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F E A T U R E

MASTER
EXPOSURE MODES
Learn how to shoot with confidence by following our field guide to mastering the
Mode dial and exposure modes. While we’re focusing on Canon DSLR settings here,
and some settings are exclusive to Canon cameras, most of these settings, or
equivalent ones, can be found on most cameras, and the principles and techniques
that we cover apply whichever make and model of camera you’re using

BASIC ZONE PART 1 BASIC ZONE PART 2 CREATIVE ZONE PART 1 CREATIVE ZONE PART 2
Learn which ‘picture’ modes aŅƴåüųŅĵ8ƚĬĬeƚƋŅØƵĘåųå %ĜŸÏŅƴåųĘŅƵŸåƋƋĜĹčƼŅƚų Xå±ųĹƋŅüųååDŽåĵŅƴĜĹč
ƋŅƤƚŸåüŅųƵĘĜÏĘŸƚÆģåÏƋŸØüųŅĵ ƋĘåϱĵåų±ÚŅåŸĜƋ±ĬĬüŅųƼŅƚØ aperture determines the ŸƚÆģåÏƋŸôŅųčĜƴåƋĘåĵ±Ĺ
landscapes and portraits to ƋŅųå±ƋĜƴåeƚƋŅØƵĘåųåƼŅƚ ÚåŞƋĘƤŅüüĜåĬÚĜĹƼŅƚųŸĘŅƋŸØ ±ųƋüƚĬÆĬƚųôÆƼ±ÚģƚŸƋĜĹč
ŸŞŅųƋŸ±ĹÚÏĬŅŸåěƚޟرĹÚ have some control over the ±ĹÚĘŅƵƋŅ±ŞŞĬƼåƻŞŅŸƚųå ŸĘƚƋƋåųŸŞååÚرĹÚĵ±ŸƋåų
delve into the ‘scene’ modes ĬŅŅĩŅüƼŅƚųŸĘŅƋŸØ±ĹÚĬå±ųĹ ÏŅĵŞåĹŸ±ƋĜŅĹƵĘåĹƼŅƚų a±Ĺƚ±ĬĵŅÚåüŅųÏŅĵŞĬåƋå
üŅųĵŅųå±ųƋĜŸƋĜÏƋŅƚÏĘåŸ ƵʱƋƋĘåÏųå±ƋĜƴåüĜĬƋåųŸÚŅ camera gets things wrong ÏŅĹƋųŅĬŅƴåųƼŅƚųϱĵåų±
F E A T U R E

BASIC ZONE PART 1


Perfect for absolute beginners, these automatic picture modes
are a great way to ease yourself into photography

ithin the Basic Zone (and what


W ƚŸåÚƋŅÆåϱĬĬåÚƋĘåFĵ±čå
Zone) on Canon DSLRs are the
ůŞĜÏƋƚųåűĵŅÚåŸţ‰ĘåŸåüƚĬĬƼ±ƚƋŅĵ±ƋĜÏ
ĵŅÚ埱ųåĘåĬŞüƚĬüŅųÆåčĜĹĹåųŸØ±Ÿ
ƼŅƚų%„XƵĜĬĬƋ±ĩåüƚĬĬÏŅĹƋųŅĬŅƴåųƋĘå
åƻŞŅŸƚųåØüŅÏƚŸ±ĹÚŅƋĘåųŸåƋƋĜĹčŸƋŅ
ĘåĬŞƼŅƚčåƋ±čŅŅÚŸĘŅƋţBŅƵåƴåųØƼŅƚűĬĬ
ÆåƵŅųĩĜĹčƵĜƋĘĜĹųåŸƋųĜÏƋåÚޱų±ĵåƋåųŸØ
ƵĜƋĘĬĜƋƋĬåÏŅĹƋųŅĬŅƴåųƼŅƚųųåŸƚĬƋŸ×ƼŅƚų
ϱĵåų±ƵĜĬĬüŅÏƚŸŅĹƵʱƋĜƋƵ±ĹƋŸ
ŠƚŸƚ±ĬĬƼƵʱƋűŸÏĬŅŸåŸƋĜĹƋĘåŸÏåĹåšØ
ƵĜĬĬåƻŞŅŸå±ƴåų±čåĬƼüŅųƋĘåŸÏåĹåŅų
ŸƚÆģåÏƋØĵ±ƼĹŅƋŸåƋƋĘåÆåŸƋ±ŞåųƋƚųåŅų
ŸĘƚƋƋåųŸŞååÚüŅų±ŸĘŅƋرĹÚƵŅĹűƋĩĹŅƵ
ĜüƼŅƚűųåƚŸĜĹč±ƋųĜŞŅÚرĹÚŸŅĵ±ƼŸåƋ±Ĺ
ƚĹĹåÏ域±ųĜĬƼĘĜčĘF„kØÏųå±ƋĜĹčĜĵ±čå
ĹŅĜŸåſ±ĹÚØŅĹŸŅĵåϱĵåų±ŸØƼŅƚűĬĬÆå
restricted to shooting JPEGs rather than
raw images. These auto modes still have
ƋĘåĜų±Úƴ±ĹƋ±čåŸØƋĘŅƚčĘرĹÚ±ųåčųå±Ƌ
üŅųŸŞåÏĜüĜÏŸƚÆģåÏƋŸ±ĹÚŸÏåĹåŸñ

