Professional Documents
Culture Documents
Mit
Mit
Mit
by
Joseph Michael Swerdlin
B.S. Architecture
State University of New York, University at Buffalo, 2013
MASTER OF ARCHITECTURE
AT THE
MASSACHUSETTS INSTITUTE OF TECHNOLOGY
FEBRUARY 2019
Signature of Author:
Department of Architecture
January 17, 2018
Certified by:
Nasser Rabbat
Aga Khan Professor of Architecture
Thesis Supervisor
Accepted by:
Nasser Rabbat
Joey Swerdlin © 2019
1
Master of Architecture Thesis Building Against Vacancy:
Thursday, January 17, 2019
Space, Shelter, and Support for
LGBTQ Homeless Youth on
Double Vacant Lots in NYC
by
Joseph Michael Swerdlin
2
Master of Architecture Thesis Building Against Vacancy:
Thursday, January 17, 2019
Space, Shelter, and Support for
LGBTQ Homeless Youth on
Double Vacant Lots in NYC
by
Joseph Michael Swerdlin
ABSTRACT
In this thesis, a building is designed on a New York City-owned vacant lot in Harlem to
serve homeless LGBTQ youth.
MIT Architecture
The City of New York maintains the condition of vacancy scattered throughout the five
boroughs where, The Department of Housing Preservation and Development owns
over 1,300 empty lots. While these spaces may be viewed as real estate opportunities,
approximately a quarter of them are undesirable for development due to their small,
Old Law size (25’ x 112’). Further, an examination of the history of these lots should
resist a reductive response to simply build market-rate housing. The vacancies are
the result of strategic disinvestment through redlining practices. Historically, this has
disproportionately impacted low-wealth communities of color. Today, these urban voids
maintain the memory of displacement and destruction among these communities.
homeless shelters to rethink supportive services and housing for homeless youth.
Building Against Vacancy imagines an architecture that transforms undesirable lots into
viable, vibrant spaces for non-dominant forms of culture, expression, and living.
3
Master of Architecture Thesis Contents
Thursday, January 17, 2019
5 Acknowledgments
12 Setup Booklet
MIT Architecture
4
Master of Architecture Thesis Acknowledgments
Thursday, January 17, 2019
5
Joey Swerdlin © 2019 MIT Architecture Master of Architecture Thesis
Thesis Book Photographs Page Thursday, January 17, 2019
thesis book.
6
This document contains the print pages of the
Joey Swerdlin © 2019 MIT Architecture Master of Architecture Thesis
Thesis Book Photographs Page Thursday, January 17, 2019
7
Joey Swerdlin © 2019 MIT Architecture Master of Architecture Thesis
Thesis Book Photographs Page Thursday, January 17, 2019
and References.
8
Setup, Plans, Sections, Isometrics, Scenes,
The thesis book is subdivided into six booklets:
Joey Swerdlin © 2019 MIT Architecture Master of Architecture Thesis
Thesis Book Photographs Page Thursday, January 17, 2019
9
Joey Swerdlin © 2019 MIT Architecture Master of Architecture Thesis
Thesis Book Photographs Page Thursday, January 17, 2019
document.
10
The six booklets make up the chapters of this
Joey Swerdlin © 2019 MIT Architecture Master of Architecture Thesis
Thesis Book Photographs Page Thursday, January 17, 2019
11
Master of Architecture Thesis
Thursday, January 17, 2019
SETUP
Joey Swerdlin © 2019
Setup Book Page
SETUP
Joey Swerdlin © 2019
Setup Book Page
BUILDING AGAINST
AGIANST VACANCY
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Setup Book Page
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MIT Architecture
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Joey Swerdlin © 2019
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Joey Swerdlin © 2019
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REAL ESTATE
LGBTQ CULTURE
Harlem Renaissance
10
''
Harlem in the 1920s and 30s was defined by a vibrant,
creative community self-identified as the “New Negro
MIT Architecture
3 Ibid.
Best
Still Desirable
Definitely Declining
Hazardous
MIT Architecture
Joey Swerdlin © 2019
Setup Book Page
12
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known as Redlining.
