Professional Documents
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042 Stacking Sawhorses
042 Stacking Sawhorses
Vol. 7 Issue 42
Stacking
Sawhorses
Issue 42
PUBLISHER
EDITOR
November 1998
Donald B. Peschke
Tim Robertson
®
Cutoffs
ASSOCIATE EDITOR
ASSISTANT EDITOR
ART DIRECTOR
SR. GRAPHIC DESIGNER
Tom Begnal
Bryan Nelson
Cary Christensen
Kurt Schultz
W henever we get visitors
here at ShopNotes, one of
the most frequently asked questions
when I decided to stop at one last
place. There was stuff piled every-
where. And most of it looked like it
SENIOR ILLUSTRATORS Roger Reiland is, “Isn’t it difficult coming up with hadn’t been moved in years.
Mark Higdon ideas for the projects?” But when I described the figures
CREATIVE RESOURCES
Actually, coming up with the to the lady who worked there, she
Creative Director: Ted Kralicek • Project Developer: ideas is easy. (We’ve got a long wish nodded a bit and began picking her
Ken Munkel • Senior Project Designer: Kevin Boyle • way through the narrow passage-
Project Coordinator: Kent Welsh • Shop Manager:
list.) The hard part is making the
Steve Curtis • Shop Craftsman: Steve Johnson • Senior ideas work. ways. Then she stopped at a pile
Photographer: Crayola England
Often, it seems there’s some small that looked just like all the rest and
BOOKS
Executive Editor: Douglas L. Hicks • Art Director:
obstacle or detail that we get started rummaging around.
Steve Lueder • Sr. Graphic Designer: Chris Glowacki bogged down in. We just can’t seem BILL DING. After a few minutes,
CIRCULATION to find the right solution. she pulled out an old, musty
Sub. Serv. Dir.:Sandy Baum • New Bus. Dir.:Glenda Battles
• Renewal Mgr.: Paige Rogers • Billing Mgr.: Rebecca
When that happens, the box. Inside, under a thick
Cunningham • Prom. Mgr.: Rick Junkins • New Bus. Mgr.: best thing I’ve found is to layer of dust, was
Todd L. Bierle • Asst. Sub. Mgr.: Joy Krause • Assoc.
Graphic Design Dir.: Susie Rider • Sr. Graphic Designer: step back, stop butting exactly what I’d been
Cheryl L. Simpson heads with the problem, looking for — a set of
CORPORATE SERVICES and look for inspiration stacking clowns called
V.P. of Planning & Finance: Jon Macarthy • Controller:
Robin Hutchinson • Sr. Acct: Laura Thomas • Accts. somewhere else. Bill Ding, see photo.
Payable: Mary Schultz • Accts. Rec.: Margo Petrus • STACKING SAWHORSES. Well, I brought the
Prod. Dir.: George Chmielarz • Elect. Pub.: Douglas M.
Lidster • Prod. Asst.: Susan Rueve • Pre-Press Image The sawhorses featured clowns back to the
Spec.: Troy Clark, Minniette Bieghler • New Media
Mgr.: Gordon C. Gaippe • Multimedia Art Dir.: Eugene
in this issue office, and they
Pedersen • Network Admin.: Chris Harrison • H. R. are a good were a big
Asst.: Kirsten Koele • Admin. Asst.: Julia Fish •
Recept.: Jeanne Johnson, Sheryl Ribbey • Bldg. Maint.: example. The hit with all
Ken Griffith • Special Proj. Dir.: Saville H. Inman idea was to of the guys.
MAIL ORDER build a set of four They stacked
Operations Dir.: Bob Baker • Mat’ls Mgr.: Mark Mattiussi • short sawhorses that and unstacked the
Cust. Service Mgr.: Jennie Enos • Warehouse Supr.: Nancy
Johnson • Buyer: Linda Jones • Op. Asst.: Tammy Aldini
stack together. figures. Over and over
Tech. Rep.:Matthew TeRonde• Cust. Serv. Reps.:Anna Cox, This way, you could stack again. Each balancing stunt
Tammy Truckenbrod, Adam Best, Nancy Downey,
Deborah Rich • Warehouse: Sylvia Carey • Quality Control them together in pairs and use more impressive than the last.
Technician: Frank Johnson them like a standard height What made this work is a
ShopNotes® (ISSN 1062-9696) is published bimonthly
sawhorse. Or, use them individu- simple system of interlocking
(Jan., March, May, July, Sept., Nov.) by August Home ally to create a low assembly area. parts that allowed each figure to
Publishing, 2200 Grand, Des Moines, IA 50312.
ShopNotes® is a registered trademark of August Home It sounded like a great idea. hook securely onto the next.
Publishing ©Copyright 1998 by August Home
Publishing. All rights reserved. There was just one small problem. TABS & NOTCHES. This concept
Subscriptions: Single copy: $4.99. One year subscription
(6 issues), $21.94. Canada/Foreign add $6 per year.
We were struggling with a way to provided just the inspiration we
Periodicals Postage Paid at Des Moines, IA and at addi- get these sawhorses to fit together needed to get us back on track with
tional mailing offices.
Postmaster: Send change of address to ShopNotes, P.O. securely without wobbling. our own stacking sawhorses. To
Box 37103, Boone, IA 50037-2103.
