 5 8
9 9 5 9 5 5 5 9 5 9 9
7 7 3 7 3 6
3
3 3 3
3 3 3 3
3 3 3 3
10 10 14 10 14 10 10
8 8 11 8 11 11 11 11 8 11 8 8
7 7 11 7 11 11 11 11 7 11 7 7
8 8 8 5 8
Gmaj7b5 3
3 3 3 3
3 3 3
3 3
3 3
8 8 12 8 12
6 6 11 6 11 11
5 5 5 5 9 5 9 9
9 9 5 9 5 5 4 9 4 9 9
6 6 3 6 3 7
3 3 3 3 3
3 3 3 3 3 3 3
9 9 14 9 14 9 9
12 12 12 8 12 8 8
11 11 6 11 6 6
9 9 5 9 5 5
9 9 4 9 4 4
7 7 3 7
Gmaj7 #5 3
3 3
3
3 3 3
3 3 3
3 3
11 11 14 11 14 11 11
8 8 12 8 12 12 12 12 8 12
8 8 11 8 11 11
5 5 9 5 9 9
6 9 6 9 9
3 7
3 3
G7 5
3 3
3 3 3
3 3
3 3 3
8 8
11 11 8 11 8 8
9 9 5 9 5 5 5 5 9 5 9
9 9 6 9 6 6 4 8 4 8 8
7 7 3 7 3 7
3
3 3 3
3 3 3 3
3 3 3 3
9 9 13 9 13 9 9
8 8 12 8 12 12 12 12 8 12 8 8
6 6 10 6 10 10 10 10 6 10 6 6
9 9 9 5 9
3
G7 #5
3 3
3 3 3
3 3
3 3
3 3
8 8 12 8 12
8 8 10 8 10 10
5 5 5 5 9 5 9 9
8 8 4 8 4 4 6 8 6 8 8
7 7 3 7 3 7
3 3 3 3 3
3 3 3 3 3 3 3
11 11 13 11 13 11 11
12 12 12 8 12 8 8
10 10 8 10 8 8
9 9 5 9 5 5
8 8 6 8 6 6
7 7 3 7
G7sus4 3
3 3
3
3 3 3
3 3 3
3 3
10 10 13 10 13 10 10
8 8 13 8 13 13 13 13 8 13
7 7 10 7 10 10
5 5 10 5 10 10
5 8 5 8 8
3 8
3
3 3 3 3
3 3 3
8 8
10 10 7 10 7 7
10 10 5 10 5 5
8 8 5 8 5 5
8 8 3 8 3
FIGURE 198 Gm(maj7) arpeggio inversions, moving up the neck on two strings
Gm(maj7)
6 3 3 6 6 3 3 6 10 6 6 10 10 6 6 10
7 3 3 7 7 3 3 7 8 7 7 8 8 7 7 8
14 10 10 14 14 10 10 14 15 14 14 15 15 14 14 15
11 8 8 11 11 8 8 11 15 11 11 15 15 11 11 15
18 15 15 18 18 15 15 18 22 18 18 22 22 18 18 22
19 15 15 19 19 15 15 19 20 19 19 20 20 19 19 20 20
CHAPTER 7
Chapter 7
E Harmonic Minor Diatonic
Seventh-chord Arpeggios
FIGURES 199-213
E Harmonic Minor Diatonic Seventh-chord Arpeggios

