“PRINCIPLES OF ART AND DESIGN”

Group 3: COLOR YOUR DREAM

Obinay, Obaidah A. Quindala, Liz G. Trazona, James Earl
Sy, Leonardo Quijano, Esabel Telebrico, Lizette Ericka
Pacres, Harly Jay Ruedas, Je Marie Visaya, Vincent Dames
Povadora, Neil Adrain Superales, Ma. Eunice Plaza, Gylle Marie
MOVEMENT
In this example of movement in art, the artist shows the movement of the wind through
the shapes of the paper. The lines of the figures and the lines of the billowing clothing convey
movement in art as well. The trees sway and leaves dance in the sky. The frantic movements in the
foreground contrast with the stillness of the mountain in the distance. -Plaza, Gylle Marie
MOVEMENT
Color is one of the important element in art, because it gives us an impact or a vibes
in a certain art it is either happiness or sadness and other. He uses the color as broken color;technique in
which small dabs of various colors are used. It is effective for depicting a sense of movement because
your eyes jump between all of the different colors. -Obinay Obaidah

SYMMETRICAL BALANCE
This is an example of symmetrical balance. Since the two sides each each other perfectly asit was
reflected by a mirror. A.K.A formal balance. - Sy , Leonardo
ASYMMETRICAL BALANCE
This art is an example of an asymmetrical design. The moon on the right is balanced by the dark
trees on the bottom left. Also, the stars and clouds are balanced with the town as well. - Sy , Leonardo

HARMONY OR UNITY
This lovely painting exemplifies harmony in shape, as evidenced by the stiff, geometric
shapes that run across the landscape. It exemplifies cubism since it deconstructs realistic subjects into
geometric forms, to help us in conveying perspective and distinguishing impressions. -Pacres, Harly Jay

VARIETY
Klimt’s oil painting depicts numerous variations such as the earthy and vivid tones of colors, the
large and small sizes of flowers, the vast array of the petals’ shapes, and the difference on the
brushstrokes of the lines. All in all, the painting simply showcased diversity which is a key element when
your art deals with the principle of variety. -Povadora, Neil Adrian

RHYTHM
The Artist has drawn using flowing Rhythm in waves, boats, and mountains with large
and small flows or curves. The use of repeating colors (as seen in the blue of the ocean) creates a pattern
from dark to light. There is energy in the design of the ocean giving a sense of eruption which is very
rhythmic. -Quindala, Liz

PATTERN
This painting combines the passionate brush strokes with the boldness of almost spiritual
preciseness of color and shapes that make use of pattern. Kandinsky also creates periodic examples of
pattern Such as the boxes in the upper right corner this helps to add depth to the painting.-Quijano Esabel

SCALE
The larger circle confronts the smaller circle, Conveying intimidation and pressure.
The larger circle has the upper hand over the smaller circle. It Imposes its will on the smaller circle and
exerts its influence over it. The smaller circle may be Perceived as fearful or timid.
-Ruedas, Je Marie

PROPORTION
In this painting the artist wanted to create a surreal situation through arranging and
playing with the proportions of the objects in the painting. It can be clearly seen that there are
different sizes of the objects in the painting the sizes of the objects depended on the proportion,
from what angle we are seeing the picture. -Ma. Eunice Superales

EMPHASIS
This painting phrase denotes the capability of leading a good life, Which the color
represents the good charm of the good life. Which is the skin that hides pointlessness and identity.
- Trazona, James Earl

CONTRAST
His painting style in this masterwork by using only a single light source to illuminate or explore
the entire subject. In addition, after completing the piece, he clearly placed focus on his own perspective
and point of view. The difference in color and the brightness of the object and other things within the
same field of vision determines contrast in this style.- Lizette Ericka G. Telebrico

HARMONY OR UNITY
The painting is completed though it looks unfinished because there are parts of the brush strokes
that houses are taking shape, trees are being half-formed to it. It also resembles the idea of a “wipe”
which is likena curtain of painting regardless of the “high finish” which is very traditional for landscape
paintings. - Visaya, Vincent Dames