The document provides information on 10 contemporary Filipino artists and their artworks. It describes the artists, titles of their works, and messages or themes within their art. Some key details include Ernest Concepcion's "OMG Christ" depicting religious and pop culture juxtapositions. Ronald Ventura's "Waves" alludes to forces of migration through influence of a Filipino pre-colonial jar. Kawayan de Guia's "Bomba" series was inspired by WWII bombs and explores bomb imagery with a play on words. Martha Atienza's work tells stories of seafarers through her connection to her father's experiences as a sea captain.
The document provides information on 10 contemporary Filipino artists and their artworks. It describes the artists, titles of their works, and messages or themes within their art. Some key details include Ernest Concepcion's "OMG Christ" depicting religious and pop culture juxtapositions. Ronald Ventura's "Waves" alludes to forces of migration through influence of a Filipino pre-colonial jar. Kawayan de Guia's "Bomba" series was inspired by WWII bombs and explores bomb imagery with a play on words. Martha Atienza's work tells stories of seafarers through her connection to her father's experiences as a sea captain.
The document provides information on 10 contemporary Filipino artists and their artworks. It describes the artists, titles of their works, and messages or themes within their art. Some key details include Ernest Concepcion's "OMG Christ" depicting religious and pop culture juxtapositions. Ronald Ventura's "Waves" alludes to forces of migration through influence of a Filipino pre-colonial jar. Kawayan de Guia's "Bomba" series was inspired by WWII bombs and explores bomb imagery with a play on words. Martha Atienza's work tells stories of seafarers through her connection to her father's experiences as a sea captain.
Name of the artwork: OMG Christ Message of the Artwork: To the Philippines-born Concepcion, OMG Christ depicts the juxtaposition of the nostalgic, religious references of his childhood and the pop-art culture he has been exposed to since his adolescent years. The artwork:
Name of the Artist: Ronald Ventura
Name of the Artwork: Waves Message of the Artwork: Inspired by the Philippine pre-colonial artefact Manunggul Jar, “Waves” alludes to the competing forces at play in contemporary life, the push and pulls in migration, and the struggles that relocation bring forth amid the bigger challenge to survive and keep afloat. The artwork:
Name of the Artist: Leeroy New
Name of the Artwork: Message of the Artwork: The artwork:
Name of the Artist: Oscar Villamiel
Name of the Artwork: Message of the Artwork: The artwork: Name of the Artist: Dex Fernandez Name of the Artwork: Message of the Artwork: The artwork:
Name of the Artist: Neil Pasilan
Name of the Artwork: BEAUTIFUL SUNRISE TO SUNSET Message of the Artwork: The artwork:
Name of the Artist: Kawayan de Guia
Name of the Artwork: Bomba Message of the Artwork: Based in Baguio City, Kawayan de Guia’s Bomba (Fall Out) (2015) was included in The Vexed Contemporary, shown at MCAD in 2015. Part of de Guia’s bomb series which was inspired by a friend’s discovery of WW II bombs in the mountains of Benguet and Ifugao, De Guia retells this story by using the homonym, “bomba”, as a cheeky play on both the explosive weaponry and the 70s softcore films. His works are part of several private collections, and the first iteration of “Bomba” is included in the Singapore Museum Collection. He was a recipient of the Ateneo Art Awards in 2008 and 2011. The artwork:
Name of the Artist: Patricia Perez Eustaquio
Name of the Artwork: Figure Babel Message of the Artwork: Known for her works that span across different mediums and disciplines—from paintings, drawings, and sculptures, to the fields of fashion, décor, and craft—Patricia Perez Eustaquio (b. 1977) reconciles these intermediary forms through her constant exploration of notions that surround the integrity of appearances and the vanity of objects. Images of detritus, carcasses, and decay are embedded into the handiwork of design, craft, and fashion, while merging the disparate qualities of the maligned and marginalized with the celebrated and desired. From her ornately shaped canvases to sculptures shrouded by fabric, their arrival as fragments, shadows, or memories, according to Eustaquio, underline their aspirations, their vanity, this 'desire to be desired.' Her wrought objects—ranging from furniture, textile, brass, and glasswork in manufactured environments—likewise demonstrate these contrasting sensibilities and provide commentary on the mutability of our perception, as well as on the constructs of desirability and how it influences life and culture in general. The artwork: Name of the Artist: Martha Atienza Name of the Artwork: Gilubong Ang Akong Pusod Sa Dagat Message of the Artwork: Atienza's quest to tell this story of seafarers, fishermen and community members is deeply rooted. Having a Filipino sea captain as a father, a Dutch mother with strong philanthropist inclinations and growing up in both the Netherlands and the Philippines where she was surrounded by seafarers, it was only a matter of time that this project would come into existence.She sees a peculiar similarity between all of the Filipino seafarers and her father who himself was a sea captain. She observes that "it seems that once these men come home they do not share many stories. Many things, it seems, get lost in translation and many things are not spoken about." The artwork:
Name of the Artist: Elmer Borlongan
Name of the Artwork: Message of the Artwork: The artwork: