HISTORY OF PAINTING

- THE ORIGIN OF PAINTING IS UNKOWN. THE FIRST IMPORTANT RECORDS OF THIS ART ARE MET MOTIVE OF GREEK ART, THEN, WAS TO PRAISE HELLAS AND THE HELLENIC VIEW OF LIFE. THE
WITH IN EGYPTH; BUT BEFORE THE EGYPTIAN CIVILIZATION THE MEN OF THE AERLT AGES GODSAND HEROES, THEIR LIVES AND ADVENTURES, FORMED THE EARLY SUBJECTS OF GREEK
PROBABLY USED COLOR IN ORNAMENTATION AND DECORATION, AND THEY CERTAINLY PAINTING.
SCRATCHED THE OUTLINES OF MEN AND ANIMALS UPON BONE AND SLATE. TRACES OF THIS
PRIMITIVE WORK STILL REMAIN TO US ON THE PTTERY, WEAPONS, AND STONE IMPLEMENTS Italian Painting – Early Christian and
OF THE CAVE DWELLERS. THE FIRST AIM OF PRIMITIVE PAINTING WAS PROBABLY
DECORATION – THE USING OF COLORED FORMS FOR COLOR AND FORM ONLY. THE SECOND Medieval Period
AND, PERHAPS LATER AIM, WAS IMITATING THE SHAES AND COLOR OF MEN, ANIMALS, AND
LIKE, TO CONVEYS AN IDEA OF THE PROPORTIONS AND CHARACTERS OF SUCH THINGS. - THERE WAS NO DISTINCTLY JUDAIC OR CHRISTIAN TYPE USED IN
THE VERY ART. THE PAINTERS TOOK THEIR MODELS DIRECTLY
Egyptian Painting FROM THE OLD ROMAN FRESCOS AND MARBLES. IT WAS CLASSIC
FIGURE WITH THE CLASSIC COSTUME, AND THOSE WHO PRODUCED
- LIFE ITSELF WAS NOT MORE IMPORTANT THAN DEATH. THE PAINTING OF THE EARLY PERIOD WERE THE DEGENERATE
HENCE TH EIMPOSING CEREMONIES OF THE FUNERAL AND PAINTERS OF THE CLASSIC WORLD.
BURIAL, THE ELABORATE RICHNESS OF THE MUMMY CASE, - THE NATIVE ITALIAN ART WAS CRUSHED FOR A TIME BY THIS NEW
THE PAPYRUS ROOLS AND THE PAINTED BUST, THE CANOPIC ECCLESIASTICAL BURDEN. IT DID N=OT ENTIRELY DISAPPEAR. BUT
JARS, THE WALLS, AND DOORS OF THE TOMB ITSELF. IT GAVE WAY TO STRONGER, THOUGH EQUALLY RESTRICTED ART
FREQUENTLY EVERY AVAILABLE SPACE IN THE CHAMBER THAT HAD BEEN ECROACHING UPON IT FOR A LONG TIME – THE
WAS FILLED WITH SCENES FROM THE LIFE OF THE DECEASED. ART OF THE EASTERN EMPIRE.
- EGYPTIAN PAINTING WAS ALWAYS LARGELY CONCERNED MADONNA AND CHILD
WITH THE DECORATIVE MOTIVE. WALL PAINTING WAS
USUALLY AN ADJUNCT OF ARCHITECTURE, AND PERHAPS
ORIGINNALLY GREW OUT OF SCULPTURE.
French Painting – From the Beginning to
AKHENATEN AND QUEEN. SECOND THEBAN PERIOD. Nineteenth
Babylonian – Assyrian Painting - THE HISTORY OF PAINTING IN FRANCE DURING THE EARLY CHRISTIAN, ROMANESQUE, AND
GOTHIC PERIODS IS 154 ISTORY OF PAINTING VAGUE ND IS OFTEN CONFUSED BY POSITIVE
ASSERTIONS THAT LACK FOUNDATION IN FACT. THEN CAME THE INFLUENCE OF BYZANTINE
- OCCASIONALLY THE COMMON PEOPLE HAD REPRESENTATIONS OF THEIR LIVES AND THEIR
ART SHOWING AS EARLY AS THE EIGHTH CENTURY IN MINIATURES, ILLUMINATIONS, AND
PURSUIT, BUT THE MAIN SUBJECT OF ALL THE MESOPOTAMIAN VALLEY ART WAS THE KING
FRESCO. BYZANTINE TYPES AND PATTERNS, GIVEN WITH COARSE DRAWING, STIFF ATTITUDES,
AND HIS DOING.
DARK OUTLINE BANDS, AND RATHER VIOLENT COLORS. THE WINDOW PATTERNS AND TYPES
- THE SUBJECTS USED WERE THE BABYLONIAN –
WERE AT FIRST BYZANTINE BUT IN THE FOURTEENTH CENTURY THE FIGURES BECAME MORE
ASSYRIAN TYPE, SHOWN SOMEWHAT SLIGHTER IN
REALISTIC.
PAINTING THAN IN SCULPTURE, ANIMALS, BIRDS, TREES,
FLOWERS, ROSETTES AND ARBITRARY PATTERNS. THE
PAINTINGS WERE USUALLY NOT ATTEMPTS AT American Painting
NATURALISTIC REPRESENTATION. THE COLOR WAS
- THE "LIMNER," OR THE MAN WHO COULD DRAW
ARBITRRY AND THERE WAS LITTLE PERSPECTIVE, LIGHT-
AND COLOR PORTRAIT, SEEMS TO HAVE EXISTED
AND SHADE, OR RELIEF.
VERY EARLY IN AMERICAN HISTORY. THE ART OF
THE EARLY SETTLERS OF AMERICA PRIMARILY
REVOLVED AROUND HANDICRAFTS. ANY PAINTINGS
ENAMELLED BRICK. FROM NIMROUD. DONE WERE REALISTIC PORTRAITS AND
Greek HISTORICAL PAINTINGS SIMILAR IN STYLE TO THEIR
EUROPEAN COUNTERPARTS, SUCH AS GILBERT
Painting STUART'S PORTRAIT OF GEORGE WASHINGTON IN
1796 AND JOHN SINGLETON COPLEY'S 'WATSON AND
- THE GREAT BULK OF GREEK ARCHITECTURE, SCULPTURE, THE SHARK' IN 1778. DURING 1800-1900, AMERICAN ARTISTS BEGAN TO EXCEL APART FROM
AND PAINTING WAS PUT FORTH TO HONOR THEIR GODS AND EUROPEAN ARTISTS. SOME HAD TRAINED IN EUROPE, BUT BY WATSON
THISAND THE SHARKS
TIME, AMERICA HAD
HEROES, AND BY SO DOING THE ARTIST ILLUSTRATED THE ESTABLISHED SOME OF ITS OWN ART SCHOOLS. THE NATIONAL ACADEMY OF DESIGN OPENED
NATIONAL IDEALS AND HONORED HIMSELF. THE FIRST ITS FIRST LOCATION IN NEW YORK.