''
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Best
Still Desirable
Definitely Declining
Hazardous
Vacancies
Site
MIT Architecture
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Setup Book Page
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MIT Architecture
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1920 1930 1940 1950 1960 1970 1980 1990 2000 2010 2020
LGBTQ CULTURE
Harlem Renaissance Modern House-Ball
Pose, Episode 1
Culture Rises
1920 1930 1940 1950 1960 1970 1980 1990 2000 2010 2020
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Setup Book Page
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Joey Swerdlin © 2019
LGBTQ CULTURE
Harlem Renaissance Modern House-Ball
Ball-walker in front of judges,
Culture Rises
Paris is Burning
1920 1930 1940 1950 1960 1970 1980 1990 2000 2010 2020
LGBTQ CULTURE
Harlem Renaissance Modern House-Ball
Damon Evangelista and
Culture Rises
Mother Blanca Evangelista,
Pose
1920 1930 1940 1950 1960 1970 1980 1990 2000 2010 2020
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Setup Book Page
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Joey Swerdlin © 2019
history-of.html.
8. Ibid.
19
LGBTQ CULTURE
Harlem Renaissance Pepper Labeija, Modern House-Ball
Culture Rises Two youth outside of a Ball
Mother of House of Labeija
1920 1930 1940 1950 1960 1970 1980 1990 2000 2010 2020
LGBTQ CULTURE
Harlem Renaissance Modern House-Ball
Culture Rises
1920 1930 1940 1950 1960 1970 1980 1990 2000 2010 2020
Joey Swerdlin © 2019
Setup Book Page
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''
Pepper Labeija, Legendary Mother of the House of Labeija
describes the role of the “House” in queer youth’s lives in
Paris is Burning:
When someone has rejections from their mother and father, their
family. When they get out into the world, they search for someone
to fill the void. I know this for experience, because I’ve had kids
come to me and latch hold to me like I’m their mother or like I’m
their father. ‘Cause they can talk to me and I’m gay and they’re
gay and that’s where a lot of that “ballness” and the mother
MIT Architecture
business comes in. Because their real parents give them such a
hard way to go, they look up to me to fill that void.9
''
''
''
Joey Swerdlin © 2019
145th Street
LGBT CULTURE
Harlem Renaissance Frederick Douglass
Photo by Camilo Jose Vergara Boulevard
1920 1930 1940 1950 1960 1970 1980 1990 2000 2010 2020
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Setup Book Page
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''
MIT Architecture
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Joey Swerdlin © 2019
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LGBT CULTURE
Harlem Renaissance
1920 1930 1940 1950 1960 1970 1980 1990 2000 2010 2020
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''
MIT Architecture
''
Joey Swerdlin © 2019
Setup Book Page
145th Street
LGBT CULTURE
Harlem Renaissance Frederick Douglass
Photo by Camilo Jose Vergara Boulevard
1920 1930 1940 1950 1960 1970 1980 1990 2000 2010 2020
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Setup Book Page
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''
MIT Architecture
''
Joey Swerdlin © 2019
Setup Book Page
145th Street
LGBT CULTURE
Harlem Renaissance Frederick Douglass
Photo by Camilo Jose Vergara Boulevard
1920 1930 1940 1950 1960 1970 1980 1990 2000 2010 2020
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Setup Book Page
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MIT Architecture
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LGBT CULTURE
Harlem Renaissance
1920 1930 1940 1950 1960 1970 1980 1990 2000 2010 2020
LGBTQ CULTURE
Harlem Renaissance Modern House-Ball HIV/AIDS First Reported
Culture Rises
1920 1930 1940 1950 1960 1970 1980 1990 2000 2010 2020
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Setup Book Page
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Joey Swerdlin © 2019
Setup Book Page
14 596 Acres.
