AKADEMI SENI BUDAYA DAN WARISAN KEBANGSAAN

KEMENTERIAN PELANCONGAN, SENI DAN BUDAYA MALAYSIA

PROGRAM PENGAJIAN IJAZAH SARJANA MUDA

SESI AKADEMIK 2021/2022

SEMESTER 1/ TAHUN 1

AFT 4023
SINEMATOGRAFI

PRACTICAL EVALUATION REPORT

Lecturer En. Ajai Kumar Navaretnam

Name Qistina Zulaikha binti Mohamed

Yazid

Matric Number 21223039

 1.0 Technical Requirements

Video 1- There are a total of 3 additional shots compared to as proposed. Additional

shots include a medium shot of a door knob, medium shot of getting into the bed and
medium close up shot of being in the bed.

Shot Interior Shot Camera Camera Audio Subject Description of shot

# Exterior Angle Move
1 Interior MS Eye level Static Lav Door/Door Door knob opening
knob
13 Interior MS Eye level Static Lav Talent Talent getting into
bed.
14 Interior MCU Eye level Static Lav Talent Talent in the bed,
closing his eyes.

As for other technical usage, as the video was supposedly on high-key lighting set up,
I have used an already existing equipment such as bed lamp, lamps and ceiling lights.
I turned on all the switches to give the atmosphere a bright and clear lighting thus
resulting a high key lighting. The camera I used are iPhone 11 rear camera horizontally
to give more in depth narrative. Props usage are an iPhone 7, a bed and a hoodie.

Equipment Notes
Lighting Bed lamps, Lamps, Ceiling lights all simultaneously switched
on.
Camera iPhone 11 rear camera
Orientation Horizontal
Props iPhone 7, bed, hoodie

For audio, I used the microphone embedded in the earphone. The dialogue by the
talent are from the microphone that are placed near the talent. Additional audio used
are iPhone ringtone that are used as a sound effect briefly in the video.
 Video 2- There are a total of 3 additional shots compared to as proposed in the
proposed. Additional shots includes a close up shot of talent opening doorknob and
getting into the room, a medium full shot of talent walking to bed and getting into bed,
and a close up shot of talent yawning before falling asleep.

Shot Interior Shot Camera Camera Audio Subject Description of shot

# Exterior Angle Move
1 Interior CU Eye level Pan Lav Talent Talent opening
doorknob and
getting into the
room
2 Interior MFS Knee level Pedestal Lav Talent Talent walking to bed
and getting into bed
3 Interior CU POV Static Lav Talent Talent yawning
before falling
asleep.

As for other technical usage, as the video was supposedly on low-key lighting set up,
I have used an already existing equipment such as bed lamp, lamps and ceiling lights.
I turned on one of the lighting sources switches according to the scene to give a dark
and focused lighting on the talent to instill a low-key lighting. The camera I used are
iPhone 11 rear camera and wide angle camera horizontally to give more in depth
narrative. Props usage are an iPhone 7, a bed and a pockets of a pants.

Equipment Notes
Lighting Bed lamps, Lamps, Ceiling lights only one switched on at the
time according to the staging and talent placement.
Camera iPhone 11 rear camera and wide angle camera.
Orientation Horizontal
Props iPhone 7, bed, pockets of a pants

As for audio, I used the microphone embedded in the earphone. The dialogue by the
talent are from the microphone that are placed near the talent. Additional audio used
are iPhone ringtone that are used as a sound effect briefly in the video.
2.0 Schedule

Date/Day Time Location Notes

31 December 2021 11:35pm -1:40am One World Hotel, Video 1
Bandar Utama
1 January 2022 10:35am-11:30am One World Hotel, Video 2
Bandar Utama

 Video 1 detailed schedule

Time Location Notes

11:35 pm One World Hotel, Bandar Shot 1- Medium Shot
Utama
11:41 pm One World Hotel, Bandar Shot 2- Medium Shot
Utama
12:10 am One World Hotel, Bandar Shot 3- Close up Shot
Utama
11:47 pm One World Hotel, Bandar Shot 4- Medium Shot
Utama
12:30 am One World Hotel, Bandar Shot 5- Medium Close up
Shot
Utama
12:34 am One World Hotel, Bandar Shot 6- Medium Close up
Shot
Utama
12:13 am One World Hotel, Bandar Shot 7- Close up Shot
Utama
12:38 am One World Hotel, Bandar Shot 8- Medium Close up
Shot
Utama
12:17 am One World Hotel, Bandar Shot 9- Close up Shot
Utama
12:20 am One World Hotel, Bandar Shot 10- Close up Shot
Utama
12:41 am One World Hotel, Bandar Shot 11- Medium Full Shot
Utama
12:50 am One World Hotel, Bandar Shot 12- Full Shot
Utama
1:00 am One World Hotel, Bandar Shot 13- Medium Shot
Utama
1:10 am One World Hotel, Bandar Shot 14- Medium Close up
Shot
Utama

 Video 2 detailed schedule

Time Location Notes

10:35 am One World Hotel, Bandar Shot 1- Close up Shot
Utama
10:36 am One World Hotel, Bandar Shot 2- Medium Shot
Utama
10:37 am One World Hotel, Bandar Shot 3- Medium Shot
Utama
10:42 am One World Hotel, Bandar Shot 4- Close up Shot
Utama
11:30 am One World Hotel, Bandar Shot 5- Extra Close up Shot
Utama
10:45 am One World Hotel, Bandar Shot 6- Close up Shot
Utama
10:48 am One World Hotel, Bandar Shot 7- Close up Shot
Utama
10:51 am One World Hotel, Bandar Shot 8- Full Shot
Utama
10:55 am One World Hotel, Bandar Shot 9- Medium Close up
Shot
Utama
11:00 am One World Hotel, Bandar Shot 10- Medium Shot
Utama
11:05 am One World Hotel, Bandar Shot 11- Medium Shot
Utama
 11:10 am One World Hotel, Bandar Shot 12- Medium Shot
Utama
11:20 am One World Hotel, Bandar Shot 13- Medium Full Shot
Utama
11:25 am One World Hotel, Bandar Shot 14- Close up Shot
Utama

3.0 Justification of the aesthetic

For both videos, the aesthetic was inspired by my interest in thriller and slasher movies.
As seen from Scream directed by Wes Craven, the phone calls scene are usually
intense with its background music that will instill fear in audience’s mind. The idea of
my video was a man receiving a mysterious phone call from an unknown number. The
man’s attitude, body language and sound became defensive as he picked up the
phone. The same concept from the film Scream are applied on my video because it
will leave the audience feel curious. The man then went to bed and goes to sleep
without knowing what danger awaits him after the phone call. It was a cliffhanger
ending inspired from Gone Girl (2014) and Us (2019). I wanted to give an open ending
concept for the audience to guess what could possibly happen to the man once he
goes to bed. Not only that, the lighting also plays a huge role in my video. As seen
from Video 1, the atmosphere feels light, despite the mysterious concept of the video
with the help of the high-key lighting meanwhile Video 2 is a bit dark, with the help of
a low-key lighting and it suddenly makes the video feels more heavy, such as those
slasher movies.

4.0 Post Production Colouring

No post-production colouring were applied. All production uses true colour by the lens
of iPhone 11 rear camera.
5.0 Colour Scheme used On Set

There was no specific colour scheme used on set as the lighting from the light sources
uses white/orange-ish colours. The colour scheme are of the true colour.