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Talk 7.materia Medica1-Rajan Sankaran
Talk 7.materia Medica1-Rajan Sankaran
Fine let’s begin. So far I have spoken to you about the concepts about the overall
idea of the sensation method and we have talked about the repertory. We have
talked about the use of repertory & today I would like to talk to you about
Materia Medica.
Today we will learn how to study remedies, using the two different approaches
together. On the one hand the symptom approach and on the other hand the
sensation or the system approach. First we will go through the outline of how to
study a remedy, and for this we will take three remedies, one from each kingdom,
and study them as examples.
Source
The first thing that we study about the remedy is the source.
We first need some basic understanding about the origin or the source of the
remedy, which kingdom it’s coming from, which part of that kingdom etc.
We also need to study the characteristics. We need to study the general & the
mental symptoms of that remedy and the unique symptoms of that remedy. Once
we study this kind of Materia Medica then we need to study the remedy from the
kingdom point of view.
Miasm
The next thing we need to study about the remedy is it’s miasm. What is the pace
of that remedy, what is the depth of that remedy. What is the acuteness or the
chronicity of that remedy. This is something that we need to understand.
Repertorial rubrics
Then we can study the reportorial rubrics of that remedy. We can study this
either from a repertory or from a repertory extraction. So there are books that
give you all the rubrics of a remedy in alphabetical order. This is a very useful way
of studying a remedy.
Together all these things which means the source, the Materia medica, the
rubrics, the miasm, the kingdom & cases from practice together gives us a very
well- grounded picture of the remedy. It is useful often to start with but very
authentic book because that gives us in a nutshell what the remedy is all about.
And one book that I like to recommend & I too choose for myself is Phatak’s
Materia Medica.
Now let us begin the study of one remedy which is Silicea / silica.
Source
Firstly, the source …
Materia medica:
Then let us study some characteristic symptoms from Phatak’s Materia Medica.
The Materia Medica says:
Now when we look at this symptom, it gives us a little bit idea of its chronicity of
Silica. That Silica is not only for acute situations but it is especially for chronic
situations, something that are stubborn, something that are fixed, something that
last for a long time. Things that are not fatal, things that are not going to finish
you but you are going to live with it .
For example a fistula is something that you live with, they are stuck to you & later
on we will get an idea that belong to the sycotic miasm; whose pace is chronic,
stubborn & fixed.
Pains are violent and sticking but localized in ears, throat etc.
So what is interesting about Silica as you can read from the book is that it affects
very very local parts, that means there is a fistula that is very localized. There is a
splinter like pain but it is very localized. So Silica is well known for very, very
localized single affections. And this is useful to remember. Later on, when we
study about the mind we will see that Silica is one of the main remedies for
Monomania that means concerned about very very particular things.
There are fixed ideas says Phatak. There is loss of self-confidence and complaints
from anticipation.
So on one side, the child is stubborn. I have to do it this way and no other way,
I will be like this and no other way, my idea is fixed about it. On the other hand,
he can also be tremendously lacking in confidence and can yield to the will of
other people. And at that stage comes in him an anxiety or a nervousness about
himself. Am I what I portray to be or others are going to find out I am not that.
And here comes is tremendous anticipation. And this ailments from anticipation is
also a strongly Sycotic miasm symptom.
The main symptoms of Sycotic miasm are avoidance, anticipation and acceptance.
So what is the anticipation about in Silica. The anticipation is about his own
image, it is about his own confidence, it is about what he portrays as an
individual. And any situation where this image could be hurt, where this image
could be belied, where this image could be shown to be not what it is, he gets
very anxious and it is especially true when he faces people, when he presents a
project, when he writes an exam or especially when he is on a stage.
And this is the way, if we understand Materia Medica like this then what will
happen is we will start understanding the patients like this. That we will start
understanding the patients not only in terms of their symptoms but also in terms
of their sensation. And we will see that their symptoms and their sensations are
actually speaking the same language. And that is the integration that I really want
to talk to you about because that’s what gives me the confidence in practice. It is
not one or the other, it is both talking the same thing and that is the way we have
to study the Materia Medica, that is the way we have to study our patients.
This raw data from the Materia Medica , this concised Materia Medica, at first
in Phatak’s seems so disjointed, just an accumulation of seemingly
unconnected symptoms. But when you understand them more in context, it
forms a beautiful harmony. Now one of the things I like to study about
remedies is also from clinical experience, that there are many confirmatory
symptoms of Silicea.