Subscription Questions? Write to: ShopNotes Customer Then I got to thinking about a set lock them together, the sawhorses
Service, P.O. Box 842, Des Moines, IA 50304-9961. Or call
1-800-333-5854, 8:00 am to 5:00 pm, Central Time, week-
of stacking wood figures I’d seen as incorporate a similar type system
days. FAX 515-283-0447 a kid. So I started checking around of interlocking tabs and notches.
E-Mail: ShopNotes@shopnotes.com
Internet: http://www.shopnotes.com some antique shops to try to find In the end, I couldn’t be happier
PRINTED IN U.S.A. them. At each place, they knew just with our sawhorses. But what was
what I was talking about. But no even more satisfying is that a part
one had any around. of my past I’d long forgotten pro-
I was just about ready to give up vided a clue to the solution.
NOW ON THE WEB!
• 101 Woodworking Tips Online
• Woodworking Techniques — Step-by-Step
• Project plans you can download
• WoodNet Forum — Woodworkers’ Q & A
• Power Tool Reviews
Point your browser to: http://www.augusthome.com
Select “Woodworking” from the Welcome Page menu.
2 ShopNotes No. 42
I S S U E F O R T Y - T W O
Contents
Features
Edge Clamps ——————————————————— 6 Edge Clamps page 6
These shop-made edge clamps are bound to come in
handy when gluing hardwood edging on plywood.
Sources —————————————————————— 31
Hardware, supplies, and mail-order sources for the
projects featured in this issue.
No. 42 ShopNotes 3
T I P S & T E C H N I Q U E S
Readers’ Tips
Sanding-Drum Tip ——————————
n Like many woodworkers, I tainers. And when I’m finished of the shelf. The two blocks pre-
use plastic 35mm film containers using the caddy, it’s an easy vent the caddy from tipping over
for storing all sorts of small matter to hang it on the wall- when I set it on my workbench.
parts in my workshop. To make mounted cleat. Once the blocks are attached to
it easy to carry these containers The containers fit into holes the shelf, the hanging bar is cut
to where I’m working, I made a drilled in the hardwood shelf. I to fit between the blocks. To
simple caddy. sized the holes so that the lids of hang the caddy, the hanging bar
The caddy is just an L-shaped the containers rest on top of the simply slips into a (1/4"-deep or
assembly. It can be made to just shelf. This way, the containers less) rabbet in the cleat.
about any size to accommodate won’t fall through the holes. John Church
almost any number of film con- A block is attached to each end Miami, Florida
4 ShopNotes No. 42
T I P S & T E C H N I Q U E S
n When using pliers to make n Trying to lift an edge of the n Sabre saw blades have a way
repetitive cuts, Crayola England backing strip on a piece of carpet of getting lost in the shuffle. But
of Des Moines, IA slips a length of tape can be frustrating. So Al R.B. Himes of Vienna, OH keeps
garden hose over the handles. Army of Utica, NY first scrapes all his blades organized and right
This opens the jaws automatically the backing strip with a scratch at hand by hanging them on a
like they’re spring-loaded. awl then peels it off. shower curtain hook.
1 2
No. 42 ShopNotes 5
Edge Clamps T I P S & T E C H N I Q U E S
The unique
L ike most woodworkers, I
build quite a few projects that
use 3/4" plywood. So covering the
along the entire
length of the strip.
And even then,
design of these exposed edges of the plywood with aligning the edging with one But that’s not all the fingers do.
edge clamps strips of solid wood edging has hand and positioning the clamps The more you tighten the clamp,
become a fairly routine matter. with the other is a bit tricky. the harder they grip. This anchors
makes it easy to To simplify this process, I built the clamp on the plywood so it
In spite of that, gluing on these
apply hardwood narrow strips of wood always a set of six small edge clamps, see doesn’t slip back once the pres-
edging. seems to require more fiddling photo above. These clamps make sure is applied to the edging.
around than I’d like. it easy to align the edging and The nice thing about this is
If it’s a long piece for instance, apply pressure at the same time. the edge clamps can be used
%/16" I have to drag out an armload of FINGERS. The secret is a pair when a pipe clamp (or bar clamp)
T-KNOB heavy clamps to apply pressure of pivoting “fingers,” see drawing won’t work. The cabinet shown
below and inset photos above. above is a good example. It’s
EXPLODED VIEW When you slip the clamp in place, already assembled, and only one
the fingers lightly grip the top edge is accessible. But you can
and bottom surface of the ply- still fit the clamps over the
wood. Because of this, the clamp “open” edge to apply the edging.
stays put. This lets you use both
hands to position BODY
SPRING the edging. The body (A) of each clamp is a
thick block made up of three layers
A %/16" T-NUT of 3/4" plywood, see drawing at left.
BODY %/16" x 4"
Depending on the number of
BOLT KEEPER clamps you make, it may require
STRIP cutting quite a few pieces to
C
shape. (I needed eighteen
pieces to build my
six clamps.)
TEMPLATE.