LANDSCAPE
FÚå±ĬüŅųĬ±ĹڟϱŞåŞĘŅƋŅčų±ŞĘåųŸ
ƵĘŅ±ųåĹűƋÏŅĹüĜÚåĹƋĵ±Ĺƚ±ĬĬƼŸåƋƋĜĹč
±ŞåųƋƚųåŸØX±ĹڟϱŞåĵŅÚåĜŸÆåŸƋƚŸåÚ
ƵĜƋʱƵĜÚåě±ĹčĬåĬåĹŸƋŅüƚųƋĘåųĜĹÏų屟å
ÚåŞƋĘŅüüĜåĬÚŸŅƋʱƋŸÏåĹ埱ųåƤŸĘ±ųŞ
üųŅĵüŅųåčųŅƚĹÚƋŅƱÏĩčųŅƚĹÚţ¥Ņƚų
camera will set as narrow an aperture
±ŸŞŅŸŸĜÆĬåƋŅĵ±ƻĜĵĜŸåÚåŞƋĘŅüüĜåĬÚ
Š±ĬƋĘŅƚčĘƋĘĜŸÏŅƚĬÚÆ屟ƵĜÚ屟üxĂţƅ
ĜĹĬŅƵĬĜčĘƋšØ±ĹÚ±ŞŞĬƼƋĘåX±ĹڟϱŞå
ŞĜÏƋƚųåŸƋƼĬåƋŅϱŞƋƚųåƴĜƴĜÚÆĬƚ埱ĹÚ
greens and sharpen the image. aŅƴĜåĵŅÚåųåÏŅųÚŸ8ƚĬĬB%ƴĜÚåŅŅĹ
ĵŅŸƋ)k„ĵŅÚåĬŸ

accessed via the Mode dial. Scene MOVIE MODE


ĵŅÚåŸŅĹƋĘåíLjLj%ĜĹÏĬƚÚå:ųŅƚŞ eĬĬĹåƵåų)k„%„XŸåĹƱÆĬåƼŅƚ
{ĘŅƋŅØcĜčĘƋ{ŅųƋų±ĜƋØB±ĹÚĘåĬÚcĜčĘƋ ƋŅųåÏŅųÚB%ƴĜÚåŅƚŸĜĹčaŅƴĜå
„ÏåĹåØB%±ÏĩĬĜčĘƋŅĹƋųŅĬØ8ŅŅÚØ ĵŅÚåţ‰ĘĜŸĜŸüŅƚĹÚŅĹƋĘåaŅÚå
UĜÚŸ±ĹÚ±ĹÚĬåĬĜčĘƋţB±ĹÚĘåĬÚcĜčĘƋ ÚĜ±ĬŅĹŸŅĵåϱĵåų±ŸØƵĘĜĬåŅĹ
„ÏåĹåĘåĬŞŸƼŅƚƋŅϱŞƋƚųåŸĘŅƋŸ±üƋåų other models it has its own switch;
Ú±ųĩƵĜƋĘŅƚƋƚŸĜĹč±ƋųĜŞŅÚÆƼŞƚĵŞĜĹč ŅĹƋĘåƅĂLj%ƋŅíLjLj%ϱĵåų±ŸØ
SCENE MODES ƚŞƋĘåF„k±ĹÚÏŅĵÆĜĹĜĹčÏŅĹŸåÏƚƋĜƴå aŅƴĜåĵŅÚåĜŸĜĹĜƋĜ±ƋåÚÆƼƋĘåkĹx
cåƵåųÆåčĜĹĹåųěĬåƴåĬϱĵåų±ŸØĬĜĩå ŸĘŅƋŸƋŅÏųå±Ƌå±ůŸƋ±ÆĬåĜĵ±čåűţB% küüxaŅƴĜåŸƵĜƋÏĘĹåƻƋƋŅƋĘåaŅÚå
ƋĘå±ĹŅĹ)k„íLjLj%Øʱƴ屄ÏåĹå Backlight Control helps when shooting ÚĜ±ĬØƵĘĜĬåŅĹƋĘåĂ%aĩFšƋĘåųåűŸ±
Š„cšŅŞƋĜŅĹŅĹƋĘåaŅÚåÚĜ±ĬüŅų ŸŅĵåƋĘĜĹčƵĜƋĘÆųĜčĘƋ±ĹÚÚ±ųĩ±ų屟ţ XĜƴåšĜåƵxaŅƴĜåĵŅÚåŸƵĜƋÏĘÏĬŅŸå
±ÏÏ域ĜĹč±ƴ±ĜĬ±ÆĬå„ÏåĹåĵŅÚåŸØ FƋüĜųåŸƋĘųååÆų±ÏĩåƋåÚåƻŞŅŸƚų埱ĹÚ ƋŅƋĘååƼåŞĜåÏåţ8ŅųƤ±ĬĬϱĵåų±ŸØƼŅƚ
while on older models (such as the ÏŅĵÆĜĹåŸƋĘåĵĜĹěϱĵåų±ƋŅƋųƼ±ĹÚ ĹååÚƋŅŞų域ƋĘååÏŅųÚ„Ƌ±ųƋx„ƋŅŞ
ƅĂLj%š„ÏåĹåĵŅÚ埱ųåĜĹÚĜƴĜÚƚ±ĬĬƼ improve shadow and highlight detail. ÆƚƋƋŅĹƋŅÆåčĜĹųåÏŅųÚĜĹčƴĜÚåŅţ
F E A T U R E

