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  • Percussió: Koji Kondo

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    Jaume Pons Sampol
    14 views1 page
    The document is a musical score containing percussion notation. It consists of multiple lines of rhythmic notation across 4 pages. Various percussion instruments are indicated, including drums, wood blocks, and cymbals. The score is divided into lettered sections and contains tempo and dynamic markings.

    Original Description:

    Zelda percusión

    Original Title

    ZELDAperc (1)

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    © © All Rights Reserved

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    The document is a musical score containing percussion notation. It consists of multiple lines of rhythmic notation across 4 pages. Various percussion instruments are indicated, including drums, wood blocks, and cymbals. The score is divided into lettered sections and contains tempo and dynamic markings.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    14 views1 page

    Percussió: Koji Kondo

    Uploaded by

    Jaume Pons Sampol
    The document is a musical score containing percussion notation. It consists of multiple lines of rhythmic notation across 4 pages. Various percussion instruments are indicated, including drums, wood blocks, and cymbals. The score is divided into lettered sections and contains tempo and dynamic markings.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 1

    Percussió KOJI KONDO

      
                       
             
    A

     
       

       


                                             

       
    10

       

                                                   
                                        
             
    15

        

                                  
      
    B


                    
                                     
    21

          

        
                                                   
    3 3
    3 3

           
    26

             

          


                                        
       
         
    30 3

         

          
                             
    C

             
    3

                 
    35

        


      
    41

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