#/16" x 2!/4" To do this
METAL
PIN quickly (and to
NOTE: BODY IS ensure that all
MADE UP OF THREE
PIECES OF #/4" PLY. SANDPAPER B the pieces are
FINGER D PRESSURE
6 ShopNotes BLOCK No. 42
J I G S & A C C E S S O R I E S
identical), I started by making a shape. This is where the time curved edges of the pieces will
hardboard template, see Fig. 1. spent making the template pays rock when you set them against
Hardware
A wide notch in the template off. With a flush trim bit the miter gauge. The solution is • (1) 5/16" x 4" Hex
forms the “jaws” of the clamp. To mounted in the router table, you a simple jig that uses the curved Bolt (full thread)
reduce the overall size of the can remove the excess waste in a waste piece that was cut earlier, • (1) 5/16" T-nut
(w/prongs)
clamp, there’s a gentle curve on matter of minutes, see Fig. 4. refer to page 28. To set up this
• (1) 5/16" T-knob
the outside edge of each jaw. TRIM JAWS. After repeating this jig, you’ll need to first lay out the
• (2) 3/8" O.D. x 13/8"
The thing to be aware of here process for the rest of the blanks, angled lines on one of the pieces, Springs (.025"
is the template will be used when there’s one more thing to do. To see Fig. 5. wire diameter)
routing the pieces to shape. So create an opening for the fingers, GLUE-UP. Now it’s just a matter • (2) 3/16" x 21/4"
Metal Pins
any “bumps” in the edge of the the jaws of the middle pieces of gluing up the body of each Note: The hardware on
template will transfer to the only are trimmed at an angle. clamp. Here, an assembly jig this list is for one
edge clamp only.
workpiece. To avoid this, I band- But if you use the miter gauge made of scrap pieces keeps the
sawed the template to rough on the table saw to do this, the edges aligned, see page 29.
shape then sanded up to the line.
Once the edges are nice and 2 3
smooth, the last thing is to drill a
hole in each jaw. These holes are
used to locate two pivot pins
(added later) for the fingers.
BLANKS. With the template
complete, the next step is to cut
as many blanks as you need for
the pieces of the body. (I cut 5" x 5"
squares of Baltic birch plywood.)
There’s no need to lay out the
shape of the body on the blanks.
It’s easier to simply carpet-tape
the template to the blank.
Before cutting each blank to
shape, it’s a good idea to drill 4 5
holes near the inside corners of
the notch, see Fig. 2. As you cut
the piece to rough shape with a
band saw (or sabre saw), the
holes provide clearance so you
can “turn the corner,” see Fig. 3.
Note: Save one of the curved
waste pieces. It will come in
handy when working on the
middle piece of the body later.
ROUT TO SHAPE. Now you’re
ready to rout the piece to final
No. 42 ShopNotes 7
J I G S & A C TC I EP SS S O& R TI EE SC H N I Q U E S
After gluing up the body of each head is made up of two pieces: a After tapping the T-nut into
edge clamp, I added a two-part thick pressure block (B) and a place, just thread the end of the
clamping system. A clamp head thin keeper strip (C), see Fig. 6. bolt through the T-nut and out
applies pressure against the The bolt head sits in a counter- the opposite end. Then, after
edging, see drawing. And two bore that’s centered in the pres- applying epoxy to the end of the
fingers hold the clamp in place. sure block. And a centered hole bolt, thread on a plastic knob.
in the keeper strip fits over the
CLAMP HEAD threads of the bolt. Gluing the FINGERS
The clamp head is a hardwood two pieces together captures the Once the clamp head is installed,
block that distributes the clamping head of the bolt in the clamp head. you’re ready to add the fingers.
pressure. This pressure is applied T-NUT. Before installing the They hold the clamp securely in
by a bolt that threads into a T- clamp head, you’ll need to add place as pressure is applied.
nut in the body of the clamp. the T-nut that accepts the bolt. PIVOTING FINGERS. To make this
POCKET. But the head of the It fits in a centered hole in the work, the fingers pivot back and
bolt could mar the edging when end of the jaw opening. It’s eas- forth like flippers on a pinball
the clamp is tightened. So it’s iest to drill this hole from the machine. When you slip the
enclosed in a “pocket” inside the opposite end of the clamp, see clamp over the edge of the work-
clamp head, see Cross Section. Fig. 6a. Note: Placing a scrap in piece, the curved ends of the fin-
To create this pocket, the clamp the opening reduces chipout. gers pivot inward. This com-
6 a.
8 ShopNotes No. 42
J I G S & A C C E S S O R I E S
presses a spring which exerts already drilled in the template. make sure the springs are in
pressure in the opposite direction. Next, to reduce chipout, you’ll place and that the holes in the
This pressure holds the clamp want to cut a scrap to fit between fingers align with the holes in
snug as you align the edging. the jaws, see Fig. 9. Two more the body. Then just tap the pins
But the springs aren’t strong scraps support the body so it sits into place, see Fig. 9a.
enough to keep the clamp from level while you drill the holes. SANDPAPER. After filing and
slipping once pressure is applied. PINS. Now you’re ready to add sanding the pins flush, all that’s
That’s why the ends of the fingers the pins. These are pieces of metal left is to glue sandpaper to each
are curved. As you tighten the rod that are cut 1/8" longer than finger, see margin. (I cut strips
clamp, the fingers rock slightly the height (thickness) of the body. from a sanding belt like the type
on their curved ends and squeeze Before installing the pins, used on a belt sander.)
the plywood between them.
