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Reputation Versus Context in The Interpr
Cesare Cuttica1
Abstract: This article sets out a novel analysis of Sir Robert Filmer’s (1588–1653)
well-known but often misread Patriarcha (1620s–30s). Claiming that a preoccupation
with John Locke’s criticism of Filmer has had distorting effects on modern historiog-
raphy and has prevented an appropriate contextual approach to the work. The article
proceeds along four lines. Firstly, drawing on the discovery of a manuscript note it
re-maps the configuration of its arguments, aims and intellectual milieu. Secondly, it
presents the treatise as the powerful articulation of the patriarchalist paradigm
deployed to attack the emerging language of county patriotism and the theory of papal
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deposing power formulated by Jesuit thinkers like Robert Bellarmine and Francisco
Suarez. Thirdly, it places Patriarcha in the context of the late 1620s’ parliamentary
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debates from which emerged the Petition of Right (1628) illuminating the reasons why
Filmer made use of the notion of the king as pater patriae with the aim of opposing
(quasi)-republican defenders of the so-called ‘common people’. Finally, the article
reshapes the role of patriarchalism in the history of early modern European political
thought, especially with regard to the centrality of the idea of ‘arbitrary’ power.
Keywords: Robert Filmer, patriarchalism, Patriarcha, patriots, Jesuits, context,
historiography, Charles I, Parliament, nation, father.
I
This article sets out a timely revision of Sir Robert Filmer’s (1588–1653)
well known but often misread Patriarcha (1620s–30s). It claims that John
Locke’s scathing criticism of patriarchalist ideas deployed in the First Trea-
tise (1689)2 has had distorting effects on modern historiography.3 This is to
say that Locke’s polemical attack — embedded as it was in the heated phases
1 Université Paris 8-Vincennes. Email: Cesare.Cuttica@univ-paris8.fr
2 See J. Locke, Two Treatises of Government, ed. P. Laslett, (Cambridge, 2nd edn.,
1970), e.g. Bk. I, ‘The Preface’, pp. 155–6; ch. i, § 1, p. 159; ch. ii, § 6, p. 163; ch. iii, § 20,
p. 173; passim. For another well-known attack on Patriarcha see A. Sidney, Discourses
Concerning Government, ed. T.G. West (Indianapolis, 1990), e.g. Bk. I, ch. 1, p. 7; pas-
sim. For an enduring tradition of scornful attacks on Filmer see J.-J. Rousseau, ‘Discours
sur l’Économie Politique’, in Oeuvres completes, ed. B. Gagnebin and M. Raymond
(Paris, 1964), Vol. III, pp. 239–78, p. 244; ‘Th. Burnett an Leibniz, letter xvi, October 15,
1698’, in Die Philosophischen Schriften von Gottried Wilhelm Leibniz, ed. C.I. Gerhardt
(7 vols., Berlin, 1887), Vol. III, p. 243; G.W. Leibniz, ‘Meditation on the Common Con-
cept of Justice’, in Leibniz: Political Writings, ed. and trans. P. Riley (Cambridge, 2nd
edn., 1988), pp. 45–64, p. 62.
3 See e.g. G.P. Gooch, Political Thought in England: From Bacon to Halifax (Lon-
don, 1915), pp. 160–1; H. Laski, Political Thought in England from Locke to Bentham
(London, 1920), pp. 9, 15–16, 38–9; G.D.H. Cole, Politics and Literature (London,
1929), p. 47; G.H. Sabine, A History of Political Theory (London, 1937), pp. 512–14,
524; P. Zagorin, A History of Political Thought in the English Revolution (London,
HISTORY OF POLITICAL THOUGHT. Vol. XXXIII. No. 2. Summer 2012
232 C. CUTTICA
To accomplish this task the article proceeds along four lines. Firstly, draw-
ing on the discovery of a manuscript note in which Filmer submitted to King
Charles I his request to have Patriarcha published in 1632, it re-maps the con-
figuration of its arguments, aims and intellectual milieu. Secondly, the article
studies the treatise as the powerful articulation of the patriarchalist paradigm
deployed to attack the emerging language of county patriotism and the theory
of papal deposing power formulated by Jesuit thinkers like Robert Bellarmine
1954), pp. 28, 200–1; J. Plamenatz, Man and Society: A Critical Examination of Some
Important Social and Political Theories from Machiavelli to Marx (2 vols., London,
1963), Vol. 1, pp. 173, 182, 186–7; J. Dunn, The Political Thought of John Locke: An
Historical Account of the Argument of the Two Treatises of Government (Cambridge,
1969), pp. 58–9; D. Wootton, Divine Right and Democracy (London, 1986), p. 31.
4 For a complete summary of the various historiographical interpretations of Filmer’s
oeuvre see C. Cuttica, ‘Sir Robert Filmer (1588–1653) and the Condescension of
Posterity: Historiographical Interpretations’, Intellectual History Review, 21 (2011),
pp. 195–208.
5 The historiography on Filmer is largely indebted to the pioneering works of Peter
Laslett, Gordon Schochet and James Daly (see P. Laslett, ‘Sir Robert Filmer: The Man
versus the Whig Myth’, William & Mary Quarterly, 5 (1948), pp. 523–46; P. Laslett,
‘Introduction’, in Patriarcha and Other Political Works, ed. P. Laslett (Oxford, 1949),
pp. 1–43; G. Schochet, Patriarchalism in Political Thought: The Authoritarian Family
and Political Speculation and Attitudes Especially in Seventeenth-Century England
(Oxford, 1975); J. Daly, Sir Robert Filmer and English Political Thought (Toronto,
1979). Although their important interpretations differ in significant ways one from the
other, they presented two fundamental limits: Laslett and Schochet were committed to a
concept of social causation (patriarchy) as the quintessential explanation for intellectual
discourse (Filmer’s ideas), while Daly looked at Filmer as a fundamentally English char-
acter on a stage which, instead, was more open to continental ideas and debates.
6 J.P. Sommerville, ‘Introduction’, in Robert Filmer: Patriarcha and Other Political
Writings, ed. J.P. Sommerville (Cambridge, 1991), pp. vii–xxxvii, p. xxiv.
