Graphic Design 21-Bachelor

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IED BARCELONA | GRAPHIC DESIGN

Graphic
Design

Study Plan iedbarcelona.es

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IED BARCELONA | OFFICIAL UNDERGRADUATE DEGREE IN DESIGN | GRAPHIC DESIGN

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IED BARCELONA | GRAPHIC DESIGN

Homage to the Catalan architect Antonio Bonet. Santiago Restrepo Arias. Golden Laus Award 2017.

GRAPHIC DESIGN
Bachelor of Arts in Graphic Design
Official Bachelor’s Degree lasting four years (240 ECTS)
+100 nationalities
50 years of experience
IED Barcelona offers four-year Bachelor’s Degree in 100% worldwide network
Design, which are equivalent to University Degrees
(240 ECTS), with the aim of transforming passion, 11 centres all over the world
talent and creativity into knowledge and skills that
will enable future design professionals to develop 10,000 students every year
their careers in the world of Design, Fashion, Visual
Communication and Management. +1,000 agreements with companies
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IED BARCELONA | GRAPHIC DESIGN

Creo
Visual identity for a business based
on the designer personality.

David Fiene
Bronze Laus Award 2019

GENERAL
INFORMATION
Language: English
Credits: 240 ECTS
Duration: 4 years
Schedule: Monday to Friday, full time
Calendar: September - June
Area Director: Enric Bajuelo

IED Bachelor’s Degrees have received the positive Accreditation


by the Agència per a la Qualitat del Sistema Universitari de Catalunya.

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IED BARCELONA | GRAPHIC DESIGN

WORDS, interactive instalation


showed at Sónar+D 2017
by Junior Gonzalez, Danae
Fischer and Milena Roses.

COURSE
DESCRIPTION
“Project culture is IED Visual Communication trains
the leitmotif of professionals to be capable of developing
the entire learning strategic, creative and artistic aspects of
process. The school audiovisual communication, thus shaping
a profile known as a 'visual designer',
boasts a video and
according to sector trends. Multimedia
photography design, creating visual experiences and
studio, a sound strategic design are just some of the
workshop, state-of- subjects students will learn about before
the-art audiovisual they successfully enter the professional
equipment and IT market in the fields of communication
workshops.” and visual creativity, advertising and
new digital platforms. The school has
ongoing collaborations in place with visual
communcation brands and institutions
in the sector, and all of its teachers are
working professionals (video designers,
graphic designers, illustrators, multimedia
animators, brand managers...). Project
culture is the leitmotif of the entire learning
process, and the school boasts a video
and photography studio, a sound workshop,
state-of-the-art audiovisual equipment
and IT workshops.

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IED BARCELONA | GRAPHIC DESIGN

The purpose of the course


is to train specialists in visual
communication who are
capable of conceptualising,
structuring and developing
effective communication
thanks to their command of
the methodology, technique
and technology trinomial.
A graphic designer should
be an expert using static and
motion graphic arts in order
to develop a company's cor-
porate branding and identity,
as well as designing specific
applications such as posters,
packaging and signage.

WHO IS IT
AIMED FOR?
The Bachelor of Arts in
Graphic Design intends
to train professionals
in the image and visual
communication sector. It is
essential to have a cross-
sectional understanding
of graphic communication
and of all of the areas where
it applies within industry
and trade, and to see the
project and the design as a
communicative experience
geared towards the user.
Students will be able to
The Stories of Silence specialise in graphic design,
Project to raise awareness about female genital mutilation.
Anna Hudayarova, Isabella Rood and Adra Kandril. motion graphics and video,
Silver Laus Awards 2017 illustration and animation.

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IED BARCELONA | GRAPHIC DESIGN

SWSN
Corporate identity for an art
gallery to show the work of swiss
modern designers.

Karyna Sakhniuk
Bronze Laus Award 2019

EMPLOYMENT
OPPORTUNITIES
Graphic designer, creative director,
art director, typographer, specialist in
branding, corporate image, publishing,
packaging, signage, posters, infographics,
web pages motion graphics, storyboard,
short films, video art, sound, illustrator,
2D animator, etc.
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IED BARCELONA | GRAPHIC DESIGN

FIRST YEAR
GRAPHIC DESIGN
60 ECTS*

First Semester Credits


FOUNDATION PROJECT I 6
REPRESENTATION TECHNIQUES I 6
PROJECT COMMUNICATION I 4
INTRODUCTION TO MARKETING 4
SCIENCE APPLIED TO DESIGN 4
COLOUR AND FORM 3

Second Semester
TOOLS I
FOUNDATION PROJECT II 6
REPRESENTATION TECHNIQUES II 4
PROJECT COMMUNICATION II 6
TECHNICAL DRAWING I 4
SOCIOLOGY 4
VOLUME 3