CONSTRUCTION. Each finger 7
(D) starts out as a short block of a.
hardwood, see Fig. 7. To ensure
that the curved ends are iden-
tical in shape, I butted the blocks
together and marked a radius { To produce a
across each one, see Fig. 7a. no-slip surface, I
But why doesn’t the curved glued strips of
end just rotate as you tighten cloth-backed
the clamp? Because of the loca- sandpaper (100-
tion of a pin that’s used as a pivot grit) to the ends of
point for each finger, see the curved fingers.
drawing on page 8.
CAM. The key is to drill the
hole for this pin so it’s offset
toward the inside edge of the fin- 8
gers, see Fig. 7. This way, the a.
curved ends of the fingers act
like cams — the more pressure
you apply, the harder they grip.
In addition to the holes for the
pivot pins, you’ll also need to
drill a counterbore in each finger.
It traps one end of the spring
when the clamp is assembled.
The other end of the spring fits
in another counterbore in the body
of the clamp. It’s located in the
angled end of the middle piece.
So to keep the tip of the bit from
slipping, I “leveled” the drilling 9
surface by clamping the body at a.
an angle, see Figs. 8 and 8a.
PIVOT PINS. Before assembling
the clamp, you’ll also need to drill
a hole through each jaw to accept
one of the pivot pins. The best
way to locate these holes is to
use the template once again.
To do this, start by aligning
the template with the edges of the
body. Then, to mark the center-
points, tap a 3/16" brad point bit
through the holes that are
No. 42 ShopNotes 9
T E C H TN II PQ SU E & T E C H N I Q U E S
Cutting Plywood
Down-to-Size
C utting a full sheet of ply-
wood down to size can be a
challenge. It’s heavy and awk-
start by gluing the fence to an
extra-wide base. The reference
edge is formed by running the
the foam lets you crawl onto the
sheet of plywood. That’s handy
when you need just a bit more
ward. And even after you base of the saw against the fence “reach” to complete a cut.
wrestle it into position to make a and trimming off the waste. “GOOD” SIDE DOWN. One thing
cut, the surface veneer has a FOAM SUPPORT. You’ll also to be aware of is that the blade
frustrating tendency to chip out. need a way to support the ply- on a circular saw cuts on the
Fortunately, there are several wood during the cut. The best upstroke. This means the top
things you can do to simplify the way I’ve found to do this is to lay surface of the plywood is likely
job — starting with the initial the plywood on a sheet of foam to splinter. So in order to reduce
rough cuts. insulation, see Fig. 2. (It’s avail- chipout on the “good” side of the
able at most home centers.) plywood, you’ll want to place it
ROUGH CUTS Besides providing support, face down on the foam.
Before making a single
cut, the first step is to lay 1
out the pieces on the
plywood. As a rule, I
allow 1/4" “extra” all the
way around. This pro-
vides enough material
to make a final clean-
up pass later.
But just because the
pieces are cut to rough
size doesn’t mean you
want a rough cut. The
goal is to end up with
clean, straight edges that can
ride against the rip fence on the
{To help reduce table saw (or be placed against
chipout, these the miter gauge).
inexpensive, steel CUTTING GUIDE. To accomplish 2
saw blades have this, I use a simple cutting guide
tiny, razor sharp that clamps to the plywood and a
teeth that remove circular saw, see Fig. 1. The
small amounts guide consists of two parts: a
of material. hardboard base that serves as a
platform for the saw, and a wood
fence that guides the saw.
The nice thing about
this cutting guide is it
has a reference edge that
aligns the saw blade with the
layout line. By aligning this edge
with the layout line, the blade
makes a perfectly straight cut
exactly where you want it.
To make the cutting guide,
10 ShopNotes No. 42
T E C H N I Q U E
FINAL CUTS
After making the preliminary 4
rough cuts, the next step is to
trim the pieces to final size. This
usually calls for a series of cuts
— not just one.
FACTORY EDGE. One reason is
the “factory edge” of the ply-
wood. You can usually count on
this edge to be straight and true.
But it often gets dented or
nicked. So I usually trim it off.
To do this, adjust the rip fence
on the table saw to make an
extra-wide cut, see Fig. 3. Then,
after readjusting the fence, run
the “just-cut” edge against it and WIDE PIECES. There’s another table. As a result, you can’t get
rip the piece to final width. situation that often comes up an accurate cut.
One thing that’s different here when cutting pieces to final size SLIDING PLATFORM. The solu-
is the blade on the table saw cuts — crosscutting a wide piece. tion is a large sliding platform
on the downstroke. So the “good” The problem is that a wide that provides extra support for
side of the plywood faces up. piece extends too far out in front the workpiece, see Fig. 4.
Even so, it’s still a good idea to of the table saw at the beginning The platform consists of three
make a shallow pass first, then of a cut. This means that the bar parts. A plywood base carries
follow it up with a full-depth cut, of the miter gauge isn’t fully sup- the workpiece through the blade.
see detail in Fig. 3. ported in the slot in the saw The base is guided by a hard-
wood runner that slides in the
5 miter slot of the table saw. As
you make a cut, a fence keeps the
workpiece square to the blade.
FLUSH TRIM. But sometimes a
workpiece is too wide even for
the sliding platform. That’s when
a hand-held router and a flush
trim bit come in handy.