If you looked at the repertory, Extremities, corrugated nails you will find Silica is
the top remedy.
What is corrugated? Corrugated means the nail is like an asbestos sheet. You
know it is going up and down in ridges.
So you find in Silicea also like in other remedies of the 3rd row the lack of trust in
other people. Like we saw the desire for magnetism, to implicit trust in somebody
else. A kind of naivety is also there. They are not very complicated. And also in the
3rd row are the issues of the need for familiarity and comfort and the fear of the
unknown. The feeling I need direction or the feeling I am lost. Also in the 3 rd row
is the issue of developing the abilty to take decisions. And to develop a sense of
Feeling forsaken.
Being comfortable with familiarity, and fearing the unknown.
Feeling lost, needing direction.
Fear of natural phenomena
Wanting to be different.
Developing the ability to take decisions, developing a sense of right and wrong.
Doing things for oneself, developing the ability to express oneself.
Homesickness.
Awkwardness.
So being in the middle of the Third Row, the issue of image, confidence and
appearance, Silicea has the following features:
Dressing and mannerism: Often I have seen in the clinic, Silica patient can come
in very conservatively or formally dressed. Often he is reserved and speaks
hesitantly and it will be often difficult to get a prolonged history from him or to
enter into any of the conversational mode. I often find that the case form
questionnaires are very well filled out like the projects that they do. Common
clinical confirmation of Silica is, I ask them suppose you do a project or do submit
some paper or something and if there is one little mistake over there, will you just
scratch it out and then put something on it or will you have to redo it the entire
page. Often Silica will have to say we have to redo the entire page. So then the
Issue of identity and choice. You have the issue of identity and choice. So you
have anticipatory anxiety and the lack of self- confidence and then the peculiar
combination of yielding and stubborn. ‘Yielding’ means I have no choice and
‘stubborn’ means I have my own choice and I am very firm about it. So sometimes
it can happen that from the outside they may appear yielding but inside they are
quite stubborn. They say in English, “convinced against his will, but of the same
option still”.
Homesickness: Another issue of the 3rd row which is also prominent in Silica is
Homesickness. Silicea is the only remedy as far as I know has “dreams of youth
times” which means the dreams of the times when he was in his youth when he
was in his childhood. Of his old friends, of his old home, of familiarity and of
comfort because out of his comfort zone he feels always apprehensive, anxious,
lack of self-confidence and nervous.
Miasm
As far as miasm is concerned, we find there is a constant anticipation. The word
constant is very important with the, that is one of the main themes with Sycotic
miasm. Most of the pathologies like suppurations, fistulas. Keloids, warts,
overgrowths are fixed and they are indicative of the sycotic miasm. Similarly
hypersensitive allergic reactions. Silicea is well-known for the allergic response to
dust for example in the form of silicosis. Now if you study the rubric “Vaccination,
ailments from”, you have Silica very very prominently, also Thuja.
The way I understand this rubric is that vaccination is basically the introduction of
a foreign protein into the system and people who have ailments from vaccination
are people who are hypersensitive and hyper- reactive to a foreign protein. The
same idea is the idea of allergies. So people who have allergies and hyper immune
system responses to different situations for example dust or smoke or whatever
or hyper immune system diseases like eczema etc. asthma. I consider in these
people the rubric “Ailments from vaccination”. Even though they do not give …
Alumina is still confused about its identity. It’s like clay it doesn’t know what he is
going to become. So he is questioning him, do I do what I want to do or do I have
to do what other tells me to do. And there is a conflict in his being, it is a terrible
conflict. Its syphilitic, it could be destroy it.
Silica is the next stage where he says this is me that’s it. I am going to become a
doctor, an engineer or whatever. I am going to be like this I am going to be
whatever ..it’s fixed. This is me and I am not going to change it. The question now
is am I good enough to be that what I want or people going to find out I am not
good enough. That’s the fear. But what I want to be is for sure.
And the next is Phosphorus who says I want to be different from what you want
me to be.
So Silica may say I want to be this, what you want me to be. May be you know
I want to be to your expectations. But it’s my choice that I have decided to be
what you want me to be.
But Phosphorus is the next. Just I will be purposely different than what you want
me to be. So it’s the further stage of ego development.
