Professional Documents
Culture Documents
KTR Ud
KTR Ud
STUDY MATERIAL
B. Arch.
2019 - 2020
(EVEN SEMESTER)
OBJECTIVES:
Students will understand the fundamental concepts and theories of urban design and apply them in their
design projects.
UNIT- 1 INTRODUCTION 5
Emergence of urban design as a discipline, need for urban design, Elements of urban design (buildings, streets,
public spaces, transports, other elements etc. Principles of urban design-creating form and spatial definition in
articulation of urban design expression.
UNIT- 2 STUDY AND ANALYSIS OF URBAN SPACES IN HISTORY AND MODERN CONCEPTS IN URBAN
DESIGN 15
A brief study and analysis of urban spaces in history-in the west(Greek, Roman, Medieval and Renaissance
towns)and the east(in India-Vedic towns, temple towns, medieval and Islamic towns). Modern concepts in urban
design. Study of Urban design theories of Gordon Cullen and Kevin Lynch. Relevance of historic concepts of
urban design in the present context-Critical analysis of Indian cities & understanding the urban design projects of
Singapore, China & United States.
TOTAL: 60 Hours
OUTCOME:
Students will understand the terminologies, elements, principles & concepts & components of urban design
techniques. It helps us to understand the evolution of urban development from past to present through various
examples.
REFERENCES:
1. The Concise townscape- Gordon Cullen,The Architectural press
2. Image of the city - Kevin Lynch
3. Architecture of town and cities - Paul D. Speriregon, The MIT press
4. Urban design – Ornament and decoration , Cliff Moughtin, Bath Press
5. Urban design – street and square, Cliff Moughtin, Bath Press
6. Town and square - Paul Zucker
7. The urban pattern - Arthur B Gallion, CBS publishers
8. Architecture and the urban experience - Raymond J Curran. Van Nostrand Reinhold Company
9. Indian city in the arid West - Kulbashan Jain , Aadi Centre
10. Indian mega city and economic reforms - A.K.Jain, Management publishing Company
SRM Institute of Science &Technology
(Deemed to be university u/s 3 of UGC Act, 1956)
School of Architecture & Interior Design
16AR406
URBAN DESIGN & RENEWAL
16AR406 – URBAN DESIGN & RENEWAL – PRESENTED BY : DR. NEHA BANSAL 1
UNIT 1
INTRODUCTION
2
The art of creating and shaping cities and towns
Urban design involves the arrangement and design of buildings, public spaces, transport
systems, services, and amenities
amenities.. Urban design is the process of giving form, shape, and
character to groups of buildings, to whole neighborhoods, and the city.
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4
Urban renewal is a program of land redevelopment often used to address urban decay in
cities. Urban renewal is the clearing out of blighted areas in inner cities to clear out slums
and create opportunities for higher class housing, businesses, and more.
Modern attempts at renewal began in the late 19th century in developed nations,
nations and
experienced an intense phase in the late 1940s under the rubric of reconstruction.
reconstruction The
process has had a major impact on many urban landscapes and has played an important
role in the history and demographics of cities around the world.
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URBAN DEVELOPMENT
URBANISATION
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Emergence Of Urban Design As A Discipline
Urban design is about making connections between people and places,
places,
movement and urban form, nature and the built fabric. Urban design
draws together the many strands of place-making,
place making, environmental
stewardship, social equity and economic viability into the creation of
places with distinct beauty and identity
identity.. Urban design
design draws these and
other strands together, creating a vision for an area and then deploying
the resources and skills needed to bring the vision to life.
Urban design theory deals primarily with the design and management
of public space (i.e. the 'public en
environment',
vironment', 'public realm' or 'public
domain'), and the way public places are used and experienced.
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Important
ant writers on urban design theory include
• Christopher Alexander,
• Peter Calthorpe,
• Gordon Cullen,
• Andres Duany,
• Jane Jacobs,
• Mitchell Joachim,
• Jan Gehl,
• Allan B. Jacobs,
• Kevin Lynch,
• Aldo Rossi,
• Colin Rowe,
• Robert Venturi,
• William H. Whyte,
• Camillo Sitte,
• Bill Hillier (Space syntax) and
• Elizabeth Plater-Zyberk
Zyberk
8
What Is Urban Planning?
NEED FOR URBAN DESIGN
Urban planning is a new discipline whose need has
been arisen due to the rising health issues because
of overpopulation, poor sanitation, and pollution.
pollution HELPS THE CITIES TO GROW
The way the cities were designed earlier, it had
become tough for citizens to reside, walk or use
public transport. For the first time in the year 2010, IMPROVES QUALITY OF LIFE
over 50% of the world’s population was living in
cities. At that time, the UUnited
nited Nations predicted PREDICT DISASTERS
that by 2015, there will be 358 cities in the world
having more than 1 million population and 27
megacities with more than 10 million people. Much POSITIVE IMPACT ON ECONOMY
of this will be seen in developing countries. That’s
why the need for urban planning came into the SAFE AND HEALTHY LIFESTYLE FOR EVERYONE
picture. With this, let’s understand why urban
planning has become crucial in today’s world DEVELOP THE NATION
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PUBLIC PARTICIPATION
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Need for Urban Design
It is a means to bring about a difference; Planning helps make the most out of municipal budgets by
informing infrastructure and services investments, balancing demands for growth with the need to protect
the environment. It distributes economic development within a given territory to reach social objectives
and creates a framework for collaboration between local governments, the private sector and the public
at large
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Planned cities in INDIA
The green city of Chandigarh is India’s one of
the early planned cities post independence
and governed directly by the Union
Government. The master plan of the city known
for its architecture and urban design, regarded
as perfect cities of the world to live in.
CHANDIGARH
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Planned cities in INDIA
Navi Mumbai is a new urban township of Mumbai
city, which includes the area from Kharghar to
Uran. The city is home to various educational
institutions,restaurants and luxury hotels, malls,IT
companies and will have own international airport
NAVI MUMBAI
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Planned cities in INDIA
Noida is one of the systematically planned Indian
city and has the highest per capita income in NCR
region. The city is also considered to be India’s one
of greenest city and ranked best city to live in Uttar
Pradesh and the best city in Housing in all of India
NOIDA
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Planned cities in INDIA
Gandhinagar city is a well planned city like
Chandigarh,lies on the west bank of the Sabarmati
River. The new capital city was planned by
Mewada and Apte and was developed in four
distinct phases.