The idea here is to first clamp
a straightedge to the workpiece
so it aligns with the layout line,
see Fig. 5. When you run the
bearing of the flush trim bit
against the straightedge, the bit
cuts a clean, crisp edge.
No. 42 ShopNotes 11
T I P S & T E C H N I Q U E S
Tool Test:
Miter Gauges
W hy would anybody spend
over a hundred bucks for
a miter gauge? Especially since
(Some models we considered
were designed to cut only 45° or
90° miters.) Note: The Vega
made extensive use of his table
saw and (of course) his old
standby miter gauge.
How We it’s a standard item that comes miter gauge is the only one we
Q: What are your first impres-
Selected with most table saws. tested that includes a hold-down
sions of these miter gauges?
That’s what we wanted to know as a standard accessory.
the Miter when we decided to test these TEST. With miter gauges in Bryan: The biggest thing is
Gauges “after-market” miter gauges. Are hand (and a lot of questions still that there are two completely
Each miter gauge they really that much more accu- to be answered), we rounded up different styles of miter gauges.
we tested has an: rate? And are the “extras” that go a team of three woodworkers Three of them (the Accu-Miter,
• Adjustable Head with them worth the cost? with different types and amounts Vega, and Inca) remind me of the
• Long Support Fence To find out, we bought four of of experience to test them. miter gauge I use on my table
• Price: $105 to $170 the most popular miter gauges, While Kent is a professional saw at home. They have a tilting
see photos below and on page 13. cabinetmaker and woodworker, head that pivots on a single
One reason we selected these Bryan spends his spare time point. And the angles are laid out
miter gauges is they all have a building projects in his home in an arc like a protractor.
head that adjusts to any angle workshop. And Kurt has just fin- But the Osborne miter gauge
between 45° and 90°, see margin. ished building a house where he is definitely new to me. It’s like a
Accu-Miter Vega
803-798-1600 800-222-8342
$166.85 $144.95
12 ShopNotes No. 42
S E L E C T I N G T O O L S
Miter Bars. The adjustment slots in the miter bar of the Osborne (left)
are handier than the loose blocks on the Inca (center). Even making
a “dimple” produces a snug fit on the Vega and Accu-Miter (right).
Inca Osborne
888-593-2453 717-368-1493
$107.50 $149.95
No. 42 ShopNotes 13
S E L E C T I N
T IG P S
T O &O L TS E C H N I Q U E S
Angle Adjustment. A pointer and a hard-to-read stops on the Accu-Miter (center), Vega, and
scale on the Inca (left) makes cutting any angle a Osborne (right) allow you to make accurate cuts at
trial and error process. But a system of preset the most commonly used angles quickly and easily.
14 ShopNotes No. 42
S E L E C T I N G T O O L S
Fence Extensions. To cut long pieces to length, the flip stop on the
Vega attaches to an extension that slides out of the fence (right). The
Accu-Miter (left) has an extension with a stop attached to the end.
No. 42 ShopNotes 15
F E A T U R E T PI PR SO J &E CT TE C H N I Q U E S
Face Frames. If you’re building a face Cabinets. The jig also makes it easy to Furniture. After using the jig to cut the
frame, the pocket hole jig makes quick cut the pockets and drill the pilot holes pockets in the base of this table, install-
work of joining the rails and stiles. that are used to assemble this cabinet. ing screws provides plenty of strength.
16 ShopNotes No. 42
F E A T U R E P R O J E C T
Hardware
• (14) #6 x 1" Fh Woodscrews
• (6) #6 x 3/4" Fh Woodscrews
• (4) #8 x 1" Fh Woodscrews
• (2) #8 x 11/4" Rh Woodscrews
• (2) 3/ " x 11/ " Cap Screws
8 2
• (2) 3/ " Lock Nuts
8
• (1) Toggle Clamp (De-Sta-Co No. 227)
• (1) 5/ " x 21/ " Cap Screw
16 2
• (1) 3/ " O.D. x 2" Copper Tube
16
CROSS SECTION
Materials
Base
A Sides (2) 111/2 x 121/4 - 1/2 Plywood
B Top/Bottom (2) 12 x 121/4 - 1/2 Plywood
C Stop (1) 3/ x 1 - 8
4
D Guard (1) 3/ x 3 - 8
4
E Fence (1) 3/ x 21/ - 12
4 2
Router Carriage
F Mounting Plate (1) 7 x 8 - 1/4 Hardboard
G End Pieces (2) 10 x 101/2 - 1/2 Plywood
H Handle (1) 1-Dia. x 7 Dowel
Note: For a complete hardware kit to build the Pocket
Hole Jig, see Sources on page 31.
No. 42 ShopNotes 17
F E A THUERAEDT PI BPRASORJ &E CT TE C H N I Q U E S
Base ————————————————————————————————————————
FENCE
With the base complete, you can
turn your attention to the fence.
It supports the edge of the work-
piece as you make a cut. In addi-
tion, the fence has a built-in guide
that allows you to accurately
drill the pilot hole for the screw.
FENCE. The fence (E) is a piece
of 3/4"-thick hardwood attached to
the top of the base, see Fig. 2. One
thing you’ll notice about the fence
is there’s a curved notch on the
inside edge (the one that supports
the workpiece), see Fig. 3. It pro-
18 ShopNotes No. 42
F E A T U R E P R O J E C T
No. 42 ShopNotes 19
F E A THUERAEDT PI BPRASORJ &E CT TE C H N I Q U E S
6 7
a.
