COLLEGE LONDON PRESS 04 ELECTRONIC KEYBOARD Pieces & Technical Work for Trinity College London Exams 2019-2022 Ge Free downloads 4 GRADE Scanned with CamSVoices: Electric Piano, Tenor Sax (sounding an octave lower), Soprano Sax Style: 16-Beat How Can | Keep from Singing Robert Wadsworth Lowry J=96 [etre ise : 1 aa ev i ; a Fill nf es a ear peer og ’ al ae eB es Fill B eed Av ea? Bes) BB ” es ae ee a cor —_Sopranosax] 1 ton S 21 = Ae ey gen og ee” ner oo co phy eR rs ea os Fill 2 Copyright 2018 Tent College London Press Lic OvLAINICU WILIT Udlllofa aes) 8 Es Ar “7 a 8 Ey eo A i a Fillto A Electric piano) 7 37 Rpt. to fade Scanned with CamS(vn interpretation® Voicets): Style: Wade in the Water Trad, * Candidates should refer tothe current syllabus requirements for own interpretation pieces, 4 ©copyright 2018 Tet Colege London Pres Ld Please setup forthe net piece OvdINICU WItIl Udll iSStrings, Sweet Trumpet, Orchestral Tutti Orchestral Rock Ballad Pathétique J theme from Piano Sonata no. 8 (2nd movt) =? Ludwig van Beethoven Strings Bim EW ABSLS4) Ab a BTA BOA Fm BY $ ia __ a a, a eT 6 & B7 Ab OFT Bbm AQISUS4) Ab SN US Fill Sweet Tot Ab Ba Ab B Ab E> Fm Bb Eb 4 3 7 i nf me a7 Ab Fr Bom Eb? Asus) Ab . Fill to B Ab 5? Ab & Ab & Bb & BT... Bim BT Asus) Ay (© Copyright 2018 Trinity Colege London Press Lis Please set up forthe next piece 5 OLAIINICU WILT UdoVoices: Portatone, Trombone Section (sounding an octave lower) Style: Swing Waltz Ride of the Valkyries J=84 from Die Walkiire Richard Wagner Om Ton section] dr yee f Portatone| ‘ F ¢ F IS sim, nf °, SEED FTbn section) a Am € a _— f n Portatone| Ton 5 section! 7 f 7, Gm Om Gm Dm Gn A ODm Portatone| uy A ee of Repeat to fade ad, lib 6 © Copyright 218 Try College London Press Ltd Please set up for the next piece OLAINICU WILIT UdllloTutt, Octave Strings Voices: Brass Section, Orchestral Style: Show Tune Allegro J=136 theme from Symphony no. 5 (4th movt) tech van tethoven c oY ; Gc Gd ca ¢ (6 (Orchestral Tutt . : NO VO Lo Vo VO x” rites =f c F G 2», 7 Ending eg Lendon Press Lid Please set up for the next piece 7 | ‘© copyright 2018 Tint Co ovcdiINicu witit Udl nsi Reed Organ, Orchestral Tutti & Trumpet le: Paso Duranguense (March) Hungarian Dance no. 5 d=n2 [Reed Organ| Gm Cm Gm Cm Gm Johannes Brahms 4 CS D (Orch. Tutti & Tot] @ f Play repeats in the exam 8 ©Copyright 2018 Tiny College London Press ts Please set up for the next piece scanned with CamsScott Joplin d= 126 Piano] ‘Accomp off a) ‘Accomp on. Rhythm off Syne start Fill to B Play repeats in the exam 7 OUAIINICU WILT Udj Are Am. Em B Em @ 5 ——_ eS f 2ndtime: Ending Fill, —— Scanned with CamSVoices: Strings & Fiddle, Brass & Strings, Horns (sounding an octave lower) & Strings Style: 6/8 March He's a Pirate from Pirates of the Caribbean: The Curse of the Black Pearl = 100-106 Klaus Badelt & Strings & Fiddle| Hans Zimmer Dm Bb fo et ee fil 3 Am Dm Bb F c Dm SI PIN HIG 6 a4 Om Sj le ee ‘hisarrangement 8 2018 Wat Osrey tii ek Dey Mise Company Aight reserved, Reproduceaty permission of Hal eonard Europe Lined ovcdINicu witit Udl nsBrass & Strings Dm Brass & Strings| Dm Gn! F Cc sam Om uy ig ig ig ¢ ay is i Sm Om ar Om u 3—4 Please set up for the next piece 13, Scanned with CamSVoices: Brass, Feedback Guitar (sounding an octave lower), Resonant Synth Brass Style: 60s Rock & Roll You Can't Stop the Beat from Hairspray Marc Shaiman Sync start Accomp off (Rhythm on) Feedback| Guitar tna 4 A‘ 5 ” Brass] Fill Fol F 4 4 albees. »» ont ©2001 Vid rok ay uc an ari canal oo neon va Tatar oxo tah sree Reyoceed geminal