BASIC ZONE PART 1 CONTINUED


SPORTS Sports mode sets a
cŅƋģƚŸƋüŅųŸŞŅųƋŸØƋĘĜŸĵŅÚåĜŸŸƚĜƋåÚ ü±ŸƋŸĘƚƋƋåųŸŞååÚüŅų
ƋŅ±ĹƼƋĘĜĹčƋʱƋĵŅƴåŸØüųŅĵƵĜĬÚĬĜüå ü±ŸƋěĵŅƴĜĹčŸƚÆģåÏƋŸ
ƋŅÏĘĜĬÚųåĹţFƋƚŸåŸƼŅƚų%„XűŸü±ŸƋåŸƋ
ŅĹƋĜĹƚŅƚŸŸĘŅŅƋĜĹčĵŅÚåŠüŅųåƻ±ĵŞĬå
ĂüŞŸšØŸåƋŸeF„åųƴŅĵŅÚåƋŅƋų±ÏĩĵŅƴĜĹč
ŸƚÆģåÏƋŸØ±ĹÚ±ü±ŸƋŸĘƚƋƋåųŸŞååÚ
Š±ųŅƚĹÚŎxĂLjLjŸåÏšƋŅƤüųååDŽåƋĘå±ÏƋĜŅĹſƋŅ
ü±ÏĜĬĜƋ±ƋåƋĘåĬ±ƋƋåųƼŅƚųϱĵåų±ŅüƋåĹŸåƋŸ
±ĘĜčĘF„kØåŸŞåÏĜ±ĬĬƼĜĹĬŅƵĬĜčĘƋØƵĘĜÏĘ
ÏŅƚĬÚÆ屟ĘĜčʱŸF„kƅĉLjLjţ

{ŅųƋų±ĜƋĵŅÚåÆĬƚųŸ
ƱÏĩÚųŅŞŸƋŅüŅÏƚŸ±ƋƋåĹƋĜŅĹ
ŅĹƋĘåŸƚÆģåÏƋ

Close-up mode sets a wide aperture and


ų±ĵŞŸƚŞƋĘåF„k

CLOSE-UP
Use this
auto setting
ƵĘåĹƼŅƚűųå
photographing
ÏĬŅŸåěƚŞŸŅüŸĵ±ĬĬåųŸƚÆģåÏƋŸØ
ŸƚÏʱŸüĬŅƵåųŸ±ĹÚĜĹŸåÏƋŸţFƋ
sets a wide aperture and assumes
PORTRAIT ƼŅƚűųåŸĘŅŅƋĜĹčʱĹÚĘåĬÚô±ĹÚ
FĹƋĘĜŸ±ƚƋŅĵŅÚåØƼŅƚų%„XƵĜĬĬƚŸå ʱĜųĬŅŅĩŸŅüƋåųÆƼƚŸĜĹčƋĘå{ŅųƋų±ĜƋ ±ƚƋŅĵ±ƋĜϱĬĬƼĜĹÏų屟åŸƋĘåF„k
±ƵĜÚå±ŞåųƋƚųåüŅų±ŸĘ±ĬĬŅƵÚåŞƋĘ ŞĜÏƋƚųåŸƋƼĬåØƵĘĜĬåƋĘåüĬ±ŸĘŞŅŞŸƚŞ üŅų±Ƥü±ŸƋƤŸĘƚƋƋåųŸŞååÚ±ĹÚŸĘ±ųŞ
ŅüüĜåĬÚƋŅÆĬƚųƋĘåƱÏĩčųŅƚĹÚ±ĹÚ ±ƚƋŅĵ±ƋĜϱĬĬƼĜüƤĬĜčĘƋĬåƴåĬŸ±ųåŞŅŅųţ ųåŸƚĬƋţFƋƵŅųĩŸÆåŸƋƵĘåĹƼŅƚŸĘŅŅƋ
ĵ±ĩåƼŅƚųŞŅųƋų±ĜƋŸƚÆģåÏƋŸŸƋ±ĹÚ ¥ŅƚűĬĬĹååÚƋŅåĹŸƚųåƋʱƋƋĘåe8ŞŅĜĹƋ ±ŸÏĬŅŸå±ŸŞŅŸŸĜÆĬåƋŅƋĘåŸƚÆģåÏƋØ
ŅƚƋţFƋƵĜĬĬ±ĬŸŅĵ±ĩåŸĩĜĹƋŅĹ埱ĹÚ ÏŅƴåųŸƼŅƚųŸƚÆģåÏƋűŸü±ÏåŅųåƼåŸţ ±ĹÚƚŸå±ƋåĬåŞĘŅƋŅŅųƤĵ±ÏųŅĬåĹŸţ
F E A T U R E

BASIC ZONE PART 2


These more advanced auto modes will help
you to take more control over your camera

ĜƋĘĜĹƋĘ屟ĜϬŅĹå±ųåüƚĬĬƼ ŽŸå8Ĭ±ŸĘkýĵŅÚå
W ±ƚƋŅĵ±ƋĜϱĹÚŸĬĜčĘƋĬƼĵŅųå
±Úƴ±ĹÏåÚ±ƚƋŅĵŅÚåŸţkĹŅĬÚåų
in low-light conditions
ƵĘåųåā±ŸĘĜŸŞųŅĘĜÆĜƋåÚ
)k„ϱĵåų±ŸØĬĜĩåƋĘåĂĂLj%±ĹÚƅLj%Ø
ƼŅƚʱƴå8ƚĬĬeƚƋŅŠčųååĹŸŧƚ±ųåšØƵĘĜĬå
ŅĹĹåƵåųϱĵåų±ŸØĬĜĩåƤƋĘåƀLjLj%±ĹÚ
íLjLj%±ĹÚĂ%aĩFšØƼŅƚčåƋƋĘåĜĵŞųŅƴåÚ
„ÏåĹåFĹƋåĬĬĜčåĹƋeƚƋŅŠeťšĵŅÚåĜĹŸƋå±Úţ
FĹÆŅƋĘ8ƚĬĬeƚƋŅxeťĵŅÚåŸØ±ĬĬƼŅƚĹååÚ
ƋŅÚŅĜŸŞŅĜĹƋ±ĹÚŸĘŅŅƋØƼŅƚųϱĵåų±ŸåƋŸ
åƴåųƼƋĘĜĹč±ƚƋŅĵ±ƋĜϱĬĬƼţ