FIGURE 199 E harmonic minor scale played up and down one string
root 2 m3 4 5 m6 7 root root 7 m6 5 4 m3 2 root
0 2 3 5 7 8 11 12 12 11 8 7 5 3 2 0
FIGURE 200 E harmonic minor diatonic seventh-chord arpeggios, played on the bottom three strings
Em(maj7) F m7 5 Gmaj7 #5 Am7
1 2 1 2 4 2 4 5 4 5 7 5
2 2 3 3 6 6 7 7
0 3 3 2 5 5 3 7 7 5 8 8
B7 Cmaj7 D dim7 Em(maj7)
7 9 7 9 10 9 10 13 10 13 14 13
9 9 10 10 12 12 14 14
7 11 11 8 12 12 11 14 14 12 15 15 12
FIGURE 201 same set of arpeggios, played in two-octave positions across all six strings
Em(maj7) F m7 5
0 3 3 0 2 5 5 2
4 4 5 5
0 4 4 0 2 5 5 2
1 2 2 1 2 4 4 2
2 2 3 3
0 3 3 0 2 5 5 2
Gmaj7 #5 Am7
3 7 7 3 5 8 8 5
4 7 7 4 8 8
4 4 5 9 9 5
4 5 5 4 5 7 7 5
6 6 7 7
3 7 7 3 5 8 8 5
B7 Cmaj7
7 11 11 7 8 1212 8
10 10 12 12
8 11 11 8 9 12 12 9
7 9 9 7 9 10 10 9
9 9 10 10
7 11 11 7 8 12 12 8
D dim7 Em(maj7)
11 14 14 11 12 15 15 12
13 13 16 16
11 14 14 11 12 16 16 12
10 13 13 10 13 14 14 13
12 12 14 14
1114 14 11 12 15 15 12 12
FIGURE 202 one-octave diatonic seventh-chord arpeggios in E harmonic minor, 1st position
0 0 2 0
1 2 1 2 4 2 1 4 4 1 2 2
2 2 0 3 3 0 2 2 0 3 3 0
0 3 3 0 2 2 3 3
B7 Cmaj7 D dim7
1 1 4 1
2 4 2 0 4 4 0 2 2
1 4 4 1 2 2 1 4 4 1
2 2 3 3
Em(maj7) F m7 5 Gmaj7 #5
0 0 2 0 2 3 2
4 4 1 1 4 4
0 4 4 0 2 2 0 4 4 0 (0)
2 2 4 4
FIGURE 203 one-octave diatonic seventh-chord arpeggios in E harmonic minor, 2nd-3rd position
F m7 5 Gmaj7 #5 Am7 B7
2 2 4 2
2 4 2 4 5 4 2 5 5 2 4 4
3 3 2 6 6 2 3 3 2 6 6 2
2 5 5 2 3 3 5 5
Cmaj7 D dim7 Em(maj7)
4 4 5 4
4 5 4 2 5 5 2 4 4
2 5 5 2 4 4 2 5 5 2
3 3 6 6
F m7 5 Gmaj7 #5 Am7
2 2 3 2 3 5 3
5 5 4 4 5 5
2 5 5 2 4 4 2 5 5 2 (2)
4 4 5 5
FIGURE 204 one-octave diatonic seventh-chord arpeggios in E harmonic minor, 4th position
Gmaj7 #5 Am7 B7 Cmaj7
4 4 5 4
4 5 4 5 7 5 4 7 7 4 5 5
6 6 3 7 7 3 6 6 3 7 7 3
3 7 7 3 5 5 7 7
D dim7 Em(maj7) F m7 5
4 4 5 4 5 7 5
5 5 4 4 5 5
4 7 7 4 5 5 4 7 7 4
6 6 7 7
Gmaj7 #5 Am7 B7
3 3 5 3 5 7 5
4 7 7 4 5 5 4 7 7 4
4 4 5 5 4 4 (4)
5 5 7 7
FIGURE 205 one-octave diatonic seventh-chord arpeggios in E harmonic minor, 5th-6th position
Am7 B7 Cmaj7 D dim7
5 5 8 5
5 7 5 7 9 7 5 9 9 5 7 7
7 7 6 9 9 6 7 7 6 9 9 6
5 8 8 5 7 7 8 8
7 7 8 7
8 9 8 5 9 9 5 8 8
5 9 9 5 7 7 5 9 9 5
7 7 9 9
Am7 B7 Cmaj7
5 5 7 5 7 8 7
8 8 7 7 8 8
5 9 9 5 8 8 5 9 9 5 (5)
7 7 9 9
B7 Cmaj7 D dim7 Em(maj7)
8 8 9 8
7 9 7 9 10 9 7 10 10 7 9 9
9 9 7 10 10 7 9 9 7 10 10 7
7 11 11 7 8 8 11 11
F m7 5 Gmaj7 #5 Am7
8 8 10 8
9 11 9 8 11 11 8 9 9
7 10 10 7 9 9 7 10 10 7
9 9 10 10
B7 Cmaj7 D dim7
7 8 8 11 8
10 10 8 12 12 8 10 10
8 11 11 8 9 9 8 11 11 8 (8)
9 9 10 10
Cmaj7 D dim7 Em(maj7) F m7 5
8 9 9 11 9
9 10 9 10 10 9 13 13 9 10 10
10 10 9 12 12 9 10 10 9 12 12 9
8 12 12 8 11 11 12 12
Gmaj7 #5 Am7 B7
10 10 12 10
11 12 11 9 12 12 9 11 11
9 13 13 9 10 10 9 13 13 9
10 10 12 12
Cmaj7 D dim7 Em(maj7)
8 11 11 12 11
12 12 10 13 13 10 12 12
9 12 12 9 11 11 9 12 12 9 (9)
10 10 13 13
D dim7 Em(maj7) F m7 5 Gmaj7 #5
11 11 12 11
10 13 10 13 14 13 10 14 14 10 13 13