And of course, Sulphur takes the cake because it says I am better than everyone.
I know; you don’t. I know better.
Alumina Silicata a little bit more complicated. And about that I have to talk to you
with a case and that we will do in the future talk. Because we can bring out
beautifully the quality of Alumina Silicata. And is one of the most beautiful
remedies and when indicated it really works fantastically. I would like to show you
some cases of it later on.
But one remedy that often comes in comparision with Silica is Argentum nitricum.
- Whereas Argentum from the 5th row is a creative person. He is like a speaker,
singer, an orator, a creator and he has to make the presentation or original
- It involves the reaching out beyond himself. Excelling himself. Each time he has
to do better. Imagine a life of a classical singer. Imagine the life of a scientist.
Imagine the life of an actor, he is going to be judged by the standard he has
set. Not that somebody has set for him. And each time he has to reach beyond
himself, to excel in order to maintain his reputation, his position. But
Argentum is just beyond the 10th stage, the 10th column. The 10th column is
success and after that you have to maintain that success. It’s just above Aurum
metallicum. So this need to excel himself, to have total control on what he is
doing, brings Argentum nitricum to the cancer miasm. Whereas Silica is Sycotic
miasm. Silica is 3rd row concerned with his image, Argentum is 5th row
concerned with his originality and creativity. And this is a huge difference
between the two remedies.
The question for Pulsatilla is not the question of choice, she doesn’t have the
problem to decide what he wants what he doesn’t want. It is not the issue at all.
He knows what he wants. He is clear what he wants and what he doesn’t want.
The question for Pulsatilla is that he will not express this desire because he
believes that if he or she expresses this choice, this desire, somebody might get
angry on him. Somebody might be rude to him or her and she wants to create the
situation for herself that she avoids rudeness.
So these are completely different even enough they seem similar in some
symptoms. What is interesting of course between Pulsatilla and Silica is they are
supposed to be complements of each other, following each other well. Silica they
say is the chronic of Pulsatilla or follows well. That’s very interesting; they are very
close.
Clinical observations
Now the other thing we need to know from Silica is the experience from clinical
cases.
- ‘Delusion: body divided, left half does not belong to her’. The way I
understood is that Silicea seems to have two sides to her. One that she shows
and one that is hidden. To keep something about you hidden is a feature of the
For example, a child is told that he will be accepted and loved if he achieves in a
specific way. he comes first in class or he becomes a doctor etc etc and that
makes them very nervous. And this is more what is perceived than that what is
actual.
So what they are doing is actually fulfilling an image made for them by somebody
else. And to maintain this image she yields, she yields to that image but that
image itself becomes fixed and obstinate. So here it is two things together. She is
yielding to somebody’s image but that image is obstinate or fixed.
When I imagine Silica, just out of my own imagination, I imagine is somebody like
a queen or the prince, who is not powerful, just is a titular head. Just the head for
namesake. So there is no power but there is a monarchy here. So he has to keep
up the family image. He doesn’t have to do anything creative or original or think
and take any responsibility. But his job is simply is to live to a particular image and
everybody expects him to live to that particular image. And anything that spoils
that image is not good for him. People are always observing him, that’s how he
feels.
Dr William Gutman from America he writes very beautifully about Silica. He says ,
- ‘Silicea is derived from the earth’s crust which consists of sand or grit and the
patient shows lack of grit.
- The earth’s crust gets easily heated by the sun and easily chilled. And so is the
Silicea patient; easily sensitive to cold and heat and is worse from cold and
heat.
- The earth’s crust was originally soft, consisting of lava, and then it became
harder and harder. So in the patient the soft parts become hard, and the hard
part becomes soft. Like formation of abscesses in the bones, caries of teeth
etc.’
So in this way, when you study Silica from the source, from the Materia medica,
from the rubrics, from the kingdom, from the miasm, from the clinical cases, from
the comparision of similar remedies then you get a very very grounded picture of
that remedy. And this is the way you need to study a remedy, and this is the way
you also we need to study the patients. Now we will pass on to another remedy
also a very common one from the Plant kingdom.
Pulsatilla first of all the source. We know that it’s from the Ranunculeceae
family. And now if we study the information on the source about Pulsatilla we
find some very interesting information.