7 Q. Skinner, Visions of Politics: Volume I — Regarding Method (Cambridge, 2002),
e.g. pp. 82–3.
SIR ROBERT FILMER’S PATRIARCHA 233
and Francisco Suarez. Thirdly, what follows places Patriarcha in the context
of the late 1620s’ parliamentary debates from which emerged the Petition of
Right (1628). In so doing, it also illuminates the reasons why Filmer made use
of the notion of the king as pater patriae with the aim of opposing republican
defenders of the so-called ‘common people’.8 Finally, the article reshapes the
role of patriarchalism in the history of early modern European political
thought, especially with regard to the centrality of the idea of ‘arbitrary’
power.
Whereas the following pages go against the grain of much Filmerian histo-
riography written in the twentieth century, they also continue and expand the
findings of more recent scholarly research focused on Sir Robert’s ideas as
they were developed in the cauldron of historical controversies centred on
issues of liberty and sovereignty, allegiance and disobedience to monarchs.9
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has to do with the fact that both his criticism of his adversaries and his read-
ings of historical or biblical sources were often pursued in distorting and
unscrupulous manners. This feature of Filmer’s prose yields two important
considerations: it fully captures his work’s engagement in the midst of
national as much as international political discussions and it shows why fifty
years after it was first composed Patriarcha was adopted by the Tories as
their theoretical banner in what was a deeply ideological conflict of opinions
and identity in politics as well as in religion.
By proceeding in this way, it is hoped that novel attention will be paid to the
reality of Patriarcha rather than simply to its reputation.
II
On 8 February 1632, a week after Charles I had officially proclaimed his
intention to prevent writers from addressing matters of state since they led to
‘scandall of gouvernment and disadvantage of our service’,10 Georg Rudolph
Weckherlin, the government press licenser, brought to the King two manu-
scripts seeking licence for publication. One of them was a version of
Patriarcha. In Weckherlin’s words:
Sir Robert Filmer brought me a Discourse to bee licensed for printing, writ-
ten of Government and in praise of Royaltie and the supreme authority
thereof. I most humbly crave your Majesties wise Censure, whether such a
subject at this time is fitter to bee made publick or kept in Non licet.11
Charles did not concede the licence. As a result, the treatise had to wait nearly
five decades before finding its way into print (1680).12
This is certainly no news, as historians Richard Tuck13 and Johann
Sommerville14 agreed that the greater part of the work was written in the late
1620s.15 Yet neither Tuck nor Sommerville focused on the historical and theo-
retical significance of the discovery that Filmer tried to go public in the tense
political context of the Forced Loan (1626–7) and the Petition of Right
(1628). Thus, if this circumstance suggests that his theories were neither the
product of Ship Money (1634–8) or of the debates of the late 1640s, nor were
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Exclusion Crisis (1679–81), as was maintained for a long time,16 it also opens
up new perspectives on the original meanings and objectives of Patriarcha.
The following pages intend to clarify why and in connection with what milieu
11 BL, Mss Add. 72439, Reasons for Refusing a Licence to Sir Robert Filmer’s
Patriarcha of G.R. Weckherlin, London 8 Feb. 1632, fo. 8. This is mentioned in A.B.
Thompson, ‘Licensing the Press: The Career of G.R. Weckherlin During the Personal
Rule of Charles I’, Historical Journal, 41 (1998), pp. 653–78, p. 668. The licenser’s note
in the Trumbull manuscript was unearthed in 1989. The other manuscript was a rather
hazardous comparison between Henry IV of France and King Gustavus Adolphus of
Sweden, which Weckherlin deemed damaging to Charles’s image (ibid., pp. 668–9).
12 The complex issue of why Charles I did not allow the publication of Patriarcha
will be addressed in a forthcoming book-long manuscript entitled Sir Robert Filmer
(1588–1653) and the Patriotic Monarch: Patriarchalism in Seventeenth-Century Politi-
cal Thought (Manchester, 2011/12). Here it is sufficient to mention that the govern-
ment’s refusal was, partly, due to the radical views expressed in Patriarcha and partly
(but more conjecturally) to the treatise’s failing to match the Caroline vision of authority.
13 R. Tuck, ‘A New Date for Filmer’s Patriarcha’, Historical Journal, 29 (1986), pp.
183–6.
14 According to Sommerville, ‘[p]erhaps the first two chapters of Patriarcha were
composed in the 1620s and the third chapter about 1630’ (Sommerville, ‘Introduction’,
p. xxxiv).
15 See also J. Rudolph, Revolution by Degrees: James Tyrrell and Whig Political
Thought in the Late Seventeenth Century (Basingstoke, 2002), p. 30; and G. Burgess,
‘England and Scotland’, in European Political Thought 1450–1700: Religion, Law and
Philosophy, ed. H.A. Lloyd, G. Burgess and S. Hodson (New Haven and London, 2007),
pp. 332–75, p. 360.
16 For the debate on when Patriarcha was composed see G. Schochet, ‘Sir Robert
Filmer: Some New Bibliographical Discoveries’, Transactions of the Bibliographical
Society (the Library), 5th series, 26 (1971), pp. 135–60; J.M. Wallace, ‘The Date of Sir
Robert’s Patriarcha’, Historical Journal, 23 (1980), pp. 155–65; J. Daly, ‘Some Prob-
lems in the Authorship of Sir Robert Filmer’s Works’, English Historical Review, 98
(1983), pp. 737–62.
SIR ROBERT FILMER’S PATRIARCHA 235
churches have [also] entertained’ this ‘tenet’ and added that ‘the common
people everywhere tenderly embrace it as being most plausible to flesh and
blood, for that it prodigally distributes a portion of liberty to the meanest of
the multitude as if the height of human felicity were only to be found in it’.19
Filmer opened up his argument by firing off a fusillade of opinions at odds
with different adversaries. Not only did he criticize Catholic theorists and
Protestant thinkers in one shot, but, most importantly, he vigorously attacked
‘the common people’ whose opinions questioned the absolute power of the
monarch.20 Aided by the works of resistance theorists like George Buchanan
and by monarchomachs’ claims that, if a king failed to protect the nation, it
was legitimate to overthrow him, some theorists argued that people’s alle-
giance to the sovereign was not absolute but could be rescinded if the latter
did not respect his oath. For Filmer, as we shall see, the main problem — and
tance theories.