CREATIVE AUTO ųå±ƋĜƴåeƚƋŅŅýåųŸĵŅųåÏŅĹƋųŅĬ


‰Ęåųå±ƋĜƴåeƚƋŅŠešĵŅÚåŠüŅƚĹÚ than the picture modes
ŅűĹŅĹ%„XŸĬĜĩåƋĘåƀLjLj%±ĹÚ
ƀ%aĩFFšĜŸƤŞåųüåÏƋüŅųåĹƋĘƚŸĜ±ŸƋ
ŞĘŅƋŅčų±ŞĘåųŸĬŅŅĩĜĹčƋŅÆųå±ĩŅƚƋŅü
ƋĘå±ƚƋŅĵŅÚåŸţ‰ĘåeĵŅÚååűÆĬåŸ
ƼŅƚƋŅÏʱĹčå±üåƵĩåƼŸåƋƋĜĹčŸôĜű
ŸĜĵŞĬĜüĜåÚƵ±Ƽţ{ų域ƋĘå}ÆƚƋƋŅĹرĹÚ
ƼŅƚϱĹƋĘåĹƚŸåƋĘåÚĜ±ĬƋŅÏʱĹčåƋĘå
±ĵŅƚĹƋŅüƱÏĩčųŅƚĹÚÆĬƚųØÚĜŸŞĬ±ƼåÚ
ŅĹƋĘåųå±ųX%ØÆƼĵŅƴĜĹčƋĘåĜĹÚåƻ
ĵ±ųĩĬåüƋƋŅÆĬƚųƋĘåƱÏĩčųŅƚĹÚ
ĵŅųåرĹÚƋŅƋĘåųĜčĘƋƋŅŸĘ±ųŞåĹƋĘå
ƱÏĩčųŅƚĹÚţ‰ĘĜŸĜŸÚåŸĜčĹåÚƋŅÆå±Ĺ
屟ƼƵ±ƼŅüƤ±ÚģƚŸƋĜĹčÚåŞƋĘŅüüĜåĬÚ
ÆƼÏʱĹčĜĹčƋĘå±ŞåųƋƚųåüųŅĵƵĜÚåƋŅ
űųųŅƵţ¥ŅƚƤϱűĬŸŅ±ÚģƚŸƋ
ƋĘå%ųĜƴåĵŅÚåŠüųŅĵ
Single Shot to Continuous
ƋŅ„åĬüěƋĜĵåųš±ĹÚƋƚųĹ
ƋĘåüĬ±ŸĘüĜųĜĹčüųŅĵeƚƋŅ
ƋŅkĹŅųküüرĹÚÏʱĹčå
ƋĘåů±ĵÆĜåĹÏåűŅüƼŅƚų
ŸĘŅƋŸƵĜƋĘ„Ƌ±ĹÚ±ųÚØ
šĜƴĜÚØ„ŅüƋØœ±ųĵØFĹƋåĹŸåØ
ŅŅĬØųĜčĘƋåųØ%±ųĩåų±ĹÚ
Monochrome settings.
F E A T U R E

BASIC ZONE PART 2 CONTINUED


FULL AUTO
œĘåƋĘåųƼŅƚų)k„ϱĵåų±
ʱŸ8ƚĬĬeƚƋŅŠčųååĹŸŧƚ±ųåšŅų
„ÏåĹåFĹƋåĬĬĜčåĹƋeƚƋŅŠeťšĵŅÚåØ
ƋĘåƼÆŅƋĘƵŅųĩĜűŸĜĵĜĬ±ųƵ±Ƽ×
ƼŅƚÏŅĹÏåĹƋų±ƋåŅĹüų±ĵĜĹč
ƼŅƚųŞĜÏƋƚųåŸØƵĘĜĬåƋĘå±ƚƋŅ
ĵŅÚå±Ĺ±ĬƼŸåŸƋĘåŸÏåĹå±ĹÚ
±ƚƋŅĵ±ƋĜϱĬĬƼŞĜÏĩŸƋĘåÆåŸƋŸåƋƋĜĹčŸ
ƋŅϱŞƋƚųåĜƋţFĹeťĜƋƵĜĬĬ±ĬŸŅŸåƋ±Ĺ
ůeƚƋŅűŞĜÏƋƚųåŸƋƼĬåØƵĘĜÏĘĵ±ĩåŸüĜĹå
±ÚģƚŸƋĵåĹƋŸƋŅÏŅĬŅƚųŸţ¥Ņƚųϱĵåų±
ŸåƋŸåƴåųƼƋĘĜĹčüųŅĵåƻŞŅŸƚųå
ÆųĜčĘƋĹ域ƋŅF„kƋŅĵåƋåųĜĹčرĹÚ
ƵĜĬĬ±ĬŸŅÏʱĹčåƋĘå±ƚƋŅüŅÏƚŸ
ĵŅÚåüųŅĵkĹåě„ĘŅƋe8ƋŅeF„åųƴŅ
e8ĜüƼŅƚųŸƚÆģåÏƋĵŅƴåŸţ‰ĘåüĬ±ŸĘ
ĵ±ƼŞŅŞƚŞĜüĬĜčĘƋĜŸĬŅƵţœĘĜĬå
ƋĘĜŸĵŅÚåĜŸ±čŅŅÚ±ĬĬěųŅƚĹÚåųüŅų
ŸĘŅŅƋĜĹčůåƴåųƼƋĘĜĹčűØƼŅƚʱƴåĹŅ
±ÆĜĬĜƋƼƋŅƋƵå±ĩŸåƋƋĜĹčŸţ

