Silvius Leopold Weiss

5 Duo-Sonatas for Flute and Lute

from the London Manuscript

edited
by
Michel Cardin

FLUTE

TREE EDITION
 Silvius Leopold Weiss
(1687 - 1750)

5 Duo-Sonatas for Flute and Lute

from the London Manuscript
(complete)

edited
by
Michel Cardin

FLUTE

© 2008
TREE EDITION
Albert Reyerman
 Editorial notes
- The current rediscovery of Weiss’s chamber music is both surprising and amazing the musical
world of the present. The chamber works seem to reveal the composer’s genius with even
more aplomb than his works for lute solo, owing to their easier comparison to the chamber
music of such composers as Bach, Haendel and Telemann. Weiss’s solo works, albeit more
and more admired –and with good reason-, tend to disclose little of their intrinsic worth due
to of a lack of grounds for comparison, notwithstanding their contemporaneousness to Bach’s
solo lute works. Moreover, there are three additional surprises. Firstly, the second Concert
of the London Manuscript is composed not by Silvius Leopold but by Sigismund Weiss (c.
1695-1737), the younger brother of Silvius. Secondly, all the flute parts in the manuscript
have been reconstructed, since the originals have disappeared. To our knowledge, Eileen
Hadidian is the first to have published, in the Smith-Peters edition (1983-1990), complete
reconstructions. This edition has helped performers in considering these works as both valid
and playable.
- The reconstructions presented here are by Michel Cardin except for :
- 1st Concert : 2d , 3rd et 4th movements
- 3rd Concert : 2d and 4th movements
- Duo 5 in d minor : 2d, 3d, 6th and 7th movements. These nine reconstructions are by Eileen
Hadidian and have been revised by Michel Cardin and Christiane Laflamme. They can be
consulted in their original version in the Peters Edition.
- The third surprise is that the duos 4 and 5 have no indication whatsoever to prove they are
indeed duos, except … strong musical evidence.
- The Largo of Duo 5 is actually an isolated piece located seventy five pages prior to this duo,
and serves perfectly as a sarabande. It is possible that Weiss and Adlersfeld (the owner of
the London Manuscript who lived in Prague) had decided to insert it in the neighborhood of
Sonata S-C13 because a sarabande in the same key is missing there, and also because the
piece is adaptable as a solo.
- All the ensemble works of the London Ms are from unique source, with the exception of the
first Concert, also found in the Dresden ms, from which was taken also the second half of
the last movement, missing in London. Three different copyist handwritings, aside from the
hand of Weiss himself, have been identified. More than mere accompaniment, the lute parts
provide at least two complete voices in a trio sonata context, sometimes even more, to the
point of sounding almost like solo works. This ensemble music would be equally beautiful
with the addition of harpsichord and viola da gamba, which would give the works a whole
new dimension, as well as added ampleness. However, a very important aspect to consider
is the intimacy of the musical dialogue, the full, rich sonority of the lute, as well as Weiss’s
writing style, which put lute and flute in close relation. One can deliberately choose to play
the concertos without the ‘cello or viola da gamba and count on the capability of the lute to
project a consistent, stable bass line. The fluid sonority of the flute works well in combination
with the plucked strings and the well-separated basses of the lute, to give an amply sonorous
musical envelope.
- Our thanks to Jean-Daniel Forget for the computerization of the music.
- The notes suggested in parentheses and other rare little note changes come mostly from the
other source, the Dresden Manuscript, and secondly from us when it obviously appears as a
copy mistake.
- Computerwise speaking, one will remark that appoggiaturas or other signs are not always
exactly as in the common notation. However, the score remains entirely readable, as these
are steadily following the same graphic settings.
- The sign / in the tablature (ex.: Un poco andante, Duo 5, m.13) means what is called „notes
séparées“.
- In the tablature font used for this edition, the letter b and the ornament sign ) are not exactly
in the middle of the line, rather slightly under. It is not difficult for the reader to get used to
this.
- Interesting detail to note : in the Prelude of Duo 5, middle of line 3, we find a chord containing
the bass f# playable only on the standard lute and the other f# one octave higher, which
theorbo-lute players will use. It seems that the author thought he would offer both possibilities,
that is for both instruments.
- In the Duo 4, Adagio m.28, the appoggiatura is an Eb.

- The sign as in replaces the original double coma ) ) which means a

prolonged trill on the next beat.

M. Cardin, Moncton, December 11, 2007

1. Concert in Bb, S-C6 page 9

Adagio 11
Allegro 12
Grave 14
Allegro 16

2. Concert in Bb, S-C 8 19

(by Sigismund Weiss)

Andante 20
Presto 22
Andante 23
Allegro 24

3. Concert in F, S-C 9 27

Adagio 29
Allegro 30
Amoroso 32
Allegro 34

4. Duo in g minor, S-C 14 37

Adagio 39
Gavotte 40
Sarabande 41
Menuet 42
Bourée 44
Ciacona 46

5. Duo in d minor, S-C 20

(including the Largo, Lbm p.117) 49

Prelude (Lute solo) -

Un poco andante 50
Le Badinage 52
Largo 54
Le Sicilien 56
Menuet 57
Gigue 58

Computer settings by Jean-Daniel Forget

 -9-

Silvius Leopold Weiss

Concert d´un Luth

et d´une Flûte traversière
del Sig.re Weiss

Lbm pages 50-58, Mov. 4 completed from D1

Flute

Partie de flûte reconstituée

par Michel Cardin et Eileen Hadidian

© 2008
TREE EDITION
Albert Reyerman
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 - 19 -

Silvius Leopold Weiss

Concert d´un Luth

avec une Flûte traversière
Del Sigismundo Weis

Lbm pages 66 - 70

Flute

Partie de flûte reconstituée

par Michel Cardin

© 2008
TREE EDITION
Albert Reyerman
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Page 5
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Page 6
- 26 -
 - 27 -

Silvius Leopold Weiss

Concert d´un Luth

avec La Flûte traversière
Del S. L. Weis

Lbm pages 71 - 77

Flute

Partie de flûte reconstituée

par Michel Cardin et Eileen Hadidian

© 2008
TREE EDITION
Albert Reyerman
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Page 7
- 36 -
 - 37 -

Silvius Leopold Weiss

DUO 4

Lbm pages 122 - 129

Flute

Partie de flûte reconstituée

par Michel Cardin

© 2008
TREE EDITION
Albert Reyerman
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Page 8
- 48 -
 - 49 -

Silvius Leopold Weiss

DUO 5

Lbm pages 192 - 198, 117

Flute

Partie de flûte reconstituée

par Michel Cardin et Eileen Hadidian

© 2008
TREE EDITION
Albert Reyerman
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