Secondly, with his other eye watching the tense political situation of the
1620s in England, he criticized the ‘vulgar opinion [that] hath of late obtained
great reputation’ and of which ‘[i]t is hard to say whether it be more danger-
ous in divinity or dangerous in policy’.24 This ‘faith’ constituted ‘the whole
fabric of this vast engine of popular sedition’ which ‘many an ignorant sub-
ject hath been fooled’ into.25 As proved by the rhetoric of MPs and country-
men like his cousin Thomas Scott of Canterbury (c.1566–1635),26 the central
and most vicious belief was that ‘a man may become a martyr for his country
by being a traitor to his prince’.27 According to Filmer, this principle led to
the deleterious implication that parliament was above the king. Hence the
III
While patriarchalism is generally acknowledged as the defining doctrine of
Patriarcha, less discussed is why Filmer chose this political paradigm to
defend absolute monarchy. One first answer comes from his attack on Jesuits
and Ultramontanists.30 In this respect, he continued a battle of ideas com-
menced in the previous century and which reached its peak at the time of the
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throughout Filmer’s work and the result of the 1620s’ deep hostility towards
everything Catholic and Spanish. In other words, Filmer pointed to the danger
represented by those who promoted an external allegiance to a power (Rome)
which was not the king’s. As the Jacobean Oath had been implemented by
King James I with the aim — as he wrote in 1608 — of separating among
his Catholic subjects ‘quietly minded Papists’ from dangerous ‘powder-
Traitors’,32 so Patriarcha responded to the notion (articulated by Parsons)
that, in some cases, subjects could take up arms and dethrone the tyrannical
monarch without having to wait for the approbation of the Pope.33
To testify to what degree animosity against the Jesuits was widespread in
Filmer’s England, be it sufficient to remember that on 10 April 1628 in a
28 This idea had a medieval pedigree, deriving from Roman law and canon law as
well as from English law (see J. Greenberg and C.C. Weston, Subjects and Sovereigns:
The Grand Controversy over Legal Sovereignty in Stuart England (Cambridge, 1981)).
29 For a thorough examination of Filmer’s patriarchalism and the differences between
his doctrines and those of Bodin, James I and Hobbes see Cuttica, Sir Robert Filmer
(1588–1653) and the Patriotic Monarch (forthcoming).
30 This is a point recognized in the scholarly literature, but not always explored in
depth (see e.g. Sommerville, ‘Introduction’).
31 Tuck argued that the original draft of Patriarcha might have been a contribution to
the debate on the Oath (Tuck, ‘A New Date’, p. 185). On the Oath of Allegiance and the
polemics ensuing from it see J.P. Sommerville, ‘Papalist Political Thought and the Con-
troversy over the Jacobean Oath of Allegiance’, in Catholics and the Protestant Nation,
ed. E. Shagan and M. Sena (Manchester, 2005), pp. 162–84. See also C. Condren, Argu-
ment and Authority in Early Modern England: The Presupposition of Oaths and Offices
(Cambridge, 2006), pp. 269–89.
32 King James VI and I, ‘Triplici Nodo, Triples Cuneus’, in King James VI and I:
Political Writings, ed. J.P. Sommerville (Cambridge, 1994), pp. 85–131, p. 86.
33 See R. Parsons, Elizabethae Angliae reginae haeresim Calvinianam propugnantis . . .
per D. Andream Philopatrum (Rome, 1593).
238 C. CUTTICA
banned as they were ‘offensive to God, and a scandal in the sight of Your
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allegiance. As Filmer maintained, the Jesuits ‘thrust down the king below the
pope, thought it the safest course to advance the people above the king, that so
the papal power may more easily take place of the regal’.42 The chief threat of
Jesuit political thinking was thus the doctrine of the superior authority of the
Bishop of Rome over national monarchs. In fact, this controversy concerned
political betrayal and patriotism. It was not simply a matter of religious perse-
cution of the Catholic population in England.43 The main issue at stake since
the Oath controversy was that the doctrine of the deposing power was more
than an accessory theoretical one in that it constituted ‘an integral part of the
nature prescribed that ‘this power is delegated by the multitude to one or sev-
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eral’.46 Bellarmine explicitly said that not only ‘political power resides in the
people’,47 but that
. . . it depends on the consent of the people to decide whether kings, or con-
suls, or other magistrates are to be established in authority over them; and, if
there be legitimate cause, the people can change a kingdom into an aristoc-
racy, or an aristocracy into a democracy, and vice versa, as we read was
done in Rome.48
Bellarmine pointed out that ‘even if at the beginning those who founded king-
doms were usurpers for the most part, yet, by the passing of time, either they
or their successors became lawful rulers of those kingdoms, since the people
gradually gave their consent’.49 He was also adamant that ‘it is absolutely nec-
essary that the nation, if it is to be ruled rightly, must be ruled by laws, not
merely by the will of the ruler’.50 In stark contrast to Filmerian theory, the
Cardinal argued that while the multitude ‘consider the law carefully’, ‘the
ruler is only one, and frequently has to judge without due consideration’.51
For Filmer, Bellarmine’s viewpoint stemmed from the ‘desperate asser-
tion, whereby kings are made subject to the censures and deprivations of their
subjects’.52 Making of God ‘the immediate author of a democratical estate’,
the Jesuit theologian’s theory was full of contradictions and ended up
44 Sommerville, ‘Papalist Political Thought’, p. 175.
45 R. Bellarmine, De Laicis, or The Treatise on Civil Government, ed. M.F.X. Millar,
trans. E. Murphy (New York, 1928), ch. vi, p. 25.