Annual
HISTORY OF ARTS AND DESIGN 6

* 1 ECTS equals to 25 total hours of work. Total hours I Hair You


of work equals lecture hours (in the classroom) plus Typeface and
work at home. communication made with
hair to express the freedom
The management of the Istituto Europeo di Design of each one, he or she, to
reserves the right to alter the syllabus depending on grow or cut their hair as one
the needs arising in terms of educational objectives. wishes, by Julia Sobrón

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IED BARCELONA | GRAPHIC DESIGN

FOUNDATION PROJECT I COLOUR AND FORM SOCIOLOGY


Introduction to the basics of design: structure, Introducing the student to the perception of Becoming familiar with the main sociological
form, colour, space and volume. Analysis of colour. Colour models and standardisation. theories linked to design. Becoming familiar
form, composition and perception. Design Significance of colour. Colour in design. with useful micro-theories applicable to
critique from an inter-disciplinary point of everyday life. Enabling the student to grasp
view. Theory, methodology, ideation and FOUNDATION PROJECT II and create qualitative and quantitative
conception of a project. Introducing the student to anthropometry, sociological tools. Learning about the different
ergonomics and bionics. Theory and types of society to understand their general
REPRESENTATION TECHNIQUES I methodology, ideation and conception of mechanisms and development. Becoming
Using drawing as a form of observation, the project. Research and experimentation familiar with tools to discuss, create and
expression and representation. Analysing methods typically applied in the design present ideas.
form and space. Appreciating and process.
representing light. Memorisation and motion. VOLUME
REPRESENTATION TECHNIQUES II Researching volume and spatial conception.
PROJECT COMMUNICATION I Knowing how to use instrumental techniques Research and experimentation methods
Introducing the student to the construction, involving structure, expression and two typically applied in this field.
composition and transmission of ideas, and three-dimensional representation.
thoughts and information, composition and Construction, composition and transmission HISTORY OF ARTS AND DESIGN
visual perception. of ideas, thoughts and information. Drawing in Providing the student with the right tools to
the design project. discover the artistic elements of the past
INTRODUCTION TO MARKETING that live on today. Linking concepts from
Becoming familiar with the various fields of PROJECT the history of art to the professional field of
work involved in marketing, as well as the main COMMUNICATION II design. Reflecting on the interaction between
essential tools applied in each of those fields. Graphic representation using digital artistic production and its context. Learning to
Applying principles and tools to case analysis. technology. Managing information. Digital recognise institutional and alternative spaces
Offering an overall vision of marketing analysis devices and strategies. Trends for controlling in artistic practice. Knowledge, analysis and
and planning. and communicating information. meaning of art. History of arts, architecture,
design and fashion. Society and art.
SCIENCE APPLIED TO DESIGN TECHNICAL DRAWING I
Understanding and applying the scientific Introducing the student to plane and
method. Analysis and simulation methods. descriptive geometry. Research and
Research and experimentation in science experimentation methods typically applied
applied to design. Basics of mathematics, in this field. Technical graphic language and
physics and chemistry applied to design. its communicative significance in the field of
Methodologies for appraising the design.
environmental impact of processes and
materials. Sustainable development.

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IED BARCELONA | GRAPHIC DESIGN

SECOND YEAR
GRAPHIC DESIGN
60 ECTS

First Semester Credits


TOOLS II
INFORMATICS GRAPHIC DESIGN I 4
ANIMATION TECHNIQUES IN GRAPHIC DESIGN 4

CULTURE
GRAPHIC DESIGN WORKSHOP I 4
HISTORY OF GRAPHIC DESIGN 4
SEMIOTICS 4

GRAPHIC TECHNIQUES
GRAPHIC TECHNIQUES IN GRAPHIC DESIGN 4
GRAPHIC DESIGN PHOTOGRAPHY I 4
TYPOGRAPHY I 6

Second Semester
ART DIRECTION
AUDIOVISUAL GRAPHIC DESIGN 6
DIGITAL COMMUNICATION I 4

GRAPHIC DESIGN I
INFORMATICS GRAPHIC DESIGN II 4
TYPOGRAPHY II 4
DIGITAL COMMUNICATION II 4

INTERDISCIPLINARY PROJECT 4

I cry in the shower


Photography project,
by Duc Thinh

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IED BARCELONA | GRAPHIC DESIGN