CREATIVE FILTERS
eŸ±ĹŅĹ)k„ϱĵåų±Ÿʱƴå üŅÏƚŸØ8ĜŸĘěåƼååüüåÏƋØeųƋÆŅĬÚåüüåÏƋØ
ŞųŅčų域åÚƋĘåƼűƴåŅüüåųåÚĵŅųå œ±ƋåųޱĜĹƋĜĹčåüüåÏƋ؉ŅƼϱĵåų±
±ĹÚĵŅųåÏųå±ƋĜƴåüĜĬƋåųŸØ±ĹÚŅĹƋĘå åüüåÏƋØaĜĹĜ±ƋƚųååüüåÏƋرĹÚƴ±ųĜŅƚŸ
ĹåƵåŸƋ)k„íLjLj%±ĹÚƀƀ%ĵŅÚåĬŸ B%åüüåÏƋŸţ‰ĘåŸåŅŞƋĜŅĹŸĵĜĵĜÏƋĘå
these are accessed via the Mode ŸŅųƋŸŅüüĜĬƋåųŸƼŅƚĵĜčĘƋƚŸåŅĹƼŅƚų
ÚĜ±ĬرĹÚĜĹÏĬƚÚå:ų±ĜĹƼxœØ„ŅüƋ Ÿĵ±ųƋŞĘŅĹåŅųFĹŸƋ±čų±ĵţ
F E A T U R E

CREATIVE ZONE PART 1


‰Ęåųå±ƋĜƴå¬ŅĹåĜŸƤƵĘåųåƼŅƚųģŅƚųĹåƼ
ƋŅƵ±ųÚŸƤčųå±ƋåųƤÏŅĹƋųŅĬųå±ĬĬƼÆåčĜĹŸ

ĘåŸåĵŅÚ埱ųåƵĘåųåƼŅƚ AV/APERTURE PRIORITY üųŅĵƋĘåĜųŸƚųųŅƚĹÚĜĹčŸţ„åƋƤ±ƤűųųŅƵ


T ÆåčĜĹƤƋŅƋ±ĩåĵŅųåÏŅĹƋųŅĬŅü
ƼŅƚųϱĵåų±ţ‰ĘåŸåĵĜě±ƚƋŅ{Øeƴ
FĹƋĘĜŸŸåĵĜě±ƚƋŅĵŅÚåØƼŅƚƤŸåƋƋĘå
±ŞåųƋƚųå±ĹÚƼŅƚųϱĵåų±±ƚƋŅĵ±ƋĜϱĬĬƼ
±ŞåųƋƚų功ƚÏʱŸüxŎƅšüŅų±Ĭ±ųčåų
ÚåŞƋĘŅüƤüĜåĬÚƵĘåĹƼŅƚƵ±ĹƋƋŅĩååŞ
±ĹÚ‰ƴĵŅÚ埱ųåčųå±ƋĜüƼŅƚűųåĬŅŅĩĜĹč ŸåƋŸƋĘåŸĘƚƋƋåųŸŞååÚüŅų±ŸƋ±ĹÚ±ųÚ åƴåųƼƋĘĜĹčŸĘ±ųŞţ
ƋŅ±Úƴ±ĹÏåƼŅƚųŞĘŅƋŅčų±ŞĘƼŸĩĜĬĬŸØ±ĹÚ åƻŞŅŸƚųåţFƋűŸ±čųå±ƋŸƋ±ųƋĜĹčŞŅĜĹƋüŅų
Ƶ±ĹƋƋŅŸƋ±ųƋƋŅƤƚĹÚåųŸƋ±ĹÚĘŅƵƼŅƚų learning to control aperture and depth
ϱĵåų±ϱŞƋƚųåŸŞĘŅƋŅŸØ±ŸƼŅƚűĬĬʱƴå ŅüƤüĜåĬÚţ¥ŅƚƤĵ±ƼĹååÚƋŅ±ÚģƚŸƋƼŅƚų
±ÏÏ域ƋŅ±ƴ±ųĜåƋƼŅüŸåƋƋĜĹčŸØŸƚÏʱŸ F„kØÚåŞåĹÚĜĹčŅĹƤĬĜčĘƋĬåƴåĬŸ±ĹÚƋĘå
±ŞåųƋƚųåŅųŸĘƚƋƋåųŸŞååÚƋŅ±ÚģƚŸƋƋĘå ŸĘƚƋƋåųŸŞååÚƼŅƚųϱĵåų±ŸåƋŸţ„åƋ±
åƻŞŅŸƚųåØƵĘĜĬåƋĘåϱĵåų±ƱĬ±ĹÏåŸ ƵĜÚå±ŞåųƋƚų功ƚÏʱŸüxƖţíšüŅų±ŸĘ±ĬĬŅƵ
ƋĘåƤŅƋĘåųŸåƋƋĜĹčŸƋŅϱŞƋƚųåƵʱƋĜƋ ÚåŞƋĘƤŅüüĜåĬÚƵĘåĹƼŅƚƵ±ĹƋƋŅÆĬƚųƋĘå
ÏŅĹŸĜÚåųŸƋŅÆå±čŅŅÚåƻŞŅŸƚųåţ ƱÏĩčųŅƚĹÚƋŅƤĘåĬŞŸƚÆģåÏƋŸŸƋ±ĹÚŅƚƋ