12 12 10 14 14 10 12 12 10 14 14 10
11 14 14 11 12 12 14 14
Am7 B7 Cmaj7
12 12 13 12
12 14 12 11 14 14 11 12 12
10 14 14 10 13 13 10 14 14 10
12 12 14 14
D dim7 Em(maj7) F m7 5
11 11 12 11 12 14 12
13 13 12 12 13 13
11 14 14 11 12 12 11 14 14 11 (11)
13 13 14 14
12 12 14 12
13 14 13 14 16 14 13 16 16 13 14 14
14 14 12 15 15 12 14 14 12 15 15 12
12 15 15 12 14 14 15 15
B7 Cmaj7 D dim7
13 13 16 13
14 16 14 12 16 16 12 14 14
13 16 16 13 14 14 13 16 16 13
14 14 15 15
12 14 14 15 14
16 16 13 17 17 13 16 16
12 16 16 12 14 14 12 16 16 12 (12)
14 14 16 16
FIGURE 210 same set of arpeggios, played two notes per string, starting on the root
Em(maj7) F m7 5
7 11 11 7 8 12
5 8 8 5 7 10
4 8 8 4 5 9
2 5 5 2 4 7
2 6 6 2 3 7
0 3 3 0 2 5
Gmaj7 #5
12 8 11 14 14 11
10 7 8 12 12 8
9 5 8 11 11 8
7 4 5 9 9 5
7 3 6 9 9 6
5 2 3 7 7 3
Am7 B7
12 15 15 12 14 17
10 13 13 10 12 16
9 12 12 9 11 14
7 10 10 7 9 13
7 10 10 7 9 12
5 8 8 5 7 11
Cmaj7
17 14 15 19 19 15
16 12 13 17 17 13
14 11 12 16 16 12
13 9 10 14 14 10
12 9 10 14 14 10
11 7 8 12 12 8
D dim7
17 20 20 17
16 19 19 16
14 17 17 14
13 16 16 13
12 15 15 12
11 14 14 11
Em(maj7)
19 (19)
17 20 20 17
16 20 20 16
14 17 17 14
14 18 18 14
12 15 15 12 (12)
FIGURE 211 same set of arpeggios, played two notes per string, starting on the third
Em(maj7) F m7 5
11 12 12 11 12 14
8 12 12 8 10 13
8 9 9 8 9 11
5 9 9 5 7 10
6 7 7 6 7 9
3 7 7 3 5 8
Gmaj7 #5
1412 14 15 15 14
1310 12 16 16 12
11 9 11 12 12 11
10 7 9 13 13 9
9 7 9 10 10 9
8 5 7 11 11 7
Am7 B7
15 17 17 15 17 19
13 17 17 13 16 19
12 14 14 12 14 16
10 14 14 10 13 16
10 12 12 10 12 14
8 12 12 8 11 14
Cmaj7
19 17 19 20 2019
19 16 17 20 2017
16 14 16 17 17 16
16 13 14 17 17 14
14 12 14 15 15 14
14 11 12 15 15 12
Cmaj7 D dim7
7 8 8 7 8 11
5 8 8 5 7 10
4 5 5 4 5 8
2 5 5 2 4 7
2 3 3 2 3 6
0 3 3 0 2 5
Em(maj7)
11 8 11 12 12 11
10 7 8 12 12 8
8 5 8 9 9 8
7 4 5 9 9 5
6 3 6 7 7 6
5 2 3 7 7 3 3
FIGURE 212 same set of arpeggios, played two notes per string, starting on the fifth
Em(maj7) F m7 5
12 15 15 12 1417
12 16 16 12 1317
9 12 12 9 1114
9 13 13 9 1014
7 10 10 7 9 12
7 11 11 7 812
Gmaj7 #5
1714 15 19 19 15
1713 16 19 19 16
1411 12 16 16 12
1410 13 16 16 13
12 9 10 14 14 10
12 8 11 14 14 11
Am7 Am7
17 20 20 17 5 8
17 20 20 17 5 8
14 17 17 14 2 5
14 17 17 14 2 5
12 15 15 12 0 3
12 15 15 12 0 3
B7
8 5 7 11 11 7
8 5 7 10 10 7
5 2 4 8 8 4
5 2 4 7 7 4
3 0 2 6 6 2
3 0 2 5 5 2
(not played in video)
Cmaj7 D dim7
8 12 12 8 11 14
8 12 12 8 10 13
5 9 9 5 8 11
5 9 9 5 7 10
3 7 7 3 6 9
3 7 7 3 5 8
Em(maj7)
14 11 12 15 15 12
13 10 12 16 16 12
11 8 9 12 12 9
10 7 9 13 13 9
9 6 7 10 10 7
8 5 7 11 11 7 7
FIGURE 213 same set of arpeggios, played two notes per string, starting on the seventh
Em(maj7) F m7 5
15 19 19 15 17 20
16 17 17 16 1719
12 16 16 12 1417
13 14 14 13 1416
10 14 14 10 1215
11 12 12 11 1214
F m7 5
20 17 5 8 8 5
19 17 5 7 7 5
17 14 2 5 5 2
16 14 2 4 4 2
15 12 0 3 3 0
14 12 0 2 2 0
Gmaj7 #5 Am7
7 11 11 7 8 12
7 8 8 7 8 10
4 8 8 4 5 9