This is also from William Gutman. William Gutman studied remedies from the
source and he has compared the information from the source with the
symptomatology of the remedy in a very beautiful, often poetic way.
He wrote Pulsatilla is often found in groups, as if seeking company, never
rarely or as a single specimen.
The plant grows on dry, sandy soil, having small need for water. Which kind of
brings to the fore the thirstlessness of Pulsatilla which we know as one of its
characteristics.
It appears early, thriving in the cool air of first spring, but has still to be
protected against chill by fine soft hair, covering stems and leaves.
The flower, softly bents, hanging downwards, yields to the slightest breath of
air, moving about, constantly changing its position, as the wind changes its
direction.
The same characteristic "changefulness" exists in the colors, all colors are
represented, from near white to yellow, lilac, blue, red, violet and purple to a
nearly black color.
So some hints about Pulsatilla, about its changeability, about its yielding
disposition, about its thirstlessness are all found in the plant itself.
Pulsatilla from Materia Medica
Constitutional makeup:
- Usually helps females of mild, gentle and yielding disposition as given in
Phatak.
- People who cry readily.
- It is generally thirst less.
- Generally chilly but aggravated in a closed room and better in the open air.
- Discharges are yellowish green.
Mental makeup:
Pulsatilla we know is
- Mild, timid.
- Emotional and tearful.
- Easily offended.
- Likes to be fussed over or caressed.
- It is also very irritable and touchy.
- Feels slighted ( slighted means insulted ) or fears slight.
- Feels herself alone in the world.
- Fixed ideas that certain foods are not good for the human race.
These fixed ideas are also very typical of Sycotic miasm. We see that in Silica,
we see that in Thuja, we see that in Pulsatilla.
- “Delusion; forsaken, deserted”. ‘Fear, forsaken, of being.’
- “Delusion, neglected she is”. ‘Fear, neglected, of being.’
- He always anticipates that people will neglect him or forsake him.
- “Dreams, frightened by a black dog”.
Family Ranunculaceae.
The main themes of Family Ranunculaceae:
- Extremely sensitivity to being hurt - insulted, slighted, offended, mortified,
reprimanded. It is as if the nerves are ‘exposed’, ‘raw’ and ‘touchy’.
- There is a mixture of emotions; there is grief along with anger and guilt, one
on top of another. Try to understand the Ranunculaceae family The main
characteristic of the Ranunculaceae family is that the person does not feel
one thing at a time. If he feel angry, he is also feeling guilty and also feeling
sad; all at the same time, which happen with one another. So if somebody
hurt him, he feels sad, he feels angry, and he also feels guilty for having done
something to be brought on that kind of an offence. So there is fear, hurt and
irritability. This is one of the main qualities in Ranunculaceae, you must see
that in the patient. So when pulsatilla person is angry he has to feel sadness
and guilty and anger, all at the same time. That is it’s characteristic.
- Timidity.
- There is also a tendency to suppress or hold back.
So similarly in Pulsatilla you see all emotions. There are many fears, such as fear
of being alone, and fear to be in the dark. There is irritability and anger. And there
is weeping and sadness. All the emotions mixed together makes Pulsatilla
extremely touchy and sensitive.
Pulsatilla adopts a type of behavior which is mild and yielding. Whatever you say
she will listen and if you are little bit harsh she can cry at the drop of a hat. So
these are not the kind of people you will want to offend, you will be very careful
and cautious about this, and they will also try to see that they give you no reason
to offend them.
In rare cases you will see that Pulsatilla wants to throw or strike in anger, but they
will never ever do it. However, there is intense anger that comes. Pulsatilla is a
Element of dependence:
Another symptom of pulsatilla is
There is a strong element of dependence in Pulsatilla with a fear of being alone ,
the fear to be left alone, fear to be neglected and forsaken and the dependence
on other person which makes the Pulsatilla person yielding, mild and having to
pander or please other people. This feeling of dependence is an emotional
dependence. Unlike a dependence for security or a dependence for choice as you
find in the Mineral remedies. It’s a need for sympathy, it’s a need for fuss, it’s a
need for consolation which makes the Pulsatilla person feel much better.
Thirstlessness.
Another characteristic is thirstlessness.