GANDHINAGAR
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Elements of urban design
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SRM Institute of Science &Technology
(Deemed to be university u/s 3 of UGC Act, 1956)
School of Architecture & Interior Design
16AR406
URBAN DESIGN & RENEWAL
16AR406 – URBAN DESIGN & RENEWAL – PRESENTED BY : N.PRAVEEN , M.Arch 1
UNIT 2
URBAN SPACES IN HISTORY AND MODERN CONCEPTS IN URBAN DESIGN
2
A BRIEF STUDY AND ANALYSIS OF URBAN SPACES IN HISTORY
PRE-CLASSICAL & CLASSICAL
Urban planning, a technical and political process
concerned with the use of land and design of the urban
Fixed Plans - Though Many Tended To
environment, including air, water, and the infrastructure
Develop Organically.
passing into and out of urban areas such as transportation
and distribution networks.
The streets of many of these early cities
were paved and laid out at right angles in
The history of urban planning runs parallel to the history of
a grid pattern, with a hierarchy of streets
the city, as planning is in evidence at some of the earliest
from major boulevards to residential alleys.
known urban sites.
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THE WEST (GREEK TOWNS)
GREECE
4
THE WEST (GREEK TOWNS) GRECO-ROMAN EMPIRES
• Traditionally, the Greek philosopher Hippodamus (5th century BC) is cultural history between the 8th
regarded as the first town planner and ‘inventor’ of the orthogonal century BC and the 6th century
urban layout. AD centered on the
• Aristotle called him "the father of city planning", Mediterranean Sea, comprising
• The Hippodamian plan that was called after him, is an orthogonal the interlocking civilizations of
urban layout with more or less square street blocks. ancient Greece and
• Rational town planning, with straight streets intersecting to form ancient Rome known as
quadrilateral city blocks the Greco-Roman
Roman world
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THE WEST (GREEK TOWNS)
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THE WEST (GREEK TOWNS)
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THE WEST (GREEK TOWNS)
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THE WEST (GREEK TOWNS)
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THE WEST (GREEK TOWNS)
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THE WEST (GREEK, ROMAN, MEDIEVAL AND RENAISSANCE TOWNS)
ROME
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THE WEST (ROMAN TOWNS)
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THE WEST (ROMAN TOWNS)
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THE WEST (GREEK, ROMAN, MEDIEVAL AND RENAISSANCE TOWNS)
MEDIEVAL
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THE WEST (MEDIEVAL TOWNS)
PLANNING
The time span between fall of the Roman empire
till the start of renaissance is termed as DARK 1. Early medieval town was dominated by church or
AGES as no great construction or development monastry & castle of lords.
was carried out during this period. 2. For protective measures, towns were sited in
Economy was rooted in agriculture and the irregular terrain, occupying hill tops or islands. Towns
feudal system was the new order. assumed informal & irregular character.
Merchants & craftsmen formed guilds to 3. Church plaza became a market place.
strengthen their social & economic position. 4.Roads generally radiated from church plaza&
Wars among the rival feudal lords were frequent market plaza to gates with secondary lateral
roadways connecting them.
CITIES IN TWELTH & THERTINTH CENTURY
5. Castle was surrounded by wall & moat as a
protective elements.
The city of middle ages grew within the confines
6. Streets were used for pedestrian while wheels were
of the walls. While the population was small,
restricted to main roads.
there was space in the town, but when it
increased the buildings were packed more
Irregular pattern in planning was devised to confuse
closely and the open spaces filled. Result was
enemies; as enemies unfamiliar with town.
intolerable congestion, lack of hygiene and
Open spaces, streets, plazas developed as an
pestilence.
integral part of site.
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THE WEST (RENAISSANCE TOWNS)
Factors shaping renaissance cities:
1. Modernization of warfare and the rise
of the nation-state.
nation
2. Colonial exploration, exploitation, and
expanding networks of trade.
trade
3. Dangers of rapid urbanization.
urbanization
4. Political and geographical divisions
within Christianity.
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THE WEST (RENAISSANCE TOWNS)
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THE EAST (IN INDIA-VEDIC
VEDIC TOWNS).
CHANAKYAS
ARTHASHASTHRA
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UNIT- 2 STUDY AND ANALYSIS OF URBAN SPACES IN
HISTORY AND MODERN CONCEPTS IN URBAN DESIGN
THE IDEAL CITY BY UNKNOWN ARTIST SECOND PART OF THE FIFTEENTH CENTURY
•In the Renaissance (15th century), rulers of city-states aimed to
achieve grand effects, with bold geometry and large public areas.
•Rome had fallen into decay, and the Church needed to restore
the faith of the people in its mission.
•From the 1470s, several popes began to remodel Rome. They
aimed to glorify the Church and the papacy, and enable pilgrims to
move more easily within the city. They adopted straight axial
streets terminating in vistas marked by columns, obelisks,
fountains, and views of grand buildings.
•The most ambitious pope was Sixtus V (1585–90). His plan was
to cover Rome with a network of straight streets and mark their
intersections by obelisks. His legacy to Rome is a classic example
of Baroque planning.
•The architect Leon Battista Alberti (1404–72) redesigned Rome’s
water supply. By 1600 it was the best of any city in Europe. The
Baroque remodelling of Rome culminated in the colonnade for St
Peter’s Basilica by Giovanni Lorenzo Bernini (1598–1680).
•Among the countless artists and architects who served the papal
court, Bramante, Michelangelo, Raphael and Domenico Fontana
were the chief creators of Rome as it is today.
•The architect Giorgio Vasari (1511–74) remodelled Central Florence. He created a
dramatic vista towards the Uffizi Palace, and placed statues at the end of axial streets.
UFFIzI PALACE, FLORENCE
FLORENCE CATHEDRAL
•VERSAILLES is widely regarded as
the ultimate manifestation of royal power
and authority.
•The size and the axis and cross axes
organization of the palace and gardens were
meant to show off the power of Louis the
XIV. The main axis is designed to give the
illusion that it extends to eternity.
•Also, the gardens have many pieces of
sculpture depicting Apollo the sun King
who Lois associated himself with.
•The palace and the gardens are both
seminal examples of Baroque design which
includes features such as parterres,
buildings on axes, focal points within
gardens and integration with the
surrounding landscape.
•Versailles consists of a central axis with a
series of cross axes which creates the
framework for the layout of the highly
organized palace and garden
FLORENCE CATHEDRAL
FLORENCE CATHEDRAL
FLORENCE CATHEDRAL
•The palace creates one of the cross axes off of
the central axis. The other cross axes created the
framework for geometric designs within the
landscape most of which had a focal point or
central feature.
•The central east-west axis consisted of gravel,
grass and water as it reached up into the horizon.
•The axis was meant to appear to extend into the
landscape for eternity. The axis transitions
through materials, levels and dimensions.