4 5 5 4 5 7
2 6 6 2 3 7
2 3 3 2 3 5
B7
12 8 11 14 14 11
10 8 10 12 12 10
9 5 8 11 11 8
7 5 7 9 9 7
7 3 6 9 9 6
5 3 5 7 7 5
Cmaj7 D dim7
12 15 15 12 14 17
12 13 13 12 13 16
9 12 12 9 11 14
9 10 10 9 10 13
7 10 10 7 9 12
7 8 8 7 8 11
Em(maj7)
17 14 15 19 19 15
16 13 16 17 17 16
14 11 12 16 16 12
13 10 13 14 14 13
12 9 10 14 14 10
11 8 11 12 12 11 12
Chapter 8 CHAPTER 8
FIGURES 214-228
FIGURE 214 E melodic minor scale played up and down one string
root 2 m3 4 5 6 7 root root 7 6 5 4 m3 2 root
0 2 3 5 7 9 11 12 12 11 9 7 5 3 2 0
FIGURE 215 E melodic minor diatonic seventh-chord arpeggios, played on the bottom three strings
Em(maj7) F m7 Gmaj7 #5 A7
1 2 1 2 4 2 4 5 4 5 7 5
2 2 4 4 6 6 7 7
0 3 3 2 5 5 3 7 7 5 9 9
B7 C m7 5 D m7 5 Em(maj7)
7 9 7 9 11 9 11 13 11 13 14 13
9 9 10 10 12 12 14 14
7 11 11 9 12 12 11 14 14 12 15 15 12
FIGURE 216 same set of arpeggios, played in two-octave positions across all six strings
Em(maj7) F m7
0 3 3 0 2 5 5 2
4 4 5 5
0 4 4 0 2 6 6 2
1 2 2 1 2 4 4 2
2 2 4 4
0 3 3 0 2 5 5 2
Gmaj7 #5 A7
3 7 7 3 5 9 9 5
4 7 7 4 8 8
4 4 6 9 9 6
4 5 5 4 5 7 7 5
6 6 7 7
3 7 7 3 5 9 9 5
B7 C m7 5
7 11 11 7 9 12 12 9
10 10 12 12
8 11 11 8 9 12 12 9
7 9 9 7 9 11 11 9
9 9 10 10
7 11 11 7 9 12 12 9
D m7 5 Em(maj7)
11 14 14 11 12 15 15 12
14 14 16 16
11 14 14 11 12 16 16 12
1113 13 11 13 14 14 13
12 12 14 14
1114 14 11 12 15 15 12 12
FIGURE 217 one-octave diatonic seventh-chord arpeggios in E melodic minor, 1st position
0 0 2 0
1 2 1 2 4 2 1 4 4 1 2 2
2 2 0 4 4 0 2 2 0 4 4 0
0 3 3 0 2 2 3 3
B7 C m7 5 D m7 5
2 2 4 2
2 4 2 0 4 4 0 2 2
1 4 4 1 2 2 1 4 4 1
2 2 4 4
Em(maj7) F m7 Gmaj7 #5
0 0 2 0 2 3 2
4 4 2 2 4 4
0 4 4 0 2 2 0 4 4 0 (0)
2 2 4 4
FIGURE 218 one-octave diatonic seventh-chord arpeggios in E melodic minor, 2nd-3rd position
F m7 Gmaj7 #5 A7 B7
2 2 4 2
2 4 2 4 5 4 2 5 5 2 4 4
4 4 2 6 6 2 4 4 2 6 6 2
2 5 5 2 3 3 5 5
C m7 5 D m7 5 Em(maj7)
4 4 5 4
4 6 4 2 6 6 2 4 4
2 5 5 2 4 4 2 5 5 2
4 4 6 6
F m7 Gmaj7 #5 A7
2 2 3 2 3 5 3
5 5 4 4 5 5
2 6 6 2 4 4 2 6 6 2 (2)
4 4 5 5
FIGURE 219 one-octave diatonic seventh-chord arpeggios in E melodic minor, 4th position
Gmaj7 #5 A7 B7 C m7 5
4 4 6 4
4 5 4 5 7 5 4 7 7 4 5 5
6 6 4 7 7 4 6 6 4 7 7 4
3 7 7 3 5 5 7 7
D m7 5 Em(maj7) F m7
4 4 5 4 5 7 5
6 6 4 4 6 6
4 7 7 4 5 5 4 7 7 4
6 6 7 7
Gmaj7 #5 A7 B7
3 3 5 3 5 7 5
4 7 7 4 5 5 4 7 7 4
4 4 6 6 4 4 (4)
5 5 7 7
FIGURE 220 one-octave diatonic seventh-chord arpeggios in E melodic minor, 5th-6th position
A7 B7 C m7 5 D m7 5
6 6 8 6
5 7 5 7 9 7 5 9 9 5 7 7
7 7 6 9 9 6 7 7 6 9 9 6
5 9 9 5 7 7 9 9
7 7 8 7
8 9 8 6 9 9 6 8 8
5 9 9 5 7 7 5 9 9 5
7 7 9 9
A7 B7 C m7 5
5 5 7 5 7 9 7
8 8 7 7 8 8
6 9 9 6 8 8 6 9 9 6 (6)
7 7 9 9
B7 C m7 5 D m7 5 Em(maj7)
8 8 9 8
7 9 7 9 11 9 7 11 11 7 9 9
9 9 7 10 10 7 9 9 7 10 10 7
7 11 11 7 9 9 11 11
F m7 Gmaj7 #5 A7
8 8 10 8
9 11 9 8 11 11 8 9 9
7 11 11 7 9 9 7 11 11 7
9 9 10 10
B7 C m7 5 D m7 5
7 9 9 11 9
10 10 8 12 12 8 10 10
8 11 11 8 9 9 8 11 11 8 (8)
9 9 11 11
C m7 5 D m7 5 Em(maj7) F m7
