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ARTS7 Q3 M3 Arts and Crafts of Mindanao Artifacts and Art Objects v4
ARTS7 Q3 M3 Arts and Crafts of Mindanao Artifacts and Art Objects v4
ARTS7 Q3 M3 Arts and Crafts of Mindanao Artifacts and Art Objects v4
Arts
Third Quarter – Module 3
Arts and Crafts of Mindanao:
Artifacts and Art Objects
Management Team
Chairperson: Dr. Arturo B. Bayocot, CESO III
Regional Director
Co-Chairpersons: Dr. Victor G. De Gracia Jr., CESO V
Asst. Regional Director
Edwin R. Maribojoc, EdD, CESO VI
Schools Division Superintendent
Myra P. Mebato,PhD, CESE
Assistant Schools Division Superintendent
Mala Epra B. Magnaong, Chief ES, CLMD
Members Neil A. Improgo, EPS-LRMS
Bienvenido U. Tagolimot, Jr., EPS-ADM
Samuel C. Silacan, EdD, CID Chief
Patria Gloria P. Iman, EPS – MAPEH
Rone Ray M. Portacion, EdD, EPS – LRMS
Susan A. Baco, PSDS
Junedith G. Catalon, PSDS
Agnes P. Gonzales, PDO II
Vilma M. Inso, Librarian II
Printed in the Philippines by:
Department of Education – Region 10
Office Address: Zone 1, DepEd Building, Masterson Avenue, Upper Balulang
Cagayan de Oro City
Contact Number: (088) 880 7072
E-mail Address: region10@deped.gov.ph
Arts
Third Quarter – Module 3
Arts and Crafts of Mindanao:
Artifacts and Art Objects
i
Introductory Message
Art is something that is created with imagination and skill that expresses
important ideas or feelings. It allows you to have a freedom or thought with it, and
with that, you can make up your own subjective ideas about it and its message.
This module is designed to provide you with fun and meaningful opportunities
for guided and independent learning at your own pace and time. It will enable you to
process the contents of the learning resource while being an active learner.
What I Need to Know This will give you an idea of the skills or
competencies you are expected to learn in
the module.
ii
What I Can Do This section provides an activity which will
help you transfer your new knowledge or skill
into real life situations or concerns.
1. Use the module with care. Do not put unnecessary mark/s on any part of the
module. Use your MAPEH activity notebook (big notebook) in answering the
written tasks. For activities like drawing, designing, etc., use bond papers in
doing the tasks of which later be made into portfolio. While some outputs that
require creative skill like vinta, okir designs, t’nalak designs and my
sarimanok box, etc., should be done and be included in your submission.
2. Don’t forget to answer What I Know before moving on to the other activities
included in the module. Please answer the questions HONESTLY! Your
answers will not affect your grade.
3. Read the instruction carefully before doing each task.
4. Observe honesty and integrity in doing the tasks and checking your answers.
5. Finish the task at hand before proceeding to the next.
6. Return this module to your teacher/facilitator once you are through with it.
If you encounter any difficulty in answering the tasks in this module, do not
hesitate to consult your teacher or facilitator. Always bear in mind that you are not
alone.
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We hope that through this material, you will experience meaningful learning and
gain deep understanding of the relevant competencies. You can do it!
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Table of Contents
In the process of studying this module, you will appreciate, reflect and
take pride in the creative talents of our ancestors and how their art helped
shape our cultural identity.
After going through this module, you are expected to reflect on and
derive the mood, idea, or message emanating from selected artifacts and art
objects. (A7PL-IIIh-1)
1
What I Know
PART I. IDENTIFICATION
Directions: Read the statements carefully. Choose your answers inside the
box.
1. Malong
2. Bagobo T’nalak
3. Maitum jar
4. Torogan
5. Vinta
What’s New
Question:
1. What feeling or mood is being shown in your drawing?
3
What is It
- worn to
4
please the
gods
5
- characterized by - showed the -tells that
colorful rectangular lug culture and history they are
sails, of the Muslim travelling
bifurcated prows and st people people or sea
erns elaborately carved gypsies for
with okil motifs that livelihood
resembles gaping
mouth of a crocodile
-drives away
evil spirits
-symbolizes
power and
status
Panolong of the
Maranao in Lanao
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-features schematic -enriched with
representation of the taboo and ritual -represents
crocodile courage
-part of the
ceremonial
attire
Bagobo T’nalak in
Davao
-known for its -used for centuries -symbolic
remarkable technicolor as a form of protection
geometric weaves and cosmetic decoratio from
the distinctive n long before spears,bullets
face decorations used commercial , knives in
in their traditional products war and
ceremonies reflecting illness
kind and loving Yakans caused by
of a non-materialistic evil spirits
culture and live in close-
Wedding attire and -represent
knit communities
Body ornaments of the fortune
Yakans in Basilan
-a defense
against
pirates and
raiders of the
sultans of
Mindanao
-major
landmark and
symbol of
Zamboanga’s
Fort Pilar of cultural
Zamboanga
heritage
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-a place
where one
can find
refuge and
seek peace
Monastery of the
Transfiguration in
Bukidnon
What’s More
IDENTIFICATION
Directions: Below are the arts and crafts of Mindanao. Identify the message
of each art and craft. Choose your answers from the box.
Place of refuge Drives away evil spirits Worn to please the gods
For royalty/aristocracy Defense against pirates
1. Panolong
2. Monastery of the Transfiguration
3. Fort Pilar
4. Hilot and Suwat Imimot
5. Malong
8
What I Can Do
Activity 2: My HUGOT!
Directions: Draw your dreamed artwork inspired by the characteristics of the
artifacts and art objects in Mindanao on a piece of bond paper using
coloring materials.
Illustrates/ Shows original The student Does not try The student
show original ideas and tries an idea, new idea nor shows no
ideas and interpretations but it lacks innovate on evidence of
interpretations but does not originality, the materials original thought.
of the given innovate on does not used.
artworks and the materials innovate on
innovates on used the materials
materials used used.
The activity is The activity is The activity is The artwork The artwork is
beautifully and finished and finished and was passed on unfinished and
neatly finished passed on passed on time but was not passed
and passed on time but shows time but needs unfinished. on time.
time. lack of effort. many
improvements.
The artwork With a little The student The student The student
was beautiful more effort, showed showed below showed poor
and patiently the work could average average craftsmanship;
done. have been craftsmanship; craftsmanship; evidence of
outstanding; adequate, but lack of pride in laziness or lack
lacks finishing not as good as finished work. of
touches. it could have understanding.
been; a bit
careless.
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Assessment
Directions: Read the statements carefully. Write the letter of the correct
answer.
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6. B’laan fabric is considered as an important part of the bride’s dowry.
7. Maniktegiyas is used as protection from illness caused by evil spirits.
8. T’nalak from T’boli is sacred and part of T’boli’s traditional wedding
rituals.
9. Vinta is a source of livelihood and shows the culture and history of the
Muslim group.
10. Monastery of Transfiguration is a defense against pirates and raiders of
the Sultans of Mindanao.
Additional Activity
Reflections
Directions: Give the significant role of artifacts and art objects of Mindanao.
Choose only one.
To Oneself
________________________________________________________
To Community
________________________________________________________
To Country
________________________________________________________
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Answer Key
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References
Book References:
In Music and Arts- Learner’s Material, Grade 7, by Lourdes R. Siobal et. al., 216-235. Pasig
City: Department of Eduation, 2017.
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