INFORMATICS GRAPHIC TECHNIQUES IN INFORMATICS GRAPHIC DESIGN II


GRAPHIC DESIGN I GRAPHIC DESIGN Learning to use computer software in order
Introducing the fundamental elements Studying the history and technical to optimise page layout tools and use them
involved in learning the logics of vectorial characteristics of the main printing in the process of creating and producing
design and applying them in the context of systems. Analysis of paper: production, a graphics project.
a project. characteristics and binding. Analysis
of the different production systems. TYPOGRAPHY II
ANIMATION TECHNIQUES Learning how to organise and use
Learning about the motion technique and PHOTOGRAPHY IN typographic elements in general, with a
the relationship between space and time. GRAPHIC DESIGN special focus on text volumes.
Observing and representing believable and Taking an in-depth look into the use of tools
realistic reality in the eyes of the viewer. and sensitive materials in professional DIGITAL COMMUNICATION II
digital photography. Analysing photographic Introduction to web language and the series
GRAPHIC DESIGN WORKSHOP I images in terms of grammatical and of tools needed to design, develop and
Proposing and developing a project syntactical elements: focus, points of execute a web application in which the
from a conceptual, technical and formal view, light and time. Basic knowledge of data architecture and multimedia design
perspective in the field of graphic design photographic genres and the rhetorical are established as reference points.
following a project methodology. figures of image.
INTERDISCIPLINARY PROJECT
HISTORY OF GRAPHIC DESIGN TYPOGRAPHY I Studying and dealing with design projects
Studying graphic as a communication Learning about the history, construction, from a multidisciplinary perspective and
system. Analysing the major landmarks classification and drawing techniques of carrying out processes in multidisciplinary
that shaped 20th century design. typographic characters. teams, observing the surroundings and how
Using expressive typographic elements they are interpreted in the modern world.
SEMIOTICS applied to designing typographic
Understanding that all human activity is characters, alphabets, monograms and
based on language. Grasping the concept of typography-derived symbols.
language, codes and fundamental systems
of semiotics in order to achieve a critical AUDIOVISUAL GRAPHIC DESIGN
point of view bearing in mind the world of Acquiring theoretical and practical
design, art, society and culture as a system knowledge linked to the creation and
of codes. Performing a semiotic analysis understanding of audiovisual language.
of different examples of design, from the
dawn of modern times to the present DIGITAL COMMUNICATION I
day in order to gain greater awareness of
Understanding the basic digital techniques
communication structures and systems.
in order to apply them when developing
graphic projects.

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IED BARCELONA | GRAPHIC DESIGN

THIRD YEAR
GRAPHIC DESIGN
60 ECTS

First Semester Credits


STRATEGIC DESIGN
GRAPHIC DESIGN STRATEGY AND MANAGEMENT 4
WORKSHOP II 6

DESIGN & IDENTITY


CORPORATE IDENTITY PROJECT 8
EDITING TECHNIQUES 4

DESIGN & BRAND CULTURE


PROJECT COMMUNICATION III 4
PROJECT I 4

Second Semester
GRAPHIC DESIGN II
CREATIVITY 4
CALLIGRAPHY, SERIGRAPHY & ENGRAVING WSP 8

EDITORIAL DESIGN
EDITORIAL PROJECT AND INTERACTIVE COMMUNICATION 8
CONTEMPORARY COMMUNICATION 4
PACKAGING PROJECT 4

MULTIDISCIPLINARY WORKSHOP I 2

Typegeist
Visual Identity for a gallery dedicated to the
conservation and exhibition of typography.

Marcos Silva Ribeiro


Bronze Laus Award 2019

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IED BARCELONA | GRAPHIC DESIGN

GRAPHIC DESIGN PROJECT I Reflecting as to their impact on cultural, stylistic


STRATEGY AND MANAGEMENT Carrying out a project that is relevant to and social needs. Understanding the role they
Tackling strategy and resources for managing the academic programme chosen, using visual have played in the evolution of 20th century
projects and organizations. Giving the communication as an integrating language by history and their projection in the 21st century.
necessary tools to manage the content of delivering a brief.
Graphic Design and Creativity learned in other PACKAGING PROJECT
subjects applied to the professional business CREATIVITY Introducing the students to the world of
world. Getting to know the resources, costs Developing the student’s understanding of packaging by asking them to carry out several
and planning of the professional activity. the different aspects involved in the creative projects in different fields. Getting used to
process. Learning the methodology applied applying a project methodology. Learning
WORKSHOP II by creative minds within an agency in order to the terminology and processes involved in
Developing an experimental audiovisual develop the student’s creative skill. packaging.
communication project that provides a
solution to the requirements presented CALLIGRAPHY, SERIGRAPHY & MULTIDISCIPLINARY WORKSHOP I
in the initial brief. The creative process is ENGRAVING WORKSHOP Carrying out hands-on workshops to cover
divided into three specific stages: Research, topics that will help boost the student’s
Introducing the students to the professional
Development and Production. creativity and motivation.
world by providing them with theoretical
information and methodological resources in
CORPORATE IDENTITY PROJECT the field of calligraphy, serigraphy & engraving
Providing students with theoretical and in order to develop a design project or
practical knowledge on how to carry out typographical creation.
traditional and interactive editing projects.
Getting the student involved in an advanced EDITORIAL PROJECT AND
design project focusing on creating innovative INTERACTIVE COMMUNICATION
multimedia products capable of interacting
Providing students with theoretical and
with the user.
practical knowledge on how to carry out
editing projects. Getting the student
EDITING TECHNIQUES involved in an advanced design project with
Learning about the techniques, media a methodology that focuses on creating
and processes used in editing with new innovative multimedia products capable of
technologies in the field of graphic arts. interacting with the user.