FLORENCE CATHEDRAL
•Baroque Rome inspired John Evelyn and Christopher Wren in their plans for a new urban
form for London after the Great Fire in 1666.
•A combination of Renaissance planning
and large-scale French garden design,
the plan's central streets connect public
squares and landmarks, while a narrower
street grid fills the residual space.
•Wren's design, inspired by the Gardens
of Versailles, imagined a well-ordered
London with vistas and wide, straight
streets.
•His grand plan was not implemented
largely because rebuilding was financed
by private enterprise and the desire was
to rebuild quickly.
•Without heavy government involvement
to carve new roads across existing
building plots and ancient routes, the
possibility of organizing building on such
an enormous scale proved to be
unfeasible.
•Much of the ancient layout of the City
remained, but rebuilt in brick and stone.
LONDON, ENGLAND
LONDON, ENGLAND
LONDON, ENGLAND
•Baron Haussmann reordered Paris
between 1853 and 1869, he also looked back
to Versailles for inspiration.
•By 1870, Paris was the ‘wonder
wonder of the
world’. Haussmann drove a network of
boulevards through the city, straightened
other roads, created public squares, vistas
and sites for important public buildings,, and
also made the Bois de Boulogne and Bois de
Vincennes into public parks.
•Cholera Took 45000 lives
•A new water supply a gigantic system of
sewers
•New bridges
•The opera, and other public buildings
•the inclusion of outlying districts.
PARIS, FRANCE
PARIS, FRANCE
PARIS, FRANCE
PARIS, FRANCE
•With 1,500 architects and 60,000 workers, Paris became the largest construction site in the
world in the fall of 1853. It would remain that way for almost two decades. We speak of a
"Haussmann Revolution" because under an emperor's impetus, a single man had the global
vision and the willpower to systematically modernize and embellish a city. Of course, this
transformation brought about its share of criticism, since it required the demolition of
historic buildings, entire neighborhoods, several hundreds of houses, and with all that
painful expropriations that drove workers to the suburbs. But it is Haussmann’s mission
accomplished that allows the entire world -- Parisians and tourists alike -- to enjoy PARIS,
THE CITY OF LIGHT!
•Today's Washington, D.C. owes much of
its unique design to Pierre Charles L'Enfant, who
came to America from France .
•L'Enfant designed the city from scratch,
envisioning a grand capital of wide avenues, public
squares and inspiring buildings in what was then a
district of hills, forests, marshes and plantations.
•His design was based on European models
translated to American ideals. "The entire city was
built around the idea that every citizen was equally
important," Berg says. "The Mall was designed as
open to all comers, which would have been unheard
of in France.“
•L'Enfant placed Congress on a high point with a
commanding view of the Potomac, instead of
reserving the grandest spot for the leader's palace
as was customary in Europe.
•Capitol Hill became the center of the city from
which diagonal avenues named after the states
radiated, cutting across a grid street system.
•These wide boulevards allowed for easy
transportation across town and offered views of
important buildings and common squares from great
distances. Public squares and parks were evenly
dispersed at intersections.
•L'Enfant specified in notes accompanying the plan
that these avenues were to be wide, grand, lined with
trees, and situated in a manner that would visually
connect ideal topographical sites throughout the city,
where important structures, monuments, and
fountains were to be erected.
•On paper, L'Enfant shaded and numbered 15 large
open spaces at the intersections of these avenues and
indicated that they would be divided among the
states.
•He specified that each reservation would feature
statues and memorials to honor worthy citizens. The
open spaces were as integral to the capital as the
buildings to be erected around them.
THEORIES DEVELOPED IN THE 20TH CENTURY
•The garden city movement is a method of urban planning that was initiated in 1898 by
Sir Ebenezer Howard in the United kingdom.
•Garden cities were intended to be planned, self-contained communities surrounded by
“green belts" (parks), containing proportionate areas of residences, industry and agriculture.
•Howard published his book To-morrow: a Peaceful Path to Real Reform in 1898 (which was
reissued in 1902 as Garden Cities of tomorrow).
•His idealized garden city would house 32,000 people on a site of 6,000 acres (2,400 ha),
planned on a concentric pattern with open spaces, public parks and six radial boulevards,
120 ft (37 m) wide, extending from the centre.
•The garden city would be self-sufficient and when it reached full population, another garden
city would be developed nearby.
•Howard envisaged a cluster of several garden cities as satellites of a central city of 50,000
people, linked by road and rail.
THEORIES DEVELOPED IN THE 20TH CENTURY
THEORIES DEVELOPED IN THE 20TH CENTURY
THEORIES DEVELOPED IN THE 20TH C ENTURY
TONY GARNIER – AN
INDUSTRIAL CITY
The sun dial diagram is a means of determining how many ours a day the sun will be able to
shine into a the living room of a house in a plan. It is meant to be a tool in determining the
orientation of streets in a plan in such a way that all houses receive a fair amount of sunlight.
THEORIES DEVELOPED IN THE 20TH CENTURY
THEORIES DEVELOPED IN THE 20TH CENTURY
Cover of the Scientific
American, 1913
Traditional situation
A clear demarcation of the private realm. In
this example with a stoop and a fence.
Social control. In this example: the living
room with big windows directly looking out
over the street, a confined public space that
can be clearly overviewed.
THEORIES DEVELOPED IN THE 20TH CENTURY
Oscar Newman, 'Defensible space', 1972
Research
Newman's research shows
that there is a clear relation
between the form of public
space and criminality.
In this example he compares
two adjacent living quarters
with an almost identical
population, type of houses
and density. The difference in
urban design remains the
only feasible explanation for
the difference in crime rate.