Use a narrow aperture


ŠåţčţüxŎƅšüŅų±čųå±Ƌåų
ÚåŞƋĘŅüĀåĬÚ

CREATIVE ZONE BENEFITS


œĘåĹƼŅƚƚŸå{Øeƴ؉ƴ±ĹÚaƼŅƚűųå ÏŅĬŅƚųŸüŅų±ĵŅųåÏųå±ƋĜƴåųåŸƚĬƋţ¥Ņƚ ĵåƋåųĜĹčĵŅÚåüųŅĵ)ƴ±Ĭƚ±ƋĜƴåƋŅ
±ĬŸŅ±ÆĬåƋŅ±ÚģƚŸƋF„kŸŞååÚØĘåĬŞüƚĬĜü ϱűĬŸŅ±ÚģƚŸƋƋĘåe8Š±ƚƋŅüŅÏƚŸšĵŅÚå {±ųƋĜ±ĬƋŅ„ŞŅƋ±ĹÚåĹƋųåěƵåĜčĘƋåÚØ
ƼŅƚűųåŸĘŅŅƋĜĹčʱĹÚĘåĬÚŠĘĜčĘF„kšŅų üųŅĵkĹåě„ĘŅƋŠŸƋ±ƋĜÏŸƚÆģåÏƋŸšƋŅeF ÚåŞåĹÚĜĹčŅĹƵĘĜÏĘޱųƋŅü±ŸÏåĹåŅų
ƚŸĜĹč±ƋųĜŞŅÚŠĬŅƵF„kšţ¥ŅƚϱĹƋƵå±ĩ 8ŅÏƚŸŠŸƋ±ƋĜÏxĵŅƴĜĹčŸƚÆģåÏƋŸš±ĹÚeF ŸƚÆģåÏƋƼŅƚĹååÚƋŅåƻŞŅŸåüŅųţ¥ŅƚϱĹ
ƋĘåŞĜÏƋƚųåŸƋƼĬ埱ÏÏŅųÚĜĹčƋŅƼŅƚų „åųƴŅŠĵŅƴĜĹčŸƚÆģåÏƋŸšſĵ±Ĺƚ±ĬĬƼ ±ĬŸŅŸåƋƋĘå%ųĜƴåĵŅÚåô„ĜĹčĬåěŸĘŅƋØ
ŸƚÆģåÏƋĵ±ƋƋåųرĹÚ±ÚģƚŸƋƋĘåƵĘĜƋå ŸåĬåÏƋŸĜĹčĬåe8ŞŅĜĹƋŸüŅųĵŅųå XŅƵŅųBĜčĘěŸŞååÚŅĹƋĜĹƚŅƚŸôŅųƤƋĘå
ƱĬ±ĹÏåƋŅƵ±ųĵƚŞŅųÏŅŅĬÚŅƵĹ ±ÏÏƚų±ƋåüŅÏƚŸĜĹčſ±ĹÚ±ÚģƚŸƋƋĘå ŎLjěŅųƖěŸåÏŅĹÚ„åĬüěƋĜĵåųĵŅÚåţ
F E A T U R E

CREATIVE ZONE PART 1 CONTINUED


PROGRAM AE
‰Ęå{Š{ųŅčų±ĵeƚƋŅ)ƻŞŅŸƚųåšĵŅÚåĜŸ
±čŅŅÚÏĘŅĜÏåüŅųƵĘåĹƼŅƚűųåĬŅŅĩĜĹčƋŅ
ĵŅƴåƚŞüųŅĵƋĘå8ƚĬĬeƚƋŅxeťĵŅÚåŸØ
ÆƚƋĹŅƋÏŅĹüĜÚåĹƋåĹŅƚčĘƋŅĩĹŅƵƵĘĜÏĘ
±ŞåųƋƚųåŅųŸĘƚƋƋåųŸŞååÚƋŅŸåƋţFĹ{
ĵŅÚåƼŅƚų%„XŸåĬåÏƋŸƋĘå±ŞåųƋƚųå
±ĹÚŸĘƚƋƋåųŸŞååÚØÆƚƋƼŅƚϱűÚģƚŸƋ
ƋĘåĵÆƼƚŸĜĹč{ųŅčų±ĵ„ĘĜüƋţFüƼŅƚ
Ƶ±ĹƋ±ƵĜÚåų±ŞåųƋƚųåŅųü±ŸƋåųŸĘƚƋƋåų
ŸŞååÚØƋƚųĹƋĘåa±ĜĹÚĜ±ĬƋŅƋĘåųĜčĘƋØ
±ĹÚĜüƼŅƚƵ±ĹƋ±űųųŅƵåų±ŞåųƋƚųåŅų
ŸĬŅƵåųŸĘƚƋƋåųŸŞååÚØƋƚųĹƋĘåa±ĜĹÚĜ±Ĭ
ƋŅƋĘåĬåüƋţ¥ŅƚϱűĬŸŅÏŅĹƋųŅĬŅƋĘåų
ŸåƋƋĜĹčŸſŸŅĵåŞųŅŞĘŅƋŅčų±ŞĘåųŸŸ±Ƽ
ů{ĜŸüŅų{ųŅü域ĜŅűĬű±ĹÚųåĬƼŅĹĜƋƵĘåĹ
ƋĘåƼÚŅĹűƋʱƴåƋĜĵåƋŅŸåƋ±ĹåƻŞŅŸƚųå
ŞųŅŞåųĬƼƋŅåĹŸƚųåƋĘåƼÚŅĹűƋĵĜŸŸ±ŸĘŅƋţ