PROJECT COMMUNICATION III CONTEMPORARY


Developing the student’s expressive ability COMMUNICATION
to produce a portfolio based on the research Analysing and reflecting as to the evolution
carried out in their own projects. Teaching of communication and the audiovisual world,
the student how to formally communicate and its impact on the 20th and 21st century.
these projects. Observing the latest trends from a cross-
sectional and critical perspective.

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IED BARCELONA | OFFICIAL UNDERGRADUATE DEGREE IN DESIGN | GRAPHIC DESIGN

FOURTH YEAR
GRAPHIC DESIGN
60 ECTS

First Semester Credits

GRAPHIC DESIGN III


MOTION GRAPHICS 4

DATA VISUALIZATION
WORKSHOP III 4
ECO-DESIGN 4
PROJECT CHALLENGE
PROJECT II 4
DIGITAL COMMUNICATION III 4

PROFESSIONAL INTERNSHIP 6
MULTIDISCIPLINARY WORKSHOP II 4

Second Semester
FINAL PROJECT 30

Discordia
A trimestrial magazine
that questions cross-
sectional concepts that
intend to highlight the
ritual value of different
cultural manifestations.

Daniela Rosselli
Final Project

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IED BARCELONA | GRAPHIC DESIGN

MOTION GRAPHICS MULTIDISCIPLINARY


Learning to make efficient and attractive WORKSHOP III
audiovisual communication using Motion Carrying out hands-on workshops to cover
Graphics. topics that will help boost the student's
creativity and motivation.
WORKSHOP III
Exploring graphic design-specific profes- FINAL PROJECT
sional fields in greater depth by following Applying visual and written concepts.
a project methodology. Research techniques. Teamwork and
individual research. Putting the stages of
ECO-DESIGN research, development and production
into practice during the project. Presenting
Guiding the student in the fulfilment of
the project before the examination board.
a design project that can only be completed
Presenting the project before the client.
as a result of a coherent process including
environmental improvements and
sustainability criteria that will be expressed
in the various phases of the product’s
life cycle.

PROFESSIONAL INTERNSHIP
Gaining professional experience to apply
the knowledge and skills acquired during
the three previous years.

PROJECT II
Carrying out an advanced project that
is relevant to the academic programme
chosen, using visual communication as an
integrating language by delivering a brief.

DIGITAL COMMUNICATION III


Furthering the student's knowledge of the
tools needed to conceptualise and design
innovative multimedia applications.

www.visualbcn.es
IED Barcelona’s Visual Communication
school blog where we share news and
projects from our students and teachers,
as well as other great work we like.

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IED BARCELONA | OFFICIAL UNDERGRADUATE DEGREE IN DESIGN | GRAPHIC DESIGN

ADMISSION AND REQUIREMENTS

COURSE REQUIREMENTS ADMISSION PROCESS

BACHELOR’S DEGREE HAVING COMPLETED SECONDARY SCHOOL ADMISSION TEST


(4 years, 240 ECTS). (any A-levels or advanced vocational training). And an interview with the orientation
and admissions department.

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IED BARCELONA | GRAPHIC DESIGN

Atlas Design, Art of Many, Eumogràfic, Firma Design, Folch Studio, Hangar,
THE STUDENTS Hoet&Hoet, Inoxcrom, Landor Associates, Lékué, Lo Siento, MTL, Metropolitan
WORK OR Magazine, MCI Group, Red Antler, *relajaelcoco, Rebel Communications,
Saatchi & Saatchi, *S,C,P,F, Solo Studio, Sarai Jacobs, Shackleton Barcelona,
WORKED WITH: TBWA, Vasava, Zuluz.tv, among others.

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NOTES :
IED BARCELONA | GRAPHIC DESIGN

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IED BARCELONA | OFFICIAL UNDERGRADUATE DEGREE IN DESIGN | GRAPHIC DESIGN

Este es un papel reciclable, ayúdanos a preservar el medio ambiente.

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