Crossing

the line

  = 100
       
           



            
  
                      
 
 



   
      
             


            
   
6

                  
            

  
                                   


                      
 
10

                   
   
This has to stop now, what

            




                  
    
14

       
e ver it is that you're go ing through we'll fix it to ge ther me and you just

    

            
       
16


           
like we've al ways done. No, this has to stop now, this

     
      
 
           
   
18

      
thing where you think that you've been my friend and

  

               
      
19

            
don't e ven hear how you con des cend the way you've al ways done.

         

                          


        
       
21


       
          
Cass an dra lis ten I know it is'nt true. Isn't it? Just look in to my eyes. Well... I

      
I'm lis te ning


          
       

24

        
 
know you feel it too. Perhaps I do. Cass an dra lis ten, I'm listening.

        


         
                

26

    
     
dim.

       
I swear it'snot too late So be fore a no ther line gets crossed and e very thing we had is lost,

     

2
 
  


                
          
29 3

      
              
just wait... No I won't wait. cresc.

           


          
           
34

             
        
There's a

  


          
            

37

     
       
line be tween the win ners and the lo sers. There's a

     




                 
      
39

   
 
      
line be tween thechoo sen and the rest. And I've

      






     
              

41

      
            
done the best icould, but I al ways knew just where we stood. Me here with the luck ness,

    


3
                
   
44

        
          
you there with the blessed. And that line be tween thechoo sers and the

    
             
    
46

           
           
be ggars, is a line you ne ver let me quite ign ore. How I've

       
 
            
 

49


 
    
      
  
 
tried to jump that great di vide. But I ne ver got the chan ces you were

  

          
              
    

52

          
        

given. You don't know how much I've been de nied. Well I'm not being patient a ny

      


 
        

 
 
  
        
   
 
 

        
56

            




more. I'm cro ssing the line. And I'm done hol ding back. So look

   

4
           
                     
          
59



     
   
  
  
out, clear the tracks, it's my turn. I'm ta king what's mine. Every

  




                 
                
    
62

          

      
drop, eve ry smidge. If I'm bur ning a bridge let it burn. But I'm cro ssing the

  

                                  
                   
3

      
3 3
65

            
 
  
3

 
3 3

  
line. And for us, if we're o ver that's

  

     

            
           
68

 
   
       
    
fine. I'm cro ssing the line.

     