15 Ibid.
31
LGBTQ CULTURE
Harlem Renaissance Modern House-Ball HIV/AIDS First Reported
Culture Rises
1920 1930 1940 1950 1960 1970 1980 1990 2000 2010 2020
Number of Floors: 9
LGBTQ CULTURE
Vertical Circulation Area per Story: 275 sf
Harlem Renaissance
Unit Area Total: 17,283 sf
1920 1930 1940 1950 1960 1970 1980 1990 2000 2010 2020
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Path
Grass
Plant Boxes
Vegetation
Paved
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Joey Swerdlin © 2019
Setup Book Page
BUILDING AGAINST
AGIANST VACANCY
MIT Architecture
COMMUNITY FACILITY
BUILDING AGIANST
No Parking VACANCY
Required
20’ Backyard Setback Lot Size: 25 ft x 112.5 ft
Number of Floors: 9
LGBTQ CULTURE
Vertical Circulation Area per Story: 275 sf
Harlem Renaissance
Unit Area Total: 17,283 sf
Modern House-Ball HIV/AIDS First Reported Same-Sex Marriage
Average Area per Unit: 596 sf Idea pioneered by Team R8
Culture Rises Legalized
for Making Room NYC.
1920 1930 1940 1950 1960 1970 1980 1990 2000 2010 2020
Joey Swerdlin © 2019
Setup Book Page
36
''
These sites should act to preserve non-dominant forms
of culture, expression, and living. This thesis, sited at
2733 Frederick Douglass Boulevard seeks to do this. The
architectural proposal is driven by two motivations dealing with
the interior and exterior of the building. The former redresses
an injustice towards the marginalized LGBTQ homeless youth
community in New York City by providing shelter, services,
and housing for LGBTQ homeless youth aged 16 to 24. The
MIT Architecture
''
''
Joey Swerdlin © 2019
Best
Still Desirable
Definitely Declining
Hazardous
Vacancies
Site
MIT Architecture
Joey Swerdlin © 2019
Setup Book Page
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MIT Architecture
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PLANS
Joey Swerdlin © 2019
Plans Book Page
PLAN DRAWINGS
Joey Swerdlin © 2019
Plans Book Page
Share
Share Breakfast and Dinner
Breakfast
and Dinner
Kitchen
Kitchen
Stairs to
Public
Stairs to Public Services
Services
Window
Chill Spot
Entry
Street Entry
Egress
Joey Swerdlin © 2019
Plans Book Page
Ground Level
1:100
North
''
MIT Architecture
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Joey Swerdlin © 2019
Plans Book Page
Clothing
Storage
Atrium
Chill Spot
Exterior Terrace
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MIT Architecture
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Joey Swerdlin © 2019
Plans Book Page
Communal Living
Communal Living Space
Space
Homework
Station
(Home)work Station
Private Chill
Spot Private Chill Spot
Single/Double Single/Double
Occupancy Room Occupancy Room
Level 2 Level 3
1:100 1:100
North North
10
''
MIT Architecture
On the third, fourth, and fifth floors are living spaces for youth
in immediate need of housing. Youth may share a room with a
buddy and a bathroom with up to three others. These rooms
are located at the ends of the building to take advantage of
the best light and air. Common spaces between these units
offer work spaces, chill zones, and computer access. Since
breakfast and dinner is communal, there’s no need for in-unit
kitchens.
''
Joey Swerdlin © 2019
Plans Book Page
11
Single/Double Studio
Atrium Overlook
Atrium Overlook
Single/Double Studio
Communal
Kitchen for
Raman
Level 3 Level 4
1:100 1:100
North North
12
''
MIT Architecture
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Joey Swerdlin © 2019
Plans Book Page
13
Atrium Overlook
Level 4 Level 5
1:100 1:100
North North
14
''
MIT Architecture
The fifth floor is much like the third, but has a view down to the
two other common spaces below.
''
Joey Swerdlin © 2019
Plans Book Page
15
Director’s Suite
Director’s Suite
Roof Terrace
Joey Swerdlin © 2019
Plans Book Page
Level 6
1:100
North
16
''
MIT Architecture
The sixth floor includes a special two bedroom suite for the
director of the house on the western half. On the other end, an
open space can be used for house-wide events, or even public
events. A terrace provides an opportunity to look down upon
the street life and people watch while enjoying the sunshine on
a nice day.
''
Joey Swerdlin © 2019
Plans Book Page
17
Studio Unit
Studio Unit
Joey Swerdlin © 2019
Plans Book Page
Level 6 Level 7
1:100 1:100
North North
18
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MIT Architecture
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Joey Swerdlin © 2019
Plans Book Page
19
Studio Unit
A “landscape of leisure” ...the studio features a
‘landscape of leisure” inspired
by Joel Sanders
Level 7 Level 8
1:100 1:100
North North
20
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MIT Architecture
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Joey Swerdlin © 2019
Plans Book Page
21
windows moved!
