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The Cathartic Method and The Expectancies of Breuer and ANNA O
The Cathartic Method and The Expectancies of Breuer and ANNA O
Hypnosis
M. B. Macmillan
To cite this article: M. B. Macmillan (1977) The cathartic method and the expectancies of
breuer and ANNA O, International Journal of Clinical and Experimental Hypnosis, 25:2, 106-118,
DOI: 10.1080/00207147708415970
Article views: 34
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The InterMtionul Journal of Clinical and Experimental Hypnosis
1977,Vol. XXV. No. 2. 106-118
was virtually paralyzed. When she looked at her fingers they had
turned into little snakes with death’s heads. After the hallucination
had vanished, she tried to pray in her native German but could find
only English words. The next day, the hallucination recurred when
she saw a bent branch. That revival was the first absence, and in each
subsequent absence there was a repetition of the hallucination.
Breuer later supposed that around the hallucination a secondary
state of consciousness began to develop. By December llth, Anna 0.
was so ill that she became a bed patient herself.
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circles; in any case, she created a situation which requested just that
step from Breuer.
The second step in the treatment was Anna O.’s telling of the fairy
stories. Each story was based upon a situation which she had “ob-
viously” created earlier during the day, each required the presence of
another person to repeat some of the words from that earlier situation
if Anna 0. was to elaborate the story, and her general mood was more
“comfortable” afterwards, although her symptoms were unchanged.
Aristotle’s theory of catharsis seems to have been a major influence
upon this step. Ellenberger (1970) cites Dalma as having shown that
an enormous interest in catharsis and the drama had arisen in
Vienna after the publication of a book on catharsis by Bernays in 1880
(cited by Ellenberger, 1970)-the very year Anna O.’s illness had
begun. That general interest together with the specific, and pro-
nounced, theatrical interests of Anna 0. and Breuer could have
created a set of shared beliefs about the effects of story telling. And
those effects would have been to calm only the general mood and not
to alter the symptoms. Partly for this reason, Aristotle’s theory is a
stronger candidate for the source of this second step than for the
cathartic method as a whole, as Ellenberger has proposed.
Aristotle’s theory had required the characters of a tragedy to be
moved by fear and pity so that the watching audience would be
purified of those two emotions. While in the De Poetica Aristotle did
not define what was to be understood by purification, it is clear that it
was taken to mean some kind of vicarious discharge of those emotions
in the audience. Anna O.’s days were filled with hallucinatory fears,
her evening stories with pity for the poor nursing girl. To a theatri-
cally oriented person, it might not have seemed strange that express-
ing or discharging even one of these emotions through a story would
benefit a general emotional state; Breuer was just such a person.
Quite apart from Bernays’ book or his own general cultural back-
ground, Breuer had a special, highly developed, interest in the Greek
drama (Meyer, 1928). He could hardly have been ignorant of Aristo-
tle’s theory. Anna O.’s repetition of the word “tormenting” came to
CATHARTIC METHOD AND EXPECTANCIES 113
represent a suggestion that she be allowed to follow-up the situation
or episode “obviously created” during the daytime absence. Once the
prompt of the words muttered during the absence was provided, Anna
0. responded with the lines from her “rehearsal.” Breuer’s expecta-
tions then allowed for the elaboration of a calming story.
Anna O.’s own expectationswould at least have matched Breuer‘s.
She was a person of considerable culture (Jensen, 1970)who conceiva-
bly knew of Bernays’ book directly and who had, on the evidence of
her later writing, a pronounced theatrical talent. Long after her
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treatment with Breuer, she wrote stories and plays in which pity for
the central character was the dominant motif (Jensen, 1970; Karpe,
1961).There was,in addition, a more direct connection. In response to
being restricted to an extremely monotonous life by her puritanically-
minded family:
She embellished her life . . . by indulging in systematic daydreaming,
which she described as her ‘private theatre’. While everyone thought she
was attending, she was living through fairy tales in her imagination
[Breuer & Freud, 1895, p. 221.
Her therapeutic story telling was little more than another perform-
ance in this private theatre, this time with herself as audience
watching the melodrama of the pitiful girl fearfully nursing her sick
father.
The medical and other literature of the time devoted to altered
states of consciousness might also have led Breuer to think of the two
states of consciousness- so prominent from the second stage of Anna
O.’s illness onwards- in theatrical terms and therefore as modifiable
by catharsis. For, although the number of cases of what would now be
regarded as instances of multiple personality reported in the litera-
ture was not more than five or six, the amount of discussion gener-
ated by them was considerable (Sutcliffe & Jones, 1962; Taylor &
Martin, 1944).The discussion was not limited to formal case reviews
in the medical literature; in the nineteenth century such cases were
thought to be especially relevant to such questions as the nature of
the self and the structure of the personality. Taine, an enormously
influential French philosopher, cultural historian, and literary critic
devoted a substantial part of his De L’lntellience (1878)to double
consciousnessand multiple personality. He used a striking theatrical
metaphor to s u m up the implications of these cases and the appar-
ently similar ones of mediumistic possession:
The human brain is a theatre where, on several planes, several different
plays are staged simultanwusly,but only one of which is illumined. . . .