There are some interesting things about Pulsatilla in thirstlessness. If you ask the
patient “tell me are you thirsty?”, he may say yes. Then you would have to
counter question and ask the question, “what are you thirsty for?” Some Pulsatilla
people will say we are thirsty only for cold drinks. And when you ask what about
Another thing about thirst is when you ask the patient thirst? He says yes I am
very thirsty. So describe how much water do you take, I take 8-9 glasses per day
or half a litre, one litre per day. Then you ask why do you take this water? Often
the Pulsatilla person would say because it is good for me, I am told to take water.
I made it a habit. So he takes water out of his fixed belief, a fixed idea that so
much water is necessary to take. If we say if left to yourself how much water
would you take ..he may tell, well no, I personally never get the urge to take
water. So the thirstlessness of Pulsatilla is also often hidden and one has to cross
question to get it.
Craving for open air. Pulsatilla is better by movement, and especially by moving
about in the open air. Almost all of the symptoms are better in the open air. If this
symptom is not present you must doubt whether the patient really needs
Pulsatilla. So one of the strongest confirmations of Pulsatilla is I would like open
air and I cannot stand closed places.
Sometimes I ask the patient, “do you like I windows open or shut or does it make
a difference to you.” Sometimes a Pulsatilla patient can say I like the window
shut. And if you ask him why, he would say “because I can’t take the noise”. So
they are sensitive to noise that comes through the window but you will see they
will find some way in which they can get fresh air.
Conscientiousness:
Pulsatilla is very conscientious. So you have the rubric:
Persistent thoughts:
Another symptom of Pulsatilla is Persistent thoughts.
When they try to sleep, many thoughts come and crowd in their mind, not
allowing them to sleep. We have already seen in confirmation of Pulsatilla. They
take a long time to sleep. One of the reason is the persistence of thoughts. If they
listen to some music, in the day time then that music plays over and over again in
their heads, preventing sleep.
So we have the rubric:
“Thoughts, persistent, music about at night”.
I have seen this symptom in patients, it is not common, it is rare. But it does exist.
Now we need to compare Pulsatilla with other remedies.
Kali sulphuricum: Because Kali sulph. has the feeling: “I am dependent, I need
people I can’t be alone (kali) and Sulph is the feeling that I am not considered
worthy, I am humiliated, I am insulted. So Kali sulph has the feeling “I am
humiliated, insulted by the people on whom I am dependent.” It is also a sycotic
remedy and has thick greenish yellow discharges. Like Pulsatilla, Kali Sulph is also
better in open air and worse in a cold place. Therefore they are pretty close. We
have also seen that Pulsatilla can show dependence and fear to be alone and the
feeling to be insulted and humiliated. The only thing that will help to
differentiate between the two remedies is the kingdom.
Pulsatilla - plant remedy often a very sensitive person and also artistic. It is
inclined towards sensitive things like art, flowers and music, and is very touchy,
very sensitive emotionally, easily weeping. If you say the slightest thing, it will
And when you know a remedy through the different ways, first through the
source, then through the symptoms, then through the rubrics, then through the
characteristics, then through the kingdom, the family, then through the miasm,
then through the comparison, then through the clinical cases. And then when you
see all of them speaking a similar language then you can be sure, then you can
be absolutely sure both in Materia Medica and in practice with the patients. This
is the kind of integration of information that I want to talk to you about through
these talks. Because isolated information, just about the sensation or just about
the rubric, is half information, is just one side of the story. It is not complete, it is
risky. But when integrated, when seen as a whole, when the patient speaks - you
hear the miasm, you hear the kingdom, you hear the rubrics, you hear the
Materia Medica, the source all at the same time and speaking the same language.
Then you can be sure. That works.
We will take the last remedy for today, an animal remedy; also common, Lachesis.
I purposely choose remedies that all of you know. Common remedies. Because
you have the information from the Materia Medica. You have the information
from the rubrics. I am sure you have had clinical cases. And I know you know
things about Lachesis or Pulsatilla or Silica from the kingdoms. But maybe this talk
will help you to see all this information together. And to show how not only to
study a Remedy but how to study a patient.
Of course, the question here comes, what about the remedies that are not
proved. The question comes what about the patients who give characteristic
symptoms, but we don’t know much about the family or the kingdom of that
remedy which is indicated through those characteristics. That is the reason we
need to have the whole range of Repertoire from the systems to the symptoms.
But in a majority of cases, this information comes together and then your practice
is really solidly placed.
We know Lachesis…
It is left sided.