46 Ibid., p. 26.
47 Ibid., p. 28.
48 Ibid., p. 27.
49 Ibid., p. 30.
50 Ibid., ch. x, p. 42.
51 Ibid., p. 43.
52 Filmer, ‘Patriarcha’, p. 3.
SIR ROBERT FILMER’S PATRIARCHA 241
unacceptable in people like Bellarmine and Suarez who knew ‘Moses’ his-
tory’ whereby ‘ “God made all mankind of one man, that he might teach the
world to be governed by a king, and not by a multitude” ’.60
By and large, Filmer’s attack on Jesuit thinkers was not exclusively
directed at the notions of popular government and natural freedom.61 It was
also launched against the papalist belief that Catholic subjects owed their pri-
mary allegiance to Rome rather than to the state and its secular powers. Filmer
regarded Bellarmine as the mouthpiece of the ‘Jesuitical’ fifth column lurking
in the country to strike at the heart of monarchy as had happened earlier in
France, where Juan de Mariana’s doctrines were seen as having influenced
François Ravaillac, the murderer of King Henry IV. In fact, in the anti-Jesuit
pamphlet-war of the early Stuart period Mariana’s De Rege et Regis
Institutione (1599), Bellarmine’s De Potestate Pontificis in Temporalibus
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(1610) and Suarez’ Defensio Fidei Catholicae (1613) epitomized the justifi-
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cation of parricide with which the killing of kings was associated.62 Ideas like
those of Mariana and Bellarmine undermined the foundations on which stood
the national and political heritage of monarchical government. Confronted by
the murders of Henry III (1589) and Henry IV (1610) in France and by the
Gunpowder Plot (1605) in England, monarchists had realized that words
could catastrophically turn into actions, indeed murderous actions.63 Since the
latter were sustained by a discourse whose cornerstone was the formula pro
rege et patria, which contemplated the killing of evil fathers in order to pro-
tect the fatherland,64 theorists like Filmer deprived patriotism of its potentially
dangerous message. They turned it to the advantage of monarchy and its
supreme representative. In this milieu patria lost its Ciceronian and republi-
can connotations.65 Instead, it began to share part of its vocabulary and images
with the rival model based on the concept of the king as pater patriae.66
60 Ibid., p. 14.
61 See ibid., pp. 12–13.
62 R. Mousnier, L’Assassinat d’Henry IV 14 Mai 1610 (Paris, 1964), p. 36. See also
M. Turchetti, Tyrannie et Tyrannicide de l’Antiquité à Nos Jours (Paris, 2001), e.g.
p. 286.
63 M. Greengrass, ‘Regicide, Martyrs and Monarchical Authority in France in the
Wars of Religion’, in Murder and Monarchy: Regicide in European History, 1300–1800,
ed. R. von Friedeburg (Basingstoke, 2004), pp. 176–92.
64 Théodore de Béze claimed that filial loyalty came second to patriotic allegiance to
the fatherland (J.H.M. Salmon, ‘France’, in European Political Thought, ed. Lloyd, Bur-
gess and Hodson, pp. 458–97, p. 472).
65 See M. Viroli, For Love of Country: An Essay on Patriotism and Nationalism
(Oxford, 1995).
66 On the origins of the metaphor ‘pater patriae’ see E.H. Kantorowicz, The King’s
Two Bodies: A Study in Medieval Political Theology (Princeton, 1957), esp. pp. 248 ff.;
R. Bast, Honor Your Fathers: Catechisms and the Emergence of a Patriarchal Ideology
in Germany 1400–1600 (Leiden/New York/Cologne, 1997), esp. p. 147.
SIR ROBERT FILMER’S PATRIARCHA 243
In tune with this, Filmer argued that the king was above fathers because his
patriotic task was broader. As he put it:
If we compare the natural duties of a father with those of a king, we find
them to be all one, without any difference at all but only in the latitude or
extent of them. As the father over one family, so the king, as father over
many families, extends his care to preserve, feed, clothe, instruct and
defend the whole commonwealth. His wars, his peace, his courts of justice
and all his acts of sovereignty tend only to preserve and distribute to every
subordinate and inferior father, and to their children, their rights and privi-
leges.67
The Adamite paradigm consolidated the perpetuity of the patria against
papist stances. Indeed, Filmer adopted patriarchalism because of its paternal-
patriotic thrust. From its philosophical bedrock he extrapolated the concept
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that ‘many a child, by succeeding a king, hath the right of a father over many a
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grey-headed multitude, and hath the title of pater patriae’.68 Relying on the
polycentric nature of patriotism,69 Filmer associated the image of the monarch
with that of the father: ‘all the duties of a king are summoned up in an univer-
sal fatherly care of his people’.70 To counterattack the theory of papal depos-
ing power, he depicted the sovereign as political Adam — ‘the father of all
flesh’.71 This step had a twofold political meaning: firstly, it solved the prob-
lem of political continuity since the creation of monarchical government cor-
responded to the origins of society; secondly, it interpreted the law as the
outcome of the supreme decision of the lex loquens king.
However, it was this view that most strikingly contrasted with parliamen-
tary accounts of legislative life in the polity that were being put forward at that
historical juncture.
IV
Patriarcha was written at a time when many countrymen proclaimed them-
selves ‘patriots’ and MPs maintained themselves to be the true defenders of the
nation of ‘freeborn Englishmen’.72 Their discourse was rhetorically persuasive,
67 Filmer, ‘Patriarcha’, p. 12.
68 Ibid., p. 10.
69 See G. Brennan, Patriotism, Power and Print: National Consciousness in Sixteenth-
Century England (Cambridge, 2003).
70 Filmer, ‘Patriarcha’, p. 12.
71 Filmer, ‘The Anarchy of a Limited or Mixed Monarchy’, p. 139.
72 As Sir Roger North put it on 6 May 1628: ‘Our condition is that we are born free
men; we are sent hither from the public not as private men; and we are sent to do the busi-
ness of the public’ (Proceedings in Parliament 1628 (6 vols., New Haven and London,
1977–83), Vol. III, p. 292). See also Proceedings in Parliament 1628, Vol. II, p. 66; Vol.
IV, pp. 128–31. For earlier instances see Proceedings in Parliament 1626 (4 vols., New
Haven and London, 1991–6), Vol. III, p. 226. On the freeborn people see Underdown, A
244 C. CUTTICA
their country and had the duty to expel from the commonwealth the sover-
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Freeborn People, pp. 24, 33, 56, passim; D. Hirst, The Representative of the People?