8 9 9 11 9
9 11 9 11 11 9 13 13 9 11 11
10 10 9 12 12 9 10 10 9 12 12 9
9 12 12 9 11 11 12 12
Gmaj7 #5 A7 B7
10 10 12 10
11 12 11 9 12 12 9 11 11
9 13 13 9 11 11 9 13 13 9
10 10 12 12
C m7 5 D m7 5 Em(maj7)
9 9 11 9 11 12 11
12 12 10 10 12 12
9 12 12 9 11 11 9 12 12 9 (9)
11 11 13 13
D m7 5 Em(maj7) F m7 Gmaj7 #5
11 11 12 11
11 13 11 13 14 13 11 14 14 11 13 13
12 12 10 14 14 10 12 12 10 14 14 10
11 14 14 11 12 12 14 14
A7 B7 C m7 5
12 12 14 12
12 14 12 11 14 14 11 12 12
11 14 14 11 13 13 11 14 14 11
12 12 14 14
D m7 5 Em(maj7) F m7
11 11 12 11 12 14 12
14 14 12 12 14 14
11 14 14 11 12 12 11 14 14 11 (11)
13 13 14 14
12 12 14 12
13 14 13 14 16 14 13 16 16 13 14 14
14 14 12 16 16 12 14 14 12 16 16 12
12 15 15 12 14 14 15 15
B7 C m7 5 D m7 5
14 14 16 14
14 16 14 12 16 16 12 14 14
13 16 16 13 14 14 13 16 16 13
14 14 16 16
12 12 14 12 14 15 14
16 16 14 14 16 16
12 16 16 12 14 14 12 16 16 12 (12)
14 14 16 16
FIGURE 225 same set of arpeggios, played two notes per string, starting on the root
Em(maj7) F m7
7 11 11 7 9 12
5 8 8 5 7 10
4 8 8 4 6 9
2 5 5 2 4 7
2 6 6 2 4 7
0 3 3 0 2 5
Gmaj7 #5
12 9 11 14 14 11
10 7 8 12 12 8
9 6 8 11 11 8
7 4 5 9 9 5
7 4 6 9 9 6
5 2 3 7 7 3
A7 B7
12 15 15 12 14 17
10 14 14 10 12 16
9 12 12 9 11 14
7 11 11 7 9 13
7 10 10 7 9 12
5 9 9 5 7 11
C m7 5
17 14 15 19 19 15
16 12 14 17 17 14
14 11 12 16 16 12
13 9 11 14 14 11
12 9 10 14 14 10
11 7 9 12 12 9
D m7 5
17 21 21 17
16 19 19 16
14 18 18 14
13 16 16 13
12 16 16 12
11 14 14 11
Em(maj7)
19 (19)
17 20 20 17
16 20 20 16
14 17 17 14
14 18 18 14
12 15 15 12 (12)
FIGURE 226 same set of arpeggios, played two notes per string, starting on the third
Em(maj7) F m7
11 12 12 11 12 14
8 12 12 8 10 14
8 9 9 8 9 11
5 9 9 5 7 11
6 7 7 6 7 9
3 7 7 3 5 9
Gmaj7 #5
14 12 14 15 15 14
14 10 12 16 16 12
11 9 11 12 12 11
11 7 9 13 13 9
9 7 9 10 10 9
9 5 7 11 11 7
A7 B7
15 17 17 15 17 19
14 17 17 14 16 19
12 14 14 12 14 16
11 14 14 11 13 16
10 12 12 10 12 14
9 12 12 9 11 14
C m7 5
19 17 19 21 21 19
19 16 17 20 20 17
16 14 16 18 18 16
16 13 14 17 17 14
14 12 14 16 16 14
14 11 12 15 15 12
C m7 5 D m7 5
7 9 9 7 9 11
5 8 8 5 7 10
4 6 6 4 6 8
2 5 5 2 4 7
2 4 4 2 4 6
0 3 3 0 2 5
Em(maj7)
11 9 11 12 12 11
10 7 8 12 12 8
8 6 8 9 9 8
7 4 5 9 9 5
6 4 6 7 7 6
5 2 3 7 7 3 3
FIGURE 227 same set of arpeggios, played two notes per string, starting on the fifth
Em(maj7) F m7
12 15 15 12 14 17
12 16 16 12 14 17
9 12 12 9 11 14
9 13 13 9 11 14
7 10 10 7 9 12
7 11 11 7 9 12
Gmaj7 #5
17 14 15 19 19 15
17 14 16 19 19 16
14 11 12 16 16 12
14 11 13 16 16 13
12 9 10 14 14 10
12 9 11 14 14 11
A7 A7
17 21 21 17 5 9
17 20 20 17 5 8
14 18 18 14 2 6
14 17 17 14 2 5
12 16 16 12 0 4
12 15 15 12 0 3
B7
9 5 7 11 11 7
8 5 7 10 10 7
6 2 4 8 8 4
5 2 4 7 7 4
4 0 2 6 6 2
3 0 2 5 5 2
C m7 5 D m7 5
9 12 12 9 11 14
8 12 12 8 10 14
6 9 9 6 8 11
5 9 9 5 7 11
4 7 7 4 6 9
3 7 7 3 5 9
Em(maj7)
14 11 12 15 15 12
14 10 12 16 16 12
11 8 9 12 12 9
11 7 9 13 13 9
9 6 7 10 10 7
9 5 7 11 11 7 7