WALL PAINTING FROM CERVETRI

TYPES OF PAINTING
Watercolor Paint
Watercolor painting is often the first type of painting that we learn as children. This type of painting involves water-soluble paints, a paintbrush, and water, and it produces a dreamy artwork with soft edges. You can vary the intensity of the colors by the
amount of water that you use, following the likes of Vincent Van Gogh and Georgia O'Keeffe who created great collections in watercolor.

Oil Paint
Oil painting uses a drying oil instead of water for the paint. The colors tend to opaquer and can easily be scraped away or painted over in case of mistakes, although the paint also takes longer to dry. And, if you seek to achieve vivid or dark colors and
stronger edges, then oil painting will produce those effects.

Acrylic Paint
Acrylic paints, which have acrylic polymers and plasticizers as the binding agent for the pigments, are versatile in the results that you can achieve. Add more water for a watercolor look or add acrylic gels or pastes to create an oil-painted appearance.
You can change the consistency to suit your needs and come up with different combinations that make your piece unique; that said, it's less forgiving in mistakes.
Gouache Paint
Gouache paints are like opaque watercolors, offering the possibility to create soft or textured paintings for a wide range of techniques. The paints are made from pigments, water, and gum Arabic. It dries quickly but can be reactivated with more water;
this type of paint dries matte and is a heavier paint due to the chalk that's incorporated into it.

Pastel Paint
Pastel painting involves using pastels, either oil pastels or soft pastels, to create paintings. Unlike watercolor or acrylic or oil paints, these come in the form of sticks and you can draw and color with them with the precision of a pencil—no paint brush
required. Mary Cassatt's famous painting Sleepy Baby (1910) was done in pastels.

Painting Styles and Techniques

Abstract
Realism
Painterly
Expressionism n
Surrealism
Photorealism
Modernism

Modernism in art is considered the art that was produced during the period between 1860 and 1970. It is a radical way of thinking by the artists of modern day and age, with no
boundaries set by the traditional method holding their creative expression back.