It is good for Hemorrhages.
It has Flushes of heat.
It has Constriction around the throat.
That it is useful for Malignant or septic states.
So the sudden change and surprise attack , are very important parts of any
reptilian behaviour. Many times, the victim is often caught off guard, even
without any time to react. After the burst of action, the reptile usually runs and
hides (escape/avoidance behavior), because it is at a disadvantage and incapable
of a face-to-face fight and hence they remains mostly hidden or camouflaged.
Deceptiveness, camouflage
When you study Lachesis, eg. deceitful is one of the characteristics, liar is one of
the characteristics of Lachesis. It so beautifully represents this hiding, this
deceitfulness. This double sidedness.
Reptiles are usually very deceptive, they like to remain hidden or go unnoticed.
They don’t like to reveal their true selves. Therefore, they need to camouflage.
What is the difference between Reptiles and snakes? How do we see this in the
patient.
Some of the qualities that snakes have and other reptiles don’t have is :
the tongue movement. The going in and out of the tongue.
So the snake has to put the tongue out in order to feel what’s going on and
withdraws the tongue in and out. In Lachesis, this is the symptom given in the
repertory, “Motions of the tongue, in and out, like a snake.”
Another quality of the snake is of course, the serpentine motion. Often seen in
hand gestures. They sometimes compare it to a river, they say it is like a flow.
Sometimes they say when I want to go from point A to point B, I he says I went
like this (gesture). Very unconsciously, casually.
Another quality of the snake is the poison. Most reptile don’t have poison
except the snake. Some lizards, yes.
Another quality of the snake is that they live without limbs. So of course one is
the crawling, but very often snake patients talk about being limbless in one
form or the other. One patient said when I get angry I want to chop off the
other person’s hands and legs.
For example to be without hands and legs, another person said I feel
handicapped. I said what is handicapped; he said it is to be without hands and
legs. So this image to be without limbs often comes in snake cases.
Snakes are a sub-group of the class of Reptiles, which also includes other
families.
Family:
Viperidae
Subfamily: Subfamily:
Crotalinae Viperinae
(pit vipers) (true or pitless vipers)
Now we will try to correlate the features and the symptoms of provings of
Lachesis and add to it our clinical confirmations and picture.
Common reptilian and snake features and correlation with symptoms and
rubrics of Lachesis:
I mean when you look at terrorism in the world. What is the underlying principle
here. I don’t condole terrorism, in fact I am quite vociferously against it. But
I think the idea of terrorism is often the idea of somebody who’s weak and at a
disadvantage trying to get at somebody who is strong and more powerful. And
The rubric:
- Jealousy: men, between , is very interesting in Lachesis.
Because in reptiles there often an immense competition and jealousy between
males over mating rights and to win over a female; male-to-male fights are also
seen over rights on a territory (which in humans can be seen in work places,
corporates, politics, family issues, etc).
Attention-seeking behaviour
The most well-known symptom of Lachesis:
- Loquacity, changing quickly from one subject to another.
- Loquacity, jesting, with.
In practice this is often seen in snake cases that they never reveal their true side.
You will be talking to them for 1 hour you don’t know what they are talking about.
They give you a picture of a very successful person in a corporate world, or a
medical world or anywhere & talking very sober things. And exactly at the time
when you don’t expect, suddenly you can see a vicious side to them and that
comes as a complete shock. This is very interesting in case taking.
- Deceitful, sly.
- Feigning: sick.
- Delusions, conspiracies against him, in Lachesis.
The word conspiracy is a very interesting word for Lachesis and for the snake.
Often people believe that Lachesis is a hot patient and cannot tolerate heat but
he likes cold. This is not true. Lachesis cannot stand extremes of heat and cold.
And this is what I observe in practice and that also confirms the whole idea of the
snake.
Any pressure around the throat aggravates, touch around the throat aggravates,
are very strong symptoms of Lachesis. So what am I trying to show here? That
really when you read the Materia Medica and the provings it is an exact reflection
of the source. I don’t see the difference. And studying Materia Medica this way
makes both the aspects become so clear and united.
Darting tongue
Snakes have forked tongue that rapidly dart in and out of their mouth, picking
scent particles and depositing them into the nerve centers, This gives them clues
of where the prey is. This is also seen in Lachesis as:
- Tongue: protruded rapidly darting in and out, like a snake (Kent’s).