20 ShopNotes No. 42
F E A T U R E P R O J E C T
No. 42 ShopNotes 21
F E A THUERAEDT PI BPRASORJ &E CT TE C H N I Q U E S
Setup ——————————————————————————————————————
22 ShopNotes No. 42
F E A T U R E P R O J E C T
CUT PIECES TO LENGTH. One of on the length of the fence, see matically center the drill
the advantages of a pocket hole Step 1 below. This mark indicates bit on the pocket.
joint is the pieces are simply the path of the router bit. So to And don’t worry
butted together. So start by cut- cut the pocket exactly where you about the depth
ting each piece to final length. want it, just align the mark with of the hole. You’ll
LAYOUT. Also, keep in mind the layout line on the workpiece. feel the bit “give” just
that you rout the pocket and ROUT POCKET. After clamping a bit as it breaks into the pocket. { To drill a pilot hole
drill the pilot hole in one piece the workpiece in place, you’re ASSEMBLY. Now it’s just a for the pocket joint,
only. This means you only have to ready to rout the pocket, see matter of assembling the joint, I used an 1/8" twist
lay out the joint on that one piece. Step 2. The pocket gets progres- see Step 4. To ensure that the bit (top) that’s 6"
With the workpiece lying flat on sively deeper which means you’ll joint ends up flush in front, place long. Also, a 6"-long
the jig, the pocket will be routed be removing quite a bit of mate- the workpieces on a flat surface square-tipped
on the bottom side. So mark the rial. So give the router bit a with their “good” sides face down. driver bit (bottom)
location of the pocket on the top chance to cut by slowly pulling Before installing the screws, makes it easy to
side where you can see it. the carriage forward. don’t forget to apply glue to the install the screws.
REFERENCE MARK. But the PILOT HOLE. Once the pocket mating surfaces of the joint. Then
layout line won’t show you where is complete, the next step is to just clamp the back piece to the
to position the workpiece on the drill the pilot hole, see Step 3. worksurface. This will keep the
jig. To do that, you’ll need to There’s no need to unclamp the joint nice and tight as you drive in
draw a reference mark centered workpiece. The guide will auto- the screws.
Start by aligning the layout line on the workpiece After turning the router on, slowly pull the car-
1 with the reference mark on the fence. Then butt 2 riage forward until it stops. As the carriage pivots,
the piece against the fence and clamp it in place. the router bit scoops out the pocket in the workpiece.
There’s no need to unclamp the workpiece to drill To assemble the joint, place both workpieces on
3 the pilot hole.The guide in the fence will automat- 4 a flat surface. Then clamp the back piece in place
ically center the twist bit on the pocket. and use a long driver bit to install the screws.
No. 42 ShopNotes 23
S H O P P TRI OP JS E C
&T T E C H N I Q U E S
Stacking
Sawhorses
24 ShopNotes No. 42
S H O P P R O J E C T
from a single sheet of plywood, And it speeds up the process of one is the exact
see Cutting Diagram. (We used making the end pieces. same size
fir plywood with an ‘AC’ grade.) LAY OUT TEMPLATE. The tem- and shape.
plate starts out as a piece of 1/4" PATTERN. An
TEMPLATE hardboard that’s cut to the same easy way to accomplish this
The key to these stacking width (151/2") and height (17") as is to make a pattern from a piece
sawhorses is the ‘M-shaped’ the end pieces, see Fig. 1. of posterboard and use it to lay
pieces on the ends. Altogether, To provide a firm footing, the out both the tab and the notch,
there are eight of these pieces. end pieces taper gradually from see Fig. 1. To accurately position
And the tab on one piece needs a wide base to a narrow top. So the pattern on the template,
{ A hardboard
to fit the notch in another like in order to duplicate this taper, draw a centerline on each one
template provides
the pieces of a jigsaw puzzle. you’ll need to lay out an angled and align the marks.
a quick way to
To produce a good fit, I began line on each side of the template. FEET. Now all that’s left is to
make identical
by making a template, see photo The next step is to mark the lay out the two “feet” at the
end pieces.
at right. This template ensures location of the tab and notch. The bottom of the template. The
that all eight pieces are identical. important thing is that each lines that form the inside edge of
these feet are parallel to the
1 angled sides. But before drawing
these lines, you’ll need to estab-
lish the outside corner of the
“ear” on each side of the tab.
CUT TO SHAPE. At this point,
it’s just a matter of cutting the
template to shape. The goal is to
make the edges of the template
as smooth as possible. That’s
because they’ll be used to guide
a flush trim bit when the end
pieces are routed to shape.
To cut the straight, angled
sides of the template, I used a
simple jig on the table saw, refer
to page 28. It allowed me to cut
right up to the layout line. But
you’ll need to cut the tab and
notch with a band saw (or sabre
saw). Just be sure to stay about
1/8" to the waste side of the line
2
and then sand up to the mark.
LAY OUT END PIECES. Once the
template is complete, you can use
it to lay out the end pieces. It’s
possible to get all eight pieces
from a 17"-wide strip cut from a
full sheet of plywood. But there’s
not a lot of “extra” material.