FIGURE 228 same set of arpeggios, played two notes per string, starting on the seventh
Em(maj7) F m7
15 19 19 15 17 21
16 17 17 16 17 19
12 16 16 12 14 18
13 14 14 13 14 16
10 14 14 10 12 16
11 12 12 11 12 14
F m7
21 17 5 9 9 5
19 17 5 7 7 5
18 14 2 6 6 2
16 14 2 4 4 2
16 12 0 4 4 0
14 12 0 2 2 0
Gmaj7 #5 A7
7 11 11 7 9 12
7 8 8 7 8 10
4 8 8 4 6 9
4 5 5 4 5 7
2 6 6 2 4 7
2 3 3 2 3 5
B7
12 9 11 14 14 11
10 8 10 12 12 10
9 6 8 11 11 8
7 5 7 9 9 7
7 4 6 9 9 6
5 3 5 7 7 5
C m7 5 D m7 5
12 15 15 12 14 17
12 14 14 12 14 16
9 12 12 9 11 14
9 11 11 9 11 13
7 10 10 7 9 12
7 9 9 7 9 11
Em(maj7)
17 14 15 19 19 15
16 14 16 17 17 16
14 11 12 16 16 12
13 11 13 14 14 13
12 9 10 14 14 10
11 9 11 12 12 11 12
CHAPTER 9
Interval Patterns
Chapter 9 FIGURES 229-232
Interval Patterns
FIGURE 229 the six "new" arpeggio qualities, played in fourth and fifth intervals, 4th position
Gm(maj7)
3 6 3 3 6
7 7 7 7
3 7 7 3 3 7 3 7
4 5 5 4 4 5 4 5
5 5 5 5
3 6 6 3 3 6
(reverse contour)
3 3 6 3
7 7 7 7
7 3 7 3 3 7 3 7 7 3 7 3
5 4 5 4 4 5 4 5 5 4 5 4
5 5 5 5 5 5
6 3 3 6 6 3
Gmaj7b5
3 7 3 3 7
7 7 7 7
4 6 6 4 4 6 4 6
4 5 5 4 4 5 4 5
4 4 4 4
3 7 7 3 3 7
Gmaj7 #5
3 3 7 3
7 7 7
6 4 6 4 4 8 8 4
5 4 5 4 4 5 5 4
4 4 6 6
7 3 3 7 7 3
G7 5
3 7 3 3 7 3
7 7 7 6 6
4 8 4 8 8 4 8 4 4 6 6 4
4 5 4 5 5 4 5 4 3 5 5 3
6 6 6 6 4
3 7 7 3 3 7
3 7 3
6 6 6
4 6 4 6 6 4 6 4
3 5 3 5 5 3 5 3
4 4 4 4 4
73 3 7 7 3
G7 #5
3 7 3 3 7
6 6 6 6
4 8 8 4 4 8 4 8
3 5 5 3 3 5 3 5
6 6 6 6
3 7 73 3 7
G7sus4
3 3 8 3
6 6 6
8 4 8 4 5 7 7 5
5 3 5 3 3 5 5 3
6 6 5 5
7 3 3 8 8 3
3 8 3
6 6 6
5 7 5 7 7 5 7 5
3 5 3 5 5 3 5 3
5 5 5 5
3 8 8 3
FIGURE 230 same thing, using the two-notes-per string patterns, starting on the root
Gm(maj7)
10 14 14 10
8 11 11 8
7 11 11 7 7 11
5 8 8 5 5 8 5 8
5 9 9 5 5 9 5 9
3 6 6 3 3 6
10 14 10
8 11 8 11 8 11 8
7 11 11 7 11 7
8 5 8 5
9 5 9 5
6 3
(reverse contour)
10 14 10
8 11 8 11 8 11 8
7 11 7 11 11 7 11 7
5 8 5 8 8 5 8 5
5 9 5 9 9 5 9
3 6 6
Gmaj7b5
9 14 14 9
8 12 12 8
6 11 11 6
5 9 9 5
5 4 9 9 4
3 3 7 7 3
9 14 9
8 12 8 12 8 12 8
6 11 6 11 11 6 11 6
5 9 5 9 9 5 9 5
4 9 4 9 9 4 9
3 7 7
Gmaj7 #5
11 14 14 11
8 12 12 8
8 11 11 8
5 9 9 5
4 6 9 9 6
3 3 7 7 3
11 14 11
8 12 8 12 8 12 8
8 11 8 11 11 8 11 8
5 9 5 9 9 5 9 5
6 9 6 9 9 6 9
3 7 7
G7 5
9 13 13 9
8 12 12 8
6 10 10 6
5 9 9 5
6 4 8 8 4
3 3 7 7 3
9 13 9
8 12 8 12 8 12 8
6 10 6 10 10 6 10 6
5 9 5 9 9 5 9 5
4 8 4 8 8 4 8
3 7 7
G7 #5
11 13 13 11
8 12 12 8
8 10 10 8
5 9 9 5
4 6 8 8 6
3 3 7 7 3
11 13 11
8 12 8 12 8 12 8
8 10 8 10 10 8 10 8
5 9 5 9 9 5 9 5
6 8 6 8 8 6 8
3 7 7
G7sus4
10 13 13 10
8 13 13 8
7 10 10 7
5 10 10 5
6 5 8 8 5
3 3 8 8 3
10 13 10
8 13 8 13 8 13 8
7 10 7 10 10 7 10 7
5 10 5 10 10 5 10 5
5 8 5 8 8 5 8 5
3 8 8 3
FIGURE 231 Gm(maj7) arpeggio, played in sixth and seventh intervals, 4th position
Gm(maj7)
3 6 3
7 7
3 7 3 7 3 7 3
4 5 4 5 5 4 5 4
5 5
3 6 6 3
(reverse contour)
3 6 3
7 7
3 7 3 7 3 7 3
4 5 4 5 5 4 5 4 5
5 5
3 6 6 3 3 (3)
FIGURE 232 "mind-blowing" angular-melodic-contour variation