Haemotoxic venom
Secondly, these snakes have heamotoxic venom. The poison causes coagulation
of blood cells that’s why haemorrhages are more prominent in Lachesis and
Crotalus rather than Naja or Elaps where it is more neurotoxic which affects the
heart and the nerves.
Clairvoyance
There is a constant fear of being pursued. Hence, they become extremely agile
and alert, in all circumstances. They also become clairvoyant, the ability to predict
any harm or danger. And it is this quality to predict gives Lachesis symptoms to be
clairvoyant, predict the future correctly.
Haemotoxic venom
Because the venom is toxic, therefore we see symptoms like: cyanosis, gangrene,
hemorrhage, tissue destruction,and bleeding .
Small wounds bleed much.’ – Phatak’s Materia Medica
Thermal aggravation
Most reptiles like to bask in the sun, but Viperidae snakes like Lachesis muta are
more tolerant of cold weather than other reptiles. Lachesis, therefore, is less
chilly than other reptiles. In homoeopathy Lachesis is well-known for a marked
aggravation from heat or from sun. However, we also see that Lachesis has
aggravation from cold. So I would suggest do not rule out Lachesis just on a
thermal modality.
Now I want to talk about the Specific features of Lachesis (the Bushmaster)
itself, which is different from the other Crotalidae snakes.
Isolation, solitude
When we study Lachesis in nature, its behavior and survival mode, we see that
this snake lives only in undisturbed forests, quite remote and isolated. Despite
their size and potent venom, deaths are rare, because this is usually a placid
species (common to Viperidae) that shuns confrontation with human beings.
Application of tight pressure. When the snake bites a person the first thing we do
is to apply a tight pressure that is proximal to the bite and then we apply ice or let
the patient bleed and let the poision out.. So the relief from tight pressure, the
better from the application of ice and the better from bleeding are 3
characteristic symptoms of lachesis that we can remember by this small
anecdote.
My imagination of Lachesis
Jealousy and Competition
If we study Lachesis from my book the Soul of Remedies we see as follows:
The specific problem of Lachesis seems to be the problem of jealousy, or how to
get the better of (be one-up on) a rival, especially in the situation of male-female
relationship or sexual relationship. It is the situation of someone who has to
Her survival depends on her being one-up on her rival, and she does this with
clever, manipulative talk. With her loquacity, she is able to attract and retain the
attention of the listener; she can be witty, sarcastic, loud, animated, vividly
expressive, excited. She observes the listener, judging all the time his interest
level, and at the correct moment unnoticed by the latter, she injects the venom
that works in him after he has left her presence. She has becomes so engrossed
with the competition, she has to shut off from work ("Business, aversion to").
When her very best efforts to compete fail she may turn religious, spiritual,
"Avoids company to indulge in her fancy."
The main theme of Lachesis is show. Advertisement would be a very good theme
of Lachesis, where he pushes him up and the other in the other way in a very
clever way.
So, we see that the desire for ‘show’ arises from a feeling of competition, one-up-
manship, jealousy and a desire to put others down. But at the same time, they
feel forsaken feeling, and friendless. Lachesis as we see the following rubrics:
- JEALOUSY: FOOLISH AS IT IS IRRESISTIBLE, AS.
- JEALOUSY: INSANE.
- Jealousy: kill, driving to.
- Jealousy: quarrels, reproaches, scolds.
Sarcasm
Jealousy that causes ...
- Mocking: sarcasm.
- Mocking: ridicule, passion to - is typical of Lachesis.
Conclusion:
Thus we can see that we studied three remedies – one each from the plant,
mineral and animal kingdoms. I wanted to show how a remedy can be studied
from all angles – from the provings, from the rubrics, from materia medica, from
the source, from the clinical symptoms, and clinical cases, from the source,
When we study the remedy at a factual level as well as at a conceptual level. Both
these levels inform and enhance each other. Without one of these sides, our
understanding is incomplete and shaky.
When you study the remedies from different perspectives, and understanding
then it becomes well rounded and well grounded. What is important is to know
that this is exactly the same way in which we have to study our cases, our
patients. When a patient talks something, it is also a rubric, it is also a miasm, it is
also a sensation, it is also a kingdom. And we have to see all this together. And
then you really understand the case completely, beautifully and surely.
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good wishes.