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Camera Exposure PDF
Camera Exposure PDF
Camera Exposure PDF
Rayaz Hassan 1
To understand the
CAMERA EXPOSURE
we should know about Professional
DSLR CAMERA
&
MIRRORLESS CAMERA
DSLR Camera
(Digital Single Lens Reflex Camera)
Mirrorless Camera
DSLR
Dr. Rayaz Hassan 4
DSLR Camera
Digital
Single
Lens
Reflex
Camera
Reflex
Mirror
Camera Lens
Camera Body Dr. Rayaz Hassan 6
Pentaprism
Optical Viewfinder
Image
Sensorv
Reflex Mirror
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Movement of Image Recording
More specifically,
it’s the amount of light that reaches
➢ the film or
➢ camera sensor
➢ Shutter Speed
➢ Aperture
➢ ISO
3 ELEMENTS
of EXPOSURE
• Shutter Speed
• Aperture
• ISO
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SHUTTER SPEED
Controlling the
duration of the
exposure:
Controlling the
subject movement:
For example:
For 50mm lens, minimum shutter speed should be 1/60.
Focus Point
Wide Aperture/ Low
f-stop value
Small Area in
Acceptable Focus
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DEPTH OF FIELD
Small (shallow) depth of field means that only part of the image will
be in focus and the rest will be blur.
(The picture to the right side where only flower is in the focus and background are de-focus.
This is a very shallow depth of field and was taken with an aperture of f/2.8))
F 2.8
F 2.8
F 22
F 16
f/8
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Exposure Triangle
• Do you want
a single object
in focus or an
entire scene?
f/2.8 f/16
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f/1.4 f/4.5
f/8
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f/1.4 f/4.5
What affects depth of field?
➢ Aperture
➢ Distance of the Subject from Camera
➢ Focal Length
➢ The latter depends on Camera Sensor Size
f/8
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f/1.4 f/4.5
Produce Long DoF:
f/8
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f/1.4 f/4.5
f/8
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f/1.4 f/4.5
f/8
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f/1.4 f/4.5
f/8
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f/1.4 f/4.5
f/8
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f/1.4 f/4.5
f/8
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f/1.4 f/4.5
Produce Short DoF:
f/8
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f/1.4
How to shoot for shallow depth of field?
f/4.5
Decide the amount of depth of field you need and get close to the
subject, use wide apertures (f/1.4-f/5.6) and long focal lengths (from
70mm or larger).
Finally, focus the lens on the part of the subject you want to direct the
viewer's attention.
Shooting with a full frame camera will also produce a shallower depth
of field than shooting with a cropped one.
f/8
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f/1.4 f/4.5
f/8
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f/1.4 f/4.5
f/8
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f/1.4 f/4.5
f/8
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Image Sensor Sizes
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ISO
ISO
ASA
American Standards Association
The ASA scale is an arbitrary rating of film speed; that is, the sensitivity of
the film to light.
(Digital cameras convert the light that falls on the image sensor
into electrical signals for processing)
That was as true for glass plates as it is for film, and now digital
sensors.
Every camera has a different range of ISO values (sometimes called ISO speeds) that
you can use. A common set is as follows:
•ISO 100 (low ISO)
•ISO 200
•ISO 400
•ISO 800
•ISO 1600
•ISO 3200
•ISO 6400 (high ISO)
Quite simply, when you double your ISO speed, you are doubling the brightness of the
photo. So, a photo at ISO 400 will be twice brighter than ISO 200, which will be twice
brighter than ISO 100.
The lowest native ISO on your camera is your “base ISO”. This is a very important
setting, because it gives you the potential to produce the highest image quality,
minimizing the visibility of noise as much as possible.
Some older DSLRs and some modern cameras, such as the Fuji X-T2 have a base ISO of
200,
whereas most modern digital cameras have a base ISO of 100.
Optimally, you should always try to stick to the base ISO to get the highest image
quality.
The lower the number the lower the sensitivity of the film
and the finer the grain in the shots you’re taking.
1. Light
2. Movement
3. Stability
4. Grain.