So I started by positioning the
template 1/4" in from the end to { When it’s time
lay out the first piece, see Fig. 2. to “stable” your
To lay out each remaining piece, sawhorses, they
simply turn the template end for don’t take up much
end. Note: It’s a good idea to leave floor space. Just
a 3/8" space between layout lines. stack all four
This way, you can use a sabre together for storage.
saw to separate them without
cutting into either piece.
No. 42 ShopNotes 25
S H O P P TRI OP JS E C
&T T E C H N I Q U E S
Construction ———————————————————————————————
3 4
26 ShopNotes No. 42
S H O P P R O J E C T
No. 42 ShopNotes 27
Shop T I P S & T E C H N I Q U E S
Solutions
TIPS FROM OUR SHOP
FIRST: CUT
BASE 16" WIDE
THIRD: SCREW STOP
TO BASE SO IT'S SNUG
AGAINST TEMPLATE
STOP
(1!/2" x 12" -
#/4"-THICK
TAPER SLED BASE
STOCK)
(16" x 20" -
n Using a template to make the !/2" PLY.)
end pieces for the Stacking
Sawhorses (page 24) ensures WASTE
TEMPLATE
each one is identical. But there’s a
“catch.” To get the sawhorses to
WASTE
fit together nice and tight, each SECOND: ALIGN LAYOUT
FOURTH: PUSH
side of the template needs to be SLED AND TEMPLATE LINE ON TEMPLATE WITH
EDGE OF BASE
THROUGH BLADE
cut at the exact same angle.
To accomplish this, I made a
sled for the table saw. It consists
of two parts: a plywood base and
a wood stop, see drawing. on the template with this edge. the template over to cut the oppo-
REFERENCE EDGE. The idea ATTACH STOP. Before making a site side hides the layout lines.
here is to create a reference edge cut, you’ll need a way to keep the That’s the nice thing about the
on the base that indicates the path template from sliding. So butt the stop. It makes it easy to dupli-
of the saw blade. This edge is then stop against the bottom edge of cate the angle that’s already cut.
used to position the template. the template and screw it to the To do this, just place the bottom
To establish the reference edge, base. Then turn on the saw and edge of the template against the
rip the base to a width of 16". push the sled through the blade. stop. Then, after aligning the
Then, without moving the rip FLIP TEMPLATE. This takes corner with the reference edge,
fence, align one of the layout lines care of the first side. But flipping cut the angle on the second side.
MITERING JIG
n To provide clearance for the SETUP. Before positioning the edge of the blade aligns with the
fingers of the Edge Clamp (page jig on the miter gauge, you’ll waste side of the layout line, see
6), the jaws of the middle layer need to first set the miter gauge drawing. Then screw the fence
need to be trimmed at an angle. to 55° to match the desired angle to the miter gauge.
The problem is the workpiece on the jaw. Then place the To trim the waste off of the
“rocks” when the curved edge is middle piece in the cradle with jaw, simply slide the jig forward.
set against the miter gauge. its back against the stop. Just be sure to stop before cut-
MITERING JIG. To hold the Once the piece is secure, slide ting into the oppo-
workpiece securely, I made a the jig along the fence until the site jaw.
mitering jig for the table saw, see
drawing. The jig consists of three
parts: a fence that attaches to the
miter gauge, a curved cradle to
match the shape of the middle
piece, and a stop to position the
workpiece, see drawing.
The cradle is simply one of the
curved scraps that remains after
cutting the pieces that make up
the edge clamp to shape. And the
fence and stop are made from
scraps of hardwood.
Both the stop and cradle are
glued to the fence. Once that’s
complete, you’re ready to attach
the fence to the miter gauge.
28 ShopNotes No. 42
T I P S & T E C H N I Q U E S
ASSEMBLY JIG
n When it comes to gluing up
workpieces face to face, I usually
start with oversize workpieces
and then trim them to final size
once the glue dries. But with the
three pieces that make up the
Edge Clamp (page 6), I started
with workpieces already cut to
final shape. So the problem is
keeping all the edges aligned as
you clamp the assembly together.
ASSEMBLY JIG. To help keep
everything aligned, I made a small
assembly jig. The jig consists of a
few simple parts: a hardboard
base, a set of four alignment Note: I used one of the work- CLAMP ASSEMBLY. After the
blocks, a wood spacer and an MDF pieces to help position the align- fixed alignment blocks are glued
clamping plate, see drawing. ment blocks. in place, give everything a few
The purpose of the alignment The fourth block serves two coats of finish and a coat of paste
blocks is to “corral” the work- purposes. First, it keeps the out- wax to keep glue from sticking
pieces. To make it easy to set the side edges aligned. And second, to the assembly jig. Once that’s
workpieces in place, only three of it pushes the spacer against the complete, gluing up an edge
the alignment blocks are glued to middle piece to keep it aligned clamp is a simple four-step
the base of the assembly jig. with the top and bottom pieces. process, see photos below.
To assemble an edge clamp, start by applying After slipping a spacer between the jaws to
1 glue to each of the workpieces and then stack 2 prevent the middle piece from shifting, set the
them in the assembly jig like a layer cake. last alignment block in place.
With the last block in place, clamp across the Next, use a couple small scraps to raise the jig.
3 ends of the jig to prevent the workpieces from 4 Then apply pressure to the entire assembly by
slipping out of alignment. clamping a scrap of MDF to the top of the jig.