Voters and Voting in England under the Early Stuarts (Cambridge, 1975), pp. 65–89.
73 See R. Cust, The Forced Loan and English Politics 1626–1628 (Oxford, 1987).
74 See K. Sharpe, Remapping Early Modern England: The Culture of Seventeenth-
Century Politics (Cambridge, 2000), passim; R. Cust, ‘ “Patriots” and “Popular” Spirits:
Narratives of Conflict in Early Stuart Politics’, in The English Revolution, ed. Tyacke,
pp. 43–61.
75 North maintained that the King had to govern ‘according to the law, not by his pre-
rogative’ (Proceedings in Parliament 1628, Vol. III, p. 292).
76 Ibid., pp. 209, 275.
77 See V. Morgan, ‘Whose Prerogative in Late Sixteenth and Early Seventeenth Cen-
tury England?’, Journal of Legal History, 5 (1984), pp. 39–64.
78 M. Todd, ‘Anti-Calvinists and the Republican Threat in Early Stuart Cambridge’,
in Puritanism and Its Discontents, ed. L. Lunger Knoppers (Newark and London, 2003),
pp. 85–105, p. 87.
79 M.A. Lucan, Pharsalia . . ., trans. Thomas May (London, 1627), fos. A2–4.
80 J. Russell, The Spy Discovering the Danger of Arminian Heresie and Spanish
Trecherie (Strasbourg, i.e. Amsterdam, 1628), fos. A1–2.
81 Ibid., fos. E4–F1.
SIR ROBERT FILMER’S PATRIARCHA 245
Leighton stressed that ‘[w]ee [true Englishmen] neede not tell you of the
Romane Patriots . . . who were willinge to dye [so] that the glorie of their
nation might live’.87 It was exactly this rhetoric that Patriarcha chastised as
seriously misleading about the true structure of the commonweal. Filmer
stated that it was up to the ruler to contribute to the wealth of his realm so as to
preserve unity within it. As he put it:
It is the multitude of people and the abundance of their riches which are the
only strength and glory of every prince. The bodies of his subjects do him
82 A. Bellany, ‘ “The Brightness of the Noble Leiutenants Action”: An Intellectual
Ponders Buckingham’s Assassination’, English Historical Review, 118 (2003), pp.
1242–63.
83 In 1624 Buckingham had himself embraced the cause of patriotism when he had
assumed the role of leader of the coalition in charge of the fleet sent to La Rochelle to lib-
erate the Huguenots, restoring in the popular eye his reputation as a patriotic hero
(R. Cust, ‘Was There an Alternative to the Personal Rule? Charles I, the Privy Council
and the Parliament of 1629’, History, 90 (2005), pp. 330–52, p. 334). On the Duke’s
patriotic aspirations see T. Cogswell, ‘The People’s Love: The Duke of Buckingham and
Popularity’, in Politics, Religion and Popularity in Early Stuart Britain: Essays in Hon-
our of Conrad Russell, ed. T. Cogswell, R. Cust and P. Lake (Cambridge, 2002), pp.
211–34; and Bellany, ‘ “The Brightness of the Noble Leiutenants Action” ’, passim.
84 Bellany, ‘ “The Brightness of the Noble Leiutenants Action” ’, p. 1251.
85 Cited in T. Cogswell, The Blessed Revolution: English Politics and the Coming of
War, 1621–1624 (Cambridge, 1989), p. 84.
86 Dictionary of National Biography, ‘James, Richard’. However, Felton’s murder
was also described as a horrible crime and as a fundamentally un-English act since it
introduced the odious ‘Jesuitical’ practice of killing those in authority (Cust, ‘Was There
an Alternative to the Personal Rule?’, p. 331).
87 A. Leighton, An Appeal to the Parliament; or Sions Plea against the Prelacie . . .
(Amsterdam?, 1628), ‘Epistle to the . . . Parliament’. See also M. Peltonen, Classical
Humanism and Republicanism in English Political Thought, 1570–1640 (Cambridge,
1995), p. 274. Leighton was unaware that Charles had dissolved Parliament.
246 C. CUTTICA
service in war, and their goods supply his public wants. Therefore, if not out
of affection to his people, yet out of natural love to himself, every tyrant
desires to preserve the lives and protect the goods of his subjects, which
cannot be done but by justice, and if it be not done, the prince’s loss is the
greatest.88
In substance, Filmer insisted that monarchy was the best form of govern-
ment to guarantee the prosperity of the governed and preserve the wealth of
the kingdom. ‘On the contrary’, he remarked, ‘in a popular state every man
knows that the public good doth not depend wholly on his care, but the com-
monwealth may be well enough governed by others though he tend only his
private benefit. He never takes the public to be his own business’. Likewise,
the magistrates of popular states showed no commitment to the public good.
‘[B]eing for the most part annual, [they] do always lay down before they
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ence must needs excel them.’89 Filmer inferred that only absolute monarchies
ensured continuity to the political process. After all, as proved many times in
history, ‘the last refuge in perils of states is to fly to regal authority’.90 On Sir
Robert’s partisan account, the king’s prerogative — being the caring action of
a fatherly authority unhindered by legal fetters — defended people’s liberties
(e.g. property).91 Instead, Parliament was a fragile assembly at the mercy of
the ‘good will’ of MPs, whose only goal was to preserve their position without
any considerations for the future of the nation.
Worried by what he saw as commonwealthmen’s seditious attacks on the
institution of monarchy, Filmer not only reminded his fellow countrymen that
‘[t]he best order, the greatest strength, the most stability and easiest govern-
ment are to be found all in monarchy, and in no other form of government’. He
also — and most interestingly — drove home the point that
[t]he new platforms of commonweals were first hatched in a corner of the
world, amongst a few cities of Greece, which have been imitated by very
few other places. Those very cities were first for many years governed by
kings, until wantonness, ambition or faction made them attempt new kinds
of regiment. All which mutations proved most bloody and miserable to the
authors of them, happy in nothing but that they continued but a small time.
His adversaries, the so-called public men irreverently going on about the right
and liberties of the ‘common people’, were being forcefully alerted to the
desolation to which their politics were conducive.