Level 8 Level 9
1:100 1:100
North North
22
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MIT Architecture
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Joey Swerdlin © 2019
Plans Book Page
23
Repeat of Level 8
Repeat of Level 8.
Joey Swerdlin © 2019
Plans Book Page
Level 9 Level 10
1:100 1:100
North North
24
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MIT Architecture
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Joey Swerdlin © 2019
Plans Book Page
25
Planters
Planters
MIT Architecture
Mechanical Penthouse
Mechanical Penthouse
Level 10 Roof
1:100 1:100
North North
26
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MIT Architecture
''
Joey Swerdlin © 2019
Plans Book Page
27
SECTIONS
Joey Swerdlin © 2019
Sections Book Page
SECTION DRAWINGS
Joey Swerdlin © 2019
Sections Book Page
+116’ - 0”
Level 10
+106’ - 0”
Roof Terrace and Grow Space
Resident Only Access
Level 9
+96’ - 0”
Studio and 1 Bedroom Units
Resident Only Access
Level 8
+86’ - 0”
Studio and 1 Bedroom Units
Resident Only Access
Level 7
+76’ - 0”
Studio and 1 Bedroom Units
Resident Only Access
MIT Architecture
Level 6
+66’ - 0”
Studio and 1 Bedroom Units
Resident Only Access
Planters
Level 5
A brise soleil shades sunlight
+53’ - 0”
on the south facade while creating
Communal Activity Space
a party wall boundary that could be
Director Suite
infilled, should a neighbor build to
Resident Only Access
the lot line.
Level 5
+43’ - 0”
Single and Double Occupancy Shelter Rooms
Communal Living Space
Resident Only Access
Level 4
+33’ - 0”
Single and Double Occupancy Shelter Rooms
Communal Living Space
Resident Only Access
Level 3
+23’ - 0”
Single and Double occupancy shelter rooms
Communal living space
Resident Only Access
Level 1
Sections Book Page
+0’ - 0”
Counselor/Mentor Front Desk
Community Kitchen and Dining Area
Level 1
+0’ - 0”
Counselor/Mentor Front Desk
Community Kitchen and Dining Area
0’ 25’
''
MIT Architecture
''
Joey Swerdlin © 2019
Sections Book Page
Level 5
A brise soleil shades sunlight
+53’ - 0”
on the south facade while creating
Communal Activity Space
a party wall boundary that could be
Director Suite
infilled, should a neighbor build to
Resident Only Access
the lot line.
Level 5
+43’ - 0”
Single and Double Occupancy Shelter Rooms
Communal Living Space
Resident Only Access
MIT Architecture
Level 4
+33’ - 0”
Single and Double Occupancy Shelter Rooms
Communal Living Space
Resident Only Access
Level 3
+23’ - 0”
Single and Double occupancy shelter rooms
Communal living space
Resident Only Access
Level 1
+0’ - 0”
Counselor/Mentor Front Desk
Community Kitchen and Dining Area
8
0’ 25’
+116’ - 0”
Level 10
+106’ - 0”
Roof Terrace and Grow Space
Resident Only Access
Level 9
+96’ - 0”
Studio and 1 Bedroom Units
Resident Only Access
MIT Architecture
Level 8
+86’ - 0”
Studio and 1 Bedroom Units
Resident Only Access
Level 7
+76’ - 0”
Studio and 1 Bedroom Units
Resident Only Access
Level 6
+66’ - 0”
Studio and 1 Bedroom Units
Resident Only Access
Joey Swerdlin © 2019
Sections Book Page
Level 5
A brise soleil shades sunlight
+53’ - 0”
on the south facade while creating
Communal Activity Space
a party wall boundary that could be
Director Suite
infilled, should a neighbor build to
Resident Only Access
the lot line.
Level 5
+43’ - 0”
Single and Double Occupancy Shelter Rooms
Communal Living Space
Resident Only Access
Level 4
+33’ - 0”
Single and Double Occupancy Shelter Rooms
Communal Living Space
Resident Only Access
+116’ - 0”
Level 10
+106’ - 0”
Roof Terrace and Grow Space Space for yoga.