eons ue oOvdINIcUu witli! Udll iS~ 2 Em c ° pie et FilltoB Resonant Synth Brass | 4 i i Rhythm off ‘Accomp off Please set up for the next piece 15 OvdINIcU witht Udall S——_- Voices: Piccolo (sounding an octave higher), Brass Section, Clarinet Style: Tango High Wire 134 Piccolo] Cm, AT Co er Cm AT G ‘Andrew Smith Cm AN Cm G Fn? By Eb FilltoB Brass Section] ’ cm Fm By B Fill to A Piccolo} ay, om Br Gm o Cm? o OO FilltoB © Cop 208 ety Clee Lendon Pres it ovdINIcu witil Val nsCm Fillto.A A Cm a Cm A G Fill toB [Brass Section 0, Fm Cm @ a f Please set up for the next piece 17 oOvdINIcUu witil Udll 13Technical work Cancidates prepare ection 1. and eter section 2. or section 3, |. KEYBOARD EXERCISE (music maybe used) Candidates shoul ply one othe following scales in the RH, accompanied by chords WV, V? and iin the LH silustrated below and on page 18. Asmar E major or Chronic minor (candidate's choice) Ether 2._SCALES & CHORD KNOWLEDGE (rom memory) ~ Examiners select rom the folowing Aandi mois C minor andates choco her armoric or metadic or ratuel nine) Lydan scale on Ab hands together ivan see on _ Sl a two cave Chvamate scan sitar motion starting on band E v ‘ie pentatonic Retort than separately straight minor pentatonic er sara Candles cic) Buesscaeone Fi ony straight or swung (Gandates hice Chern tol AR EBB + Chorin oot ston fet second and tiedineens AP HonyyortHeiy Chae pregesion of VV inthe folowing kes (Cantdates chee) Abmaoc €maleeC minor or ‘3 EXERCISES (music may be used) ~ Candidates prepare al three exercises. Consaes choose one exercise to ply fist Examiners then select one of he remsining wo exercises tobe performed. |L_ Marimba Baby ‘keyboard functions exercise 2. Tango Turn scalic exercise 3. Happy Smiles Pianist exercise 1. Keyboard exercise ‘Ab major scale accompanied by LH chords I, IV, V" and vi a Fiv/Ab DB/Ab 2 OLAIINICU WILIT UdIIIOE major scale accompanied by LH chords I, 1V, V’ and vi E tv Al , AE Bot OE ft tes, £ CC harmonic minor scale accompanied by LH chords i, iv, V’ and VI Cm Aa aga Frit GB cm 2. Scales & chord knowledge [Ab major scale (two octaves) panoad E major scale (two octaves) 1 oat ett asa 2a Moa ‘ oly $ ‘C minor scale: harmonic (two octaves) ay abu roo34 Scanned with CamSminor scale: melodic (two octaves) eae se aqiehiieet me Lydian seale on Ab (two octaves) Mizolydian scale on E (two octaves) oOvdINIcUu witil Udl nsChromatic sae in similar motion starting on € (wo octaves) ‘Ab major pentatonic scale (two octaves), straight or swung th @ ® a passes 3 Uh porta rs 2. ag @ a @ C minor pentatonic scale (two octaves), straight or swung h, ® a 3 eae ig en ee FA Blues scale on E (two octaves), straight or swung Wg Scanned with CamSChords in root position first, second and third inversions, ESD) th BT BUG Bue th BT BG BB» Br rh B BrDe BFE BA Burt BIA Chords in root position rh yp per th Ae = == Ber CChord progression of I-vi-IV-V’-1 in Ab major th Uh Chord progression of I-vi-IV-V?-I in E major th th Chord progression of i-VI-iv-V"-iin € minor th Uh OvdINIcU Witil Udll iS3. Exercises 1. Marimba Baby - keyboard functions Voic« Style: Muted Trumpet, Marimba (sounding an octave lower) Blues Rock Marimba oN Muted Trumpet f tremolo) — Muted Trumpet] , (warimbal 5 ANT ey —— (tremolo slowing towards uted Teampet , (Marimba) the end &trshing ono» Boas a le Ending 2. Tango Turn - scalic Voice: Guitar (sounding an octave lower) sil — Scanned with CamS3. Happy Smiles - pianistic Voice: Electric Piano Style: None Jeno JJ=) > Electric Piano) af’ ‘Accomp and Rhythm off Scanned with CamS