Gm(maj7)
3 6 3
7 7 7
3 7 3 7 3 7 7 3 3 3
4 5 4 5 4 5 4 5 5 4 5
5 5 5 5 5
3 6 6 3
CHAPTER 10
Chapter 10
FIGURE 233

FIGURE 233 "Prelude, BWV 999" (also known as "Prelude in D Minor") by Johann Sebastian Bach
Dm Gm/D C dim/D
5 6
6 6 6 8 8 8 5 8 5 5
7 7 7 7 7 7 7 7 7 6 6 6 6 6
7 7 8 5 8 5
5 8 5 5
Dm Dm/C B maj7 Dm/A
6 6 6 6
7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 8 5 8 5 8 5 8 5
8 6 5
G dim7 E/G# Am(add2) Am
3 6 3 3 3 6 3 3 1 5 1 1 1 51 1
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 2 2 2 2 2
3 6 2 2
5 0 3 0 3 0
4 4
Fmaj7 Dm6 E7
5 5 4
5 5 5 6 6 6 3 3 3
5 5 5 2 5 5 4 4 4 4 4 4 4 4 4 4
3 2
5 5 2 2
1 0
Am/E G dim7/E Am/E E7
5 4 7 4 4 58 5 5 10
5 5 5
5 5 5 5 5 7 7 7 7 7 9 9 9 9 9 9 13 13 9 13 9 9
3 7 9 9
7 5 7 11
0 8 0 0 0
F7/E E7 9 D dim7/E Dm6/E
58 5 5 7 2 5 2 2 5
6 6 6 3 3 3
8 8 8 8 8 7 7 7 7 7 5 5 5 5 5 4 4 4 4 4
7 6 4 3
8 7 6 5
0 0 0 0
E7 Cdim7/E E7 9 Am/E
4 2 1
3 3 3 1 1 1 5
4 4 4 4 4 2 2 2 2 2 1 4 4 1 4 1 1 1 25 5252 2 2
2 1 0
2 3 2 3 0
0 0 0 0
Dm6/E E7 G dim7/A A
3 3 3 3 2 2
24 4 24 2 2 2 1 4 4 1 4 1 1 1 1 4 4 1 4 1 1 1 2 4 2 2 2 2
3 0 2 3 0 2
2 0 0 4
0 0
Fdim7/A E7/A A A7 9
4 4 7 4 4 5 3
3 3 5 5 5 5 5 5
4 7 74 74 4 4 7 7 7 6 6 6 6 6 6 6 6 3 6 6
3 0 3 0 7 5
0 0 0 7 0
Dm/A Ddim7/A A G dim7/A A
1 1 4 5
3 3 3 3 3 3 5 5 6
2 2 2 2 2 1 1 1 1 1 6 6 6 7 4 6
3 0 3 0 7 7
0 0 0 7
5