Resident Only Access
Level 9
+96’ - 0”
Studio and 1 Bedroom Units
Resident Only Access
Level 8
+86’ - 0”
Studio and 1 Bedroom Units
Resident Only Access
Level 7
+76’ - 0”
Studio and 1 Bedroom Units
Resident Only Access
MIT Architecture
Level 6
+66’ - 0”
Studio and 1 Bedroom Units
Resident Only Access
Level 5
+53’ - 0”
Communal Activity Space
Director Suite
Resident Only Access
Level 5
+43’ - 0”
Single and Double Occupancy Shelter Rooms
Communal Living Space
Resident Only Access
Communal living spaces offer safe social areas for just being without being judged.
Level 4
+33’ - 0”
Single and Double Occupancy Shelter Rooms
Communal Living Space
Resident Only Access
Single or do
Level 3
+23’ - 0”
Single and Double occupancy shelter rooms
Communal living space Shelter housing provides refuge and a nurturing
Resident Only Access community for homeless LGBTQ youth.
Level 2
+13’ - 0”
The second level provides space for counseling, clinical services, clothing storage, and administrative
Counseling, Clinical, and Administrative offices
offices. Access to exterior terraces and atria offer fresh air for challenging situations.
Front terrace; exterior atrium
Full building community access
Level 1
+0’ - 0”
Counselor/Mentor Front Desk
Community Kitchen and Dining Area
10
Communal living spaces offer safe social areas for just being without being judged.
The second level provides space for counseling, clinical services, clothing storage, and administrative
offices. Access to exterior terraces and atria offer fresh air for challenging situations.
A backyard offers a place to get away and reset or host a summer BBQ.
11
12
''
The ground and second level provide emergency services for
homeless LGBTQ youth. Levels 3 through 5 provide shelter
MIT Architecture
13
Studio unit.
Level 5
+53’ - 0”
Communal Activity Space
Director Suite
Resident Only Access
Level 5
+43’ - 0”
Single and Double Occupancy Shelter Rooms
Communal Living Space
Resident Only Access
Communal living spaces offer safe social areas for just being without being judged.
MIT Architecture
Level 4
+33’ - 0”
Single and Double Occupancy Shelter Rooms
Communal Living Space
Resident Only Access
Level 3
+23’ - 0”
Single and Double occupancy shelter rooms
Communal living space Shelter housing provides refuge and a nurturing
Resident Only Access community for homeless LGBTQ youth.
Level 2
+13’ - 0”
The second level provides space for counseling, clinical services, clothing storage, and administrative
Counseling, Clinical, and Administrative offices
offices. Access to exterior terraces and atria offer fresh air for challenging situations.
Front terrace; exterior atrium
Full building community access
Level 1
+0’ - 0”
Counselor/Mentor Front Desk
Community Kitchen and Dining Area
14
0’ 12’ - 2” 22’ - 0” 34’ - 6” 38’ - 0”
An egress that empties in
space must be less than 4
Communal living spaces offer safe social areas for just being without being judged.
MIT Architecture
The second level provides space for counseling, clinical services, clothing storage, and administrative
offices. Access to exterior terraces and atria offer fresh air for challenging situations.
A backyard offers a place to get away and reset or host a summer BBQ.
16
92’ - 6” 112’ - 6”
Community Facilities are required to have a 20’ backyard,
rather than the 30’ required by regular zoning.
+116’ - 0”
Level 10
+106’ - 0”
Roof Terrace and Grow Space Space for yoga.
Resident Only Access
MIT Architecture
Level 9
+96’ - 0”
Studio and 1 Bedroom Units
Resident Only Access
Level 8
+86’ - 0”
Studio and 1 Bedroom Units
Resident Only Access
Level 7
+76’ - 0”
Studio and 1 Bedroom Units
Resident Only Access
Studio unit.
Level 6
+66’ - 0”
Joey Swerdlin © 2019
17
Level 5
+53’ - 0”
Communal Activity Space
Director Suite
Resident Only Access
Level 5
+43’ - 0”
Single and Double Occupancy Shelter Rooms
Communal Living Space
Resident Only Access
Communal living spaces offer safe social areas for just being without being judged.