Certainly one finds here a doubling of the self (dedoublement du moi),
the simultaneous presence of two series of parallel and independent
114 M. B. MACMILLAN
ideas, of two centres of action, two psychological persons juxtaposed in
the same brain, each with a different mission, one at centre stage, and
other in the wings naine, 1878, Pp. 16-171.
This particular metaphor was much quoted, in whole or in part, for
example by Ribot (18851,Janet (18861, and Binet (1889, 1892). One
may presume that its central point was in even wider circulation and
that it was possibly known to Breuer. He could have known of the
metaphor directly for he was familiar with other works by Taine
(cited by Meyer, 1928). He almost certainly knew of a similar theatri-
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DISCUSSION
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It is only probable that Breuer and Anna 0. did share the beliefs
and expectations attributed to them in this paper; there is no way of
establishing the facts with certainty, nor can one say that the success
of the “talking cure” did derive from the beliefs and expectations
common to Anna 0. and Breuer. But, if it did, and if Anna 0.
dominated the treatment to the extent suggested, Breuer‘s therapeu-
tic method may be placed within a tradition of similar methods and
evaluated accordingly. Almost from the beginning of the modern era,
the details of the treatment methods using hypnosis seem to have
developed from specific sets of beliefs-part social and part personal.
For example, Mesmer’s patients convulsed their way to health proba-
bly because they believed the then current medical opinion that
convulsive crises were a necessary preliminary to the recovery from
any illness-a belief which Doctor Mesmer would hardly have dis-
couraged. In contrast, the method of magnetic sleep, which sup-
planted that used by Mesmer, was stumbled upon by de Puysegur in
mesmerizing his servants and other social inferiors. Sleep, symboliz-
ing the passive submission of servant to master, was an appropriate
response to be made by de Puysegur’s subjects, and they recovered
through sleeping rather than through convulsive crises. Mesmerism
and magnetic sleep clearly resemble the administration of inert
drugs, the use of precious metals, and the performance of sham
operations in having no properties which would explain their mode of
action and in relying for their curative effects on the implicit sugges-
tions of the expectancies surrounding their use. The “talking cure’,
appears to belong to this same sub-class of non-specific suggestive
Such features were regularly reported in the mesmeric press of the nineteenth
century (Dingwall, 1967, Vol. 1) and were not confined to the early period. In about
1900, Edgar Cayce the American medical clairvoyant, diagnosed the cause of his
aphonia by inspecting his own vocal cords. He then instructed the hypnotist to give
him a suggestion to increase the circulation to the affected parts. Cayce’s self-
perception restored his voice. Interestingly, his hypnotist knew of similar self-
diagnosis from the work of de Puysegur (account cited by Cerminara, 1950).
116 M. B. MACMILLAN
therapies, the members of which sometimes relieved some of the
symptoms of hysteria.
This conceptualization of the “talking cure” has three important
implications. First, even if the mechanism by which suggestion pro-
duces cures is unknown, explaining the effects of Breuer’s method by
the implicit suggestions of the expectancies provides a rational alter-
native to the explanation of Ellenberger (1970) who proposed the
method to be a creation of the mythopoetic unconscious. Second, the
short time between the end of Breuer’s treatment and Anna O.’s
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Die kathartische Methode und die Erwartungen von Breuer und Anna 0.
M. B. Macmillan
Abstrakt: Erwartungen von den Konsequenzen des unterdriickten Verhaltens und
den Effekten des Ausdrucks von Gefiihlen werden hier als Quellen der “Kur des
Aussprechens” vorgeschlagen, die sich aus Breuers Behandlung der Anna 0.
entwickelte und die spater als die kathartische Methode bekannt wurde. Obgleich
dies Argument dem von Ellenberger (1970) vorgeschlagenen iihnlich ist, gibt es doch
eine rationellere Alternative fiir seine Erkliirung, dass die Methode zum Teil eine
Schopfung dea mythopoetischen Unbewusstseins sei. Eine Analyse der Interaktion
zwischen Breuer und Anna 0. driickt sehr klar die Erwartungen aus, die jedem der
Schritte unterliegen, durch die sich die kathartische Methode entwickelt und leitet
diese Erwartungen von den allgemeinen Ansichten und den speziellen, theore-
tischen Interessen, die sie teilen, her.
M. B. Macmillan
Resumen: Las expectativas acerca de la eliminacion de ciertos comportamientos y
de 10s efectos de la expmiQnde emociones son presentadas como fuentes de la “cura
por la palabra” (talking cure) que tuvo lugar durante el tratamiento de Anna 0. por
Breuer, procedimiento posteriormente conmido bajo el nombre de mktodo cat&
tico. Este argumento, aunque similar al propuesto por Ellenberger (1970). propor-
ciona una alternativa mas racional a la explicaci6n de dicho autor, el cual pretende
que el mktodo en cuesti6n fue enparte una creacion del inconsciente mitopoktico. El
d l i s i s de la inhracci6n Breuer-Anna 0. explicita Ias expectativas subyacentes a
cada una de las etapas de la evoluci6n del mktodo cat&rtico, y pone dichas expectati-
vas en relacion con las creencias general- y 10s intereses teoricos especificos
comunes a ambos individuos.