Unit 2
KEVIN LYNCH
THE IMAGE OF
THE CITY
• IDENTITY
• STRUCTURE
• MEANING
IDENTITY
STRUCTURE
MEANING
ELEMENTS AS CARRIERS OF
CITYSCAPE
• Routes
• Boundaries or edges
• Areas or districts
• Nodes
• Signature or landmarks
REDUCTIE
REDUCTIE Rome Giambattista Nolli 1748
TOEVOEGING
DEMONTAGE
DEMONTAGE
BEZONNING LENTE ZOMER HERFST WINTER
SRM Institute of Science &Technology
(Deemed to be university u/s 3 of UGC Act, 1956)
School of Architecture & Interior Design
16AR406
URBAN DESIGN & RENEWAL
16AR406 – URBAN DESIGN & RENEWAL – PRESENTED BY :N.PRAVEEN , M.ARCH 1
UNIT 3
BASIC PRINCIPLES & TECHNIQUES IN URBAN DESIGN
Components in urban design composition. Urban scale, mass and space, definition of urban fabric, visual surveys
and their influence for urban
rban design, various methods of conducting a visual survey. Definition and purpose of
open spaces and their hierarchy in urban design-hierarchy
design hierarchy of utility spaces for residential, commercial,
recreational and industrial use. Special focus on streets-Expressive
streets quality of built forms, spaces in public domain
2
UNIT- 3 BASIC PRINCIPLES & TECHNIQUES IN
URBAN DESIGN
1. Buildings
•Order
•Unity
•Balance
•Proportion
•Scale
•Hierarchy
•Symmetry
•Rhythm
•Contrast
•Context
•Detail
•Texture
•Harmon
•Beauty
EVOLUTION OF URBAN DESIGN –
WESTERN WORLD
PLANNING VISUAL
•Patrick Geddes •Camillo Sitte
•Ebenezer Howard PERCEPTION
•Lewis Mumford •Kevin Lynch
•C A Perry SURVEY
•Doxiadis •Paul d Speirigien
MODELS
•Landuse Model
•Concentric zone Theory
•Sector Theory
URBAN DESIGN - VISUAL
Camillo Sitte (1843- 1903)
1. City Building According to Artistic
Principles Written in 1889, Camillo
Sitte
a. Identity
b. Structure
c. Meaning
• Identity - A workable image always requires the identification of
the object, which implies its distinction from other things, its
recognition as a separate entity.
• Structure - The image must include the spatial or pattern relation
of the object to the observer to the other objects
• Meaning - It is also a relation but quite a different from spatial or
pattern relation.
WASHINGTON D.C.
TAJ MAHAL
TAJ MAHAL
• LEGIBILITY: The apparent clarity or legibility of the cityscape means
the ease with which its parts can be recognized and can be
organised into a coherent pattern. A Legible city is one whose
districts or landmarks or pathways are easily identifiable and are
easily grouped into an overall pattern.
• Urban analysis
1. Phase 1: Office-based interviews, where the sample citizens
were also required to draw up a map in order to make a rapid
description of the city.
2. Phase 2: Systematic examination of the environmental image
evoked by trained observers in the field.
• Common themes
1. Interest for panoramas, and smaller landscape features, noted
with care and attention
2. Shapeless places which, although not pleasant, seem to be
remarkable and striking
3. identification of places with the social-classes that occupy or use
them
4. the presence or lack of historical marks
• The whole interview and in-field approach has been the one aimed
at discovering the social experience of a town, which does not just
outline how a urban system works but also how it is perceived by
people.
• Designed by Doxiadis
• He also proposed the EKISTIC model of design combined all aspects of human
settlement – Economy / Culture / Technical innovations / Society / Politics &
Administration of urban areas.
• A principle adopted in
designing the Islamabad-
Master Plan was UNITY
OF SCALE
• This natural
landscape has been
fully respected when
designing the layout
of each sector, and
green spaces
created by this
physical feature have
been fully exploited
by locating such
functions as schools,
gardens, parks, and
playgrounds next to
them.
URBAN DESIGN – LANDUSE MODEL
CONCENTRIC GROWTH CONCEPT
E W BURGESS; EARLY 1925
Zone I: Central Business District (CBD) where most of the tertiary
employment is located and where the urban transport
infrastructure is converging, making this zone the most
accessible.
Zone II: Immediately adjacent to the CBD a zone where many
industrial activities locate to take advantage of nearby labor and
markets. Further, most transport terminals, namely port sites
and railyards, are located adjacent to the central area.
Zone III: This zone is gradually been reconverted to other uses by
expanding manufacturing / industrial activities. It contains the
poorest segment of the urban population, notably first
generation immigrants living, in the lowest housing conditions.
Zone IV: Residential zone dominated by the working class and those
who were able to move away from the previous zone (often
second generation immigrants). This zone has the advantage of
being located near the major zones of employment (I and II) and
thus represents a low cost location for the working class.
Zone V: Represents higher quality housing linked with longer
commuting costs.
Zone Va: Mainly high class and expensive housing in a rural,
suburbanized, setting. The commuting costs are the highest.
Prior to mass diffusion of the automobile (1930s), most of these
settlements were located next to rail stations.
ASSUMPTIONS
• Landuse patterns and socio-spatial structure made very simple
• The city is considered as a circle with various sectors radiating out from
the centre of the circle.
• Similar type of Landuse, originating near the city centre (CBD) move out
towards periphery but largely in the same direction and in the same
grouping.
CRITICISM
• Hoyts visualization that high status area were not only the key
determinants of urban structure (residential) at any point of time but a
central agent of change over time. This has been questioned.
• It lacks Universality
• Its structure as only one focal centre has also been questioned.S
MULTIPLE NUCLEI CONCEPT
HARRIS & ULLMAN; 1945
• The areas of the city that they recognise are similar to the ones noted by
Hoyt and Burgess but the location of these areas will be different in
different cities.
• The central business district will often be found near the original retail
area of the city.
• Warehousing and light industrial areas will develop adjacent to the CBD
and along transport links such as railways and roads.
• Lower quality housing will be forced to occupy the less attractive areas
of the city.
ARTISTIC ELEMENTS
SCALE AND PROPORTION
SYMMETRY
TEXTURE
HARMONY
SCALE and proportion
•People will often say something is “large scale”, but we really have
no idea how large “it” is without dealing with proportion.
•Cannot have one without the other. Scale refers to the size
and proportion refers to the relative size.
•Using the relative size of elements against each other can attract
attention to a focal point.
•When elements are designed larger than life, scale is being used to
show drama
•Scale and proportion principles help the viewer organize an image
and they can be used to create or minimize points of emphasis.
•If an object is out-of-scale or oddly proportioned, then it will create a
point of emphasis.
•Also, large scale objects create obvious visual weight. We
automatically perceive larger objects as closer and more important
than smaller objects.
•For instance, government buildings, theaters and churches are often
built to impress and dwarf the viewer, while the proportions in a
private home are usually more according to human measure.
SYMMETRY
•When there is correspondence in size or shape of parts on either side
of a bisected whole we say it is symmetrical.
•A good starting point for understanding symmetry might be to look
in the mirror and imagine a line drawn down the center of your body.
• You are fairly symmetrical with correspondence between your eyes,
ears, arms and legs, A symmetrical building has the same shapes on
either side of an imaginary line drawn down the middle of its façade.
• Buildings can be asymmetrical as well when different shapes are
placed on either side of a bisecting line.
TEXTURE
•Texture is the apparent look or feel of the surface of an subject..