Whereas patriarchalism — being founded on the Adamite model — pro-
moted order in the body politic and unity of sovereignty in the person of the
ruler, country patriotism engendered a scenario where the disorder of Babel
had been restored. Accordingly, Filmer underlined that ‘the safety of’ the
ruler’s ‘kingdom be his chief law . . . and that the public is to be preferred
before the private’.92 He then emphasized that even usurpers and tyrants were
‘bound to preserve the lands, goods, liberties and lives of all their subjects, not
by any municipal law of the land, but by the natural law of a father’.93 This is
to say that Filmer did not accept his opponents’ notion that subjects were orig-
inally endowed with liberties which had to be necessarily acknowledged and
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respected as values per se by the monarch. In this sense, his discourse relied
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fostered the image of a political type whose chief task was the patriotic consoli-
dation of parliamentary England.
V
Ferment in the Commons can be captured in the discourses of early May 1628
focusing on a bill aimed at ‘the confirmation of Magna Carta and the other six
statutes insisted upon for the subject’s liberty’.97 Following the heated dis-
putes on the Forced Loan and the consequent imprisonment of the resisters,98
the proceedings and debates which took place on Tuesday 6 May 1628 in the
Committee of the Whole House centred on the Speaker’s speech delivered in
the Commons and the King’s answer to it. To the insistence on the rights and
liberties of the subject advanced by sundry MPs,99 the Speaker replied that the
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or the confirmation of the laws. We have nothing thereby but shells and shad-
ows.’103 Therefore, Rich continued: ‘Let the King assure us of his power what
it is, and then we shall trust him. I would be glad to hear the King say he may
not by law billet soldiers or lay loans. Let the point of trust be but agreed on,
and then we shall trust the King.’104
It was in this context that Sir Edward Coke invoked the importance of a ‘pe-
tition of right’: ‘not that I distrust the King, but because we cannot take his
trust but in a parliamentary way’. This opinion was shared by Sir John Glan-
ville who suggested to ‘frame a petition of right, that without redress thereof
we cannot go with comfort to our country’.105 Sir Robert Phelips agreed: ‘Let
our business be put in a petition of right. Let us not flatter ourselves. We have
suffered as much violation of laws and liberties as ever.’106 On the same day,
Edward Littleton asserted that he ‘would not recede a tittle from them [the
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resolutions taken on 3 April]. It will weaken the opinion of us abroad. Will not
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the world think we tacitly desert our former grounds?’.107 The issues of ‘im-
prisonment and restraint of personal liberty’ occupied a central portion of the
debates. According to Sir John Eliot, ‘the liberty of the person is that which
most I stand upon. You see it every day lost. We may not recede’.108
Driven by this sense of duty, on 2 May 1628 Sir Walter Erle, one of the five
knights who had refused to pay the Forced Loan, had stated that what Parlia-
ment men
have done is only for the liberty of the subject, and it is no new thing; and
this we have done because it is conceived that the subject has suffered more
in the violation of the ancient liberties within these few years than in three
hundred years before.109
Four days later, the ringleader in the Five Knights’ case and Loan-refuser
William Coryton declared:
Old laws are said to be old buildings, and need underpinning; but I say an
old law is most perfect for, for a long time until of late, who dared violate
Magna Carta? Though laws are made, it is said the King may be over
severe; but it is not so with good kings. Law does direct king and people,
and prerogative should help law.110
In addressing the issue of parliamentary supply, Coryton clarified the divide
between king and MPs: ‘His Majesty does according to his greatness, we
103 Proceedings in Parliament 1628, Vol. III, p. 270.
104 Ibid.
105 Ibid., p. 272.
106 Ibid., p. 273.
107 Ibid., p. 275.
108 Ibid., p. 278.
109 Ibid., p. 209.
110 Ibid., p. 275.
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according to our duty. I am for a law, and a law explanatory’. Equally, North
expressed his concerns by remarking that ‘[h]e that looks upon the bleeding
estate of our commonwealth cannot but think it is cureless if this parliament
relieve it not’. In a quasi-apocalyptic tone he proclaimed: ‘This day may
either save or ruin it [the commonwealth].’111 He then added: ‘we shall be
asked whether we have done what they [the constituents] sent us for, we shall
tell them we have a confirmation of Magna Carta’.112 These MPs felt the
responsibility to fulfil ‘the desires of those that sent us to save the public and
keep them from being slaves’.113
In general, these opinions formed in a context where ‘[t]he Country . . .
gave the notion of representative a new meaning’.114 They carried ‘a shared
moral imperative whereby conscience reinforced their interpretation of the
law of the land’. Aiming to increase the power of the parliamentary assembly,
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the ideas of these MPs epitomized the spirit of ‘public men’ driven by
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integrity and probity.115 Their task was to ‘speak for their country’.116 Their
rhetoric was founded on the constitutional bastion of freedom of speech in
Parliament.117 The principle of ‘consent’ also shaped their political agenda,
and their role as representatives of the people118 became ‘prominent’ in link-
ing ‘centre’ and ‘localities’.119 In an anti-Filmerian vein, they also insisted on
‘the limited or mixed nature of the English monarchy’.120
Their activity in the early Caroline Parliaments took place at a time when
Elizabeth’s reign and her victorious foreign policy became a byword for what
England — as ‘true Englishmen’ claimed — ought to be and was no longer.
Mutual trust between the Queen and her subjects had fostered success abroad
and peace at home. Instead, Charles’s political conduct was viewed as a fail-
ure for the English nation.121 Therefore, the King and his supporters had to
confront what Richard Cust has defined as ‘the threat from popularity’. In
fact, the idea that a popular conspiracy was imminent became so widespread
111 Ibid.
112 Ibid., p. 280.
113 Ibid., p. 275.
114 P. Zagorin, The Court and the Country: The Beginning of the English Revolution
(London, 1969), p. 86.
115 Cust, ‘The “Public Man” ’, pp. 116–43.
116 Hirst, England in Conflict, p, 13.
117 Proceedings in Parliament 1628, Vol. III, p. 280. North was explicit: ‘We are par-
liament men; may speak freely’ (ibid.).