Use a wide aperture


ŠåţčţüxƖţíšüŅų±ŸĘ±ĬĬŅƵ ¥ŅƚϱĹŅƴåųųĜÚåƋĘå±ŞåųƋƚųå±ĹÚ
ÚåŞƋĘŅüĀåĬÚ shutter speed in Program AE

STANDARD EXPOSURE -1 STOP EXP COMP +1 STOP EXP COMP

EXPOSURE COMPENSATION
åč±ųÚĬ域ŅüƵĘĜÏĘŸĘŅŅƋĜĹčĵŅÚå kĹÆåčĜĹĹåų%„XŸĘŅĬÚÚŅƵĹƋĘå
ƼŅƚƚŸåØƼŅƚųƤϱĵåų±ϱĹŸŅĵåƋĜĵåŸ eƴťxěÆƚƋƋŅűĹÚƋƚųĹƋĘåĵ±ĜĹÚĜ±Ĭſ
ŸåƋ±ĹĜűÏÏƚų±ƋååƻŞŅŸƚųåÏŅĵޱųåÚ ŅĹåĹƋĘƚŸĜ±ŸƋ%„XŸƚŸåƋĘå}ƚĜÏĩ
ƋŅƋĘåŸĘŅƋƼŅƚűųååĹƴĜŸ±čĜĹčţ‰ŅčåƋ ŅĹƋųŅĬÚĜ±Ĭţ‰ŅÆųĜčĘƋåĹåƻŞŅŸƚųåŸØ
±ųŅƚĹÚƋĘĜŸĜĹ{Øeƴ±ĹÚ‰ƴĵŅÚåŸØƼŅƚ ƋƚųĹƋĘåÚĜ±ĬųĜčĘƋØƋŅÚ±ųĩåĹƋĘåĵØƋƚųĹ
ϱűÚģƚŸƋåƻŞŅŸƚųåÏŅĵŞåĹŸ±ƋĜŅĹƚŞ ƋĘåÚĜ±ĬĬåüƋرĹÚÏĘåÏĩƋĘååƻŞŅŸƚųå
ƋŅťxěƐŅųĂŸƋŅŞŸŠÚåŞåĹÚĜĹčŅĹƼŅƚų ĬåƴåĬĜĹÚĜϱƋŅų±ĹÚĜĹÚåƻĵ±ųĩŅĹƋĘå
ϱĵåų±šØĜĹƋĘĜųÚěŅüě±ěŸƋŅŞĜĹÏųåĵåĹƋŸţ ƋŅŞŅųųå±ųX%ØŅųĜĹƋĘåƴĜåƵüĜĹÚåųţ
F E A T U R E

CREATIVE ZONE PART 2


Take your photography to the next level by
Ƌ±ĩĜĹčƤĜĹÏų屟ĜĹčÏŅĹƋųŅĬŅƴåųƼŅƚųŸåƋƋĜĹčŸ

åűƴåÚĜŸÏƚŸŸåÚƋĘåÆåĹåüĜƋŸ
W ŅüƚŸĜĹčƋĘå{±ĹÚeƴĵŅÚåŸØ
±ĹÚĹŅƵƵåűĬĬŸĘŅƵƼŅƚƵĘåĹ
1/5000 SEC

ƋŅƚŸåƋĘå‰ƴ±ĹÚaĵŅÚåŸØƵĘƼƼŅƚűĬĬ
need to understand the relationship
ÆåƋƵååĹF„k±ĹÚŸĘƚƋƋåųŸŞååÚرĹÚĘŅƵ
ƋŅϱŞƋƚųå±ĹƼƋĘĜĹčƋʱƋĵŅƴåŸţeƋƋĘå
ƋŅŞŅüƋĘåaŅÚåÚĜ±ĬĬĜåŸƋĘåĘŅĬƼčų±ĜĬ
ŅüŞĘŅƋŅčų±ŞĘƼôaüŅųa±Ĺƚ±ĬĵŅÚåô
±ĹÚĘåųåƵåűĬĬ±ĬŸŅĘåĬŞƼŅƚƋŅč±ĜĹƋĘå 1/640 SEC
ÏŅĹüĜÚåĹÏåƋŅčĜƴåĜƋ±ƋųƼôĹŅƋüŅųåƴåųƼ
ŸĘŅƋƼŅƚƋ±ĩåØÆƚƋüŅųŸŞåÏĜüĜÏĜĹŸƋ±ĹÏåŸ
ƵĘåųåƼŅƚűĬĬŸååÏĬå±ųÆåĹåüĜƋŸñ