•We can interpret a texture with our eyes and can tell visually how it
might feel.
•Texture can also be suggested by the rich layering of shapes and
forms on a building.
•It helps in identifying the open space and covered area in an area.
LIGHT AND SHADE
•Light and dark are relative perceptions of light.
• Architects use the concept of light and dark as they
create visual interest on a building by choosing
shapes that create a sensation of depth.
•When some shapes stick out, they leave others in
shadow.
•Narrow openings often appear dark, as in a tunnel,
and broad, flat spaces look light.
•Materials can be used to vary the light quality of a
building.
•For instance, a band of tinted windows gives the
illusion of a dark space wrapping around a building.
DOMINANCE AND HEIGHT
•The principle of dominance plays a major role in
where emphasis occurs in a design.
•Repeated elements without some form of dominance
can create monotony and confusion.
•Without a dominating size, the arrangement of
elements in this photograph is not as interesting as it
could be. The eye has a confusing path to follow
around the photograph
•To have a dominant element requires subordinate
elements. Sometimes the subordinate element attracts
more attention by way of contrast.
HARMONY AND CONTRAST
•Harmony is the visually satisfying effect of combining similar
or related elements. Adjacent colors-Similar shapes-Related
textures
•Harmony in a painting or design helps bring about unity. All
harmony and no contrast, however, can become monotonous. A
balance must be struck between areas of harmony and areas of
contrast.
•The principles of harmony and contrast seem completely
contradictory, but it is the balance between these two that is
vital to the success of any work.
•Contrast exists when two adjacent parts are very different
from one another.
•In architecture, we speak about such things as materials that
have contrasting colors and textures. We may also mean the
relationship of highlights and shadows.
•When contrasting materials are placed together, one seems to
move to the front of your line of vision.
•Architects use contrast to add visual variety to their designs.
THEORIES - SOLID (MASSES) AND
VOIDS – FIGURE GROUND THEORY
•The figure-ground theory is founded on the
study of the relative land coverage of
•Solid masses - (“figure”) (buildings)
•Open void - (”ground”) (parks, streets,
squares)
•A predominant “field” of solids and voids
creates the urban fabric.
•The figure-ground approach to spatial design
is an attempt to manipulate the solid-void
relationships by adding to, subtracting from, or
changing the physical geometry of the pattern.
•The figure-ground drawing is a graphic tool
for illustrating mass-void relationships; a two-
dimensional abstraction in plan view that
clarifies the structure and order of urban
spaces.
•Its only two dimensional
THEORIES – LINKAGE THEORY
•Linkage theory is derived from “lines”
connecting one element to another.
•These lines are formed by streets, pedestrian
ways, linear open spaces, or other linking
elements that psychically connect the parts of a
city.
•The designer applying the linkage theory tries
to organize a system of connections, or a
network, that establishes a structure for
ordering spaces.
•Emphasis is placed on circulation diagram
rather than the spatial diagram of the figure-
ground theory.
•Movement systems and the efficiency of
infrastructure take precedence over patterns of
defined outdoor space
THEORIES – PLACE THEORY
•The place theory adds the components of
human needs and cultural, historical, and
natural contexts.
•Advocates of the place theory give physical
space additional richness by incorporating
unique forms and details indigenous to its
setting.
•In place theory social and cultural values,
visual perceptions, of users and an individual’s
control over public environment are as
important as principles of enclosure and
linkage.
THEORIES -
A review of precedents reveals 3 important components of
successful hard urban space:
include both natural lacks, rivers and streams which represent rich wildlife
habitats and offer recreational value.
Water ways:
include manmade lacks and canals that offer recreational value
• The park is Surrounded by the city from one side and open to
the natural lands from other sides
• The size:
The landscape:
trees
lawn
The Green
• The green can be naturalistically or formally disposed.
• The size:
• The minimum size shall be 0.5 acre and the maximum size shall be 8
acres
• The size:
Residential areas
The playground
The landscape:
The size:
The minimum size shall be 0.5 acre and the maximum size shall be 2
acres
The Square
“Is an open space available for civic purposes”
The Square
The Surroundings:
• Is defined by buildings frontages and is located at the
intersections of important thoroughfares.
Buildings frontages
The Square
• The landscape:
• The size:
The minimum size shall be 0.5 acre and the maximum size shall be
5 acres
The streets
“Are
Are the connections between spaces and places , and they are
considered as spaces themselves.”
themselves.
• Types of streets
• Means that the spaces reflect the local character of the area and
have a variety of uses, built form, features, colors and materials that
give the spaces and buildings their own identity within the overall
character of the surrounding urban environment.
Safe urban spaces have buildings Safe urban spaces have separate
facing onto them bicycle lanes and wide, well-lit
paths
4. Comfort:
• comfort include:
• environmental factors (shading from sun, wind, etc).
• physical comfort (comfortable and sufficient seating, etc).
• social and psychological comfort (privacy, etc)
Shading Comfortable
seats
5. provision of passive and active engagement:
• passive engagement:
2. Accessibility:
3. Safety:
4. Comfort:
5.provision of passive
and active engagement:
6. Enjoyable:
THANK YOU
SRM Institute of Science &Technology
(Deemed to be university u/s 3 of UGC Act, 1956)
School of Architecture & Interior Design
16AR406
URBAN DESIGN & RENEWAL
16AR406 – URBAN DESIGN & RENEWAL – PRESENTED BY :N.PRAVEEN , M.ARCH 1
UNIT 4
RENEWAL, RE-DEVELOPEMENT
DEVELOPEMENT AND FORMULATING URBAN DESIGN
Definition and need for urban renewal and re--development, scope for urban renewal in India challenges and
implementation methods of urban renewal for Indian historic towns and cities, impact of public participation. Analysis
and formulation of urban design guidelines for new developments. National and international case studies for urban
renewal.
2
An Overview of Urban Renewal
The purpose of urban renewal is to improve specific areas of a city that are poorly
developed or underdeveloped. These areas can have old deteriorated buildings
and bad streets and utilities or the areas can lack streets and utilities altogether.
First it allows for the use of tax increment financing (explained below) to
finance improvement projects.
Second, it allows for special powers to buy and assemble sites for
development or redevelopment, if that is desired.
And third, it allows for special flexibility in working with private parties to
complete development projects.
Urban renewal agencies are created by state law (ORS Chapter 457) but are
specifically “activated’” by the governing body. The agencies are separate legal
bodies from the governing body, but in most cases the urban renewal agency
board is composed of members of the governing body.
To undertake urban renewal projects with tax increment financing, the projects
must be authorized in an Urban Renewal Plan. The plan applies to a specific
geographic area of the city, which is called the Urban Renewal Area.
