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Hosted by Professor Steve Szigeti, the podcast covers the invention and history of radio,
focuses on a small radio station in Memphis, Tennessee (USA), considers the significance of the
Boombox and the Sony Walkman4 in the 1980s and the introduction of the iPod 4in the 2000s.
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Podcast Contents

Introduction 0:00 – 1:00

Lyceum Halls 1:00 – 3:15
Invention of Radio
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The Eighties 15:55 - 19:43
The iPod 19:43 – 22:01
Podcasts 22:02 – 24:35
Focus on the Serial podcast 24:35 – 33:20
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Types of podcasts 33:20 J h i–h 37:44
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Song Credits (listed in order of appearance)

I Ain’t Got Nobody to Love (1924) by Ted Lewis Jazz Band

Trouble Blues61(1949)
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Maybelline (1956) by Chuck Berry
Cincinnati Lou (1946) Merle Travis
Let the Good Times Roll (1946) Louis Jordan and the Tympany Five
Rocket 88 (1951) by Ike Turner 4
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Rock Box (1984) by Run J hDMC
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1234 (2007) by Feist

Spotify Playlist (for the songs listed above):

https://open.spotify.com/playlist/2wdrbUJb7zmfOZe4JfQAMz?si=CLNzuNT9TCeE7gY97Px2pw
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Marshall McLuhan interview: The medium is the message - 1977 part 1 v 3

https://www.youtube.com/watch?v=ImaH51F4HBw

Tai Simpson (2019) Indigenous 564 564

J h i h 61 storytelling as a political lens (TedxBoise)
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The Sony Walkman Commercial (1981)

Podcasts Discussed
Serial: Season 1 (WBEZ and This American Life)
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https://serialpodcast.org/season-one 564 5
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The Dice Tower (The Dice Tower Network)
https://www.dicetower.com/game-podcast/dice-tower
WTF with Marc Maron
http://www.wtfpod.com/ 61564 6156
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The Daily (The New York Times)
https://www.nytimes.com/column/the-daily
99% Invisible (Radiotopia)
https://99percentinvisible.org/
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Ear Hustle (Radiotopia)
https://www.earhustlesq.com/
2 Dope Queens (WNYC Studios)
https://www.wnycstudios.org/podcasts/dopequeens
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The Joe Rogen Experience
(Spotify Exclusive)
Still Processing (The New York Times)
https://www.nytimes.com/column/still-processing-podcast
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No Such h 61as a Fish.
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https://www.nosuchthingasafish.com/ E

Theme music and incidental music by Applesauce

Sound Effects: Freesound (freesound.org)

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Sound effects from Freesound.org are licensed under the Attribution Noncommercial License
(Creative Commons). Songs listed above are incorporated under fair educational use provisions.
Rights are retained by copyright holders.

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