No. 42 ShopNotes 29
I N T H E S H O P
Spiral
Upcut Bits
What makes a
T he first time I used the pocket hole jig shown on
page 16, I was a bit disappointed. Not so much
at the start of the cut where the pocket was fairly
spiral upcut shallow. But as the depth of the pocket increased,
bit so useful? the router began to whine (even louder than usual).
It’s designed And it set up a vibration that I could feel through
the handle of the jig. Note: There are some spiral upcut bits that have
to cut in
Fortunately, the problem wasn’t the jig or the only a single cutting edge.
two different router — it was the router bit. The straight bit I Because of their shape, the spiral cutting edges
directions. was using just wasn’t doing the job. contact the workpiece at an angle when making a
That’s when I decided to try a different type of cut. This produces a shearing cut that removes
bit — a spiral upcut bit. This time, the results were material quickly and leaves a clean, smooth sur-
impressive. The bit produced a smooth, clean cut face behind. (That explains why it worked so well
with considerably less effort. when routing the pocket.)
SELECTING A BIT
Downcut Bits Regardless of the style, there are several things to
consider when selecting a spiral router bit.
At a glance, a spiral downcut that are likely
STEEL OR CARBIDE? The first decision to make is
bit looks a lot like an upcut bit. to chip out. If you’re routing
the material that the bit is made from. They’re
But there’s one key difference — a dado in hardwood plywood, the
available in either high-speed steel or solid carbide.
the spiral twists in the opposite fibers of the surface veneer won’t
COST. Like you’d expect, the solid carbide bits
direction. So the flutes of the bit fray. And it’s a great way to rout
are more expensive. As an example, the 3/8" carbide
direct chips away from the router. a clean, crisp channel for inlay.
bit we used in the pocket hole jig cost $48.99. (The
Because the chips get pushed TEMPLATE ROUTING. Downcut
same size high-speed steel bit was $15.99.) That
downward, there’s less chipout bits also come in handy if you’re
means it cost over three times as much.
on the surface of the workpiece. using a template and a router
DURABILITY. So is a carbide bit worth the extra
SHALLOW CUTS. This makes a with a guide bushing to cut
expense? That depends. It will stay sharp much
downcut bit ideal for routing a pieces to shape. Again, since the
longer than high-speed steel. That’s a plus if you do
shallow (1/4"-deep or less) dado chips are pushed downward,
a lot of work or use abrasive materials like MDF.
or groove — especially in materials there’s no chipout on the top.
But if you work mostly with solid wood, a high-
speed steel bit should last a long time.
30 ShopNotes No. 42
Sources PRODUCT INFORMATION
Downcut
ShopNotes Project Supplies Spiral Router Bits >
is offering some of the hardware The article on page 30 provides information about two Upcut
and supplies needed to build the types of Spiral Router Bits — an upcut bit and a downcut
projects in this issue. bit. They combine the plunge cutting ability of a drill bit with the sideways
We’ve also put together a list cutting action of a standard router bit. For mail-order sources, see margin.
of other mail-order sources MAIL
that have similar hardware ORDER
and supplies. Pocket Hole Jig > SOURCES
We’re offering a kit to build the
Pocket Hole Jig featured on page Woodhaven
16. It has all the hardware you need 800-344-6657
including a toggle clamp and the Spiral Downcut Bits,
copper tubing used as a guide for Spiral Upcut Bits,
the bit. All you need to supply is a Toggle Clamps
spiral upcut bit, a twist bit and driver Woodcraft
bit, and the plywood and hardwood. 800-225-1153
{ Pocket Hole POCKET HOLE JIG KIT Spiral Upcut Bits,
Screws 6842-200...................$23.95 Toggle Clamps
To produce a strong, easy-to-assemble
Rockler
pocket hole joint, we used self-tapping
800-279-4441
screws with a square recess in the
Spiral Upcut Bits,
head. See margin for mail-order sources.
Toggle Clamps
McFeely’s
800-443-7937
Pocket Hole Screws
Driver Bits
Woodworker’s
Hardware
800-383-0130
{ Edge Clamp Hardware Kit Pocket Hole Screws
When you’re working with plywood, the Edge Clamps shown on page 6 3/4''
{ Toggle Clamp are a great way to apply hardwood edging. You just slip the clamp over the
To hold the workpiece in place on the plywood and tighten the knob.
800-347-5105
Pocket Hole Jig, we used a hold-down ShopNotes Project Supplies is offering a hardware kit that will allow you
style De-Sta-Co clamp (No. 227) with to build six Edge Clamps. You’ll need to supply the plywood and hardwood.
No. 42 ShopNotes 31
Scenes from the Shop
{ Edge Clamps. To release these Edge Clamps from the { Pocket Hole Jig. Setting up our Pocket Hole Jig (shown
workpiece, simply loosen the lock knob and push the on page 16) is easy. That’s because the router that
spring-loaded “fingers” forward. (Plans begin on page 6.) cuts the pocket is mounted in a removable carriage.
{ Stacking Sawhorses. Building a large project? This too tall, these short sawhorses keep the project
set of four Stacking Sawhorses provides a handy in easy reach. And they raise it off the floor so it’s
assembly area. Unlike a workbench that’s often not a pain in the back to assemble. (See page 24.)