Urban renewal is unique in that it can be funded by tax increment revenues. Tax
increment revenues are the amount of property taxes generated by the increase in
total assessed values in the urban renewal area from the time the urban renewal
area is first established. The assessed value of an urban renewal area at the time
the plan is adopted is called the “frozen base”. Growth above the base is called
the “increment.”
The diagram below shows how this works for urban renewal plans adopted after
Measure 50.
Though the amount of tax increment revenue is determined by the growth inside the
urban renewal area, for the purpose of complying with Measure 5 property tax limits, the
taxes are actually raised from all property within the city. The normal taxes paid by each
property owner in the city are divided, so that taxing districts and the urban renewal
agency get their proper share.
Over time the urban renewal plan helps create growth in assessed values. After the plan
is completed, the taxing districts revenues are higher than they would have been without
an urban renewal plan. This is shown in the diagram below:
Taxes on Taxes on
Growth to Total
Urban Assessed
Renewal Value to
Taxing
Taxes on Assessed
Districts
Value at Start of
Taxes on Base
Urban Renewal Plan
to Taxing
(Base) Districts
Existing statutes limit the scope and size of urban renewal plans and require a thorough
public process for adopting or making major changes to urban renewal plans.
For cities with over 50,000 people, urban renewal areas cannot include more than
15% the land area or 15% of the assessed value of the municipality.
For cities with less than 50,000 people the limits are 25% of land area and
assessed value.
Adoption or major changes of an urban renewal plan require that the city “consult
and confer” with affected taxing districts, present the plan or amendment to the
planning commission and adopt the plan or change by non emergency ordinance.
Notice of the hearing on adoption of the plan or amendment must sent to each
individual household within the city.
Once adopted an urban renewal plan area cannot be increased by more than 20%
of the original size. Expanding the area by more than 1% involves the same
public process as the original adoption of the plan.
Every urban renewal plan has a limit on the amount of tax increment debt used to
finance the plan. Increasing this “maximum indebtedness” also involves the same
public process as the original adoption of the plan.
Urban renewal programs are established when a local government adopts an urban
renewal plan.
By law, the plan and report must be sent to the governing body of any
taxing district that is affected by the plan. Any written recommendations
of these taxing districts must be specifically accepted, rejected or modified
by Governing body in adopting the plan.
3. Presentation to County
A City proposing to adopt an urban renewal plan must present the
proposed Plan to the County Board of Commissioners for their comment.
No action is required of the County Commission.
4. Approval of the Plan
To take effect, the plan (not including the report) must be approved by the
city council by non-emergency ordinance.
5. Notice Requirements
Direct notice of the public hearing on the ordinance adopting the plan
must be mailed to each household in the city and any portion of the urban
renewal area that extends beyond the city.
6. Public Hearing
At the public hearing on the ordinance, the governing body will take
public testimony and consider the recommendations, if any, of the
planning commission and of affected taxing districts. Any written rec-
ommendations of the affected taxing districts must be formally accepted,
rejected, or modified.
7. Ordinance Requirements
The ordinance must be a non-emergency ordinance and it must incorporate
the plan (not the report) by reference. During the period between the
adoption of the ordinance and its effective date, the adoption ordinance
can be referred to voters for their approval.
AMRUT
HRIDAY
Metro Rails
Urban Renewal
What Is Urban Renewal?
• The purpose of urban renewal is to improve specific areas of a city that
are poorly developed or underdeveloped.
• These areas can have old deteriorated buildings and bad streets and
utilities or the areas can lack streets and utilities altogether.
• Urban renewal provides the following tools:
I. First it allows for the use of tax increment financing (explained below) to
finance improvement projects.
II. Second, it allows for special powers to buy and assemble sites for
development or redevelopment, if that is desired.
III. And third, it allows for special flexibility in working with private parties
to complete development projects.
• For a municipality to use urban renewal, it must establish an urban
renewal agency and it must adopt an urban renewal plan.
Urban Renewal Plans
• Urban renewal agencies can do certain projects or activities under an
adopted urban renewal plan. These activities include:
• Construction or improvement of streets, utilities and other public uses.
• The most common type of urban renewal project is infrastructure development, including streets and utilities. Urban
renewal also commonly funds parks, plazas and pedestrian facilities. T
• hese urban renewal projects are aimed at making areas attractive and ready for private investment. An Overview of
Urban Renewal Tashman Johnson LLC April, 2005 2
• Rehabilitation or conservation of existing buildings
An urban renewal agency can assist in rehab projects of any type (residential, commercial, industrial), typically
through loans and grants to private property owners.
• 3. Acquisition and improvement of property
• (The Committee has recommended that the Agency have no condemnation authority)
• An urban renewal agency can acquire property, typically for re-sale for private or a combination of public/private
development. The agency has the power of eminent domain (condemnation) for redevelopment purposes.
• The agency must identify properties to be acquired in the urban renewal plan. Properties must be acquired at fair
market value. Once acquired, urban renewal agencies can clear and improve the properties prior to resale or lease.
Any persons or businesses displaced by agency property acquisition are entitled to relocation assistance, which
makes the process more fair and acceptable to the community.
• 4. Re-sale or lease of property
• An urban renewal agency can sell or lease property it owns for redevelopment. The agency can legally sell for less
than fair market value. Property can be sold for its “fair re-use value” which is the value for a specified use required
in the urban renewal plan. This allows property to be reduced in price to make particularly desirable development
projects financially feasible.
• Urban Renewal projects come in many shapes and
sizes
• Some reclaim land alongside a waterway and turn it
into public outdoor space
• Some create new urban landscapes out of virtual
wastelands Before After
• Some revitalise entire cities
Population in Maharastra
• Mumbai (Municipal Corporation) 124.78
• Pune (Municipal Corporation) 31.15
• Nagpur (Municipal Corporation) 24.05
• Thane (Municipal Corporation) 18.18
• Pimpri and Chinchwad (Municipal Corporation) 17.29
• Nashik (Municipal Corporation) 14.86
• Kalyan and Dombivali (Municipal Corporation) 12.46
• Vasai Virar (Municipal Corporation) 12.21
• Aurangabad (Municipal Corporation) 11.71
• Navi Mumbai (Municipal Corporation) 11.19
• Maharashtra is the only State with 10 cities having
population million+
• Government of Maharashtra is addressing
urbanisation as a progressive and desirable
development.
• To achieve this goal, the State Government
has been adopting different policies with the
help of statutory provisions of the Acts.
