ANCORA

TU

         
Lucio Battisti

              
               
intro ac guit

                        


       
  
         

8

                     


   
                   
12

       
              
                      
16

         
 
                  
          
 
20

           
              
                

24 (amore mio..)

                  
                          
28

      

                           
          
32

     
  
 
                            
          

36

                 
            
        

40

trasc Zingrillo Daniele

                           
    
              
43

     
         
                           
47 (sei ancora tu..)

        
      
                         
    

51

  
 
    
    
                           
    
55 (ma lasciarti..)

        
           
                        
59

                         
                   
63

                           
                   
67

   
                             
           
71

      
     
                             
    

75

         
          
                         
79 (ma lasciarti..)

        
        
                         
83

2 trasc Zingrillo Daniele

        
                                 
      
87 bridge

                                      
   
91 (disperazione e gioia..)


                                      
    
   
94 (abbracciami amor mio..)

                                      
   
98

        
     
                                   
101 (ancora tu.)

       
                            
     
105

              
                              
109


             
                        
    
113 3

                           
                 
117


        
                             
   

121 ad lib,fading

   
125

trasc Zingrillo Daniele 3