Unit One 1930s unit one

group
and
ctbstraction
-

Modern its aftermath

which the forms are coarsened

Junpei city by

}
panty
•
white
-

: colour of
- other level of scaepeiaty
forms
-
the supercity of
nature
demonic
↳ • -

playfulness , is created
↳ one particular and momentary experience
↳ tae shapes are on a way changing
artists
coeeecte.ve of
B) • one group itself , → unit fields fasts
name → sefeecteoe
on the group ↳ unified many architecture ,
(sculpture
-

painting
,

design ,
continental artistic practices
to european
were open
-

they direct, aside , tangible way

→ in a

Nicholson 's Cubism

:
Ben
eg .

lassos
Unit one group
Early
-

The Nicholson
Nash , Ben
Hepworth Paul
,
Barbosa Barra
Henry Mooney
:
members Edward
John Armstrong ,
John Bigge , Colin Lucas
Wadsworth week Coates ,
Edward ,

19 by
exhibition → April, w/ Braque
opening along
Mayor gallery
-

Dolo
téger
Amp
Mero
onset
2
deff approach to the
Paul Nash reflects upon
bos artistic practices
of the
structural purpose
→ pursuitof form expression -

interaction and
search of beauty
en
formal some

☒ psychological
in
representation Pursuit of thetrace the psyche
apart from abstract age
aeteeeept to research on the part of
the
↳ typified by artist
Paul Nash Megaliths
Clos 353 ]
[Equivalent for the
Kinetic Feature Cl93D] what is ↳
Nature vs geometrical shape

/
①
indicative of *
upon
intrusively composed
-

canvas
on on the
going nature
movement cultural
means element : prehistoric
↳ bag
around the vertical site
natural
Whirlpool Ake
↳ party the( rather
-

axis
-

→
movement )
the scenery
-
denamismenbw
structural units
-
circular component
the
↳ evocative of
structural axis

the internal and

② play bw
the eetemal

rectangles → geometrically surrealism

sweaty
↳
the Moon ] Cl9B4 -3ft Nash was a
[ voyages of landscape pants
the
↳ fascinated by
Ake elements greaser landscape
globe
-

yea
-

reflective surface ↳ war painter

within
painting a
painting
abstract pursuit

[ Landscape from • Dream ] (1936-38)

nem tudom, nem fontos
 The 1930s
Easley
1931-04 : the cnea.ae
years of
the second
phase of English modernism
internationalism
aeooeesheswv
eoyoys
a new period of
-

English in the works of English

modernism manifested
→ European
artist ( flameson 2333 "
0
going being
Modern and English arts and its
↳ act
of taking
account
of European
developments

art and artiste

-
Polarisation Caefgesenteation / divergences of
tendencies

↳ aleggesent are fields are eleffesentéated

the unified
gained their equal importance
the
can be absorbed
↳ within artform divergence
:
visual

Beg :
Chet
abstractionism , surrealism (
érdlbel
constructivism

sessionison
, figurative
abstractionism neap
→ Nash advocates
abstract ast
non representational composition
Nicholson
-

↳ also relevant → Ben

Utcsaklemasdom a
Mond
kinetic feature Cl93D as a schematic
seceding of
Dial overt Mlle

hossa
'
am semmi Cubism C2bD
tontosat be
modem movement
in
Eagleswast I
a sense for abroad
architecture
and decorator
painters sculptors
design ,
alliance of architects ,
, continental
~
sees as a

and architecture largely

•

Design
movement more
19203 present any
insularity of
the
all
continent the unification of
→ no
on the
in England Cyet ,
the arts under a
universal aesthetic nationality
eead a social ideal
by "
N
"

useful
asts
of France déatsol
ajezee
ssoue
get time a

with this
°

why
did I
spend
 (1884-1982) ( eépekse Gossett
⑨en Nicholson932 top a

Tote Cl i
'

pig
chat
ate
-1860
clot
Braque
George
Fruit
sh 09123

Brancusi 's atelier → The significance of

Constantin whiteness
artist produces itswok
in which the

(
the environment
is
changing space
this
white space , open
> entrances
it was radical
for them

that bullshit
isaeepleaty
aee

geometrically
ahhhhh tudjatoe
purity
too
angular
architectural design
sealed to socialism

w/ eachother
how the shapes are
interacting
niet csinaknah
playfulness (wow
eek a
shaped .

playful)
Coamo ridge , 1933J
H C
Hughes ,
modernist building Dead Brighton i
1935J
Coast Clangs
. .

,
Embassy
Wells Coates ,
in Bauhaus buildings
unis design
C? i ] is
guess lengthy present
Ben Nicholson 80N
Of William
Nicholson Cf 894 -1982J
abstractions
practitioner of
crossed
painting
.

guitar on wooden board

painted
almost smmgw Cbefirveseetcoej
graspability
the painting
crude stature is
given to upon the board
layerof plaster → unposed
happened
and then some
caning
-

shape suggestcoega
:
guitar being posed
wall
against
a

'

Cmdrmint Valoban
ezacéme is ezj
1934-6 (1934-6)
on the composition
↳ title is not referential seal→ 0th lose an
anchor
element of
↳ balancing

↳ much more structural

↳ abstractomng , composing
the
painterly space
approach
:

↳ another

"
abstract Agosta
" on
paper , points
these
black → forcefully
deaaouieaeey voorateng
agob- I 19393
White
belief
the
way light purposed upon
the
surface
space
creating same name Clegg6)
sueulpttese with the
 Cubism Nicholson
Legacy of
-

matter
tendency to codify subject
-

- cubist

- the presence of objects surfaces

or

colours or texturesignificant
details
-

fragmentsof
or
entering
> teeturality
-

added
Leg
: another
layer
$
.

in the case ofguitars

Cubism
-

collage technique
was
oftentimes by
used

emphasis on the
medium and the
working procedure
texture
-
use
of different
hand - made (
free hand
qualities
-

technique
FREEHAND
lines and circles drawn
colours
different
with abstraction
-

experimented → used for

eenebw the two components
suggesting}space
-

indicating
becomes
substantial
-
the abstract image
- use
of extreme clarity
→ qualitiesof light
and atmosphere
St Ives whitewashed cottages]
Ceg
: memories
of
as wee
whiteness balance with simple geometries
Purity of
in

~ modern architects
and designers works
with modem architecture
his
reliefs show affinityarchitecture
modern
inspired by