Urban renewal
DENSIFICATION
Optimize high value land redevelopment, promote higher
FSI and hence densification
DECONGESTION
A diametrically opposite view - decongesting the area.
• shifting the residents to other locations and re-designating
land
• A change in use /zone will make this location most prime,
resulting in land use transformation
•Gentrification is part of natural process of city development
• A forced relocation is one alternative. In small parts and
scale the same is achieved through SRA
EFFECT OF CHANGE OF LAND USE
Thane experience
The city had an economic base in the industrial estate
and industries along its periphery. However with passing
years there is a decline in the manufacturing sector and
shift towards service sector. Thus of industrial land was
converted to residential
Mulund experience
A change of land use was witnessed in 90s along LBS
Road in the area between Mulund and Thane. Most of
these industries shifted out and land was converted to
residential. The new development consists of shopping
malls and high end residential apartments. T.Nagar,
Chennai experience
The redevelopment project of the Tyagraj Nagar
area covering 6.86 sq.km. was conceived by the Chennai
Corporation for development area into a world class
shopping destination
Stakeholders questioned the same
CLUSTER DEVELOPMENT IN
– A RAY OF HOPE
The Bhendi Bazar cluster redevelopment
project is arguably one of the most ambitious
urban renewal schemes Mumbai has seen.
It aims to turn one of the city's most
congested and ramshackle neighbourhoods,
into a swank, new green precinct.
16AR406
URBAN DESIGN & RENEWAL
16AR406 – URBAN DESIGN & RENEWAL – PRESENTED BY :N.PRAVEEN , M.ARCH 1
UNIT 5
2
UNIT 5
URBAN DESIGN SURVEY & PRESENTATION
16AR406 – URBAN DESIGN & RENEWAL – PRESENTED BY :N.PRAVEEN , M.ARCH
TOWN PLANNING SURVEYS
GENERAL
The surveys establish ultimately the present state of the town and
indicate the measures for its improvements. It may be mentioned that
the surveys do not necessarily mean the work carried out usually by a
land surveyor. The chief objects of surveys for the town planning are as
follows:
I. The people, their interests and occupations and how they follow
them,
II. The land and buildings and how they serve their interests.
1. Functional survey: The functional aspects of a town life are studied under
this survey. The type of information collected in the functional survey can be
enlisted as follows:
· Roads including history of roads, traffic survey, details of width of roads
and tree planting,
· Railways with positions of level-crossings, passenger stations and goods
sheds,
· Airports and seaports,
· Waterways and canals,
· Routes of bus, tram, ferry, suburban railways,
· Local industries, their classification and location,
· Availability of raw materials and type of labour employed,
· Mines and their location,
· Conditions of commercial activity,
· Probable cost of planning scheme and sources of raising funds
2. Social survey: The social aspects of a town life are studied under this
survey. This type of information collected in the social survey can be
enlisted as given below:
· Ancient ruins,
· Architectural character of the locality,
· History of growth from the study of old maps,
· Conditions favourable for preservation of wild life,
· Preservation of natural beauty,
· Birth rates, death rates and charts of diseases,
· Residential areas, types of buildings, slums and suburban
development,
· Historical buildings and public buildings, their location and
classification,
· Parks and playgrounds, their size,
· Public services comprising of water supply, sewerage, drainage,
electricity, telephone, street lighting, cemeteries and fire protection.
3. Territorial survey: The physical aspects of territory are studied under this
survey. The type of information collected in the territorial survey can be
enlisted as follows:
· Geological features showing rocks and method responsible for
formation of topography,
· Contours of the land surface showing actual heights and variations of
surface,
· Rivers, oceans, streams and lakes,
· Climatic conditions including temperature range, rainfall and
direction and intensity of winds,
· Types of soil including areas of first class agricultural soil,
· Forests and other natural vegetation.
Protected trees
Axial alignment
Alleyways
Urban gateway
Green gateway
Brentwood
Green open space contributing to gateway space Station
18
2 - Urban Design Analysis
Conservation &
Townscape Elements
1 Building acting as a focal element
(axial alignment) where routes
diverge or converge (e.g. Queens &
Coptfold Roads)
2 Building mass and interfaces
help to structure positive public
spaces (e.g. High Street)
1 2 3
3-4 Street spaces perpendicular to the
High Street are downscaled to
accommodate and encourage
pedestrian activity (e.g. Crown
Street)
5 Chapel Ruins area (including the
Scheduled Ancient Monument) is
located at the heart of the High
Street
6 Existing alleyways add to the
townscape character of the historic
core and allow for permeable
pedestrian movement
4 5 6
7-8 Vertical architectural features of the
historic buildings contribute to the
character of the town; acting as
orientation elements
9 Shenfield Common is a green
gateway into the town, where a
series of historic routes meet
Source:
Key
Brentwood
Open space Station
20
2 - Urban Design Analysis
Open Space
1 North-west
west green ‘wedge’ including
St Faith’s country park (part of
the Weald Wooded Farmland)
2 Base Brentwood Green
3 Park space, North Road
4 Park space forming part of the
eastern gateway on approach to the
eastern end of the High Street 1 2 3
5 Brentwood Ursuline Convent High
School grounds
6 Brentwood School grounds and
Club sports grounds - dominant
green space between Brentwood
and Shenfield
7-8 Shenfield Common as green
gateway space for the south-east
(part of Little Warley Wooded
Farmland landscape character)
4 5 6
Source:
Key
22
2 - Urban Design
Analysis
Heights
The building heights across the Town Centre are
predominantly between 2 ,3 and 4 storeys, which
is an appropriate scale for the historic High Street
and surrounding areas.
Some of the historic buildings have vertical
Key
10+ storeys
Kings Rd
8-9 storeys
5-7 storeys
3-4 storeys
2 storeys
Brentwood
Vertical architectural feature Station
Key
A1 - Shops
A4 - Drinking establishments
C - Hotels
D1 - Non-residential institutions
Vacant
24
2 - Urban Design
Analysis
Public Realm Network
The dominant public realm feature is the High
Street. Leading off this space are a series of
alleyways that contribute to pedestrian
movement on both sides of the High Street.
Kings Road plays an important role in connecting
Key
Key Gateways
Brentwood
Public realm Station
Key
26
2 - Urban Design
Analysis
Vehicular Movement,
Parking & Public Transport
The current system of main routes provides a
permeable condition with choice to move around
or through the town with ease.