Master of Architecture Thesis
Thursday, January 17, 2019
Communal living spaces offer safe social areas for just being without being judged.
Master of Architecture Thesis
Thursday, January 17, 2019
19
ISOMETRICS
Joey Swerdlin © 2019
Isometrics Book Page
ISOMETRIC DRAWINGS
Joey Swerdlin © 2019
Isometrics Book Page
Shear Walls
Concrete Core
Prefabricated, fire proof
stud walls make up
the party wall.
MIT Architecture
If the neighbor
builds to the lot
line, the
openings
will be filled.
If the neighbor
builds decides
to share the core,
the walls can be
removed.
Concrete Shear
Walls form the
Primary Structure.
Brick Facade
Joey Swerdlin © 2019
Isometrics Book Page
''
MIT Architecture
''
Joey Swerdlin © 2019
Isometrics Book Page
Shear Walls
Concrete Core
Prefabricated, fire proof
stud walls make up
the party wall.
MIT Architecture
If the neighbor
builds to the lot
line, the
openings
will be filled.
Brick Facade
If the neighbor
builds decides
to share the core,
the walls can be
removed.
Concrete Shear
Walls form the
Primary Structure.
Brick Facade
Joey Swerdlin © 2019
Isometrics Book Page
''
MIT Architecture
The east and west facades face the street and the block’s
interior, respectively. Using the same elevation, they offer the
same face, both publicly and the privately. The banality of the
elevation from the street is offset by the bespoke details of
each opening. The close observer will find things aren’t always
as they seem; intrigue is found in irregularity.
''
Joey Swerdlin © 2019
Isometrics Book Page
Shear Walls
Concrete Core
Prefabricated, fire proof
stud walls make up
the party wall.
MIT Architecture
If the neighbor
builds to the lot
line, the
openings
will be filled.
If the neighbor
builds decides
to share the core,
the walls can be
removed.
Concrete Shear
Walls form the
Primary Structure.
Brick Facade
Joey Swerdlin © 2019
Isometrics Book Page
10
''
MIT Architecture
The south and north facades face the existing and forthcoming
adjacent neighbors, respectively. These facades are
adaptable. Constructed of fire-proof panels that span from
floor to ceiling on each level, these facades are punctured with
generous openings that allow light and air to pass through. On
the south facade, the New-Law Tenement air-shaft is enlarged
and modernized using a full-building height curtain wall offset
six feet from the lot line (double the New-Law size). The
adaptable facade system acts as a brise-soleil.
''
Joey Swerdlin © 2019
Isometrics Book Page
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12
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Isometrics Book Page
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14
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Isometrics Book Page
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Isometrics Book Page
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SCENES
Joey Swerdlin © 2019
Scenes Book Page
SCENE DRAWINGS
Joey Swerdlin © 2019
Scenes Book Page
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MIT Architecture
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Joey Swerdlin © 2019
Scenes Book Page
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MIT Architecture
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Joey Swerdlin © 2019
Scenes Book Page
Trying to Blend In
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Joey Swerdlin © 2019
Scenes Book Page
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12
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Joey Swerdlin © 2019
Scenes Book Page
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14
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Joey Swerdlin © 2019
Scenes Book Page
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16
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Joey Swerdlin © 2019
Scenes Book Page
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Joey Swerdlin © 2019
Scenes Book Page
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Joey Swerdlin © 2019
Scenes Book Page
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REFERENCES
References Book Page
Joey Swerdlin © 2019
REFERENCES
References Book Page
Joey Swerdlin © 2019
Adams, Michael Henry. “Life Beats Art, Sugar Hill Says.” The
New York Times, March 24, 1994. http://www.nytimes.
com/1994/03/24/garden/life-beats-art-sugar-hill-says.html.
redlining/#loc=14/42.3745/-71.1165&opacity=0.8&city=ca
Joey Swerdlin © 2019
mbridge-ma&text=bibliograph.
nyc.gov/html/lpc/downloads/pdf/reports/HAMILTON_
HEIGHTS-SUGAR_HILL_HISTORIC_DISTRICT_
EXTENSION.pdf.
Frameline, 1989.
Joey Swerdlin © 2019
C98C-4FB4-AB08-8DAF97D7C946&Options=&Search=.
Joey Swerdlin © 2019
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