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DVD

A DELUXE CRASH COURSE IN GUITAR THEORY!

Review of the Primary Triad and Seventh-chord Arpeggio Qualities

FIGURE 2 same arpeggios, with the octave root note included

Chapter 2 FIGURES 6-83

G Major Seven and Minor Major-seven Arpeggios in Positions

FIGURE 8 Gmaj7 and Gm(maj7) arpeggios in two octaves, fourth position

Gmaj7 Gm(maj7) Gmaj7

FIGURE 9 same pattern, minus the top note

FIGURE 11 eight-note "alternate-picking cell" on the A, D and G strings

FIGURE 12 same pattern, starting on the top note

FIGURE 13 six-note triplet variation

FIGURE 14 same pattern, starting on the top note

FIGURE 16 eight-note "alternate-picking cell" on the bottom three strings

FIGURE 17 same pattern, starting on the top note

FIGURE 18 six-note variation

FIGURE 19 same pattern, starting on the top note

FIGURE 21 same pattern, starting on the bottom note

FIGURE 22 Gmaj7 and Gm(maj7) arpeggios in two octaves, seventh position

Gmaj7 Gm(maj7) Gmaj7

FIGURE 23 same pattern, minus the top note

FIGURE 25 six-note "alternate-picking cell" on the top two strings

FIGURE 26 same pattern, starting on the top note

FIGURE 27 16th-note variation, descending only (four-note "cell")

FIGURE 28 Gmaj7 and Gm(maj7) arpeggios in two octaves, ninth position

FIGURE 30 same pattern, starting on the top note

FIGURE 31 six-note variation

FIGURE 32 same pattern, starting on the top note

FIGURE 33 eight-note "alternate-picking cell" on the A, D and G strings

FIGURE 36 same pattern, starting on the top note

FIGURE 37 higher eight-note cell on the A, D and G strings

FIGURE 40 same pattern, starting on the top note

FIGURE 42 same pattern, starting on the top note

FIGURE 43 Gmaj7 and Gm(maj7) arpeggios in two octaves, 11th position

FIGURE 44 same pattern, minus the top note

FIGURE 45 same pattern, minus the bottom note

FIGURE 46 eight-note "alternate picking cell" on the bottom three strings

FIGURE 47 same pattern, starting on the top note

FIGURE 49 same pattern, starting on the top note

FIGURE 50 higher variation on the bottom three strings

FIGURE 51 same pattern, starting on the top note

FIGURE 52 Gmaj7 and Gm(maj7) arpeggios in two octaves, 13th position

FIGURE 53 same pattern, minus the top note

FIGURE 54 same pattern, minus the bottom note

Gmaj7 Gm(maj7) Gmaj7

FIGURE 57 same pattern, minus the bottom note

FIGURE 58 eight-note "alternate-picking cell" on the A, D and G strings

FIGURE 59 same pattern, starting on the top note

FIGURE 62 six-note variation

FIGURE 63 same pattern, starting on the top note

FIGURE 65 same pattern, starting on the bottom note

FIGURE 67 same pattern, starting on the top note

FIGURE 69 same pattern, starting on the bottom note

FIGURE 70 higher variation on the D, G and B strings

FIGURE 73 same pattern, starting on the bottom note

FIGURE 74 Gmaj7 and Gm(maj7) arpeggios in two octaves, 14th position

Gmaj7 Gm(maj7) Gmaj7

Gmaj7 Gm(maj7) Gmaj7

FIGURE 76 eight-note "alternating picking cell" on the bottom three strings

FIGURE 77 same pattern, starting on the top note

FIGURE 80 slightly higher pattern, starting on the second note

FIGURE 81 same pattern, starting on the top note