The majority of the council parking areas are
strategically located in relation to the Town
National Rail
5
Crossrail
Brentwood
Bus Stops Station
28
2 - Transport Analysis
C
Road Accidents
Road accident clusters have been identified using
Essex County Council data from August 2013 – P
August 2016. These indicate a number of P
locations where vehicles, and/or vehicles and
vulnerable users, including ‘Vehicle’ Conflict
Locations:
P
• High Street (A1023) / Kings Road / Weald
Road junction
P PP
• The Queen’s Road (B186) / Crown Street
P P
roundabout
P
• ‘Vehicle / Vulnerable User’ Conflict Locations PPP
Legend:
P
Fatal accidents
Accidents resulting in
serious injury
Accidents resulting in
slight injury
P
P Pedestrian Injury
C Cyclist Injury
Legend:
Junctions / mini
roundabouts operating
below capacity
Junctions / mini
roundabouts operating
above capacity
No models provided
30
2 - Transport Analysis
Traffic Modelling Diagrams
Current situation:
Current Situation- PM (peak time) PM PEAK
The base model suggests Ingrave Road and High
Street are operating above capacity in the PM
peak.
The southbound Kings Road approach to the
Kings Road / Queen’s Road mini-roundabout
experiences delays during the PM peak periods.
Legend:
Junctions / mini
roundabouts operating
below capacity
Junctions / mini
roundabouts operating
above capacity
v No models provided
32
2 - Market Demand & Analysis
Town Centre Activities
1 Retail activity along the High Street
2 Entrance forecourt of Baytree
Centre shopping centre
3 Claire’s, Baytree Centre
4 Wilko, Baytree Centre
5 Sainsbury’s
6 Chloe’s Beauty Bar, High Street 1 2 3
7 Lucy’s Boutique, Ongar Road
8 Chimichanga, High Street
9 Nando’s, High Street
Source:
Photo 2 - http://www.cortexpartners.co.uk/wp-content/
uploads/2015/08/Baytree-Centre-for-website.jpg
Photo 3 - https://www.yell.com/biz/claire-s-
brentwood-5366857/
Photo 4 - http://www.bmstores.co.uk/images/dmImage/ 4 5 6
StandardImage/20%20Brentwood%20Store%20
Opening%20Front.jpg
Photo 5 - http://www.propertymall.com/press/
images/34225pk.jpg
Photo 6 - http://scarlettlondon.com/wp-content/
uploads/2011/11/article-2066227-0EF0AFAC00000578-
596_468x362.jpg
Photo 7 - http://s3.amazonaws.com/ldc/
large/2288/22883132.jpg
Photo 8 - http://www.chimichanga.co.uk/globalassets/
images/restaurants/brentwood/chimichanga.brentwood-
380-by-380-1.jpg
Photo 9 - http://statics.192.com/estreet/original/
large/2253/22532535.jpg
7 8 9
34
2 - Some Key Findings
Feasibility Assessment & Strategy
The Town Centre functions well given the wider Where development comes forward it should
competitive context, with identified requirements complement not compete with the High Street by
from new retail and leisure activities seeking to providing high quality residential and mixed use
come to the town and new drivers of residential development that enhance the leisure offer.
demand being delivered. It therefore has the Given the limited opportunity for larger footprint
fundamentals in place to evolve and grow. retail units these developments could provide
new locations for an urban food store, however
However, to achieve the quality and mix of
comparison retail should be encouraged onto the
development and activity that truly enhances the
High Street.
offer will require ongoing coordination,
intervention and investment from the Council and Integrating new developments and enhancing
its partners. existing parts of the Town Centre will require
interventions that enhance the retail circuit, of
The key to Brentwood realising its full potential
particular focus should be the western end of the
will be to demonstrate the potential. The Council
High Street, where the pedestrian and, in turn,
should start by focusing on locations where it has
trading environment is weaker and fewer anchor
most direct control and influence. This will
tenants are located.
establish the market opportunity and provide a
best practice example to private landowners.
In bringing forward new opportunities it is vital to
work with ‘new’ drivers for the Town Centre which
will underpin additional demand. A critical
element will be the ability to increase the
immediate Town Centre catchment by
accommodating new residential development,
which will itself be supported by the arrival of
Crossrail.
Early public realm improvements should be a
pre-cursor to development, better integrating the
station into the town through a range of
enhancements on key walking and cycling routes.
Critically this should seek to provide route choice,
encouraging walking and cycling by separating it
from busy traffic on King Road. Key arrival points
and gateways should also be enhanced and
animated.
Source:
36
2 - Some Key Findings
Some Negatives
10 Service yards are embedded within
the historic core
11 Certain existing alleyways have poor
street interfaces
12-13 Clutter of landscape features on
strategic land parcels, create spaces
with poor legibility, obstruct
pedestrian movement, and lead
to a lack of human surveillance of 10 11 12
streets and public spaces
14-15 William Hunter Way site forms a
barrier between the historic core
and the northern parts of
Brentwood Town Centre. The
emphasis is on mobility with poor
pedestrian crossings
16-17 Buildings and parking zones have
poor street interfaces and
relationships with their immediate
surroundings
18 Poorly defined gateways into the
13 14 15
High Street; clutter of traffic
elements, restricted pedestrian
movement at these critical
intersections
Source:
Legend:
Council Owned Parking
Sites
Existing Roads
Junctions Enhancement –
pedestrian access focus
Junction Enhancement –
Increasing traffic flow /
reducing congestion focus
Junction Enhancement –
reducing traffic flow / speed
Junction Enhancement -
Increasing traffic flow but
not into the High Street
Vehicle Accessibility
Improvements
38
Wayfinding improvements are also a key issue for
this masterplan, particularly between the Town
Centre and the station, so as to create a sense of
place, increase streetscape legibility and
encourage pedestrian flow.
New public realm opportunities and possible
locations for gateways to these spaces have also
been identified and tied into this strategy,
highlighting where pedestrian movement could
take priority and generate new destinations.
Specific locations to focus on include:
Connections between William Hunter Way and
High Street;
Crown Street adjacent to the Bay Tree Centre car
park. Car flow in this location could be reduced by
closing the existing Coptfold Road car park exit.
A focus on servicing is also essential given the
existing functions of William Hunter Way,Hart
Street and Alfred Road. In particular, service
vehicle access issues pertaining to the Iceland
car park on Alfred Road must be considered in
order to ensure safe access and prevent damage
to the streetscape.
Key
P
P P
Buildings/areas with poor relationship to its
surroundings
Conservation area
Lack of way-finding
finding between Town Centre and
the station Brentwood
Station
40
2 - Some Key Findings
Schools to
the north
Opportunities
The identified opportunity areas implies a
condition to explore more north-south
south desire links
to integrate the Town Centre with the surrounding
schools and the train station. Car-dominated
junctions and roads can be explored to be more
P
Key
Crossrail