118 Hirst, The Representative of the People?, pp. 7–9, 11–12 and esp. chs. 8–9.
119 Cust, ‘The “Public Man” ’, p. 131; Hirst, England in Conflict, pp. 9–14.
120 Tyacke, ‘Introduction’, p. 12.
121 Underdown, A Freeborn People, pp. 52, 66–7.
SIR ROBERT FILMER’S PATRIARCHA 251
VI
As a consequence of these seditious opinions, Sir Robert Filmer charged,
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‘many out of an imaginary fear pretend the power of the people to be neces-
sary for the repressing of the insolencies of tyrants, herein they propound a
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remedy far worse than the disease’.125 Above all, this factious doctrine had
engendered ‘the new coined distinction of subjects into royalists and patri-
ots’, which was ‘most unnatural, since the relation between king and people is
so great that their well-being is reciprocal’.126 By appointing themselves to the
role of guardians of the nation, the English patriots claimed to protect the
country from Charles I’s tyrannical government. Their views were fuelled by
the growing interest in radical political literature — a phenomenon that, as
early as May 1622, had led Cambridge booksellers to be examined in consis-
tory courts concerning purchases of Calvinist works of resistance theory such
as the Vindiciae contra Tyrannos, Bucanus’s Loci communes and David
Pareus’s Ad Romanos.127
Together with strongly rejecting resistance theories, Sir Robert had good
reasons to set out a powerful response to the patriotic rhetoric. In particular,
he understood that by proposing an alternative political allegiance the patriots
undermined the unifying role of the monarchy and saw the interest of the
country to be incompatible with the monarch’s. For Filmer the most troubling
implication of their discourse was that it turned freeholders into martyrs of the
122 R. Cust, ‘Charles I and Popularity’, in Politics, Religion and Popularity, ed.
Cogswell, Cust and Lake, pp. 235–58, p. 236.
123 P. Lake, ‘Anti-Popery: The Structure of a Prejudice’, in Conflict in Early Stuart
England: Studies in Religion and Politics 1603–1642, ed. R. Cust and A. Hughes (Lon-
don and New York, 1989), pp. 72–106, p. 91.
124 Ibid., p. 97.
125 Filmer, ‘Patriarcha’, p. 33.
126 Ibid., p. 5 (italics added).
127 D.D. Brautigam, ‘Prelates and Politics: Uses of “Puritan” 1625–40’, in Puritan-
ism and Its Discontents, ed. Lunger Knoppers, pp. 49–66, p. 64. See also S. Tutino, ‘Hu-
guenots, Jesuits and Tyrants: Notes on the Vindiciae Contra Tyrannos in Early Modern
England’, Journal of Early Modern History, 3 (2007), pp. 175–96.
252 C. CUTTICA
land and dismissed the idea that only an absolute monarchy generated har-
mony in the state. After all, he was writing in the aftermath of the heated
debates which had led to the Petition of Right. In contrast to those who judged
‘a slavish and a dangerous condition to be subject to the will of any one man
who is not subject to the laws’, Filmer invited them to consider that ‘the pre-
rogative of a king is to be above all laws, for the good only of them that are
under the laws, and to defend the people’s liberties — as his majesty
[Charles I] graciously affirmed in his speech after his last answer to the Peti-
tion of Right’.128 In addition, Filmer dismissed all parliamentary pretences of
freedom of speech by remarking that
during the time of parliament those privileges of the House of Commons —
of freedom of speech, power to punish their own members, to examine the
proceedings and demeanour of courts of justice and officers, to have access
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to the king’s person and the like — are not due by any natural right, but are
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the ‘people’ exclusively with the greater or richer part of the population.
Although they claimed that the people held ultimate sovereignty, the theorists
of popular power unjustly excluded a large portion of subjects from govern-
ment,134 leaving the polity open to chaos and revolt. The remedy Filmer pro-
posed centred on his idea of absolute and arbitrary sovereignty.
In light of this hostile political climate, Patriarcha was also conceived as
an attempt to regain for the monarchical cause those who had become dissatis-
fied with Charles I’s policies. Hence Filmer illustrated the advantages monar-
chical rule had offered to England in the past and could offer in the future, and
resorted to the patriarchalist paradigm at the heart of which the sovereign
stood out as the caring father of the country. This was his best conceptual
weapon against the rhetorical armoury of the patriots,135 whose opinions
epitomized what Filmer saw as the common people’s intrusion into politics.136
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The latter were ‘the natives and patriots of the country’ to whom Henry Bur-
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ton’s Truth’s Triumph (1629) referred.137 They embodied the model of the
‘honest patriot’ which Richard Brathwaite’s The English Gentleman (1630)
associated with the republican orators of ancient Greece and Rome. Their role
was one of opposition to the enemies of state and their patriotic deeds aimed
to ‘the safetie and peace’ of the ‘countrey’.138
In reaction to their principles, Filmer forthrightly argued that ‘in a monar-
chy the king must be of necessity above the laws. There can be no sovereign
majesty in him that is under them. That which giveth the very being to a king
is the power to give laws; without this power he is but an equivocal king’.139 In
order to be sovereign the prince had to be legibus solutus. Sovereignty was the
authority to intervene in and modify all political matters. It was strong power
in action. In contradistinction to parliamentary rhetoric, Filmer adopted a
powerful image to underpin the backbone of sovereignty: ‘[t]he people can-
not assemble themselves, but the king, by his writs, calls them to what place
he pleases, and then again scatters them with his breath at an instant, without
any cause showed them than his will’.140 Most importantly, for Filmer the
will of the sovereign and the law coincided. Accordingly, he distinguished
between ‘directive’ and ‘coactive’ power to prove that ‘kings are not bound
134 Ibid., p. 20.
135 Hirst, England in Conflict, pp. 13–14, 117 ff.
136 These were small property householders who stood below the gentry. In the late
1620s in England there was a convergence of interests between commoners and mem-
bers of the gentry on the issue of the extension of the franchise (Hirst, The Representative
of the People?, esp. pp. 75–89; Underdown, A Freeborn People, pp. 53–4; R. Cust and
P. Lake, ‘Sir Richard Grosvenor and the Rhetoric of Magistrates’, Bulletin of the Institute
of Historical Research, 54 (1981), pp. 40–53).