1/160 SEC

1/80 SEC
TV/SHUTTER PRIORITY MODE
‰ĘĜŸŸåĵĜě±ƚƋŅĵŅÚååűÆĬåŸƼŅƚƋŅ
Ƌ±ĩåÏŅĹƋųŅĬŅüƋĘåŸĘƚƋƋåųŸŞååÚØƵĘĜĬå
ƼŅƚųϱĵåų±ŸåƋŸ±ŸƚĜƋ±ÆĬå±ŞåųƋƚųåüŅų
±ƤŸƋ±ĹÚ±ųÚåƻŞŅŸƚųåţåĜĹčĜĹÏŅĹƋųŅĬŅü
ƼŅƚųŸĘƚƋƋåųŸŞååÚĜŸÏųƚÏĜ±ĬƵĘåĹƼŅƚűųå
ŸĘŅŅƋĜĹč±ĹƼƋĘĜĹčƋʱƋĵŅƴåŸôƵĘåƋĘåų
ƋʱƋűŸƴåĘĜÏĬåŸØƵĜĬÚĬĜüåØÏĘĜĬÚųåĹŅųƵ±Ƌåų 1/20 SEC
ĜűŸÏåĹĜÏŸĘŅƋţFʼnƴĵŅÚåØƼŅƚϱĹ
ÚåÏĜÚåƵĘåƋĘåųƋŅüųååDŽå±ĹƼ±ÏƋĜŅĹŠƵĜƋĘ
±ü±ŸƋŸĘƚƋƋåųŸŞååÚôåţčţŎxĂLjLjŸåÏšŅų
ŽŸå±ƋųĜŞŅÚ±ĹÚ‰ƴĵŅÚåüŅųåƻŞŅŸƚųåŸ ƚŸåĵŅƋĜŅĹÆĬƚųÏųå±ƋĜƴåĬƼŠƵĜƋʱŸĬŅƵ
Ÿåƴåų±ĬƤŸåÏŅĹÚŸĬŅĹč ŸĘƚƋƋåųŸŞååÚôåţčţŎxĂŸåÏšţ

ISO SENSITIVITY 1/10 SEC


FĹƋĘåųå±ƋĜƴå¬ŅĹåƼŅƚϱĹŸåƋƋĘå
F„kĵ±Ĺƚ±ĬĬƼţFüƼŅƚĹååÚƋŅŅÆƋ±Ĝű
ü±ŸƋŸĘƚƋƋåųŸŞååÚŠåţčţŎxŎLjLjLjŸåÏšØ
±ĹÚƼŅƚűųå±Ĭųå±ÚƼ±ƋƼŅƚųƵĜÚåŸƋ
±ŞåųƋƚųåŠåţčţüxƖţíšØƋĘåĹĜĹÏų屟åƋĘå
F„kƚĹƋĜĬƼŅƚčåƋƋĘåÚåŸĜųåÚŸĘƚƋƋåų
ŸŞååÚţå±ųĜĹĵĜĹÚƋʱƋĘĜčĘF„kŸϱĹ
Ïųå±ƋåƚĹƵ±ĹƋåÚĹŅĜŸåô±ĬƋĘŅƚčĘĜƋűŸ ŽŸĜĹ豪ųŅčų域ĜƴåĬƼŸĬŅƵåųŸĘƚƋƋåų
ÆåƋƋåųƋŅʱƴå±ĹŅĜŸƼŸĘ±ųŞŸĘŅƋƋĘåĹ ŸŞååÚƋƚųĹŸƋĘåƵ±Ƌåųü±ĬĬüųŅĵ±ŸƋ±ƋĜÏ
±ƤÏĬå±ĹÆƚƋÆĬƚųųåÚŅĹåţ ŸĘŅƋƋŅ±ĵŅųåŞĬ屟ĜĹčĵĜĬĩƼÆĬƚų
F E A T U R E

CREATIVE ZONE PART 2 CONTINUED


MANUAL MODE
FĹa±Ĺƚ±ĬĵŅÚåØƼŅƚŸåƋÆŅƋĘƋĘå
±ŞåųƋƚųå±ĹÚŸĘƚƋƋåųŸŞååÚţ¥ŅƚűĬĬĹååÚ
to decide whether the most important
ü±ÏƋŅųĜŸƤÚåŞƋĘŅüüĜåĬÚŅųŸĘƚƋƋåųŸŞååÚ×
ĜüƼŅƚƵ±ĹƋƋŅÏŅĹƋųŅĬÚåŞƋĘŅüüĜåĬÚØŸåƋ
ƋĘå±ŞåųƋƚųåüĜųŸƋſĜüƼŅƚƵ±ĹƋƋŅÏŅĹƋųŅĬ
ĵŅƴåĵåĹƋĜűŸĘŅƋØŸåƋƋĘåŸĘƚƋƋåų
ŸŞååÚüĜųŸƋţ¥ŅƚϱĹƋĘåűÚģƚŸƋƋĘå
ŅƋĘåųŸåƋƋĜĹčƚĹƋĜĬƋĘåĜĹÚåƻĵ±ųĩĜŸĜĹƋĘå
ĵĜÚÚĬåŅüƋĘååƻŞŅŸƚųåĬåƴåĬĜĹÚĜϱƋŅų
üŅų±ŸƋ±ĹÚ±ųÚåƻŞŅŸƚųåţ¥Ņƚĵ±Ƽ±ĬŸŅ
ĹååÚƋŅĜĹÏų屟åŅųÚåÏų屟åƋĘåF„kƋŅ
±ÏĘĜåƴåƼŅƚųÚåŸĜųåÚ±ŞåųƋƚųåxŸĘƚƋƋåų
ŸŞååÚÏŅĵÆĜűƋĜŅĹţœĘåĹƼŅƚűųåƚŸĜĹč
±üĬ±ŸĘčƚĹŅųŸƋƚÚĜŅĬĜčĘƋŸØa±Ĺƚ±ĬĵŅÚå
čĜƴåŸƼŅƚüųååųåĜčĹƋŅŸåƋƋĘåŅŞƋĜĵƚĵ
ŸĘƚƋƋåųŸŞååÚرŞåųƋƚųå±ĹÚF„küŅųƋĘå
ŸĘŅƋſƼŅƚƤϱĹƋĘåűÚģƚŸƋƋĘåŅƚƋŞƚƋ
ŅüƤƋĘåƤüĬ±ŸĘüŅųƤƼŅƚųÚåŸĜųåÚåƻŞŅŸƚųåţ

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