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  • Depois Do Prazer: Trompa em F

    Uploaded by

    Gabriel Côrtes
    18 views2 pages
    This document is a musical score for the piece "Trompa em F" by Gabriel Côrtes. It contains musical notation using symbols like quarter notes, half notes, and other indicators of pitch, rhythm, and dynamics. The score spans multiple pages and includes indications of tempo, repeats, and codas throughout the piece.

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    Original Title

    Depois_do_Prazer-Trompa_em_F

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    This document is a musical score for the piece "Trompa em F" by Gabriel Côrtes. It contains musical notation using symbols like quarter notes, half notes, and other indicators of pitch, rhythm, and dynamics. The score spans multiple pages and includes indications of tempo, repeats, and codas throughout the piece.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    18 views2 pages

    Depois Do Prazer: Trompa em F

    Uploaded by

    Gabriel Côrtes
    This document is a musical score for the piece "Trompa em F" by Gabriel Côrtes. It contains musical notation using symbols like quarter notes, half notes, and other indicators of pitch, rhythm, and dynamics. The score spans multiple pages and includes indications of tempo, repeats, and codas throughout the piece.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Trompa

    em F Depois do Prazer
    Arranjo: Gabriel Côrtes
    SPC Revisão: Gabriel Côrtes

            
       
               
       
     = 120

      

                   


          
       
        
       
    8

              
                       
          
    16


                       
           
            

      
    23

      

                     
          
                 
    30

                   
          
                    

    37

               
            
                  
     
    44

     

                  
     
         
               

     
    51

      
                       

        
               
    58 To Coda

                              

            
    D.S. al Coda

     
    65

    G.Cõrtes
       
         
    2

                   
              
    72

     

         
                              

    79

     
    3 3

     
       
    87

    G.Cõrtes

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