137 H. Burton, Truth’s Triumph (London, 1629), p. 285.
138 R. Brathwaite, The English Gentleman . . . (London, 1630), p. 145 and passim.
139 Filmer, ‘Patriarcha’, p. 44.
140 Ibid., p. 55.
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by the positive laws of any nation’. While the former represented only the
power of ‘advice and direction which the king’s council gives the king’ (and
as such this was not ‘a law to the king’), the latter was ‘the compulsory power
of laws’ that ‘properly makes laws to be laws’ (and as such implied punish-
ment and obedience).141
The Filmerian concept that the king was ‘lex loquens — a speaking law’142
corresponded to a most eloquent configuration of the voluntarist theory of the
legislative process. This is an important thesis of Patriarcha because it high-
lights that Filmer considered the absolute fatherly sovereign as the only non-
equal in the state. In addition, his concept of the king as lex loquens counter-
attacked the idea of immemorial laws and customs, and the paradigm of the
ancient constitution.143 Through his patriarchalist explanation of the origins
of the body politic, Filmer also rejected the concept of an original community
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whose members — as first holders of power — had the right to bypass the
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authority of the fatherly king. By placing Adam at the forefront of his political
discourse, he modelled the image of the sovereign as pater patriae.144 In so
doing, he provided a comprehensive explanation of how political communi-
ties formed, and depicted the nation as a patriarchal monarchy in which the
fatherly king personified the body politic. The Filmerian king gave a visible
form to the inviolable nature of the temporal authority of the national sover-
eign.145 Rejecting the attacks of all detractors of the patriotic role of the king,
Patriarcha depicted the sovereign as founder of the state; father of the realm;
creator of the law. The fatherly ruler coincided tout court with the polity and,
therefore, had a stronger interest in safeguarding the nation than the patriots.
VII
Confronted by the ideas of Jesuits and patriots, Filmer set out his patriar-
chalist view of sovereignty in such a stringent way that fifty years later his
words still inflamed political debates. Above all, they led one of the most
excellent minds of the century, John Locke, to test his philosophical acumen
and political wit in a lengthy reply. The publication of Patriarcha in 1680 was
the strongest statement that the country had only one ruler and that Parliament
was entirely dependent on the king’s summoning it. The treatise made it clear
that Parliament could be dissolved at any time according to the monarch’s
will. Against those who contested absolute kingly prerogative, Patriarcha
claimed the primary position of the Adamite sovereign. Filmer’s patriar-
chalism was thus a specific discourse within the paradigm of political absolut-
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ism, whose goal was to set forth a forceful political image of the king and his
patriotic role as superior pater patriae. This also proves that this work had
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146 Rudolph, Revolution by Degrees, esp. pp. 20–32, 58–61, 63; G. Mahlberg, ‘Re-
publicanism as Anti-Patriarchalism in Henry Neville’s The Isle of Pines (1668)’, in Lib-
erty, Authority, Formality: Political Ideas and Culture, 1600–1900, ed. J. Morrow and
J. Scott (Exeter, 2008), pp. 131–52, p. 142.
147 G. Burgess, ‘Patriotism in English Political Thought, 1530–1660’, in ‘Patria’
und ‘Patrioten’ vor dem Patriotismus, ed. R. von Friedeburg (Wolfenbüttel, 2005), pp.
215–41, p. 237.
148 J. Spurr, The Post-Reformation: Religion, Politics and Society in Britain 1603–1714
(Harlow, 2006), p. 164.
256 C. CUTTICA
opinions were not in tune with those of his subjects.154 Thus, despite embrac-
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ing Sir Robert’s criticism of both ‘Jesuitical’ and ‘Puritanical’ views, his
posthumous adversaries made of him the bogeyman of seventeenth-century
English political thinking. Somewhat ironically though, the misreadings of
which Patriarcha has been victim has turned out to be fruitful: without them,
neither the real patriarchalist Filmer nor the Jacobean and early Caroline con-
texts in which Patriarcha was conceived would ever have been resuscitated.
We now know why to provide a strong answer to the ideas of Jesuits and patri-
ots, and to prompt English royalists to rethink the nature and mechanisms of
149 Condren has pointed out that in 1681 the patriotic Bond of Association (1584)
was used as ‘a template’ for excluding James from the succession and preserving ‘the
Elizabethan Settlement’ (Condren, Argument and Authority, p. 152).
150 Pocock, The Ancient Constitution, pp. 235–6.
151 R. Brady, The Great Point of Succession . . . (London, 1681), p. 38. The late
seventeenth-century female Tory pamphleteer Mary Astell followed the same trajectory
to reconstruct the origins of the ideas of resistance among Catholic and Protestant writers
(M. Astell, ‘An Impartial Enquiry into the Causes of Rebellion and Civil War’, in Mary
Astell: Political Writings, ed. P. Springborg (Cambridge, 1996), pp. 129–97). See also
Pocock, The Ancient Constitution, pp. 213–17.
152 Early instances of opposition to the theories of Jesuit and Puritan thinkers as
expression of the same dangerous principles are Archbishop Bancroft’s Dangerous
Positions (1593) and David Owen’s Herod and Pilate Reconciled: or, the Concord of
Papist and Puritan (1610), which Filmer owned in his library (see the copy of the 1729
inventory of Catalogue of Printed Books sold from East Sutton Park by Arthur Wilson
Filmer at Sotheby’s, London, on 1 October 1945). On English anti-resistance theorists
see J.P. Sommerville, Royalists and Patriots: Politics and Ideology in England 1603–1640
(London and New York, 2nd edn., 1999), esp. pp. 187–91.
153 Notorious adherents of this theory were the sixteenth-century Leaguers Louis
Dorléans, Jean Boucher and Gulielmus Rossaeus (William Reynolds or Rainolds).
154 T.P. Clancy, Papist Pamphleteers: The Allen-Persons Party and the Political
Thought of the Counter Reformation in England (Chicago, 1964), p. 198; and Sommer-
ville, Royalists and Patriots, passim.
SIR ROBERT FILMER’S PATRIARCHA 257